Album review: HELL IN THE CLUB – Hell of Fame

HELL IN THE CLUB- Hell of Fame

Frontiers Records [Release Date 04.09.20]

Hell in the Club, whose latest album is remarkably their fifth,  are one of the few bands on Frontiers Records huge roster that are actually from their native Italy- even if band members have adopted the most English of aliases such as Andy, Mark and Dave.

The first impression is of a melange of different styles and influences with a raw and endearingly home gown feel. Opener ‘We’ll Never Leave the Castle’ boasts massive hooks on both bridge and chorus that call to mind Reckless Love, let down only by the rather cluttered everything but the kitchen sink production that characterises the album.

However it is far from a typical song. ‘Worse Case Scenario’ is altogether grittier, a slightly disjointed song getting there eventually by the chorus and ‘Here Today Gone Tomorrow’ one of a few songs that go in a heavier direction, reflecting the roots of band members previous outfits.

Both ‘Joker’  and the sleazy ‘No Room in Hell’ have strong Motley Crue influences, also reflected in the Dr Feelgood like intro to ‘Last of a Dying Kind’, one of my favourites on the album which has a catchy feel reminding me of Scandinavian contemporaries like Ammunition and Crazy Lixx.

‘Nostalgia’ – with synths that are described in the credits as ‘80’s keyboards’ and lyrics to match- nevertheless is a bit disjointed as a song, and both ‘Mr Grouch’, where a melody struggles to merge from a messy song, and ‘Tokyo Lights’ have rather too much going on. The overall impression is that  they are not quite at the level of contemporaries as Crashdiet in honing and refining their chosen style.

However the album is pleasingly diverse and they can make different styles work effectively – from the ballad ‘Lullaby for an Angel’, where the chorus is very Bon Jovi or Poison-esque, and closer ‘Lucifer’s Magic’ with the power metal feel of a Priest or Primal Fear.

It’s a bundle of contrasting and not always complementary styles, but an exuberantly fun listen that will grow on you.   *** 3/4

Review by Andy Nathan




 

The latest Facebook Live session from Canadian singer-songwriter Josh Taerk was streamed on Sunday 20 December., imbued with a festive flavour to raise the spirits

More about Josh: http://getreadytorock.me.uk/blog/?s=%22Josh+Taerk%22


David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 20 December 2020 and announces the results of the Popular Poll for Best of 2020.

UK Blues Broadcaster of the Year (2020) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 ( BST, GMT+1) as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 20 December 2020 and includes Pete’s best of the year selections


Listen in to Get Ready to ROCK! Radio…
Click the appropriate icons at the top of the page.

Featured Albums w/c 11 January 2021 (Mon-Fri)

09:00-12:00 UNRULY CHILD Our Glass House (Frontiers)
12:00-13:00 SERGEANT STEEL Truck Tales (Boyz Tyme Records)
14:00-16:00 DAN REED Liftoff (Zero Entertainment)

Power Plays w/c 11 January 2021 (Mon-Fri)

BLACK SPIDERS – Good Times (Dark Riders Records/Cargo Records)
GRAVITY MACHINE Standing Stones (Zyse Records)
EMPIIRES Love Or Hate (TLG Entertainment/INgrooves)
RAY FENWICK Tam Tam (Singsong Music)
DEAD REYNOLDS Voices (The Fort)
LAYLA ZOE Don’t Wanna Help Anyone (indie)



Print Friendly, PDF & Email
This entry was posted in ALBUM REVIEWS, ALBUM REVIEWS (Mobile), All Posts and tagged , , , . Bookmark the permalink.

Leave a Reply