Gig review: BUCK & EVANS – 100 Club, London, 19 November 2019

BUCK & EVANS- 100 Club, London, 19 November 2019

When I saw them at the prestigious 100 Club only six months ago, Buck and Evans were still previewing songs from an album that, like Billy Bunter’s postal order or an election manifesto promise, was constantly  about to be delivered- delayed by the demise of Pledge Music among other things.  Fortunately, a return visit as part of an extensive tour was finally able to promote the release of ‘Write Another Day’.

Having familiarised myself last time round with the unique charms of this Welsh band, this time there was also an opportunity to familiarise myself with Cambridge-based Sweet Crisis, who opened the blues stage at last year’s Ramblin Man Fair.

Sweet Crisis

A fresh-faced band yet oozing with vintage classic rock, blues and soul influences, they  opened with ‘Loosen Up’  with the keyboards prominent, though others like ‘Balling Ball’ and ‘One Way Traffic’ had meatier guitar riffs from Piers Mortimer whose soulful playing was a delight throughout .

While they initially seemed a little tentative on the 100 Club’s oddly long stage,  tousle-haired singer Leo Robarts soon found his mojo, his strong voice shown to best effect on the stripped back ‘Karma Will Come’ although the song reminded me a little of Maroon 5 or Train.

Sweet Crisis

What was most impressive for a young band was the sense of space they created between their unhurried grooves. The likes of ‘Black Magic’ and ‘Great Big Steps’ grew on me while ‘Misty Haze’ had a lazy blues feel with Piers playing one of his finest solos.

On the heavy duty funk of ‘Rolling In It’. Leo  worked  himself into a trance like a young Van  Morrison before they closed with a rather more conventional blues rocker in ‘’Treading in Deep Water’, with a southern feel, right  down to a piano solo that echoed Billy Powell’s on ‘Sweet Hone Alabama’.

It was a very impressive set from an interesting proposition: I look forward to following their rise, provided they can develop their own style.

BUCK & EVANS- 100 Club, London, 19 November 2019

Buck and Evans have been through that journey to create a distinct sound of their own as well as a loyal following. They opened with ‘One Four’, Sally Ann Evans singing out front before returning in more familiar fashion to her electric piano for ‘Going Home’, showing off her soulful vocals.

Surprisingly early they dropped in their best known song ‘Slow Train’, with a dramatic atmosphere building up to the first of Chris Buck’s epic solos of the night, and Common Ground also impressed with its catchy ‘never giving up now’  chorus while the up tempo ‘Impossible’ had a somewhat jazzy swing to it.

BUCK & EVANS- 100 Club, London, 19 November 2019

‘Treat Me Right’ apparently dated back to their earliest days and had been brought back into the set and was a slow blues with Chris and drummer Bob Richards singing the vocal coda ‘over and over again’, while the ballad ‘Fix You’ was a showcase for some marvellously emotive singing from Sally Ann.

‘Trail of Tears’ epitomised the unique style that Chris brings to their songs. He plays with quite remarkable feeling but best of all is not afraid to slow his playing right down,  allowing the emotion of every note to seep through.

BUCK & EVANS- 100 Club, London, 19 November 2019

He also acts as the band’s frontperson and in his matted hair and denim jacket came over as the precocious but cheeky student with a series of witty jibes at his elders, who give as good as they get in return and take him down a peg or two for talking too much.

There is something endearingly lo-fi about their stage presence,  though in front of larger crowds and particularly international audiences I wonder if they may need to tone this down in favour of a slicker presentation.

BUCK & EVANS- 100 Club, London, 19 November 2019

As the set wore on, the songs became increasingly epic in scope and length as ‘Change’ gave way to the soulful ‘Dreams to Remember’,  beautifully stripped back and building in drama as Chris wound up to another superb solo.

Fleetwood Mac comparisons recur in reviews of the band but on ‘Sinking’ Sally Ann’s cool bluesiness reminded me more of Christine Perfect,  as she then was, in Chicken Shack.

BUCK & EVANS- 100 Club, London, 19 November 2019

‘Sunrise’ was somewhat  different with an atmospheric, almost progressive feel and a prominent bassline from Dominic Hill-  hilariously likened by Chris to Robbie Savage and Dog the Bounty Hunter,  who seemed in a happy world of his own stage right- before Chris’ closing solo again took off into another dimension.

They encored  with Sally Ann back up front as she and Chris orchestrated the chant to ‘Back to Yesterday’,  the nearest to a singalong we will ever get at a Buck and Evans gig, then the more conventionally  up tempo, funky  feel of ‘Ain’t No Moonlight’ complete with band intros and some rather looser jamming.

BUCK & EVANS- 100 Club, London, 19 November 2019

With the album now safely delivered, this evening of original and, in places, stunning music showed that Buck and Evans can, if they choose, break out of their cult following and into the mainstream.

Review and photos by Andy Nathan

Album review


Listen in to Get Ready to ROCK! Radio…
Click the appropriate icons at the top of the page.



Pete Feenstra celebrated his 300th show in October 2019. Pete heads up a five-hour blues rock marathon when “Tuesday is Bluesday” from 19:00 GMT. Listen out also for his interview-based Feature show on Sundays (20:00 GMT)

Power Plays w/c 25 November (Mon-Fri)

Throughout December we are featuring Best of 2019 selections from the GRTR! Reviewers.

Featured Albums w/c 25 November (Mon-Fri)

09:00-12:00 Melodic Rock Featured Albums of 2019
12:00-13:00 Melodic Hard Rock Featured Albums of 2019
14:00-16:00 Singer Songwriter Featured Albums of 2019

Albums That Time Forgot (Mon-Fri)

A selection of albums featured in 2019



Email This Page
This entry was posted in All Posts, GIG REVIEWS and tagged , , , , , , , , , , . Bookmark the permalink.

Leave a Reply