Gig review: HOUSE OF LORDS, Coldspell, Lawless – Camden Underworld, London, 25 March 2014

Coldspell - Camden Underworld, 25 March 2014

London saw its second triple bill of melodic rock in a week, but a line-up with a difference, as bands on the Hard Rock Hell AOR bill sought gig opportunities while they were over in the UK.  Originally this was Coldspell’s show, but following the cancellation of their own London show with Robin Beck, House of Lords were added to the bill much later and as the more experienced band took on headlining status.

A half hour set  from Lawless warmed things up nicely. The Stoke band formed by a couple of Demon members including shaven headed lead singer Paul Hume produced a solid set of hard-driving but well played songs in the classic tradition of British hard rock, with guitarist Howie G shining, even if song titles like FOAD and Heavy Metal Heaven gives the game away that they will win no prizes for originality.

By my reckoning this was the third tour on which I had seen Coldspell in the UK, and they become a more enticing proposition every time now with three albums under their belt.

The Swedes have the typically Scandinavian ear for melody but are not afraid of more complex arrangements which gives songs like the openers ‘Heroes’ and ‘Angel of the World’ added depth, and the adventurous interplay between Michael Larsson’s guitar and the keyboards of Matti Eklund calls to mind the glory years of Deep Purple, Rainbow and UFO, none more so than on ‘Night Falls’ with a great Hammond organ solo.

Coldspell - Camden Underworld, 25 March 2014

Singer Niclas Swedentorp, diminutive  and short haired, cuts an incongruous figure and yet has a strong vocal range (not to mention a dry sense of humour) and barely missed a note.

Coldspell - Camden Underworld, 25 March 2014

‘Soldiers’ had a slight Thin Lizzy feel to it, ‘Straight Things Out’ rocked around a punchy riff and the catchier ‘Time’ ended an excellent set just short of an hour that would certainly have been worthwhile headline material.

House of Lords came on stage with a surprise as the three band members played a trio of songs from their new project Maxx Explosion. They were impressive melodic hard rock with bassist Chris McCarvill doing a good job with the singing, reminding me of Firehouse’s CJ Snare,  but it was not what people had paid to see.

Fortunately singer and sole HoL original member James Christian joined them and the set began in earnest with a lengthy taped intro leading into a splendid ‘Sahara’. James was in excellent voice although hiding throughout behind a pair of shades suggested he might not be feeling at his finest.

House Of Lords - Camden Underworld, 25 March 2014

The current line up has been together for several years now, over which point the newer material has gradually edged out the oldies from the Gregg Giuffria years, with the exception of a typically majestically delivered ballad ‘Love Don’t Lie’ – enhanced by the taped keyboards that I always find infuriating at a modern day HoL show.

Numbers like ‘Big Money’,  ‘Into Battle’ and ‘Permission To Die’ – the latter two from the new Precious Metal album- were significantly heavier, while ‘Sleeping With The Sharks’ saw James straining outside his usual deep vocal register.

House Of Lords - Camden Underworld, 25 March 2014

The oldies were saved for later in the set, with should-have-been hit ‘I Wanna Be Loved’ featuring an excellent solo from Jimi Bell, who resembles -  in appearance rather than his rapid soloing style – a young Tony Iommi with his black hair, crucifixes and left handed guitar, before another lengthy taped intro gave way to the pomp sounds of ‘Pleasure Palace’.

House Of Lords - Camden Underworld, 25 March 2014

However the pacing of the show was uneven, with further time taken up by a lengthy drum solo and a strange ending in which a lengthy band jam gave way to a brief return for ‘Slip Of The Tongue’, and a low key exit with James failing to say goodbye to the fans and close off the show.

While sublime in parts, the House of Lords show fell short of Coldspell’s sustained excellence and on merit alone the Swedes probably would have been deserved headliners.

Review and Photos by Andy Nathan



On Sunday 28 July 2019, David Randall celebrated his 600th show. “Assume The Position” started in June 2007 on UK City Radio before transferring a year later to Get Ready to ROCK! Radio. The show includes tracks played on the first show plus Upton Blues Festival highlights, new music and the regular features “Live Legends” and “Anniversary Rock” which this week celebrates the Island Records label 60th anniversary.

Listen in to Get Ready to ROCK! Radio…
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Power Plays w/c 19 August (Mon-Fri)

BEFORE FIRE Dead Eyes (indie)
SCOTT & MARIA Never Give Up (indie)
CORELEONI Queen Of Hearts (AFM Records)
BERLIN Transcendance (Cleopatra Records)
PHIL CAMPBELL These Old Boots (Nuclear Blast)
PHIL LANZON Blue Mountain (Phil Lanzon Ditties/Cargo Records UK)

Featured Albums w/c 19 August (Mon-Fri)

09:00-12:00 SOLEIL MOON Warrior (Frontiers)
12:00-13:00 ROXY BLUE Roxy Blue (Frontiers)
14:00-16:00 DREW HOLCOMB & THE NEIGHBORS Dragons (Magnolia Music/Thirty Tigers)

Albums That Time Forgot (Mon-Fri)

JAMES STEVENSON Everything’s Getting Closer To Being Over (2013)



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