Album review: FOZZY – Boombox

FOZZY - Boombox

Mascot Records [Release date 06.05.22]

Fozzy have been present on the rock scene for over two decades and their pedigree is clearly demonstrated on this latest album – it’s a master class in pure Rock ‘n’ Roll!

Fozzy have had 5 consecutive top 20 singles under their belt. They set their own benchmark with their 2017 “Judas”, which reached the Top 5 on the US Rock charts and boasts 55m views on YouTube, this achieved Gold Record status in February (selling 0.5m copies).

The band are understandably pretty pleased with this news, Jericho says: “…for ‘Judas’ to have sold 500,000 units in this day and age, completely blows my mind as a fan and a musician, and also makes me realize how far Fozzy has come and how far we are going to go!! Thanks to ALL OF YOU for making this dream come true for me and the guys.”

The band have released 2 singles thus far, “Sane”, being the opening track of the album and more recently, “I Still Burn”, which is a power house anthem, frontman Chris Jericho comments: ” I Still Burn is Fozzy’s mission statement, our life’s work and our destiny…and we are so proud to share this message of victory with our Fozzy family!!Plus, Rich’s (Rich Ward, the Duke) guitar solo f**kin rules!!!”

I can’t disagree with that – and by the way, all the guitar solos are epic, check out the solo in the closing track ‘The Vulture Club’, which I could easily add to my list of highlights but then that would pretty much be the whole album! Of course, Rich Ward has been doing this for 30 plus years now so it’s no surprise he’s at the top of his game but it would be unfair not to call out the class musicianship throughout, this band are on fire and the passion is clear!

Stand out tracks for me are numerous so this gets added to my top albums of 2022 but highlights include ‘I Still Burn’ (what a powerhouse track!), ‘Purifier’, ‘Ugly on the Inside’ with the most relevant lyrics for this day and age “You are so beautiful, But I see right through it all, You’re ugly on the inside”. Also, ‘Omen’ for the sublimely heavy riffs, and ‘The Worst is Yet to Come’ , not if this album is anything to go by!

It would be remiss of me not to mention the cover of ‘Relax’ (well I am an 80’s gal!), which Fozzy certainly own as if it was their own.

What an absolute classic of a rock album, I love, love, love it, this truly deserves chart success too – that benchmark just got even higher. Grab a copy, put it on loud and educate your neighbours! *****

Review by Karen Clayton

Albums of the Month


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: THE TREATMENT, Piston – Robin 2, Bilston, 2 May 2022

THE TREATMENT - Robin 2, Bilston, 2 May 2022

It’s a Bank Holiday Monday in Bilston and it’s the final night of this 18 date tour, that’s 18 consecutive gigs, no breaks for all 3 bands, are they flagging or have they cracked it?

I am super excited for this as not only was ‘Waiting For Good Luck’ album one of my top choices for 2021, given the number of support slots The Treatment have done over the years it’s great to see them headline.

Add to that mix that they have another firm favourite, Piston on the road with them, plus relative newcomers, South of Salem, in a legendary rock venue that has shaped my music taste since I was teenager, and bumping into familiar faces in the crowd, I know we are going to be in for a good night.

South Of Salem - Robin 2, Bilston, 2 May 2022

South of Salem launch onto the stage opening their short but blistering set with ‘Let Us Prey’ and the energy is amazing, any Monday cobwebs were blasted away as they liven up the crowd, impressing us with their high energy alternative rock.

New fans gained, the band conclude the set with their latest offering ‘Pretty Little Nightmare’ and ‘Cold Day In Hell’, what a performance! Catch them at Dementia Aware Fest (Birmingham, 16 July) and Rockwich Festival (Northwich, 27-28 August).

Piston - Robin 2, Bilston, 2 May 2022

Next up are Piston, who are the absolute epitome of classic rock ‘n’ roll. Rob Angelico works his magic over the crowd, opening with ‘Rainmaker’ and delivering a high quality packed set, with the ever tighter line up of superb musicians and a drummer who is always going to be ‘animal’, to me!

The band are in fine form and the crowd loved them – way to go, Piston! Highlights ‘Leave If You Dare’, the most recent single, ‘One More Day’ and the absolute crowd pleaser cover of ‘Proud Mary’.

If you’ve not seen Piston yet, they are supporting Thunder in Birmingham as one of the selected opening acts for Thunder’s arena tour so give them a warm welcome and you might just catch me there too (27 May).

Then it’s time for The Treatment where my fan girl persona gets the better of me on more than one occasion.

Tom (Rampton) sets the pace opening with ‘Let’s Get Dirty’ what can I say, they are on fire, vocals are hitting it, the Grey brothers are just sublime – phenomenal guitarists – combined with the amazing rock pedigree of the rhythm section. This is a master class in rock. Set highlights for me ‘Eyes On You’, ‘Wrong Way’ and ‘On The Money’.

These band members have such stage presence and they are great fun, Tao of course, comes into the crowd to play and it’s infectious.

All you can see is people having a great time, loving the music and the band are all having a ball on that stage; there’s no issues here with maintaining energy given the number of dates, the tempo is set and it was high voltage all the way!

Culminating with members from all bands joining them for a rip roaring ‘Get The Party On’ we are left in doubt that these three bands have had an amazing time together on tour, the end of tour party is most definitely started, and you can see the connections that have clearly been made for life.

The Treatment conclude with the rip roaring ‘Shake The Mountain’ to a rapturous crowd, no-one wants it to end. Catch them next at Firestorm (Manchester, 12-14 August) and Call Of The Wild Festival (Lincolnshire, 19-22 May).

What a night, if you were there, you know, if you weren’t then you missed an awesome gig that did the venue, bands and crowd more than proud. Can’t wait to see all of these bands again – catch them soon while they are still playing these venues, without a doubt they are all on the up.

Review and photos by Karen Clayton

Album review (Waiting For Good Luck, 2021)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FORTUNE- Level Ground

FORTUNE- Level Ground

Frontiers Records (Release Date 08.04.22)

After it took 24 years to follow up their self-titled debut album and cult AOR classic, Fortune’s third album follows after a relatively brief three year interval. However while 2019’s ‘Fortune II’ included a number of songs left over from the olden days, ‘Level Ground’ is an entirely new set of compositions.

A piano intro provides a suitably dramatic opening to ‘Silence Of The Heart’, which is an unusual song,  beginning with the chorus but whose keyboards give it a pomp feel.

‘Judgement Day’ is classic Fortune with a good blend of guitars and keys and a familiar keyboard intro that calls to mind their classic ‘Lonely Hunter’ yet there are some changes of approach  with both ‘Dangerous Things’ and ‘Riot In The Heartland’  a little heavier than we are used to.

In between ‘I Will Hold You Up’  has an A-list guester in Steve Porcaro and his keys make a recognisable contribution to a great arrangement though Larry Greene’s vocals come over a little bland.

‘Orphaned in the Storm’ is one of the highlights with a particularly fine solo from Richard Fortune and though the chorus of  ‘I Should Have Known You’d Be Trouble’ is merely average, the ballad ‘Hand In Hand’ shows  Larry’s smoky silver-tongued voice at its finest.

The title track is also one of the rockier ones with waves of guitar solos leading to a sharp ending, before one of my favourite numbers closes the album, the five and a half minute ‘Lunacy of Love’, mid-pocket and superbly sung as a lush arrangement ends with a ‘la-la-la’ outro.

The production mix is disappointingly muddy in places and stops the album from fulfilling its potential.  It’s not quite at the same level as its two predecessors for me, but still a worthy piece of class AOR.  ****

Review by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


News: JOE BOUCHARD, SLASH, SEX PISTOLS, (May 2022)

Orianthi - Manchester Arena, 24 October 2016

News - Album News

Alter Bridge release their latest album ‘Pawns & Kings’ on October 14 via Napalm Records.

The Answer make a live return at Planet Rockstock on December 3 and plan to release a new album  in 2023 on Golden Robot Records.

Anthrax aim to release their next album in 2023.

Ash re-issue their albums ’1977′ on July 1 and ‘Free All Angels’ on September 16.

Avantasia’s new album will be called ‘A Paranormal Evening With The Moonflower Society’ and it will be released later this year on Nuclear Blast.

Blackhawk release a new album, ‘Blue Highway’, on June 24. It features songs that were planned for the band’s debut back in 1992 but were never released at the time.

Blind Guardian release their new album, ‘The God Machine‘, in September through Nuclear Blast.

Former Blue Oyster Cult member Joe Bouchard releases his new album ‘American Rocker’ on June 3 via Rockheart Records/Deko Entertainment. His brother Albert also appears on the album.

Brother Cane have started songwriting for a new album.

Cradle Of Filth have signed with Napalm Records, after releasing three albums on Nuclear Blast. The band have recently parted ways with guitarist Richard Shaw and keyboardist Anabelle Iratni.

Dim Gray release their new album ‘Firmament’ via English Electric Recordings on Sep 2.

Dio’s ‘Holy Diver’ album is re-issued as a four-CD boxed set on July 8 on Rhino.

Five Finger Death Punch release their latest album ‘AfterLife’ on August 19.

Generation Radio have signed with Frontiers , who will release the band’s debut album later this year. The line-up consists of Jay DeMarcus (Rascal Flatts), Jason Scheff (ex-Chicago),  Deen Castronovo (Journey) and guitarists Chris Rodriguez & Tom Yankton

Sammy Hagar & the Circle will release their new album ‘Crazy Times’ later this year.

King’s X have completed work on their new album – their first in fourteen years – and it will be released by InsideOut on Sep 2.

Kula Shaker release a double album ’1st Congregational Church Of Eternal Love And Free Hugs’ on 10 June.

Last In Line release an EP in August with a new album due next year on earMUSIC.

Leaf Hound’s albums ‘Growers Of Mushroom’ and ‘Unleashed’ will be re-issued as a 2Cd set via Repertoire on July 15.

Little Feat release a 45th anniversary, 8CD box set edition of their ‘Waiting for Columbus’ album on July 29.

John Norum releases his latest album ‘Gone To Stay’ later this year.

Spock’s Beard keyboards player Ryo Okumoto releases his latest solo album The Myth Of The Mostrophus’ through InsideOut Music on July 29.

Orianthi (pictured) releases ‘Live From Hollywood’ on July 15 via Frontiers.

Ozzy Osbourne’s new album is due in September.

Toto’s David Paich releases a six song EP ‘Forgotten Toys’ on August 19 via Mascot.

Queensryche release their new album,Digital Noise Alliance’, on October 7 via Century Media Records.

