Calliandra/KScope [Release date: 18.04.14]
Ian Anderson has certainly been getting around in recent times. A Prog God in award ceremonies and of course we now know why he reserves his firmest handshakes for trusted members. Of his inner circle that is.
And recently we have learned what we all suspected: Jethro Tull will not exist as we used to know it. It will be left to that band’s constituent members to perpetuate the back catalogue.
Chatting last year to Martin Barre for GRTR! it is evident that there was some chicanery going on when both he and Ian Anderson decided the Tull format in its present incarnation had run its course. But then, unbeknown to Barre, Anderson was readying TAAB2. Hardly transparent.
Through the annals of time, Tull has always been associated with Anderson but in truth Martin Barre has been as much a part of that band’s continuing success and durability.
Given that Ian Anderson has been struggling vocally for many years now, the band in a sense became more important. But, having lost the power of his voice and the loyalty of his chief lieutenant, perhaps Ian Anderson has now also lost the plot?
And with the latest album reviving the spectre of his alter-ego Gerald Bostock, one is led to that conclusion. It’s just more of the same and, moreover, Martin Barre isn’t in the building. TAAB2 was a novel extension. TAAB3 is tiresome. It’s only redeemed by an excellent instrumental, ‘Tripudium Ad Bellum’, ‘After The Wars’, and ‘New Blood, Old Veins’. The latter track though is only 2:32.
Wrapped up in the intricate wordplay I can’t help thinking that the spectre of Ian Dury prevails during songs like ‘Enter The Uninvited’ where Anderson name checks all the “modern day evils” like Facebook and West Wing. It made me think also: “Gerald Bostock, I didn’t like you in 1972 and I don’t like you now. So shut the f–k up”.
It sounds to me like old man’s music for bitter old men with Anderson cast as the thinking rock fan’s Betjeman. Musically it’s fine, but the over-powering lyrical themes – whilst supremely crafted – are a little hackneyed. You will need the album booklet and a strong cup of coffee…
Anderson/Tull have always made – in the main – great music that has prevailed through umpteen musical trends and they’ve even played Metallica at their own game (well sort of).
It seems now that awards and accolades notwithstanding, Anderson is settling in to boring old age. Martin Barre has said that by mutual agreement Tull needed to be revitalised but Anderson/Bostock whilst sounding like Tull isn’t the hoped for kick-start to the process of reinvention. ***1/2
Review by David Randall
David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.
Gig review (2 May 2014)
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21st Inverness Eden Court 01463 234 234
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The latest Facebook Live session from Canadian singer-songwriter Josh Taerk
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It’s an Anniversary Show celebrating a year of Sunday Sessions.
Next session: Sunday 23 May, 21:00 GMT and 16:00 EST
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 18 April 2021 and includes the Top 10 albums at www.getreadytorock.com for that week.
UK Blues Broadcaster of the Year (2020) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 ( BST, GMT+1) as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 20 April 2021.
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Featured Albums w/c 19 April 2021 (Mon-Fri)
09:00-12:00 STEPHEN CRANE Kicks (AOR Heaven)
12:00-13:00 THE TREATMENT Waiting For Good Luck (Frontiers)
14:00-16:00 AMY SPEACE & THE ORPHAN BRIGADE – There Used To Be Horses Here (Proper)
Power Plays w/c 3 May 2021 (Mon-Fri)
THE COLD STARES In The Night Time (Mascot)
NATHALIE MIRANDA Battle Scars (You Won’t Forget My Name) (indie)
RAMES Eleanor Street (indie)
THE STEADY LETTERS The Blue (indie)
CRIMSON RIOT Shatter (Golden Robot Records)
THUNDERMOTHER You Can’t Handle Me (AFM Records)
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