Metal Blade – Out Now.

I have to be honest with you: when I first heard that the new Cannibal Corpse album was going to be produced by Mark Lewis, a man responsible for recording more modern-sounding bands such as The Black Dahlia Murder and DevilDriver, I was not at all convinced.

It was really my sheer faith in the band and the knowledge that all past gambles had resulted in success that helped me keep an open mind – still, I was a little nervous before hearing “A Skeletal Domain”, the band’s thirteenth studio album to date,  for the first time.

So, what were the fruits of this unusual collaboration? Surprisingly enough, Lewis’ modern production techniques have really helped enhance the strongest elements in the band’s music; namely George “Corpsegrinder” Fisher’s aggressive vocals and Paul Mazurkiewicz’s relentless but also technically adept drum beats, the latter producing many highlight moments throughout this twelve track release.

Though slightly ‘buried’ in the overall mix, Alex Webster’s bass lines prove once again to be the foundation stone of each of the compositions on offer while the guitar duet of  Rob Barrett/ Patrick O’Brien have produced some very interesting parts for the album, which, at times, are more Thrash and Punk orientated than the average Cannibal Corpse fan is perhaps used to. Good stuff? You bet!

Following a short intro, “High Velocity Impact Spatter” provides the first of many massive-sounding riffs of the album and truly benefits from Fisher’s cleverly varied vocal performance.

Up-tempo and full of energy “Sadistic Embodiment” would certainly appeal to fans of bands like Deicide, while both the sensational Slayer-influenced “Kill Or Become” and the follow-up, same-titled “A Skeletal Domain” find the band happy to indulge in rhythmically challenging themes and ideas.

While Thrash Metal seems to also have been the source of inspiration behind “Headlong Into Carnage”, the duet of “The Murderer’s Pact” / “Funeral Cremation” contain between them enough head banging riffs to cause your neck some serious damage.

Starting with the groove-laden “Icepick Lobotomy”, the latter part of the album contains some of the most impressive material on offer. Though far slower in tempo when compared with its predecessors, “Vector Of Cruelty” does a pretty good job keeping a good momentum going, enabling the dynamically superior “Bloodstained Cement” to sweep everything in its wake.

I hope that old-school fans of Cannibal Corpse will not find the Punk-influenced riffs of “Asphyxiate To Resuscitate” too difficult to handle, especially as the songs feature one of the catchiest refrains on offer but, even if that ends up being the case, closing track “Hollowed Bodies” contains enough old school magic to return them safely back to their comfort zone.

For a Death Metal band that’s been constantly recording music over the last twenty six years, Cannibal Corpse have done a pretty sterling job keeping their musical identity intact while, at the same time, avoiding the trap of presenting their loyal fans with re-hashed themes and ideas, and “A Skeletal Domain” is proof of this.

In studio album number thirteen Buffalo’s finest have not only packed in a healthy number of solid, skull-crushing riffs for us but also offer some truly challenging technical/thematical material the quality of which suggests that there’s plenty of go left in this old and well-tried Death Metal machine.

Ladies and gentlemen, the kings of Death Metal are back in action and they’re  in no mood for prisoners!

John Stefanis

Rating: **** (4.0/5.0)

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Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Next session: Sunday 1 December

Check out videos here: https://www.facebook.com/getreadytorockradio

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David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 November 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 29 October 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com

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Power Plays w/c 11 November 2024

ARCANE MOON Hello Sun (indie)
S8NT ELEKTRIC XTC (Long Branch Records)
ARCANA KINGS Here We Go (Curtain Call Records)
KLOGR face The Unknown (Zeta Factory)
BEYOND UNBROKEN Dance With The Dead (FiXT)
REVENGIN Decadent Feeling (Wormholedeath)

Featured Albums w/c 11 November 2024

09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)

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