Spike is writing and planning a new album with fellow Quireboys founding members Guy Bailey and Nigel Mogg. Spike is set to announce a new Quireboys line-up shortly, which will feature the aforementioned Bailey & Mogg.

ABKCO Records will release The Rolling Stones Singles 1963-1966′ on June 10 in celebration of the group’s 60th anniversary this year.

Sex Pistols re-release ‘God Save The Queen’ for the platinum jubilee. The single is out on May 27.

Slash featuring Myles Kennedy & the Conspirators will release ‘Live At Studios 60′, their first-ever double live LP, for Record Store Day on June 18.

Jeff Scott Soto says that his project with David Ellefson (ex-Megadeth) will release a full-length album later this year.

Soulfly will release their twelfth album, ‘Totem’, on August 5 via Nuclear Blast.

Suede’s new album ‘Autofiction’ is released on September 16 on BMG.

Wayward Sons release a seven song EP entitled ‘Score Settled’ on June 17 via Frontiers.

Ozric Tentacles frontman Ed Wynne has announced that he will release his second solo album, ‘Tumbling Through The Floativerse’, through Kscope Records on July 15.

News - Tours and Gigs

Newly announced UK tours (2022 unless stated):

Joe Bouchard, Bullet For My Valentine (2023),  Fozzy, The Quireboys, Rammstein,

Upcoming (Gigs – UK)

Newly announced US & European tours (2022 unless stated):

The Cult (US), the Darkness (Aus & NZ), Fozzy (US), Ghost + Mastodon (US), Jackyl (US), Memphis May Fire (US), Rammstein (Eur), Jordan Rudess (US), Scorpions + Whitesnake (US), Smashing Pumpkins + Janes’s Addiction (US), Bruce Springsteen & the E-Street Band (Eur 2023), Steel Panther (Eur), Wilco (US),

Upcoming (USA/ROW)

UK Festivals 2022

Rescheduled & cancelled tours:

The Alarm (UK & Eur May-Jul postponed), Lindsey Buckingham (UK postponed), Billy Idol (UK dates Jun to Oct 22), Pearl Jam (May US dates),

Elles Bailey will join Walter Trout at his shows in Chester, Buxton, Brighton, London, Holmfirth, Bury St. Edmunds and Frome, while Mollie Marriott supports in Southampton.

The Queen’s Platinum Jubilee concert on June 4 will include performances from Queen + Adam Lambert, Elton John, Rod Stewart, Elbow, Diana Ross and more.

Journey are planning US tour dates with Toto and Santana.

Europe, Graham Bonnet Band & Von Hertzen Brothers have been added to July’s Steelhouse Festival line-up.

Other Stuff

A new documentary about Brian Eno is in the works, directed by Gary Hustwit.

Judas Priest will be inducted into the Rock N Roll Hall of Fame, along with Pat Benatar, Carly Simon, Eurythmics & Duran Duran.

Original guitarist Amen has left Lordi after over twenty five years in the band.

Porcupine Tree has announced the addition of guitarist Randy McStine and bassist Nate Navarro (Devin Townsend) to the band’s touring line-up.

A sequel to ‘This Is Spinal Tap’ has been announced and it will be released in March 2024 on the 40th anniversary of the original film’s release. Directed by Rob Reiner (who will reprise his role as filmmaker Marty DiBergi) and starring Michael McKean as singer David St. Hubbins, Harry Shearer as bassist Derek Smalls and Christopher Guest as guitarist Nigel Tufnel.

‘Destination Onward – The Story Of Fates Warning’ is a 400-page history of the band which will be published by FYI Press and Radical Research on July 15.

Vocalist Rob Wylde has left Tigertailz.

Evanescence has parted ways with guitarist Jen Majura with the band’s current bassist Tim McCord taking her place. Emma Anzai of Sick Puppies takes over bass duties for their live dates.

News - RIP

Ric Parnell, who played Mick Shrimpton, the drummer of Spinal Tap & was a member of Atomic Rooster

Ray Fenwick, guitarist with Spencer Davis Group and Ian Gillan Band.

Music PR and manager Roland Hyams who worked with the likes of Motorhead, Magnum & the SPV label

Trevor Strnad, vocalist with Black Dahlia Murder

Guitarist Ricky Gardiner (David Bowie, Iggy Pop)

Composer and musician Vangelis, whose works included Chariots Of Fire, Blade Runner and collaborations with Jon Anderson

Yes drummer Alan White, who also worked with John Lennon

Andy Fletcher, a founding member of Depeche Mode


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: LILLIAN AXE – Psalms For Eternity (3 CD set)

Global Rock [Release date 6.04.22]

This month, Lillian Axe release a 3 CD retrospective on Global Rock, SFM’s brand spanking new Rock and Metal label, grandly called Psalms For Eternity. It’s been curated by mainman, guitarist and songwriter, Steve Blaze, one of the only two remaining band members.

The content and the track sequencing is a unique take on the business of putting together an anthology. The tracks on each of the 3 CDs, separately titled Earth, Sky and Sea are carefully selected by Blaze to suit the subject, all chosen from the band’s studio albums.

Condensing 9 albums to a 3 CD “best of” can never be easy.

It is naturally subjective, and the choices made are generally comparative judgements. At least here, Blaze got to make the decisions, and not some unidentified label exec.

CD1, Earth, takes an interesting, “Memento” like approach, counting back from 2012′s ‘Death Comes Tomorrow’, and finishing with ‘Misery Loves Company’ from the 1988 self titled debut.

Why? To illustrate a point, we think. ‘Death…’ is a powerful, tightly orchestrated slice of operatic metal. ‘Misery…’ is a heavy metal drama. The approaches are similar. The song structures and the tempos are similar.

Lyrically though, there’s a huge chasm between the 1988 song’s “my baby left me” narrative and the 2012′s ambitious, man alone fighting for his soul theme. That’s the point (we think).

CD2, Sky, takes a similar approach. Beginning with ‘The Great Divide’ from 2012, and counting back to ‘Waiting In The Dark’, from 1988. The reverse engineering concept is still there. But the focus here is on a closely related trio of tracks. ‘Nocturnal Symphony’, ‘Twilight In Hell’ and ‘Living In The Grey’ all ramp up the dramatic lyrical and musical intensity before breaking out into more familiar metal territory. We’re following the thread running through these CDs, and it’s an enjoyable ride.

CD3, Sea. And yes, we’re still in the Nolan brothers’ territory. And this, clearly, is the “Ballads Disc”. Heavy Metal ballads are traditionally rationed to one per album, reflecting the genre’s fan base, which has an innate desire to otherwise stomp feet and bang heads.

None of your chest beating offers of endless love here. Just your pained reflections on life, living, order and chaos. The collection opens with the sensitive acoustic arrangement of ‘Bow Your Head’… leading inexorably to the beautifully crafted acoustic instrumental, ‘Deep Red Shadows’, both seeking comfort in darkness by adding orchestral shading as the tracks progress.

But the set’s biggies cast a huge shadow over everything else. ‘Fields Of Yesterday’ and ‘Ghost Of Winter’, are each an 8 minute multipart metal epic. Blaze uses the music as an emotional power, disturbing, lyrical, technical, dark in places and light in others. He makes it work. If you can have two “Magnum Opuses”, then these tracks are they.

And arguably, it’s “thinking man’s heavy metal” songs like these that Lillian Axe will be remembered for. ****1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MICK WHITE – Something’s Got To Give

MICK WHITE - Something's Got To Give

Enghardt Media/The Metal Society [29.04.22]

Now here’s a blast from the past. I first encountered vocalist Mick White in the late 80s when he was working with Paul Samson, and later when he fronted First Strike (that Just Another Night album is really well worth searching out). He has also appeared on various compilation albums, including the Only UFO Can Rock Me and Lights Out tribute albums. His solid, powerful yet velvety voice really should have seen him a household name.

A couple of solo singles (included here) and a reworking of a First Strike track, this is Mick’s first full solo album and it’s long overdue. The guitars, bass and keyboards are handled by Luke Hatton, with drums come from Carsten Enghardt.

Opener ‘Burning In The Night’ is a fantastic track, the guitar harmonies with depth from the keyboards mix melodic FM hard rock with power metal. ‘Something’s Got To Give’ is chunkier track, it doesn’t flow in the same way but is solid and has a good riff. Without You is then a little moodier. The uptempo ‘Emergency On Planet Earth’ delivers a message and some good riffs too, this one gets the foot tapping.

Change of pace for ‘Ordinary Girl’, starts off acoustically and builds to an enjoyable power ballad. Not the first (or last) nod to the 80s. ‘Hold Tight’ features some ethereal noodling that help the mood drift perfectly.

Overall this is an excellent album; very much of a time but that doesn’t mean it’s dated, it is a very good listen but something White should have released 35 years ago. The mix of power metal, melodic rock, power pop/rock blended to perfection, the voice suits.  I very much hope that there is more to come. ****

Review by Joe Geesin


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

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Recent (last 30 days)


Gig review: STONE BROKEN, Mason Hill, The Fallen State – The Marble Factory, Bristol, 25 April 2022

STONE BROKEN - The Marble Factory, Bristol, 25 April 2022

Opening  their set with the rather epic ‘For My Sorrow’ the atmosphere is rocking, and there are clearly some fans in the audience and it’s a reflection that actually this tour celebrates three bands that are all on their ascendancy, what a peer group to have.

The Fallen State are a talented bunch, the latest album ‘Between Hope & Disillusion’ demonstrates the transition they have made with a change in the line-up, with Adam joining as lead singer and what a transition it is! The set includes 2 tracks from this latest album ‘Standing Tall’ and ‘Knives’ as well as the crowd pleaser ‘Burn it to the Ground’.

Closing out with ‘Nova’ which showcases Adam’s vocal range perfectly, the crowd are enraptured, what a way to start this evening off!

Having spotted some familiar faces who I’d met at HRH14 – when The Fallen State headlined the 2nd stage -  chatting to and thinking they were a local couple I discovered that off the back of HRH they had wanted to see the band again, having travelled from Bude and Yorkshire. That’s rock family dedication right there! I caught up with the band after their set, they were pumped that they had such a good crowd in, for such an early kick off (6:30) on a Monday night and rightly so, great performance!

Mason Hill - The Marble Factory, Bristol, 25 April 2022

Mason Hill opened their set with ‘Hold On’, the venue filling up again, some people have been caught out by the early start with an early curfew tonight.

Next up is the rip roaring, ‘DNA’ with the crowd joining in, this band is engaging and energetic, the pleasing ‘Find My way’ leads into the rocking ‘Out Of Reach’ which is a personal favourite.

The band tell us that they are currently at No 4 in the charts with their latest release ‘Live In Glasgow’, and that they’d like to retain their chart position if at all possible and not be replaced by ‘pop’ acts as the week rolls on – they certainly deserve the chart position and I really hope it encourages more air play and attracts new fans to the rock genre.

‘We Pray ‘ and ‘Broken Son’ seem even more poignant as the set comes to its conclusion, and Scott, the lead singer, reveals that he lost his Mum a week ago and asks the crowd to join in with her favourite song, ‘Against the Wall’ which he dedicates it to her; there is not a dry eye in the house and the emotion in that final song is clear to see – absolute hats off to Scott and all of Mason Hill.

I don’t know how they could perform as they did given the personal circumstances and the support for Scott was so clear from the rest of the band – what an amazing band of brothers.

Stone Broken launched their set with ‘Revelation’ the single from their latest album of the same name which has recently been released, the band are on fine form, with tight performance and a good dose of Midlands humour too, the crowd are on it from the off.

The packed set includes two other new tracks, the latest single ‘Black Sunrise’ and ‘The Devil You Know’, which are received really well, the new album is cracking, the band chuck their merchandise into the crowd – now knowing that this is how bands realistically make any money these days, this is really nice gesture.

Following the acoustic ‘Wait For You’ which is just divine, the band liven things up again by chucking in a cheeky cover of Bad Company’s ‘Feel Like Makin’ Love’, they own it, the crowd love it, we are all joining in, yep Stone Broken have got the crowd eating out of their hands.

Closing with the ‘Not Your Enemy’, the band are on fire and the crowd are loving them, what a set, it had me immediately deciding to go to the Birmingham date as well!

What an epic gig, three outstanding bands, all with new albums recently released, that all commanded the stage and audience for their respective sets.

I’ll be back to see each of these bands again, they are truly representative of the new wave of classic rock. Special shout out to the Marble Factory too, great venue, the sound quality is superb, and the staff are friendly, long may this place continue to rock!

Review and photos by Karen Clayton

*Unfortunately, since this gig, the lead singer of Stone Broken, Rich, has been diagnosed with acute laryngitis and the rest of the tour is being rescheduled. When the revised dates are made available there’s still time to catch this epic tour – I may just join you.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ICON – Icon (Remaster)

Rock Candy Records [release date: 18.03.22]

Icon’s debut album from 1984 has recently been remastered by leading UK Reissue label, Rock Candy Records.

The fact that the band’s set list in those early days included material by Deep Purple and Judas Priest is a pretty good indicator of the content.

It’s not easy creating the raw, primitive excitement of life-on-the-streets heavy metal in a tiny studio on a limited budget.
Producer, Mike Varney, had the touch though, teasing out the tunes, ramping up the action at the right moments, getting the best from vocalist Stephen Clifford and guitarists John Aquilino and Dan Wexler.
The fiery, fiercely dramatic ‘Under My Gun’ and the closing ballad, ‘It’s Up To You’ indicated an earthiness and a maturity in the songwriting that would lead to greater things.

And you can hear confirmation in the pounding, percussive ‘Through The Night’ and ‘On Your Feet’ (an FM Radio hit), of just why Capitol Records signed them up for their follow up album, Night Of The Crime, a year later.

The label makes a more than decent stab at remastering the album.
As you would expect, the recording levels in a 1984 budget studio are often no more than bedside radio quality, so there are a lot of limitations when remastering.
So they’ve been smart. The guitars, which arguably were always a bit low in the mix to begin with, have been moved up a few notches, and the thud and thunder of the rhythm section have been give pride of place. Sounds good.

Icon, the album, was a confident beginning on what turned out to be an erratic career path for the band, subsequently losing key members and recording contracts. En route, they created several albums of classic metal and an enviable reputation, with little tangible reward. ****

review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

Toby Lee is a prodigious talent. At 17 years old he is touring his own four-piece band with two albums and an EP already on the racks. As a star of the School of Rock West End production, he played to 40,000 people at BBC Proms In The Park. ‘Hotly-tipped blues guitarist’ might be an understatement after garnering 350 million views of his appearance as a 10-year-old at BB King’s blues club and being anointed by that ubiquitous saviour of blues-rock, Joe Bonamassa.

That’s a lot to live up to. But given the way he has already lived a fair proportion of his tender years in the spotlight, it comes as no surprise that at a busy Shepherd’s Bush Empire he delivered an assured, professional and entertaining set.

Known best as a virtuoso guitarist, Toby fronted his new band with aplomb, and showcasing a fine set of pipes to boot. He is an affable, polite young man and any moments of awkwardness around the stage will soon be ironed out. Material mostly came from his eclectic 2021 debut album ‘Aquarius’. The standout track in a short set was ‘The Search for Happiness’, a slow-burn, lengthy blues composition that gave Toby a platform to indulge. He showed no lack of confidence in taking the music right down to play a barely audible series of quiet picks that even silenced the chatter by the bar.

Up-beat rockers such as ‘Take The Wheel’ with a beautifully set up solo and ‘Real Love’ picked up the tempo and gave the polished band something to get their teeth into. Oli Brown on second guitar, an accomplished bluesman in his own right, contributed plenty of sharp licks to complement the smooth tones coming from Toby’s Gibson 335. Wayne Proctor on drums also brought plenty of class, having a cv that includes King King, Ben Poole and plenty of others.

Set closer was the most dynamic track on view, a visceral version of Jeff Healey’s ‘See The Light’, lifted from the new ‘Icons’ covers album. Toby threw in a truck-load of distortion and was at his most animated. He visibly lifted the energy levels and struck a chord with the crowd. We’d love some more of that, please. There’s a long and fruitful career path laid out for Toby Lee. Tonight was all about taking steps in the right direction.

Joanne Shaw Taylor is also going places. I haven’t caught JST live since her support slot for Wilko Johnson six years previously, almost to the day, at Kentish Town Forum. A lot has changed. Not just the rising profile on the back of almost annual album releases and headline tours. There’s a whole lot more to the progression.

From curtain-up (figuratively speaking) Joanne was exuding a swagger and charm new to these eyes. She was bossing the stage, having a cheery word with each band member in turn and smiling, grinning and waving: generally having a ball.

Even more relevant, the voice was stronger than previously. The first eight tracks here came from last year’s ‘The Blues Album’. That collection of covers seemed to project her vocals more than earlier releases. And she was able to repeat in a live arena those husky tones that have now mellowed into a characterful, emotive delivery. As if to underline her burgeoning confidence at the mic, one of the tracks covered tonight was the laid back ‘If You Gotta Make A Fool of Somebody’ by none other than Aretha Franklin. Bold, you might think. She nailed it though.

Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

Opening up with a tough, hard-edged version of Peter Green’s ‘Stop Messin’ Round’, JST was immediately into her stride with the guitar, too. Her talent in that department has always been eye-catching. Trade mark fluid playing gave way to a more funky tone on ‘If That Ain’t A Reason’.

The audience reception was initially warm, rather than effervescent. The stalls were given over to rows of temporary seating, unusual for the Empire, and it seemed to impact on the atmosphere early on. I took my seat, which rocked in the literal sense, rather than the musical interpretation, and I soon decided to stand by the bar where the mood was more liberating and easy going.

Next up was ‘Keep On Lovin’ Me’, which showed off a smooth vocal performance and a few flourishes on guitar that were reminiscent of that Mr Bonamassa, who co-produced the album. The studio versions feature horns and brass, but Dorian Ford on keys did a great job of filling out the live sound with some Memphis touches of his own. The rest of the band comprised Michael Bradford wielding an excellent second guitar, James Edmunds behind the drums and Steve Lehane on bass.

Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

Albert King’s ‘Can’t You See What You’re Doing To Me’ was an early highlight. Lehane’s pumping, marauding bass drove a sumptuous rhythm with Joanne unleashing a fiery extended solo to wrap up the track. While due respect is paid to JST’s vocal performance, at the end of the day it is surely all about those moments where she finds notes and phrases on the guitar that quicken the pulse and stop the heart.

Introducing ‘Two Time My Lovin’’, JST said that she had chosen the track for the album and loved the song, though she was at pains to point out that the sentiments in the lyrics about a woman continuing to date a man who had been unfaithful to her were ‘absolute bullshit!’ This raised a mighty cheer and affirmed that there was plenty of girl power afoot. The crowd was warming up.

Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

‘Let Me Down Easy’ and the old time, piano-fired blues of ‘Three Time Loser’ closed out the select choices from the covers album.

Plundering the older material, ‘Dyin’ To Know’ stamped a quick-fire, muscular marker on proceedings and then followed with an antidote in the mellow, funk-infused shape of ‘Just Another Word’. The ebb and flow of a carefully planned set list.

Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

‘I’ve Been Loving You Too Long’, a smouldering emotional juggernaut with a killer instrumental passage moved the show into the red zone, heralding a duo of mini-epics with the crawling, grinding blues of ‘Watch ‘Em Burn’ and the soloing landslide of ‘Time Has Come’. Both from JST’s 2009 debut album and played with a Gibson Les Paul for a dirtier, earthier tone. Everything before and after was wrung out on the trusty Telecaster.

Punters were on their feet by now and the home run was delivered perfectly via the brilliant, colossal ‘Mud, Honey’, segueing into the instrumental ‘White Sugar’ in a pure adrenaline rush. Topped out by a furious ‘Bad Love’ with lyrics ‘Ain’t nothin’ but a heart breaker/Soul shaker/Time waster/All you’ve got to give is bad love’ delivered with real feeling.

After a short pause, the band was back to finish up with ‘Going Home’ and the job was done in great style. A polite welcome at the start of proceedings had been replaced by a whooping and exuberant finale. Joanne Shaw Taylor had exceeded already high expectations with a well-made, mature and magnificent gig.

Review and photos by Dave Atkinson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FORGET-ME-NOT featuring Jane Gould – S/T

AOR Boulevard Records (Release date 15.04.22)

Former Iconic Eye singer Jane Gould has assembled some impressive collaborations for her Forget-Me- Not project with the help of some key movers and shakers in the melodic rock world. Songwriters include the likes of Soren Kronqvist, Michael Palace and Steve Newman, the latter also producing and supplying many of the instruments.

‘Fire in Wonderland’ gets the album off in style with its washes of eighties keyboards, while ‘Darkness into Dawn’, less instant but more restrained, grows to be equally good with a great bridge and chorus. The Nigel Bailey penned ‘Dangerous’, while still melodic, is more guitar heavy,  notably with a speedy solo from Stephen Chesney.

At times, her voice has that theatrical bent suited to show tunes and the ballad ‘For Both of Us’ is as a result a little saccharine for my tastes. That vocal style is also in evidence on ‘Maybe, I Believe’ and ‘Move Mountains With my Mind’ but the latter boasts great instrumentation with its stabbing keys before drums and guitar crash in.

The title track is one of the more average on show, along with the ballad ‘I Pretend’, but some of the album’s best moments come in the final third of the album. ‘Shoot For the Heart’ – an old Karen Lawrence cover for us AOR anoraks- starts in poppy fashion but boasts an interesting guitar melody and classy chorus, while ‘Time to Let Go’ reminds me of Robin Beck with a chorus written by Steve Newman, but which could have come from the pen of Diane Warren or Desmond Child.

‘Everytime I See Your Picture’ is the best of the ballads- an eighties ballad with power chords of the type it is easy to imagine boasting a video starring a windswept Bonnie Tyler or similar.

While the natural comparison to make is with Chez Kane who released an outstanding old-school album last year, Jane Gould’s work here is closer to pure AOR, with Witness and Robin Beck coming to mind, alongside elements of the pop rock of Belinda Carlisle and T’Pau.

The mid tempo ‘Don’t Be Afraid of Your Dreams’ brings a suitably classy end to an album which is one of the most pleasant surprises of the year so far. ****

Review by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Book review: DECADES- MOTT THE HOOPLE & IAN HUNTER IN THE 1970s by John Van der Kiste

DECADES- MOTT THE HOOPLE & IAN HUNTER IN THE 1970s by John Van der Kiste

Sonic Bond Publishing (Publication date 11.02.22)

Mott the Hoople would be high on the list of bands that have influenced other higher profile musicians, ranging from Queen to The Clash to Def Leppard. When they reformed in 2009, grown men were crying and many of them attended all five nights of their Hammersmith shows.

Yet their original incarnation was a short lifespan of just five years, with an even briefer period of two years in the limelight between David Bowie’s donation of ‘All the Young Dudes’ and Ian Hunter breaking up the band.

They might therefore seem unlikely candidates for the latest in Sonic Bond’s monographs that go into detail of a decade in the life of a long-running band.  However this is cleverly swerved by devoting time to the post-MTH years of Ian Hunter solo, Mott and British Lions, in a way which complements the musical tribute paid to that era by Joe Elliott’s Down n Outz.

The other difficulty John Van der Kiske faces is that the story of this cult band has been extensively told before, both through fan archives and books including, at their peak, by Ian Hunter in his own words.  The veteran history and music author writes in a straight down the line but structured and comprehensive way, and successfully brings out the essences of characters from roguish svengali Guy Stevens to the driven nature of Hunter.

In doing so, he uncovers some interesting vignettes, my favourite being the unpolitically correct story of how, at one of their early shows in Italy, the audience assumed the man in the shades was blind and were less tolerant of his keyboard fumblings when they discovered otherwise. Other interesting nuggets included the close links with labelmates Free and how Hunter himself even considered bringing in Paul Rodgers as lead singer, and the influence of the song ‘Marionette’ on Queen in the writing of ‘Bohemian Rhapsody’.

As someone only vaguely familiar with their pre-‘Dudes’ Island Records releases, his account of the varying styles from country rock to proto punk was particularly instructive and it was clear they were already a raucous live act, who resulted in rock bands being banned for years from the Albert Hall.

The account of the rest of the seventies is also interesting and the conventional wisdom that only Hunter thrived after Mott split up is rather more nuanced: while working with a broad range of collaborators, a couple of his album were commercial failures, yet British Lions enjoyed a modicum of success in the States.

As usual in this series, a lengthy postscript beings the story right up to date in more potted format, including Hunter renewing his partnership with Mick Ronson for an all too short period, the various Mott reunions and their main man’s 80th birthday celebrations.

It’s a moot point how much Mott diehards will learn from this slim account but for those with a more casual acquaintance with the band I recommend it as an insight into their chequered existence. ****

Review by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BILLY MACKENZIE – Satellite Life Recordings 1995-96, 3 CD Set

Cherry Red Records [Release date: 23.04.22]

Billy MacKenzie died in 1997, aged 39.

Beyond the band he founded with Alan Rankine, The Associates, he recorded a handful of solo albums, but many of the songs in those studio sessions didn’t see the light of day until now.

The Satellite Life Recordings, a 3 CD Boxset, is a fabulous collection of Mackenzie’s music, rich in content, dark in tone, always passionate, frequently dramatic and sometimes painful.

Author Carole Morin said this, after the artist’s death: “It’s the duality of glamour and spirituality in his voice that attracts me. His toughness and fragility; darkness and laughter.”

There is probably no better summation of the man.

Some of these songs come from older material, now reworked by MacKenzie’s latter day collaborator, Steve Aungle. Some come from those studio sessions mentioned above, songs that were subsequently shelved. All within the years 1995-1996.

MacKenzie’s operatic style and high tenor voice wasn’t to everybody’s taste, but he had soul, he had style, musically he had no fear and his vocals never lacked conviction.

From the elegantly poised opening track, ‘Sing That Song Again’s classy piano intro, and the graceful ballad, ‘And This She Knows’ on Disc 1, to the Roxy Music gone techno of ‘Your Own Fire’ and the stagey simplicity of ’14 Mirrors’ on Disc 3, the music at the beginning and the end of this collection has an incredibly strong but deceptively mellow sense of equilibrium.

In its own way, it provides the entrance and exit to a musical labyrinth which runs through the 3 CD set. It’s hard to see your way sometimes. We find beauty and surrealism mingling and mixing on songs as different as the drum & bass electronica of ‘Hornophobic’ and the primarily instrumental, primitive techno of ’14th Century Nightlife’, to the unusually commercial (and not entirely welcome) tones of ‘Mysterious Lover’, and the echoey, cinematic ‘Return To Love2′.

But getting lost in the music is half the reward. It’s immersive, and MacKenzie, our guide, inhabits these songs as though dramatising the chapters of his life.

It truly is a tragedy that musically, this chapter may well be the last one. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BONHAM BULLICK – Bonham Bullick

Pete Feenstra chatted to Deborah Bonham and Pete Bullick for Get Ready to ROCK! Radio.  First broadcast 3 April 2022.

Bonham Bullick

Quarto Valley Records [Release date 29.04.22]

Vocalist Deborah Bonham and husband /guitarist Pete Bullick step out with a brand new band name (Bonham Bullick) and a self titled album with a shift in musical direction towards soul, with 13 interpretive covers on an American label.

In some ways it’s a curious move given that Deborah Bonham is best known for her singer- songwriter approach.  And yet the band’s timing could just be right. With the big upswing in soul in the last few years, this album might just be in the right place at the right time to make its mark.

It’s a soul based album with just enough rock and blues to satisfy the Bonham rock heritage.

Put simply there’s enough of Bonham’s excellent vocals and Pete Bullick’s subtle guitar tones and fiery solos to satisfy all palettes. And the change of stylistic emphasis gives them more subtle avenues in which to shine

It’s also an album that brings fresh impetus to Deborah’s vocals as she digs deep to make an emotional connection with the material.

The really impressive thing about this album is the way the band tackles covers from different decades and somehow makes them sound part of a coherent whole.

Bonham is also the producer and it makes a significant difference. Her intuitive overview finds the perfect balance between her own vocal range, Pete’s versatile guitar runs and some fine band interplay.

Her DIY approach works because of her familiarity with the band. She knows what everyone is capable of and channels that focus into supporting the songs.

The band tackles the hardest task first in trying to emulate the Bernard Fowler opener  ‘See You Again’, while adding something of their own.

Opening with Bullick’s solitary piercing note and levering into some impressive haunting tones, his imperious solo rises above portentous tom-toms and atmospheric bv’s to create the perfect platform for Bonham to deliver the kind of emotion and commitment that sparks the album as a whole.

They wisely opt for the booming blues-rock of Albert King’s ‘Can’t You See What You’re Doing To Me’, as the lead single. It’s full of bluster, a great vocal, exhilarating band interplay and is the closest they get to their previous style, with a big build up and a guitar-led resolution.

The album’s natural organic feel is again due to the way producer Bonham approaches everything like a pieces in a jigsaw. And with some judicious sequencing and attention to flow she achieves the difficult task of pulling together the disparate tracks.

The result is something slightly more than a slow burner, but with enough deep grooves, ethereal tones and eloquent phrasing to draw the listener in.

The choice of covers actually came from outside the band and the result is a soul based journey through rock, blues, gospel and some surprising eclecticism. The latter extends to a fine closing version of Chris Wilson’s ‘The Changeling’, the animated Ron Davies penned Bowie song ‘It Ain’t Easy’ and Steve Stills relaxed ‘Sit Yourself Down’.

Mark Lanagan’s ‘Bleeding Muddy Water’ has  similar evocative feel with chiming guitars, subtle percussion and a post Zeppelin eerie wall of sound, ruptured by a flinty guitar break that leads to a Bonham’s gospel led outro.

There’s a similar Zeppelin feel on ‘When This World Comes To An End’, which features Bullick on mandolin and Marco Giovino’s beautiful drum pattern.

‘Bonham Bullick’ works well because of a sense of balance and stellar musical accompaniment.  This makes it something of surprise when Bonham opts for a laid back soulful approach to O.V. Wright’s ‘I Don’t Know Why’, when you might expect her to attack the song with gusto.

And yet, by singing within herself she cleverly places the emphasis on a considered rather than fiery vocal attack, flanked by Paul Brown’s cool organ sweeps and some muscular guitar work from Bullick.

By the time of the impressive ‘Trouble Blues’ you are hearing band who know how to tease  every drop of emotion out of a classic song.

Then there’s the Dobro led groove of I’ll Get Along’, on which Bonham’s voice lifts the song to new another level. As with the album as a whole, they let the song breathe and the instruments percolate, as guitarist Bullick and Paul Brown’s Hammond flesh out groove

Perhaps the only weak track in terms of  the flow and dynamics of the album is the country tinged ‘When It Don’t Come Easy, on which Baggott’s piano and Bonham extended phrasing makes the most of a MOR track.

Happily its juxtaposed by the more ballsy Allen Toussaint ‘What’d I Do Wrong’, an emotive song popularised by Betty Harris and one which Bonham makes all her own. The fade comes all too soon.

‘Bonham Bullick’ strikes a neat balance between accessibility and commerciality, while showcasing the talents of a very fine band. It’s the duo best yet album and soul inflected blues has never been in safer hands. ****

Review by Pete Feenstra

 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: SUZI QUATRO – Royal Albert Hall, London, 20 April 2022

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

Words like ‘icon’ should not be banded about lightly, but Suzi Quatro would be one of the few musical figures for whom that description is appropriate, as arguably the first woman artist to play an instrument and rock on level terms with the boys. Maybe we overlook that fact too easily, as in the half century since Mickie Most brought her to the UK, a varied career has taken her from seventies glam rock to acting, directing, broadcasting and writing, ensuring longevity but maybe at the expense of musical visibility.

My impression was that she was more popular in European markets than her adopted homeland, and I had not actually seen her since a gig in 1995 at the lamented Standard in Walthamstow. More recent shows have been on a package tour with other seventies pop acts so this was her first full length headline UK show in many years, and a perfect opportunity to remind people of that musical legacy, and what succeeding generations of women musicians in rock and pop owe to her.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

Her youthful face looked on from a backdrop of the orange poster used to promote the recent ‘Suzi Q’ documentary, but as she bounded on stage, it was clear the years have been kind to the contemporary Suzi, remarkably vibrant for someone who passed 70 last year.

‘The Wild One’ made for a perfect opener as she screamed the opening lyrics ‘All my life I wanted to be somebody and here I am’ which were perfectly apposite at this prestigious venue. I found myself instantly singing along though did feel the musical set up, with a horn section and girl backing singers, dampened the original raw edge.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

‘I May Be Too Young’ was another with autobiographical lyrics, and ‘Daytona Demon’ with guitarist Tim Smith sharing some of the vocals and Jez Davies’ barroom style piano keeping the tempo rolling along, then ‘Tear Me Apart’ completed an opening quartet of hits.

As she addressed the audience for the first time, saying she needed a man to make himself available, a gentleman at the front who put himself forward was then embarrassed when the song turned out to be ‘Mama’s Boy’, evidence of her playful but assertive humour that showed itself several times during the night.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

‘Stumblin’ In’ with its archetypal late seventies soft rock feel- and bizarrely the only top 40 single she had in her native USA- saw Tim fill the duet role of Chris Norman, another seventies pop legend who we see frustratingly little of here.  Then one of her classic glam era singles in ‘48 Crash’ – about the male menopause, who knew! – was fun but understandably one of the few where she wisely dropped the key and sang in more restrained fashion rather than attempt to scream if it was still 1973.

My delight at the set opening with seven hits in a row was tempered by the realisation hers has become a rather an unjustly forgotten catalogue with only a couple of the obvious ones ever played these days.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

She then brought things more up to date when son Richard – bearing a striking resemblance to his Dad Len Tuckey -  was brought on to add guitar to two songs he had written on recent albums for her, in ‘No Soul/No Control’ and ‘The Devil in Me’, both of which had a pleasingly contemporary alternative rock air.

The next guests were from a completely different generation: Sweet guitarist Andy Scott, sporting a magnificent silver mane and the foil for Suzi’s playful bossiness, and Slade’s Don Powell, still thwacking his kit with impressive power and a huge grin, reconvening their ‘QSP’ project for two songs, the traditional rock’ n’roll of ‘Slow Down’ and a surprise, but every effective cover of ‘Rocking In The Free World’. The first of two sets could not have then ended in more of a contrast, Suzi taking alone to keyboards for the intimate ‘Can I Be Your Girl’.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

After a half hour break, she re-emerged head to toe in trademark leather and opened with a pair of new songs from the ‘Devil In Me’ – ‘Motor City Riders’  was a lively tribute to her home city of Detroit and ’I Sold My Soul Today’ also had the garage rock vibe of that influential late sixties Michigan scene.

In contrast ‘Rock Hard’ was a guilty pleasure, reminding me of the commercialised boogie of Status Quo around that early eighties period. Though I was previously unfamiliar with that one, it was great to again hear ‘She’s In Love With You’ with that slight new wave feel.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

Each song was performed to a backdrop of the relevant album or single sleeve and the impression that this was a complete history of her musical legacy was enhanced when she even gave a speech with a little potted history of her life and career.

After her bass and Jez’s  keys traded the instrumental lines of famous songs, ‘Your Mama Won’t Like Me’  saw the whole band hit an impressively funky groove before they were introduced in the middle of ‘Too Big’,  where what Suzi cheekily called the ‘horny boys’ were prominent.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

‘Glycerine Queen’ was a glam era album track that again was new to me while after some jamming including her going into a drum duet, she implored a crowd that had been appreciative but rather reserved to finally get to their feet. The No 1’s ‘Can The Can’ and ‘Devil Gate Drive’ were always made for participation and the atmosphere for the latter in particular was insanely joyful.

The line between main set and encore was rather blurred as she went into possibly my favourite of hers, ‘If You Can’t Give Me Love’, where she orchestrated a mass waving of hands though the guitar line in the chorus was instead replaced by a sax break, before rocking out to ‘Sweet Little Rock n Roller’.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

She walked off the stage as the band played out singing ‘go suzi go’, but any fears she would not take a proper bow were dispelled by one final surprise, as a stool was brought out and she returned to deliver quite brilliantly, with only keyboard accompaniment, a solo version of the Eagles ‘Desperado’.

It ended a night that was better than I ever dared expect. The time is right for the Suzi Q legacy to receive wider acclaim – and we heard during the evening a biopic is being prepared- so among all her other commitments I hope that this night inspires her to play headline shows more regularly in the UK.

SUZI QUATRO- Royal Albert Hall, London, 20 April 2022

Review and Photos by Andy Nathan

Interview (April, 2022)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MATT PEARCE & THE MUTINY – The Soul Food Store

Matt Pearce chatted to Pete Feenstra for Get Ready to ROCK! Radio.  First broadcast 17 April 2022.

Matt Pearce & The Mutiny - The Soul Food Store

Mutinear Records [Release date 29.04.22]

‘The Soul Food Store’ is an aptly titled project. Matt Pearce digs deep on his sophomore album for a Southern feel, rooted in funk, soul and a bluesy undertow, without losing any of his trademark rock intensity

It’s an old school album forged with contemporary values, full of organic goodness and framed by deep grooves salient hooks and measured guitar playing which always pays due respect to the song.

He’s a rock player in search of a wider remit and he finds a broader canvas via a willingness to explore, experiment and make use of some judicious pre planning, be it guitar tones or added vocal harmonies

He’s also unafraid to revisit the late 90’s for a funk rock fusion, tempered by enough soulful twists and turns to make his music challenging, but still emotionally familiar.

‘The Soul Food Store’ is fuelled by the twin imperatives of good songs and stellar playing, while Matt’s decision to add grainy sax player Steve Beighton to his sonic palette gives the sound real heft.

He opens with the riff driven crunch of ‘Got A Thing Going On’, leading from the front with an animated vocal over a funky back beat and some horn driven gusto.

In sharp contrasts, ‘All The Gods’ opens in blaze of psychedelic tones anchored by Kelpie McKenzie’s pulsing bass and Pearce’s own intricate guitar, as the track moves into a defining mellifluous solo.

And it’s that sense of flow with everything having its pace that glues together an album with enough diversity to keep the casual rock fan interested.

He comes close to Santana on the Latino injected duet of ‘The Promised Land’ and embraces a more subtle Latino tinged groove on the excellent title track.

The latter drops things down to combine Mark Greenfield’s percussion with an acoustic and effective falsetto to make a subliminal connection with Prince. His close to the mic vocal brings extra intensity.

Just under the half way mark, he counts in a bustling rocker ‘From Here To The Moon’, while ‘Never Get Away From Love’ sounds slightly under produced with neither they keys or the slide guitar cutting through.

The emphasis seems to be on his vocal duet with Daliah Sherrington, though he does produce a belated counterweight with a fuzz tone solo that recalls Ernie Isley in the 70’s

It’s still a hugely accessible and busy track with an insistent hook and the sort of crossover feel that gives the album its purchase.

Put simply, Matt Pearce impresses with his stylistic versatility, whether he’s playing stinging riff driven rock or a soulful figure, some exhilarating funk or even giving full reign his gritty vocals which cleverly switch from solo to duet mode over 10 tracks

He applies harmony guitar lines on the funky ‘A Better Way’, a great example of how the lyrics fit the music perfectly: “Don’t try and find it, that feeling inside, just let it ride and show you which way to go.”

He then throws off the shackles with a booming solo before dropping into a handclapped hook.

And just when you think he’s revealed his full hand, he surprises us with a soulful bluesy ballad called ‘Beautiful Disguise’ ,which with a few added bv’s could be doo-wop classic, framed by a subtle string arrangement and resolving guitar solo.

He rounds things off with ‘King Of The World’, a bristling stomp, which belatedly reconfirms his rocking roots.

And as he sings: “Everybody should be king of the world someday” and references: “a force of nature” and: “superman in a tuxedo”, you suspect he’s illustrating the very feel good nature of the album as a whole, before an impressive wall of sound is finally punctuated by a final sax rasp to close an album that deserves wide exposure. ****

Review by Pete Feenstra

Albums of the Month


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: NAZARETH – Surviving The Law

Frontiers [Release date: 15.04.22]

Most music reviewers weren’t born when Nazareth started up, and few bands are still rocking as hard, to enthusiastic acclaim, 54 years later.

Surviving The Law is the band’s second album with Carl Sentance on vocals.

Here’s what we said about the first, Tattooed (2018) : “It must have been tempting to crank up the weapons grade hard rock, and bludgeon an always forgiving fanbase into submission, but it’s arguably their most consistent, inventive album for some time”.

The new album continues where the last left off. With producer Yann Rouiller, they’ve pushed themselves to offer a yet more adventurous, fresh sounding collection of songs, matching the solid, reliable hard rock of the old with the imaginative arrangements and song structures of the new.

And so they have created a very distinctive version of Nazareth, from the raw, moody, multi layered, Nirvana like hard rock of ‘Strange Days’, to the almost whispered confessional, ‘You Made Me’. The latter’s cool use of Hammond organ underpinning reaches right back to the nascent Brit Blues Rock sounds of John Mayall and Chicken Shack.

Jimmy Murrison’s guitarwork – taut, tense, unshowy and loud – is the backbone of the album. The bolted to the floor rhythm section of the Agnews, Pete and Lee, keep it bass heavy and well grounded. But it’s Murrison’s axework that does the heavy lifting … pushing Sentance’s vocals to its limits on ‘Runaway’ or delivering relentlessly clanging, clawing axework on ‘You Got To Pass It Around’, while Sentance sings like he’s a soul man  auditioning for Roy Wood’s Wizard. It’s cool how they work in tandem, carving out their own attractive little niche in the rock’n'roll wall of “how to do it different”.

Other highlights, like the solid, bluesy, seventies hard rock and rolling momentum of ‘Love Breaks’, and the belting Grunge rock of ‘Psycho Skies’, a serious deviation from their tried and tested path, turn these tracks into true delights.

No question, this is music that marches to the beat of its own drum.

The Nazareth sell-by date is still way out of sight. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Book review: BICKERSHAW FESTIVAL 50th ANNIVERSARY – Featuring Grateful Dead by Chris Hewitt

Bickershaw 50th

Dandelion Records & Books [Publication date 30.06.22]

Author Chris Hewitt has carved out his own niche in rock and roll history as an author, archivist, record label and resource for period pa gear.

The broad context for this book is the counter culture as it still existed in the early 70’s and the way it manifested itself through music, literature and in this case festivals.

His latest book ‘Bickershaw Festival 50th Anniversary Featuring The Grateful Dead’ is actually an updated re-issue of his 40th anniversary box set.

It’s packed full of photos, well researched reminiscences, and though it’s poor in structure,  it invites the reader to immerse themselves in 177 photo laden pages. There’s also an extra 26 odd pages of Grateful Dead biographical and pictorial info at the end on unnumbered pages, which inadvertently highlights the need for a decent index, an omission that plagues too many music books.

The Bickershaw book dwells on the festival’s original mission statement, which was: “3 days of peace and music.”

In hindsight the organiser’s might well have might as well have added dreadful weather. For had this been an army training camp, even some of the soldiers might have complained. But as the author points out, in spite of the adversity there was a certain ‘can do’ vibe which translated into the stirring memories captured in this book.

Much like the smaller and 4 month later Buxton Festival (think a bleak September in the heights of unforgiving Derbyshire), the Jeremy Beadle driven festival (yes it was him)  asked a lot of its core hippy audience and all the curious revellers who turned up for a festival on their doorstep.

Indeed Hewitt sees Beadle as something of a hero, noting: “It is testimony to Jeremy’s amazing ability and self belief that the event was such an artistic success given the weather and the underlying financial problems.”

Fired by the notion of creating a British Woodstock, Beadle was hampered by a poor choice in his business partners, leading to a shortfall in promised funding and the like.

Beadle’s major backer Harry “The Count” Bilkus said: “If everyone had paid to get in then this disaster might have been averted.”

When trying to work out the reasons for the huge loss at the end of the event, very little attention is paid to the reported astronomical fees and first class travel for the likes of The Dead, let alone their egotistical need to fly over their own live recording  gear from the States at ridiculous expense.

Headlined by West Coast counter culture heroes such as The Grateful Dead, Captain Beefheart, New Riders Of The Purple Sage, as well as Dr. John, Country Joe etc, when you read the countless uncredited music press reviews in the book, it was staple British festival bands like Family and Wishbone Ash and to a lesser extent Hawkwind, who illuminated the arena as the rain poured down. They not only made the biggest impact but probably added to the attendance.

And while Donovan, The Kinks provided the home-grown star quality, the bill was fleshed out with underrated artists like Stackridge, Linda Lewis and Jonathan Kelly.

Roy Harper was also on one of the festival billboards, but seems to either not have tuned up or was missed by the critics.

If you really dig deep into this book, the most significant aspect of Hewitt’s archive is the reflections of the fans and festival goers themselves.

Everyone one of them has a memory engraved in their DNA for life of a time when people came together for good reasons and saw off the elements to tell the tale.

No more so than one Andrew Rogers from Thames Ditton, who is quoted thus: “Does anyone remember the guy playing piano on a tiny stage in the middle of  an empty , smoke filled marquee after the festival had ended? It sounded like a beautifully extended version of McArthur Park, but who knows?”

Who indeed? Then there’s the guy who gravitates towards Beefheart’s retinue and inadvertently ends up on stage with him.

Beefheart: “We have to go on stage soon. You don’t want to be down here crawling around in the mud. Would you like to come up with us?”

Classic stuff. Then of course there is the author himself, whose feverish passion continues to burn 50 year after the event and still helps forge a continuing audio literary archive.

And what of the Dead themselves? Very little in fact. They came, they saw and they reaffirmed their fans commitment by doing their customary 4 hour set. They filmed it all and left.

Jerry Garcia is quoted as saying something about just being there for the money!

Another interesting question that is floated, but not pursued sufficiently enough is the well intentioned point about the substance of free festivals. Curiously this is actually one of the poorest researched parts of the book.

In listing some of the free festivals of the time, Hewitt seems to have overlooked several salient ones including Watchfield, the celebrated post-Windsor week-long gathering on a site actually given its blessing by the government. Instead he makes a case for festivals like the Isle of Wight and indeed Bickershaw, which became ad-hoc free festivals, ie. people got in without paying!

No matter, this is an enjoyable romp through yesterdays counter cultural past. When you pull together Hewitt’s other work on the Deeply Vale festivals etc, you realise he’s more into a geographically defined (North West UK) social history approach. And his main point seems to be the durability of hippy ideals which later merged with a DIY punk and a crusty traveller ethos to vex Thatcher so much.

But back to the 50th anniversary of Bickershaw.  The photos alone make this a good coffee table book. And while I’m not convinced everyone was happy at the time in the rain and mud, or even thought of Bickershaw in terms of being a great festival, the fact that there is enough interest to warrant a reissue of this book suggest plenty of people still want to remember their youth in terms of their collective idealistic spirit, grit and determination.

Worth buying. ****

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JOE SATRIANI – The Elephants Of Mars

JOE SATRIANI - The Elephants Of Mars

earMUSIC [Release date 08.04.22]

A new Satch album.

Energy levels high.  Check.  Weird titles.  Check.  Stellar guitar.  Check.  Shades on.  Check.

In fact guitar nerds are being spoilt, because this album comes hot on the heels of Steve Vai’s latest offering.  Vai’s is more accessible than we might expect but Satch always delivers in terms of immediacy.

Following on from 2020′s ‘Shapeshifting’ and its predecessor ‘What Happens Next’ there are no real surprises just purposeful precision playing, melodic invention, and great grooves.  With great support from Brian Beller (bass) and Kenny Aronoff (drums) this is another album of successive highlights.

The title track, along with others (notably ‘Through A Mother’s Day Darkly’),  sounds like a soundtrack to some sci-fi box set with the rattling rhythm and vertigo inducing guitar only broken by a brief spacey respite.  There’s some straight ahead R&B/soul with ‘Blue Foot Groovy’, the jazzy ‘E 104th St NYC 1973′ and heavier stuff like ‘Tension And Release’ is a real standout.

And then there’s the dramatic flights like ‘Sailing The Seas Of Ganymede’ and ‘Dance Of The Spores’ with it’s multi-tracked choruses echoing earlier excursions.

‘Faceless’ was released as an advanced track and is actually a bit dirgey although it does get going whilst another early preview ‘Pumpin’ raises the tempo with some sublime jazz-funk.

‘Night Scene’ keeps things pneumatic with a rare Eric Caudieux keyboard break and ’22 Memory’ shows how easily Satriani switches from the intense to the introspective.

Satriani once again manages to sustain a wholly instrumental album with few curveballs (the burst of funfair in ‘Dance Of The Spores’ being the one exception) and forever pushing the envelope.

Recent albums have been a bit jam-based and less structured.  ‘The Elephants Of Mars’ is groove-led but succinct with guitar tones and tricks to die for.  We’ll have to wait until May 2023 for the postponed UK tour and there’ll be lots to catch up on.

Great gigs to come.  Check.  *****

Review by David Randall

Albums of the Month

Get Ready to ROCK! - The Best of 2022

JOE SATRIANI 2023 TOUR
APRIL 2023
1 Oslo, Norway @ Sentrum Scene
2 Stockholm, Sweden @ Fryshuset Arenan
3 Copenhagen, Denmark @ Amager Bio
4 Odense, Denmark @ Posten
5 Aarhus, Denmark @ Train
7 Prague, Czech Republic @ Prague Congress Centre
8 Vienna, Austria @ Wiener Stadhalle
10 Budapest, Hungary @ Barba Negra Track
11 Warsaw, Poland @ Stodola Club
13 Enschede, Netherlands @ Muziekcentrum Enschede
14 Amsterdam, Netherlands @ Melkweg the Max
15 Heerlen, Netherlands @ RABOzaal Heerlen
16 Antwerp, Belgium @ De Roma
17 Oberhausen, Germany @ Turbinenhalle Oberhausen
18 Nürnberg, Germany @ Löwensaal
20 Berlin, Germany @ Huxley’s Neue Welt
22 Zurich, Switzerland @ Volkshaus Zurich
24 Milano, Italy @ Teatro dal Verme
26 Napoli, Italy @ Teatro Augusteo
28 Lecce, Italy @ Teatro Politeama Greco
29 Roma, Italy @ Auditorium Conciliazione
30 Firenze, Italy @ Teatro Verdi
MAY 2023
2 Bologna, Italy @ Europaditorium
4 Lyon, France @ Transbordeur
5 Nantes, France @ Cité des Congrès
6 Clermont-Ferrand, France @ Coopérative de Mai
7 Tours, France @ Le Vinci
9 Rennes, France @ Le Liberté
10 Saint-Malo, France @ La Nouvelle Vague
12 Birmingham, UK @ Birmingham Symphony Hall
13 Gateshead, UK @ Gateshead Sage 1
14 Manchester, UK @ Bridgewater Hall
15 Glasgow, Scotland @ O2 Academy Glasgow
16 Bexhill, UK @ Bexhill De La Warr
17 London, UK @ Palladium
19 Reims, France @ La Cartonnerie
20 Paris, France @ L’Olympia
22 Metz, France @ Bam
23 Besançon, France @ La Rodia
24 Strasbourg, France @ La Laiterie
26 Karlsruhe, Germany @ Kulturzentrum Tollhaus Karlsruhe
27 Winterbach, Germany @ Salierhalle Winterbach
30 Toulouse, France @ Théâtre du Casino Barrière
31 Perpignan, France @ @ Le Médiator
JUNE 2023
1 Barcelona, Spain @ Sala Barts
2 Madrid, Spain @ Sala la Riviera
3 Bilbao, Spain @ Santana 27
4 Bordeaux, France @ Théâtre Femina
More dates to be announced.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BLACK SWAN – Generation Mind

Frontiers [Release date 08.04.22]

Black Swan follow up 2020′s Shake The World with the much more confident, cohesive, Generation Mind.

Robin McAuley, Reb Beach, Matt Starr and Jeff Pilson form a formidable collective. Each transforming his own success and experience into a key component of this extraordinary rock band.

It’s rare to encounter an assembly of been-there, done-that artists who can deliver a fresh spin on eighties melodic hard rock. Especially one where everything gells.

The album is lined with towering, wall to wall choruses and harmonies.The songs are brimful of sturdy tunes as the band relives the passion, the flair and the sheer joy of great melodic rock. McAuley sounds better than ever.

You listen to the title track, and say ‘She Hides Behind’ and ‘Eagles Fly’, almost picked at random. These are ambitious, amped up rock songs with anthemic, radio ready choruses. They sounds deceptively simple, but you have to be severely talented to make it sound this good, this simple.

Beach is on fire. On ‘Killer On The Loose’ and ‘Miracle’, he doesn’t so much craft a riff as carve it out in huge chunks, leaving the rest of the band to the remorseless pursuit of that awesome emotional moment where melodic rock/AOR, or whatever you want to call it, transcends its genre limitations, and just takes off.

Even when they’re recycling old ideas, it’s done with such enthusiasm and skill. ‘See You Cry’ and ‘I Will Follow’ are two heavily melodic rock songs which typically jettison the ballast of unnecessary adornment. Each crests a wave of thunderous power chords, spinning out an aggressively infectious hook, yet . . . they have heart and soul and warmth.

This is how it used to be, only right now. ****1/2

Review by Brian McGowan

Albums of the Month


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: GARETH DUNLOP – Animal

GARETH DUNLOP - Animal

Zenith Café/Membran [Release date 22.04.22]

Belfast born singer songwriter Gareth Dunlop may only be on this, his second, solo album but he has found success with his songs featuring on TV series including ‘Lucifer’, ‘Best of Me’, along with adverts for the likes of Disney. If that wasn’t enough he has produced albums for Foy Vance and Lee Rogers.

As Dunlop stated “a great piece of advice I once received was to ‘write like no-one will ever hear it.’ It tricks my brain into being more honest with myself than I normally would.” This has led to ‘Animal’ being a very honest and personal work.

It comes as no surprise that the catchy refrain of ‘Look Back Smiling’ has been released as a single. It has that insitent melody that makes it a song you want to keep hearing. ‘Sorrow’ was another single. It is soothing musically, albeit with a reflective and thoughtful lyric. One for the focus playlists that streaming services love to promote and that is meant as a complement, as it seems these playlists often pave the wave for an up & coming artrists success.

Elsewhere, ‘Headlights’ is reminiscent of latter day Snow Patrol, whilst ‘Right About Ready’ is one of the albums more upbeat moments. Sophisticated pop with a modern feel and appeal.

Classy music and you can see why he is demand from other artists. Music that uplifting and we all need that at the moment. ***1/2

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Single review: THE PETAL FALLS – Somebody to Love Me

Website [Release date 29.04.22]

It’s no secret that I am a fan of this band since reviewing the band’s debut album, ‘Workin All Night, Workin All Day’ released during lockdown, and the follow up album last September, “All These Years” , now presented with the teaser single, ‘Somebody To Love Me’ from their forthcoming third album titled ‘Everything About You’ which is due to be released in September 2022, I am wondering if this band can pull it off yet again.

From the opening intro to the new track, there’s absolutely no doubt this single is going to be great signpost of what’s to come!

The Petal Falls signature is catchy rock which doesn’t fit neatly into any category, with sublime production and lyrics we can all relate to and “Somebody to Love Me” delivers on all aspects – again sounding familiar but new at the same time.

“…. I can’t promise you no caviar, I work hard for what I’ve got, if it ain’t enough, then baby that’s tough”

Keith’s vocals are supberb (I start comparing to Bryan Adams in my head) and the harmonies work really well to add depth to what is simply put a great song!

I am really excited to hear the new album, keep up the good work, The Petal Falls, your music rocks! As the band say “Let The Music Do The Talking”, give them a listen, you’ll be in for a treat. *****

Review by Karen Clayton


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: NANAUE – 281F

NANAUE - 281F

Rattsburg Records [Release date 26.11.21] www. nanaue.com

Based on the liner note, it seems this project has been some 11 years in the making. Evidently one of those internet phenomenons with recording bounced across Italy, Spain and Belgium.

The main protagonists Emiliano Deferrari (vocals) and Matteo Nahum (guitar) have weaved a rather engaging tapestry of songs that whilst referencing classic pop/rock retain a certain individuality. The lyrics might be quirky, poetic, but they resonate.

The core influence has to be latter day Beatles with ‘Daybreak’ for example evoking ‘Blackbird’ albeit with added cello and a more upbeat end section.  The use of winds and brass gives some tracks a chamber music feel such as ‘ The Shortest Story’ and ‘Devil’s Lighter’ with it’s ‘Day In The Life’ aleatoric effects.

The album is topped by another romantic paean ‘The Blind, The Deaf’, a real tour-de-force with references to the everyday and the hum-drum ‘Don’t Give Up – all the strength you need is to dip another sugar spoon in the mug/and turn till the coffee is sweet the way I like it.”

The Italian Nahum (now based in Spain) has a background in film and TV music composition and is a Berklee graduate whilst Deferrari is a fellow Italian now domiciled in Belgium who tours a solo show using live loops.

The duo are not afraid to mix things up.  The opener ‘Summwhere’ starts like something from a 1920s dance hall before morphing into a more jazz rock orientated groove.  ‘Sumac Said’ is a really lovely ballad and beautifully orchestrated.  ‘Confident Boy’ a rather polite slice of soft funk, topped with Deferrari’s frenetic guitar solo.   Only the rather ordinary and untypical rock ‘n’roller ‘Che Boludo’ (sung in Spanish) is the one major distraction.

Any multi-national configuration that waxes lyrical about ‘Lancashire’ -  “My life would flow without shakes/pork pies, black pudding all day/my tan will fade in the misty rain/because I’m leaving for Lancashire’ – has our vote.  It’s as bizarre as it is endearing and it needs a wider audience.  ****1/2

Review by David Randall


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FRANKIE MILLER – Falling In Love and Easy Money (Remasters w/bonus tracks)

Rock Candy Records [release date 18.03.22]

1980 now, and Frankie Miller’s label are looking for another hit song like ‘Darlin’, from his 1978 long player, Falling In Love.

And so, knowing there’s no substitute for throwing money at it, they ship him out to Nashville, and place him under the wing of Troy Seals, ultra successful songwriter and producer.
Miller’s Easy Money album was the result.

Did it work? Well, no hit single, so you could say, no, it didn’t. In fact, it’s a patchy album, but the good stuff is outstanding.

Miller’s cover of the US Number 1 Country hit, ‘Why Don’t You Spend The Night’, recorded by genre legend, Ronnie Milsap, is a peach. Arguably, he improves on the original by leaning hard into the strength and laid back grace of his own bluesy vocals. In doing so, he gets just that little bit more out of this otherwise unadorned love song.

Elsewhere, the Miller/Seals cowrites, ‘The Woman In You’ and ‘Forget About Me’ are the perfect fit for Miller’s blues rock with-a-bit-of-pop-sensibility vocal style.

For fans, listening to his records was the definition of personal experience, and Easy Money went down a treat. ***1/2

The year before, Miller released Falling In Love, from which came his huge hit, ‘Darlin’.

In addition, ‘When I’m Away From You’, a carefully crafted pop song, with just enough ragged edged rock moments to put Miller’s stamp on it, the gutsy blues rock of ‘A Woman To Love’, undercut by a ragtime, funky feel, are the picks.

That said, ‘Good To See You’ is a magnificently apposite closer.
It’s a much covered Allan Taylor song that owes something to the original, but Miller, as usual, gets under the skin of any song expressing heartfelt human emotions, and makes it his own. It’s what he spent a lifetime doing. RIP. ****

Both remasters include a bunch of demos and live tracks. The picks, ‘Is This Love’ and ‘When Something is Wrong With My Baby’ sound battered and bruised live, but that’s the kind of stuff Miller’s voice was born to sing.

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: HELD BY TREES – Solace

HELD BY TREES - Solace

Tweed Jacket Music [Release date 22.04.22]

The opening piece on this instrumental album sounds like an outtake from Inspector Morse c.1988.  It was one of the great TV detective series, punctuated by Barrington Pheloung’s superb orchestrations.  I digress, perhaps the link here is the late-1980s.  Whilst Morse was drinking and thinking Talk Talk, who had made some impact in the mainstream with several chart hits including ‘Life’s What You Make It’, went a bit experimental.

Now, several musicians who played on the Talk Talk records have come together to fashion an essentially chill-out album including ace sessionists Tim Renwick and Robbie McIntosh.

Talk Talk’s 1988 album ‘Spirit Of Eden’ was commercially less successful than their predecessors, but this (and the following ‘Laughing Stock’) form a template for the loose, free-flowing approach adopted here.

It’s wonderful, reflective and absorbing music as evidenced by ‘In The Trees’ with its chiming guitar ground and ‘Rain After Sun’ allowing subtle improvisation from Mike Smith (sax).

There’s a jazz vibe permeating throughout but the album remains accessible and immersive.  It crys out for a 5.1 surround mix.

Nothing moves too quickly in this world and the whole is augmented by field recordings of nature: rain, wind, waves, birds.  And to keep up the eco-friendly nature of this work – all coordinated by multi-instrumentalist David Joseph – a tree will be planted in Madagascar for every album sold.  Climatastic.  ****1/2

Review by David Randall

Album review (Solace – Live At Real World Studios, 2023)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: TWELFTH NIGHT – Smiling At Grief…Revisited

TWELFTH NIGHT - Smiling At Grief...Revisited

Twelfth Night [Release date 01.04.22]

The cottage industry that is Twelfth Night continues.  The band haven’t been active live since 2014 and some would say that their best work was done with vocalist/lyricist Geoff Mann in the early 1980s.

The passage of time gives a great opportunity to revisit former glories, and the band have a thriving web store offering definitive versions of their albums plus the usual rare and previously unreleased.

Their recorded history takes in early cassette tapes, four studio and four live albums and a myriad of archive releases and solo offshoots.

This latest re-evaluation was originally just a clutch of demos prior to their first “proper” album ‘Fact And Fiction’ (1982) when two tracks ‘This City’ and ‘Creepshow’ were duplicated.

