Sony Music [Release date 10.04.20]
We’ve always commented on the energy displayed by Satriani not least sustained during a two hour live show. Recent albums have been pretty convincing too. That energy permeates this latest offering and will surely translate again to his rearranged shows in 2021.
Satriani remains a master of instrumental guitar performance and his strengths lie in the ability to fashion distinctive songs with lots of melody. His past few albums usually offer up one or two gems in this respect.
On ‘Shapeshifting’ there is more of a loose jam feel that was creeping in previously – as displayed by the title track whilst ‘Big Distortion’ and ‘Nineteen Eighty’ have understandably been pulled as early preview tracks and both are arena pleasers.
‘All For Love’ is characterised by moody orchestration and lyrical guitar work but there is no real chorus and it’s all over in less than three minutes.
‘Teardrops’ continues the slower, groovier feel along with ‘Falling Stars’. The latter piece is the funkiest – and perhaps even the standout – but with only a hint of an attractive chorus. Another atmospheric piece – ‘Waiting’ – is again all too short but lifted by Eric Caudieux’s reflective piano figures.
‘Ali Farka, Dick Dale, an Alien and Me’ at least continues the tradition of strange song titles. With its percussive flavours it owes something to Santana and evokes their Woodstock fiesta. ‘Perfect Duet’ is another upbeat multi-tracked jam that we’ve become well used to but ‘All My Friends Are Here’ (and the cod-reggae ‘Here The Blue River’) are really very ordinary and inconsequential. The jam feel continues on ‘Spirits, Ghosts And Outlaws’.
There’s usually a curveball that doesn’t really sit with the rest of the album. And that curveball arrives as the last track, the hillbilly shuffle ‘Yesterday’s Yesterday’.
At times you can’t help thinking that some of the songs are mere frameworks to show that Satch has lost none of his style or technique. Band members (Caudieux, Kenny Aronoff and Chris Chaney) are fully supportive but this is Satch’s show so there are no wild keyboard solos to counter his wild guitar excursions or to bring him back to earth. This is a shame. And the jamming doesn’t really go on long enough to get into a real groove or wig out.
Like many artists of his stature Satriani never turns in a really duff album. But to be painfully honest, most of this album isn’t that memorable. Yes, a few songs will pad out a new setlist. And, yes, it might be rude to expect another ‘Memories’ a ‘Why’ or even ‘The Crush Of Love’. There’s no doubt it repays a few listens but song for song this album doesn’t match the consistency of either What Happens Next (2017) or Shockwave Supernova (2015). One for fans, mainly. ***1/2
Review by David Randall
Rescheduled European dates 2021
April 9 Zurich, Switzerland Volkshaus Zurich
April 10 Winterbach, Germany Salierhalle
April 12 Aarhus, Denmark Train
April 13 Odense, Denmark Posten
April 14 Copenhagen, Denmark Amager Bio
April 15 Stockholm, Sweden Fryshuset
April 16 Oslo, Norway Rockefeller
April 19 Berlin, Germany Huxleys
April 20 Nuremberg, Germany Löwensaal
April 21 Karlsruhe, Germany Tollhaus
April 23 Antwerp, Belgium De Roma Borgerhout
April 24 Enschede, Netherlands Muziekcentrum Enschede
April 25 Amsterdam, Netherlands Melkweg the max
April 26 Heerlen, Netherlands RABOzaal Heerlen
April 27 Oberhausen, Germany Turbinenhalle
April 30 Birmingham Symphony Hall
May 1 Bexhill De La Warr Pavilion
May 2 Manchester Bridgewater Hall
May 4 London Palladium
May 5 Sage Gateshead
May 6 Glasgow O2 Academy
The latest Facebook Live session from Canadian singer-songwriter Josh Taerk was streamed on Sunday 22 November.
More about Josh: http://getreadytorock.me.uk/blog/?s=%22Josh+Taerk%22
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 15 November 2020.
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