Album review: EMERSON, LAKE & PALMER – Reissues (2)


BMG [Release date 30.09.16]

To many Emerson, Lake & Palmer represented the worst excesses of prog rock  – a genre that was destined to have its collective arse kicked in the late-1970s.  This latest tranche of remasters does demonstrate why prog rock got bad press at the extreme end of the spectrum, with a band like ELP who were rumoured to have a roadie whose job was to transport and clean the gigantic £2000 Persian rug on which they stood when performing.  Plus their keyboard player (RIP) shoved knives into his organ and had a spinning piano.

1972′s Trilogy is enhanced here with a bonus ‘alternate album’ which adds an alternate version of ‘From The Beginning’ and a live version of ‘Hoedown’.  This latter piece was to become a firm live favourite whilst the former demonstrated that the band was not all bombast and bluster and could fashion an attractive four minute pop song.

This third studio album is a natural successor to ‘Tarkus’ and features the engaging two-part ‘The Endless Enigma’ although the band found it difficult to replicate the album live which led to a different recording approach for its follow-up.  ****

Brain Salad Surgery is considered to be one of their most consistent albums and the only thing missing from this latest reissue is a facsimilie cut-out H.R. Giger sleeve.  A bonus disc, mixed by Jakko M Jakszyk, brings the album into the modern idiom using alternate versions and different original mixes to fashion another ‘alternate album’.

A similar process has been carried out on Uriah Heep’s ‘Very ‘eavy Very ‘umble’ which is part of a similar BMG reissue series.  Whether it enhances or detracts is left for the listener to decide, for this reviewer it smacks a little of wringing the last drop out of the vintage wine bottle.  There are though excellent alternate takes on ‘Karn Evil 9 3rd Impression’ including the original backing track although the session outtake ‘Tiger In A Spotlight’ (which appeared on Works Volume 2) is omitted.

This disc did at least make me want to go in search of my original NME flexi disc version of album highlights, whilst realising it was jettisoned many years ago.  This deluxe version, as with ‘Trilogy’, is essentially a reissue of 2014/5 releases.  This was ELP at the height of their commercial and creative powers.  ****1/2

By the way, this is the album that contains the four-part ‘Karn Evil 9′ that is perhaps best known to a certain generation as including one of “Fluff” Freeman’s  radio sweepers Welcome back my  friends to show that never ends…  This piece gave the title to the third release in this batch of reissues, the 1974 live album.

Four albums in, the time was right to reflect their live performance on album and it is perhaps indicative that they included all but one song from ‘Brain Salad Surgery’.  For trainspotters, the piece ‘Take A Pebble’ which appears twice includes the ‘Tiger In The Spotlight’ melody (see above) . ***1/2

These reissues are updated by Chris Welch’s liner notes, including new interview material, and are presented in attractive digi-packs. With Keith Emerson’s sad passing earlier this year, they provide excellent re-evaluation material or a starter for those who wish to steep themselves in a bit of unashamed prog excess.  Don’t worry, we won’t tell.

Review by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.

Album review (Reissues 1)


The latest Facebook Live session from Canadian singer-songwriter Josh Taerk was streamed on Sunday 20 December., imbued with a festive flavour to raise the spirits

More about Josh:

David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 20 December 2020 and announces the results of the Popular Poll for Best of 2020.

UK Blues Broadcaster of the Year (2020) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 ( BST, GMT+1) as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 20 December 2020 and includes Pete’s best of the year selections

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Power Plays w/c 11 January 2021 (Mon-Fri)

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