Those demos – previously available on the 2009 ‘Definitive Edition’ – are now put in the hands of a variety of current progsters.

So Steven Wilson, who apparently has been influenced by the band, has remixed four tracks whilst others (such as Karl Groom of Threshold and Rob Reed of Magenta) have not only remixed but added new parts to the originals.  There are a couple of completely new takes too, with Tim Bowness and Brian Hulse’s version of ‘Makes No Sense’ and a similar cover by Mark Spencer.

And what of the music?  Twelfth Night are described as a neo-prog band, putting them in the company of early Marillion (to whom they have sometimes been compared) and bands like Pallas and IQ. The band were evidently influenced by early prog pioneers like Genesis and Pink Floyd (the 11-minute instrumental ‘Fur Helene Part II’ here reinterpreted by Dean Baker is like Mike Oldfield’s take on ‘Interstellar Overdrive’).

The band also owe something to new wave/punk bands of the late 1970s, early 1980s such as Joy Division with Mann’s vocal inflections and Rick Battersby/Clive Mitten’s synth patterns.  Mann also reminds of classic Peter Hammill in Van Der Graaf Generator.  An acquired taste, definitely.

The nearly men of neo-prog, this well annotated compendium will be of most interest to hardcore fans.  ***

Review by David Randall

Album review (Clive Mitten, 2021)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: TARJA – Frisson Noir

FOZZY - Boombox

earMUSIC [Release date 12.06.26] Tarja Turunen releases her tenth studio album and one she calls the “heaviest record of her career”. There are a few notable guest appearances including fellow ex-Nightwish member Marko Hietala, Dani Filth (Cradle of Filth), Apocalyptica, and Chad Smith (Red … Continue reading

Album review: FOZZY – Boombox

FOZZY - Boombox

Mascot Records [Release date 06.05.22] Fozzy have been present on the rock scene for over two decades and their pedigree is clearly demonstrated on this latest album – it’s a master class in pure Rock ‘n’ Roll! Fozzy have had … Continue reading

Gig review: THE TREATMENT, Piston – Robin 2, Bilston, 2 May 2022

THE TREATMENT - Robin 2, Bilston, 2 May 2022

It’s a Bank Holiday Monday in Bilston and it’s the final night of this 18 date tour, that’s 18 consecutive gigs, no breaks for all 3 bands, are they flagging or have they cracked it? I am super excited for … Continue reading

Album review: FORTUNE- Level Ground

FORTUNE- Level Ground

Frontiers Records (Release Date 08.04.22) After it took 24 years to follow up their self-titled debut album and cult AOR classic, Fortune’s third album follows after a relatively brief three year interval. However while 2019’s ‘Fortune II’ included a number … Continue reading

News: JOE BOUCHARD, SLASH, SEX PISTOLS, (May 2022)

Orianthi - Manchester Arena, 24 October 2016

Alter Bridge release their latest album ‘Pawns & Kings’ on October 14 via Napalm Records. The Answer make a live return at Planet Rockstock on December 3 and plan to release a new album  in 2023 on Golden Robot Records. … Continue reading

Album review: LILLIAN AXE – Psalms For Eternity (3 CD set)

Lillian-Axe-Cover

Global Rock [Release date 6.04.22] This month, Lillian Axe release a 3 CD retrospective on Global Rock, SFM’s brand spanking new Rock and Metal label, grandly called Psalms For Eternity. It’s been curated by mainman, guitarist and songwriter, Steve Blaze, … Continue reading

Album review: MICK WHITE – Something’s Got To Give

MICK WHITE - Something's Got To Give

Enghardt Media/The Metal Society [29.04.22] Now here’s a blast from the past. I first encountered vocalist Mick White in the late 80s when he was working with Paul Samson, and later when he fronted First Strike (that Just Another Night album … Continue reading

Gig review: STONE BROKEN, Mason Hill, The Fallen State – The Marble Factory, Bristol, 25 April 2022

STONE BROKEN - The Marble Factory, Bristol, 25 April 2022

Opening  their set with the rather epic ‘For My Sorrow’ the atmosphere is rocking, and there are clearly some fans in the audience and it’s a reflection that actually this tour celebrates three bands that are all on their ascendancy, … Continue reading

Album review: ICON – Icon (Remaster)

icon1

Rock Candy Records [release date: 18.03.22] Icon’s debut album from 1984 has recently been remastered by leading UK Reissue label, Rock Candy Records. The fact that the band’s set list in those early days included material by Deep Purple and … Continue reading

Gig review: JOANNE SHAW TAYLOR – Shepherd’s Bush Empire, London, 26 April 2022

220426_jst1

Toby Lee is a prodigious talent. At 17 years old he is touring his own four-piece band with two albums and an EP already on the racks. As a star of the School of Rock West End production, he played … Continue reading

Album review: FORGET-ME-NOT featuring Jane Gould – S/T

Forget- Me-Not

AOR Boulevard Records (Release date 15.04.22) Former Iconic Eye singer Jane Gould has assembled some impressive collaborations for her Forget-Me- Not project with the help of some key movers and shakers in the melodic rock world. Songwriters include the likes … Continue reading

Book review: DECADES- MOTT THE HOOPLE & IAN HUNTER IN THE 1970s by John Van der Kiste

DECADES- MOTT THE HOOPLE & IAN HUNTER IN THE 1970s by John Van der Kiste

Sonic Bond Publishing (Publication date 11.02.22) Mott the Hoople would be high on the list of bands that have influenced other higher profile musicians, ranging from Queen to The Clash to Def Leppard. When they reformed in 2009, grown men … Continue reading

Album review: BILLY MACKENZIE – Satellite Life Recordings 1995-96, 3 CD Set

billy_mac_bmsa_front

Cherry Red Records [Release date: 23.04.22] Billy MacKenzie died in 1997, aged 39. Beyond the band he founded with Alan Rankine, The Associates, he recorded a handful of solo albums, but many of the songs in those studio sessions didn’t … Continue reading

Album review: BONHAM BULLICK – Bonham Bullick

Bonham Bullick

Pete Feenstra chatted to Deborah Bonham and Pete Bullick for Get Ready to ROCK! Radio.  First broadcast 3 April 2022. Quarto Valley Records [Release date 29.04.22] Vocalist Deborah Bonham and husband /guitarist Pete Bullick step out with a brand new … Continue reading

Gig review: SUZI QUATRO – Royal Albert Hall, London, 20 April 2022

P1240036 - Copy

Words like ‘icon’ should not be banded about lightly, but Suzi Quatro would be one of the few musical figures for whom that description is appropriate, as arguably the first woman artist to play an instrument and rock on level … Continue reading

Album review: MATT PEARCE & THE MUTINY – The Soul Food Store

Matt Pearce & The Mutiny - The Soul Food Store

Matt Pearce chatted to Pete Feenstra for Get Ready to ROCK! Radio.  First broadcast 17 April 2022. Mutinear Records [Release date 29.04.22] ‘The Soul Food Store’ is an aptly titled project. Matt Pearce digs deep on his sophomore album for … Continue reading

Album review: NAZARETH – Surviving The Law

nazareth_stl1a

Frontiers [Release date: 15.04.22] Most music reviewers weren’t born when Nazareth started up, and few bands are still rocking as hard, to enthusiastic acclaim, 54 years later. Surviving The Law is the band’s second album with Carl Sentance on vocals. … Continue reading

Book review: BICKERSHAW FESTIVAL 50th ANNIVERSARY – Featuring Grateful Dead by Chris Hewitt

Bickershaw 50th

Dandelion Records & Books [Publication date 30.06.22] Author Chris Hewitt has carved out his own niche in rock and roll history as an author, archivist, record label and resource for period pa gear. The broad context for this book is … Continue reading

Album review: JOE SATRIANI – The Elephants Of Mars

JOE SATRIANI - The Elephants Of Mars

earMUSIC [Release date 08.04.22] A new Satch album. Energy levels high.  Check.  Weird titles.  Check.  Stellar guitar.  Check.  Shades on.  Check. In fact guitar nerds are being spoilt, because this album comes hot on the heels of Steve Vai’s latest … Continue reading

Album review: BLACK SWAN – Generation Mind

blackswan generation

Frontiers [Release date 08.04.22] Black Swan follow up 2020′s Shake The World with the much more confident, cohesive, Generation Mind. Robin McAuley, Reb Beach, Matt Starr and Jeff Pilson form a formidable collective. Each transforming his own success and experience … Continue reading

Album review: GARETH DUNLOP – Animal

GARETH DUNLOP - Animal

Zenith Café/Membran [Release date 22.04.22] Belfast born singer songwriter Gareth Dunlop may only be on this, his second, solo album but he has found success with his songs featuring on TV series including ‘Lucifer’, ‘Best of Me’, along with adverts … Continue reading

Single review: THE PETAL FALLS – Somebody to Love Me

THE PETAL FALLS – Somebody to Love Me

Website [Release date 29.04.22] It’s no secret that I am a fan of this band since reviewing the band’s debut album, ‘Workin All Night, Workin All Day’ released during lockdown, and the follow up album last September, “All These Years” … Continue reading

Album review: NANAUE – 281F

NANAUE - 281F

Rattsburg Records [Release date 26.11.21] www. nanaue.com Based on the liner note, it seems this project has been some 11 years in the making. Evidently one of those internet phenomenons with recording bounced across Italy, Spain and Belgium. The main … Continue reading

Album review: FRANKIE MILLER – Falling In Love and Easy Money (Remasters w/bonus tracks)

frankie miller falling

Rock Candy Records [release date 18.03.22] 1980 now, and Frankie Miller’s label are looking for another hit song like ‘Darlin’, from his 1978 long player, Falling In Love. And so, knowing there’s no substitute for throwing money at it, they … Continue reading

Album review: HELD BY TREES – Solace

HELD BY TREES - Solace

Tweed Jacket Music [Release date 22.04.22] The opening piece on this instrumental album sounds like an outtake from Inspector Morse c.1988.  It was one of the great TV detective series, punctuated by Barrington Pheloung’s superb orchestrations.  I digress, perhaps the … Continue reading

Album review: TWELFTH NIGHT – Smiling At Grief…Revisited

TWELFTH NIGHT - Smiling At Grief...Revisited

Twelfth Night [Release date 01.04.22] The cottage industry that is Twelfth Night continues.  The band haven’t been active live since 2014 and some would say that their best work was done with vocalist/lyricist Geoff Mann in the early 1980s. The … Continue reading