Interview with HENRY UPTON (Lionize)

Formed back in 2002 and with 4 albums to their name Maryland based Lionize are now gaining the recognition they rightly deserve. Their original blues rock sound, infused with the odd reggae influence, is gaining a wider audience and, with a little help and guidance from their state neighbours Clutch, the band are aiming for bigger things. I caught up with bass player, Henry Upton, for a chat about the current support tour with Clutch, the album and more…

DW – Hi Henry, thanks for taking the time to talk to Get Ready To Rock! today.

HU – It’s a pleasure.

DW – For those readers who may be unfamiliar with Lionize could you give us a brief resume of the band’s history?

HU –Nate, Chris and I started playing together around 10 years ago. We played house parties, bar gigs, whatever we could book. After touring the Northeast for several years we started to branch out and get opening spots on national tours. We were lucky enough to play with Clutch, Steel Pulse, CKY, Lee Scratch Perry and other great acts. We just stayed on the road, kept writing, and now we feel very fortunate to be making our first trip to the UK.

DW – Over the years Clutch have played a big part in the band’s development both as an influence and through direct support. How big a help has this been?

HU – They’ve helped so much it’s kind of hard to quantify. Both artistically and business wise they have been a huge influence. Clutch has developed their band and their career in the right way. We try to emulate that. Tim Sult has played on several of our records. J.P. co-produced “Jetpack Soundtrack” and did nearly a year of pre-production with us. It’s difficult to overstate the positive impact they’ve had. We’re very grateful.

DW – On the subject of influences, listening to your music it would appear that you have a wide and varied range of musical influences. Does this come from individual band members‘ tastes or a collective love of a wide range of styles?

HU –From the beginning we saw eye-to-eye on a lot of different styles of music. Chris has strong jazz and classical background on the keys. Nate exposed me to a lot of reggae I didn’t know about. I was listening to mostly funk and hard rock music. But we all loved everything and were eager to find a way to synthesize all of that and find our own voice.

DW – Your 4th album, Jetpack Soundtrack, how has it been received?

HU –The reception has been overwhelmingly positive. We are very proud of the record. I think it’s the best one we’ve made. To have such a great reaction has been really validating. Especially in the UK where we’ve only just started to tour.

DW – The album was co-produced by Clutch’s own Jean–Paul Gaster, did he offer or did you have to persuade him to get involved?

HU –J.P. had thrown his hat into the ring for pre-production and was very generous with his time. We loved working with him and the results were so exciting that we brought up the idea of co-producing with Machine. Lucky for us they were both into the idea and it worked swimmingly.

DW – You are now on the road in support of the album, how have the gigs been going so far?

HU –Really incredible. The crowds seem really hungry for live music. Definitely living up to their reputation as great folks to perform for.

DW – Are you hoping that this tour will give you a foothold in the UK, do you view the UK as an important market for the band?

HU – Very much so. Obviously, we hope that people dig what we are doing and want us to come back. Hopefully it’s the first of many Lionize tours in the UK.

DW – The first step is getting people interested in your music, what would you say to encourage someone to take the first step and give the band a listen?

HU – We don’t sound like anyone else. We do our own thing. It’s not auto-tuned. There are no pre-recorded tracks. It’s live rock music with no real boundaries on where we can take it.

DW – After this tour I believe you are hitting the road in the US as part of the Warped Tour, are you looking forward to that?

HU – Warped Tour was a blast when we did it in 2011. Kind of like summer-camp with beer. Definitely excited to get out there again. Bring sunscreen, kids.

DW – Many thanks for the chat and all the best with the tour.

Interview by David Wilson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Next session: Sunday 1 December

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David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 November 2024.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 29 October 2024.

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Power Plays w/c 11 November 2024

ARCANE MOON Hello Sun (indie)
S8NT ELEKTRIC XTC (Long Branch Records)
ARCANA KINGS Here We Go (Curtain Call Records)
KLOGR face The Unknown (Zeta Factory)
BEYOND UNBROKEN Dance With The Dead (FiXT)
REVENGIN Decadent Feeling (Wormholedeath)

Featured Albums w/c 11 November 2024

09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)



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