A packed out Islington Academy were here to see Magnum in the band’s 40th year, although Bob Catley and Tony Clarkin can trace their musical roots back to the late 60’s Brumbeat era. First up we had Trillium fronted by Amanda Sommerville, who has worked with Kamelot, Avantasia and Michael Kiske (ex-Helloween) amongst others. I have only heard the Kiske/Somerville album and a few songs of the Trillium debut album before tonight and was impressed by the set.
They used backing tapes for the keyboards following the passing of their keyboard player Simon Oberender (who also worked with Avantasia and Beyond The Bridge). Amanda Somerville certainly has an impressive and powerful voice with the Kiske/Somerville tune ‘Set A Fire’ a stand out. A good support although I’d like to have seen mainland Europe support Neonfly on the bill as well ( a few of the band were in the audience though).
Magnum I haven’t seen for around three years and I think this was the twelfth time I was seeing them, and like the previous times they never disappoint. The set list featured a lot of songs from their albums since they returned back in 2001, showing how good these albums have been.
They even featured a handful of songs of their excellent new album ‘On the 13th Day’ including ‘Dance of the Black Tattoo’, a song which I am sure will remain in their set lists for years to come as it is already a firm fan favourite. A few surprises too including the return of ‘The Spirit’, albeit in acoustic mode and ‘The Flood’ of their ‘Sleepwalking’ album.
The good thing with Magnum is they do mix their set lists up more (something a band like Motorhead never do) with ‘All England’s Eyes’ back in all its pomp finery yet there was no ‘Just Like An Arrow’. Mark Stanway’s keys for me are an integral part of the Magnum sound, as much as Bob Catley’s voice and Tony Clarkin’s guitar/songwriting talents and they were nicely to the fore in the live mix. Bob Catley gets a chance to shine on ‘Les Morts Dansant’ whilst Tony Clarkin gets to riff away on one of my favourite Magnum tunes ‘Vigilante’.
For encores we had another new song ‘See How They Fall’ and two more classics in ‘Rockin’ Chair’ and ‘Days Of No Trust’. The band seemed to have had as much fun as the audience!
With the rock solid rhythm section of Al Barrow and Harry James, this is the strongest Magnum line-up for me and live they are one of the most consistent acts out there today.
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Pete Feenstra celebrated his 300th show in October 2019. Pete heads up a five-hour blues rock marathon when “Tuesday is Bluesday” from 19:00 GMT. Listen out also for his interview-based Feature show on Sundays (20:00 GMT)
Power Plays w/c 28 October (Mon-Fri)
COLLATERAL Mr Big Shot (Roulette Media Records)
BABY HUSBAND Stop Thinking About Tomorrow (indie)
OF ALLIES Off The Map (indie)
EXPLORING BIRDSONG The River (indie)
MARISA AND THE MOTHS – Slave (indie)
CATTLE AND CANE I Wish I Knew Jesus (Like I Do)
KING VOODOO Creep (indie)
Featured Albums w/c 28 October (Mon-Fri)
09:00-12:00 UNRULY CHILD Big Blue World (Frontiers)
12:00-13:00 REDLINE Gods & Monsters (Escape Music)
14:00-16:00 WILDWOOD KIN (Silvertone/Sony)
Albums That Time Forgot (Mon-Fri)
MAGNUM Sleepwalking (1992)
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