Album review: RED BAZAR – Things As They Appear

RED BAZAR - THINGS AS THEY APPEAR

White Knight Records    [Release date: 26.01.2019]

Whilst much of music these days drifts aimlessly in a reality-TV-induced slough of mediocrity, progressive rock appears to be in rude health – bucking the trend with a slew of tremendous albums released already this year.

Add to this list Red Bazar’s ‘Things As They Appear’ – the Nottingham band’s exceptional follow-up to ‘Tales From The Bookcase’ which was runner-up in the Classic Rock Society’s ‘Album Of 2016’.

Originally founded as an instrumental prog band in 2007 (an explanation, perhaps, for the quality of musicianship on display here) the band took a big leap forward in 2013 when they were joined by keyboard player Gary Marsh and, in particular, Peter Jones on vocals and keyboards.

As most prog aficionados will know, Peter Jones is the multi-instrumentalist behind Tiger Moth Tales and, as anyone who saw their latest tour will testify, now a significant other in Camel’s recent renaissance.

He’s also part of the reason that ‘Things As They Appear’ is so good – but only a part. The whole band are exceptional musicians; Andy Wilson (guitar), Mick Wilson (bass) and Paul Comerie (drums) display all the skill and cohesion that playing together for over a decade inevitably brings -  and the whole album has been superbly recorded and produced by the band themselves.

From the crashing chords that introduce opener ‘Temple’, the eight tracks are an object lesson in contemporary progressive rock – a template much used in days of yore but given a 21st Century sheen that, at times, is breathtaking.

There’s ‘wow’ moments galore here on an album that explores the modern world and all its foibles. Much of it is very dark, as you’d expect, but there’s also an uplifting quality about the whole thing that is hard to quantify.

High points must include the scintillating guitar work on ‘Temple’, ‘Liar’, Rocky Bone Runway’ and ‘Future Song’, Jones’ keyboard solo on ‘Nothing Left’ and the bass and drums throughout that hold the entire edifice together.

Peter Jones’ vocals are just the ticket – people have compared his voice to Peter Gabriel and you can sort of see why, but I would point you in the direction of IQ’s Peter Nicholls as a true comparison – either way, they are just perfect for the material.

I would hold up ‘Spiral’ as the go-to track where everything that is great about this album coalesces to stunning effect and ‘The Parting’ which is a great amalgam of all our prog favourites – Yes, Genesis, King Crimson and even a little Wishbone Ash.

In all, ‘Things As They Appear’ is probably as good as contemporary progressive rock gets – there’s guitar a-plenty, there’s soaring keyboards, the drums are well up in the mix (always a good thing) and there’s an intelligent and relevant libretto delivered with passion.

Not only (yet) another contender for ‘Album Of The Year’ but also an urgent invitation to check out their back catalogue.     *****

Review by Alan Jones 

 



On Sunday 28 July 2019, David Randall celebrated his 600th show. “Assume The Position” started in June 2007 on UK City Radio before transferring a year later to Get Ready to ROCK! Radio. The show includes tracks played on the first show plus Upton Blues Festival highlights, new music and the regular features “Live Legends” and “Anniversary Rock” which this week celebrates the Island Records label 60th anniversary.

Listen in to Get Ready to ROCK! Radio…
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Power Plays w/c 19 August (Mon-Fri)

BEFORE FIRE Dead Eyes (indie)
SCOTT & MARIA Never Give Up (indie)
CORELEONI Queen Of Hearts (AFM Records)
BERLIN Transcendance (Cleopatra Records)
PHIL CAMPBELL These Old Boots (Nuclear Blast)
PHIL LANZON Blue Mountain (Phil Lanzon Ditties/Cargo Records UK)

Featured Albums w/c 19 August (Mon-Fri)

09:00-12:00 SOLEIL MOON Warrior (Frontiers)
12:00-13:00 ROXY BLUE Roxy Blue (Frontiers)
14:00-16:00 DREW HOLCOMB & THE NEIGHBORS Dragons (Magnolia Music/Thirty Tigers)

Albums That Time Forgot (Mon-Fri)

JAMES STEVENSON Everything’s Getting Closer To Being Over (2013)



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