Album review: SMACKBOUND – 20/20


Frontiers [Release date 12.06.20]

Finland’s Smackbound paid their dues playing clubs as a covers’ band. Their debut album, “20/20” is a distillation of all the styles and stuff they performed on stage…with added songwriting. And the songwriting shines brightly. It never quite dazzles, but we hear what made Frontiers sign the band.

The sound is a shrewd, calculated mix of Prog, Melodic Hard Rock and Symphonic Metal, calibrated by a continuous current of electrifying musicianship. The band members are drawn from Wintersun, Stratovarius and Tracedawn.

These guys are real craftsmen, taking their lead from what’s best in metal, combined with cinematic classicism. Italian composer, Ludovico Einaudi is a band favourite. It’s the perfect backdrop for classically trained singer (and actress) Netta Laurenne. Her voice, tough and determined – like Doro’s been employing Brian Johnson as a voice coach – cuts to the heart of the music every time.

The songs are powerful and catchy, brimful of melodious workouts and rushing rock crescendos. The first 3 tracks, ‘Wall Of Silence’, ‘Drive It Like You Stole It’ and ‘Run’ have been successfully released as trailer singles over the last few months, scoring several hundred thousand hits on Youtube.

The album’s pivotal track, the slower paced ‘Close To Sober’ reveals a much more dramatic side to the band. It’s a hard rock hymn about dreams capturing the content of our lives. Producer/bassman, Tuomas Ily-Jaskari shows a spine tingling command of orchestral pace and colour, skillfuly marshalling keyboards and white light choirs to create a slightly off kilter, psychological soundscape. And when Laurenne damps down the ferocity of her vocals a little, as she does here, she can sound deliciously soulful.

It’s a terrain that’s well mapped. But underwritten, overcooked material like ‘Those Who Burn’ and ‘Troublemaker’ discover that a hectic, frenzied pace makes it easy to lose your footing. ‘Hey Motherfuckers’ and ‘Date With The Devil’ guide the music safely back onto solid ground. Both tracks, exciting urban rock armed with barbed hooks, stray very fortuitously into Lucia Cifarelli/ KMFDM lite territory. And while the influnces are there, they never truly feel like they’re trying to capture the sounds of other bands, just searching for their own.

Smackbound is one to watch. Of that we are sure. ***

Review by Brian McGowan

The latest Facebook Live session from Canadian singer-songwriter Josh Taerk Sunday 21 March 16:00 EST, 21:00 GMT

Watch again

More about Josh

David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 14 March 2021 and includes the Top 10 albums at for that week.

UK Blues Broadcaster of the Year (2020) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 ( BST, GMT+1) as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 23 March 2021.

Listen in to Get Ready to ROCK! Radio…
Click the appropriate icons at the top of the page.

Featured Albums w/c 5 April 2021 (Mon-Fri)

09:00-12:00 GARY HUGHES Decades (Frontiers)
12:00-13:00 METALITE A Virtual World (AFM Records)
14:00-16:00 KAT DANSER One Eye Open (indie)

Power Plays w/c 5 April 2021 (Mon-Fri)

ALTZI Point Of No Return (RA Music)
DIRTY LACES Breathe (Golden Robot Records)
ASHEN MOON Ashen Moon (Golden Robot Records)
ANDREWW Shadow Love (indie)
JORDAN RED Freak Show (indie)
HAYES & Y Empty Orchestra (indie)
KELSEY BOVEY Another World (indie)
NEPTUNE RAIN We Breathe The Same (indie)

Popular (last 30 days)

Print Friendly, PDF & Email
This entry was posted in ALBUM REVIEWS, ALBUM REVIEWS (Mobile), All Posts and tagged , , , , , , , , . Bookmark the permalink.

Leave a Reply