Album review: DOUBT! – Mercy Pity Peace & Love

 

 

 

 

Moonjune records

DouBt is a bristling trio of free form players who wrap their spontaneous playing in fusion and funky clothing, but ultimately return to their chosen style of playing. ‘Mercy, Pity, Peace & Love’ is far from being a conceptual work, and if the title track relates to any of the concepts within, I couldn’t find the immediate links. For the most part this is challenging music that sounds as if the trio are trying to stay within the parameters of accessibility, but ultimately their unfettered approach gets the better of them

DouBt like to feed off each others improvisational ideas and see where it takes them. At time it works well, but you suspect that the most accessible pieces might well be a compromise of what they would rather be doing.

Even the political narrative of the opening ‘There Is A War Going On’ has to battle to make itself heard over a growling organ /guitar work out. The listener is given a choice of either being sucked into the music by the narrative or vice versa, but the track comes unstuck when it tries to do both simultaneously.

‘Jalal’ is a mature slice of fractured funk that might well have come from the George Duke/Zappa era.  The expansive guitar lines sounds like an electric violin, while the hard riffing of ‘No More Quarrel With The Devil’ references the King Crimson ‘Red’ era.

So far so good, but the real business of hooking you into their improv world, starts with the sonorous groan, spacey ambience and Cecil Taylor style rapid note clusters of ‘Rising Upon Clouds’. The whole piece is offset by Tony Bianco’s crisp cymbal work, while Alex Maguire’s  slow tempo church organ gives the piece a touch more gravitas. Much later the trio return to the same format with the free form, merry go round sprawl of the aptly titled ‘The Human Abstract’

In this context the inclusion of the electronic reworking of ‘Purple Haze’ signifies the band’s adventurous spirit, with which they readily deconstruct a composition and then find a way back to the source.

But there’s an unexpected calm after the storm on the beautiful ‘The Invitation’ which nuances John Abercrombie’s meditative approach. Every caress of Michel Delville’s guitar strings is eventually shadowed by Alex Maguire’s keyboard, with Tony Bianco again adding subtle support on cymbals.

It was probably more difficult for the trio to play such an emotive piece than to approach the complexities of the overwrought title track. The portentous sonorous drone, restless press rolls and electronic noodles colour a track that hovers, undulates but ultimately fails to fulfil its potential.

The over extended opening resembles a loose jam where no one is sure where to go next. In fact the band rebuild the piece on the back of some darting piano runs before Alex’s outrageous keyboard solo – very reminiscent of  Chic Corea’s Return Return to Forever – and a final spirited guitar led resolution.

The title track much like the album as a whole is good in parts. There’s resolute playing, killer riffs and spirited interplay, but the spacey noodling of ‘Tears Before Bedtime’ tests the patience. The trio is capable of much better and the uplifting ending hardly warrants what’s gone before.

‘Mercury’ is piano led funky fusion. It’s a genre they stretch to their own ends as Alex meanders his way in and out of the groove while drummer Tony Bianco shapes the jammed outro.

DouBt finally return to the netherworld of dissonant, sonorous drones on ‘Goodbye My Fellow Soldier’, where slowly evolving shapes and a feverish percussion hold sway. It’s a rather bleak ending to an album that is actually full of sonic adventure.

***

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Josh Taerk Sunday Sessions 2024

Latest session: Sunday 25 February
Next session: Sunday 14 April

Check out videos here: https://www.facebook.com/getreadytorockradio



David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 March 2024.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 5 March 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 18 March 2024

GYPSY’S KISS We’ve Come To Play
FM Out Of The Blue (Frontiers)
SHOTGUN MISTRESS Shot Down (indie)
ATTIC THEORY Violent Delight (indie)
FLOYA Yume (FiXT)
SAHAJI Tell Me All Your Feelings (indie)

Featured Albums w/c 18 March 2024

09:00-12:00 The Best of 2003-2023
12:00-13:00 LEAVES’ EYES Myths Of Fate (AFM Records)
14:00-16:00 HOLLY LERSKI Sweet Decline (indie)


To see our Tweets you need to be logged in to a Twitter account



Popular (last 10 days)


This entry was posted in ALBUM REVIEWS, ALBUM REVIEWS (Mobile), ALL POSTS and tagged , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply