Alligator [Release date: 08.10.13]
There may be a significant gap between Alligator Records’ original mission statement of ‘genuine houserocking music’ and Anders Osborne deeply felt, confessional singer song-writing, but the contemporary blues scene has surely benefited from the liaison.
It’s nearly 40 years since the Alligator Records started and ‘Peace’ sends out a confident message that the label is still backing adventurous music.
It’s not just the way Anders has stretched the blues genre into his own unique roots rock mould that is a cause for joy, but also the way the label’s approach to artistic development has proved to be the perfect match for an enduring talent in need of nurture and a musical home where he’s appreciated.
‘Peace’ doesn’t comfortably fit any genre, save for the old catch all of Americana. The 11 tracks are shot through with an emotional veracity that makes musical labels irrelevant. Anders Osborne undoubtedly lives, breathes and plays the blues, but as he says himself, he’s on the outside looking in. He’s effectively a conduit through which we can understand life’s rich tapestry, as he dwells on a troubled past but looks to a brighter future.
Some critics have praised him for his art, but that is only a partial recognition of music that is rooted in his soul, as evidenced by deeply personal lyrics and fiery guitar work.
Anders has repaid his label with the best album of an already impressive career, adding instrumental colour to some intricately woven songs and imbuing his music with an essential drive and sense of purpose. He’s been called ‘original and visionary’ and ‘Peace’ bears that out. His passionate, observational and confessional songs draw you in and surprise you with their emotional depth, brutal honesty and musical ebullience.
His songs are anchored by the same introspective feel favoured by many of today’s gloomy singer songwriters, but ‘Peace’ is more of a celebration of life and about finding his own sense of place.
The notion of a spiritual rebirth is familiar fare for singer-songwriters, but a combination of eloquent melodies, intricately layered sounds and welcome musical variety makes ‘Peace’ special.
You could argue that Anders had already moulded the template for his unique style on his last two albums. If ‘American Patchwork’ was a confident step towards exploring his psyche and honing his song-writing craft, then ‘Black Eye Galaxy’ glowed with the self confidence of a survivor. ‘Peace’ is another step forward as he raises the bar in terms of heartfelt songs that map out his re-connection with the world.
He also impresses on a musical level, with a variety deep guitar tones and thoughtful arrangements that frequently mirror the feel, mood and meaning of a piece. The beautifully crafted songs are all interconnected, meaning that for every distorted tone and heavy duty riff, there’s a counter balance in tow. The album is full of contrasting guitar tones, snappy rhythms, crucial dynamics and uplifting hooks that make it memorable.
The Neil Young inspired title track for example, is full of grunge guitar, sludgy rhythms and high-end vocals that buttresses the poetic imagery of a natural wordsmith: ‘I’ve seen dirty needles turn into wisdom and I’ve seen love I don’t understand, I’ve been looking for the same upon every mountain and down on every beach, playing all my songs all the way from Woodstock, down to New Orleans, and I’m still looking,…looking for a day of peace’. The heavy duty rocker is duly counterweighted by the subtle acoustic and organ layered rhythms of the very catchy ‘47’.
The unexpected twists and turns are exemplified by the hypnotic groove of ‘Let It Go’ and the catchy Paul Simon influenced ‘Windows’, on which his autobiographical lyrics meet an ascending guitar solo that rises like a bird and soars into the outro.
Then there’s a brace of segued, edgy mid-section songs that deal with urban paranoia, gun violence and urban unrest. The pulverising ‘Five Bullets’, is another Neil Young influenced song full of heavy riffs and a faux rap delivery, before a stark onomatopoeic couplet completes the hook: ‘Boom Boom Boom that American sound, teenage kids on the naked ground’.
The song segues into the unsettling and circular cacophonous voice collage of ‘Brush Up Against Me’. It’s followed by the suitably titled ‘Sentimental Times’, which finds him in a Jackson Brown mode, on some poignant reflective lyrics about his native New Orleans, voiced over a French horn and Procol Harum style melody line: ‘Coffee shop’s gone, banks moved on, bike trail to the lake’s all overgrown, Katrina came and took it all away.’
Anders also has the ability to surprise, no more so than on the poppy refrain of ‘Dream Girl’, which initially sounds light weight, but suddenly builds with an ascending layered wall of sound that beautifully rounds off the song. ‘I’m Ready’ moves from an acoustic intro towards an epic finish with the redemptive line: ‘I’m ready to live life forever’, before a suitably meditative end-piece ‘My Son’
‘Peace’ is a brave album in post modern times and highlights a mature songwriter who has buried his demons and moved on to explore what life has to offer him. ****½
Review by Pete Feenstra
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Power Plays w/c 23 July 2018
BAD WOLVES (with Diamante) Hear Me Now (Eleven Seven Music)
STATIC FIRES Black Velvet (indie)
FIVE FINGER DEATH PUNCH Sham Pain (Eleven Seven Music)
ICARUS DIVE Hydra (indie)
CONCRETE KINGDOMS Time To Play (indie)
LEONTAS Rhythm & Blues (indie)
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09:00-12:00 CLIF MAGNESS Lucky Dog (Frontiers)
12:00-13:00 MAD MAX 35 (SPV)
14:00-16:00 CHRIS THOMAS Bound To The Ocean (indie)
Albums That Time Forgot (Mon-Fri)
18:00-19:00 JETHRO TULL Catfish Rising (1991)
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