Provogue [Release date 23.06.17]
Joe Bonamassa’s ‘Live at Carnegie Hall – An Acoustic Evening’ is a successful mid-career sleight of hand. It’s a live acoustic album that recycles mostly familiar material while keeping the career juggernaut moving forward.
Being Bonamassa, means it isn’t just an acoustic retread of former glories though, as he explores some intricate visceral moments with a nine piece band that draws on world music influences and makes good use of 3 backing vocalists to bring additional depth to the stripped down arrangements.
The end result is an album that flies on the back of several outstanding moments when the wide ranging ensemble uncover moments of real spark and spirit in the unforgiving ambience of the Carnegie Hall.
Bonamassa contents himself with focussing our attention squarely on the music – there’s no actual intro until after the ninth song ‘Get Back My Tomorrow’ – and the result is a double set with a linear feel that fully embraces the full potential that his expanded band offers him.
He opens with some big hitters such as the evocative ‘This Train’ – a percussive piece complete with a clever opening paino piece of Jethro Tull’s ‘Locomotive Breath’ – and the plaintive ballad ‘Drive’.’
On the Danny Kortchmar co-write ‘Driving Towards The Daylight’, a Neil Young style banjo line gives it a rustic feel, before the song builds imperiously and the ensemble taps into some magical chemistry, as Joe shouts out to pianist Reese Wynans to solo, which he does with alacrity.
His vocals are more restrained on the Eastern drone of ‘Blue & Evil’ as he gives way to some stirring bv’s before Tina Guo’s cello colours the track with real feel.
Joe’s vocals up to this point are confidently resonant and he seems equally at home phrasing with his backing singers. He brings variety to his vocal attack on the folky Americana of ‘The Valley Runs Low’. He almost slips into some Michael McDonald style phrasing on the gospel influenced piece and clearly enjoys a stompy duet on ‘Get Back My Tomorrow.’
Given the pre-planning that must have gone into making the huge ensemble an integral whole, it takes a while for the evening to get beyond the picture post card audience feel.
However, the emotional distance between the players and the theatre crowd melts away on the meandering sultry sax of the grassy jazz workout ‘Livin Easy’. It’s a number with an after hours feel that might have been worked out as a sound check.
‘Mountain Time’ opens disc 2 as if it was the opening track on a old fashioned double album. It builds up the vibe again on the back of some beautifully nuanced piano and string interplay. Bonamassa adds a stellar vocal which is belatedly framed by excellent bv’s and draws a big response from the crowd.
He’s equally good on ‘Song Of Yesterday’, another notable highlight on which the breakdown suddenly takes the song into a different, urgent percussive direction. The whole band coalesces magically on the cusp of a musical wave that gives the evening its flow.
‘Woke Up Dreaming’ is predicated on some feverish cello, acoustic and percussion interplay which emphasizes the song’s dynamic. The whole piece teeters on the brink of a precipice at the 4.40 minute mark, but beautifully unravels itself on another highlight that belatedly brings recognition from the cheering crowd.
It’s moments like this that makes all the effort worthwhile, as it’s simply brilliant music delivered live and without a tight rope. Stunning.
‘Hummingbird’ is something of a cathartic release and Joe uses the space to deliver a fine vocal that builds by degrees with his backing singers, though he eschews the big guitar finale to let the song quietly comes to rest as he bids the crowd goodnight.
‘Live At Carnegie Hall – Acoustic Evening’ is a triumph of planning and execution, and re-affirms Joe Bonamassa’s standing in the vanguard of contemporary rock blues.
He’s musically adventurous and takes the kind of chances that would leave many a musician quaking in their boots. The fact that he and his splendid nonet pull it all off with plenty to spare, gives the album its edge and marks him out as blues/rock musician embracing a new maturity. ****
Review by Pete Feenstra
Pete Feenstra presents his Rock & Blues Show on Get Ready to ROCK! Radio every Tuesday at 19:00 GMT, and “The Pete Feenstra Feature” on Sundays at 20:00
On Sunday 28 July 2019, David Randall celebrated his 600th show. “Assume The Position” started in June 2007 on UK City Radio before transferring a year later to Get Ready to ROCK! Radio. The show includes tracks played on the first show plus Upton Blues Festival highlights, new music and the regular features “Live Legends” and “Anniversary Rock” which this week celebrates the Island Records label 60th anniversary.
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Power Plays w/c 19 August (Mon-Fri)
BEFORE FIRE Dead Eyes (indie)
SCOTT & MARIA Never Give Up (indie)
CORELEONI Queen Of Hearts (AFM Records)
BERLIN Transcendance (Cleopatra Records)
PHIL CAMPBELL These Old Boots (Nuclear Blast)
PHIL LANZON Blue Mountain (Phil Lanzon Ditties/Cargo Records UK)
Featured Albums w/c 19 August (Mon-Fri)
09:00-12:00 SOLEIL MOON Warrior (Frontiers)
12:00-13:00 ROXY BLUE Roxy Blue (Frontiers)
14:00-16:00 DREW HOLCOMB & THE NEIGHBORS Dragons (Magnolia Music/Thirty Tigers)
Albums That Time Forgot (Mon-Fri)
JAMES STEVENSON Everything’s Getting Closer To Being Over (2013)
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