Album review: DOYLE BRAMHALL II – Shades

Doyle Bramhall 11 - Shades

Provogue Records [Release date o5.10.18]

Doyle Bramhall II’s ‘Shades’ is an eclectic album with real musical and spiritual depth. It’s a song-led album with interwoven vocal harmonies, sculpted guitar parts and plenty of emotive lyrics.

It’s a musical tableau in the sense of an artistic grouping, in which he brings together related themes, intricate rhythms and subtle guitar parts to create an essential flow to a slow burning album that demands patience and trust.

Everybody it seems is searching for a new musical direction and after some 16 years with no solo releases, ‘Rich Man’ and ‘Shades’  suggests musical ideas are pouring out of him.

And while ‘Shades’ doesn’t have the immediacy of tracks such ‘Rich Man’s ‘Mama Can’t Help You’ and the pull of ‘My People’, he still draws us deeper into his psyche.

‘Searching For Love’ for example, gathers it’s weight from being a thematic core of a heartfelt album that digs deep for feel, grooves and lyrical meaning.

He opens with ‘Love And Pain’, with a characteristic stuttering rhythm on a song intrinsically bound up with its lyrics. He almost groans his vocals on the hook in between layered sounds and a psychedelic guitar line interwoven with significant backing vocals.

There’s a lot going on, but all is resolved on the unifying hook which brings together all the interlocked elements.

If ‘Love and Pain’ is a good barometer of what to expect on the album, he further explores an intricate rhythm pattern on ‘Hammer Ring’. The nuanced guitar squalls and an uplifting psychedelic guitar break allow the track to breathe, before being rounded by gospel bv’s on the hook.

The lines between artist and producer sometime blur, as one role feeds into the other. The single ‘Everything You Need’ for example, features an emotive defining solo from guest Eric Clapton, as all the parts fit together perfectly on a white boy soul outing that could be Michael McDonald.

Then there’s his duet with Norah Jones on ‘Searching For Love’, a reprise of the successful pairing to be found on ‘Rich Man’.

The MOR ballad acts as an anchor to the album, with a blend of vocal, guitar and organ which gives him his signature sound. As on this song, his music is an extension of his words, and the two coalesce beautifully on a track that finishes with a lovely jammed out finale.

‘Live Forever’ with special guests Austin’s Greyhounds is different again, with a discernible retro west coast feel, lush harmonies and a guitar led drone on the fade out

However, not everything works so fluidly. On  ‘London To Tokyo for example, we’re taken on a  seamless funky sway with gently echoed voice and harmony vocals, before a sudden waltz time tempo change on a chorus that evokes a fairground ride.

It’s a slow burning track that heads for a wall of sound in which the guitar and strings weave their way back to the hook, before a delicate finish that could be the final brush stroke of a painting.

‘The Night’ is an awkward stop-start soul outing, with echoes of early Todd Rundgren. A combination of the opening sludgy tempo and the fact that it’s one laid back track too many robs it of its impact.

The album cries out for an uplifting track, while what we get is a sudden change of tempo with harmony vocals. It sounds a little too busy and doesn’t breathe until it belatedly hits a groove with the ‘la la’s on the outro.

You sometimes get the feeling Bramhall is trying to balance his heartfelt narratives with musical twists and turns that are sometime just too oblique.

That said, he finds more of an equilibrium on ‘She’ll Come Around’, another vocal-led love song which opens with a heartfelt narrative:  “Always feel your hear with  me, even though you’re gone, I keep this fire burning righteously until you come home.”

It’s a good example of the way he threads his guitar work with rich harmony vocals to emphasize a line or a mood.

Then there’s a refreshing simplicity of ‘Break Apart To Mend’, a piano-led love song with gently strummed guitar, delicate bv’s and more thoughtful lyrics.

When he sings “We had to work hard for the things we love”, it’s almost as if the subtext is that he’s diving deep for a spiritual journey that ebbs and flows in the way his emotions do. His guitar parts further mirror this feel, as he colours different tracks with an engaging array of tones

‘Parvanah’ opens with an early Floyd meets Radiohead feel, on a spiritual track with a lovely drum pattern and a sinewy guitar line mixed in with the hook and a big wall of sound that spirals into the ether.

‘Shades’ may or may not be a reference to the subtle crossover from a musical melange to a spiritual quest, but it certainly makes the most of some musical sophistication and an imposing production. What it lacks in dynamics, is counter-weighted by subtle harmonies, guitar parts and hooks that pull everything together.

‘Shades’ is a meandering musical and spiritual journey undertaken by a multi-tasking artist who in his best moments brings insight and clarity, but who on other occasions could probably eschew a sense of languor.

Happily, by the time of the climactic book-ending gospel ‘Going Going Gone’ with special guests Tedeschi Trucks, we are swept up in his emotional gospel tinged maelstrom, as patience bring rich reward.

****

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Josh Taerk Sunday Sessions 2024

Latest session: Sunday 25 February
Next session: Sunday 14 April

Check out videos here: https://www.facebook.com/getreadytorockradio



David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 March 2024.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 5 March 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 18 March 2024

GYPSY’S KISS We’ve Come To Play
FM Out Of The Blue (Frontiers)
SHOTGUN MISTRESS Shot Down (indie)
ATTIC THEORY Violent Delight (indie)
FLOYA Yume (FiXT)
SAHAJI Tell Me All Your Feelings (indie)

Featured Albums w/c 18 March 2024

09:00-12:00 The Best of 2003-2023
12:00-13:00 LEAVES’ EYES Myths Of Fate (AFM Records)
14:00-16:00 HOLLY LERSKI Sweet Decline (indie)


To see our Tweets you need to be logged in to a Twitter account



Popular (last 10 days)


This entry was posted in ALBUM REVIEWS, ALBUM REVIEWS (Mobile), ALL POSTS and tagged , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply