Nuclear Blast [Release date 30.01.15]
Delain’s April Rain (2009) was my introduction to symphonic rock/metal, and Within Temptation The Unforgiving (2011) completed my education. I’ve subsequently discovered that a little ‘symph’ goes a long, long way. Metal meets Eurovision is a brittle combination, and the lack of distinction between the purveyors a little alarming.
Formed in 1996, some might say ‘accept no substitute’ as far as Nightwish are concerned when it comes to ‘symph’. They more or less invented the genre and were the first to conquer America with their 2004 release, Once. A metal machine, not even the departure of lead singer Tarja Turunen in 2005 could stop the juggernaut, although fans were mixed in their appraisal of replacement Anette Olzon who fronted Dark Passion Play (2007) and Imaginaerum (2011). But falling pregnant in 2013, she found her services no longer required.
While I’ve only dipped into earlier Nightwish releases and found them a little ‘formulated’ Endless Forms Most Beautiful introduces Dutch singer Floor Jansen as Olzon’s replacement and Troy Donockley (uillean pipes) as a permanent member. Jansen is less operatic and more ‘earthy’ than her predecessors and has, I think, the talent to take the band to new levels – if they’re prepared to compromise their modus operandi.
There are aspects of Endless Forms Most Beautiful that still raise my hackles – the passé narration and the worst excesses of the genre – ‘orc’-like grunted male vocals, excessive shredding, rib rattling riffs, and unrelenting symphonic punctuation. But, hey, I’m a grumpy old fart, and thankfully they’re deployed only intermittently.
What perhaps impresses most – Jansen’s performance apart – is the sheer cinematic power of the combined band and orchestra. The dramatic ‘Weak Fantasy’ is a prime example that would enhance any blockbuster movie – something like Terminator 2, for example.
No question, Endless Forms Most Beautiful is a polished product – as good as, and probably better than, any symphonic release you’ll hear in 2015. It puts pretenders to the throne to the sword and will, unquestionably, sell by the ship load. ****
Review by Pete Whalley
The latest Facebook Live session from Canadian singer-songwriter Josh Taerk Sunday 21 February, 16:00 EST, 21:00 GMT
More about Josh: http://getreadytorock.me.uk/blog/?s=%22Josh+Taerk%22
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 14 February 2021 and includes the Top 10 albums at www.getreadytorock.com for that week.
UK Blues Broadcaster of the Year (2020) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 ( BST, GMT+1) as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 9 February 2021.
Listen in to Get Ready to ROCK! Radio…
Click the appropriate icons at the top of the page.
Featured Albums w/c 8 March 2021 (Mon-Fri)
09:00-12:00 JOSEPH WILLIAMS Denizen Tenant (Mascot)
12:00-13:00 WHITESNAKE The Blues Album (Rhino)
14:00-16:00 ANNIE KEATING Bristol County Tides (indie)
Power Plays w/c 8 March 2021 (Mon-Fri)
WE ARE NOT ROBOTS Just Lie Again
ESCAPE THE FATE Unbreakable (Better Noise Music)
THE FRANCE Forever Too Long (indie)
ROBIN McAULEY Standing On The Edge (Frontiers)
SKAM One Track Mind (Golden Robot Records)
THE TREATMENT Wrong Way (indie)
RAINBREAKERS Ashes (indie)
Tweets by Get Ready to ROCK!