Gig review: RAY RUSSELL 70TH BIRTHDAY SHOW – 606 Club, London, 03 April 2017
Share the post "Gig review: RAY RUSSELL 70TH BIRTHDAY SHOW – 606 Club, London, 03 April 2017"
Ray Russell’s 70th birthday bash is a reminder of a bygone era when creativity, improvisation and inspiration met musical virtuosity full on, in an unfettered fashion.
Tonight might be Ray’s milestone birthday, but there’s not a slack musical moment in a 2 set show that is a thrilling exposition of his art.
He leans into a judicious mix of fusion, funk and what used to be called jazz rock, as part of a broad based musical journey that features the full range of his guitar tones. He’s strong on melodies and weaves consistently beautiful solos that cast their spell as they rise, hover and then come to rest on the band’s subtly layered sound.
He shifts from some sonorous openings to moments of focussed intensity leading to an aural delirium and back again. He’s a feel player who can subtly take an introspective opening into the realms of the ethereal with stellar tonal excursions.
His music may fleetingly evoke Miles Davis, Jeff Beck and crossover in the manner of Gil Evans, but he rarely stays in one musical pocket for too long.
He’s also not averse to using modern technology to help his musical expression and when his subtle combination of delicate touch and effects pedals have taken him as far as he can go, he adds another layer with a gizmo on the spacey ‘Free Way Jam’.
He’s a generous band leader who encourages everyone to contribute fully. The extraordinary drummer Mark Mondesir for example, mixes crisp attacks with ebullient drums fills to propel the uplifting ‘Shards On Providence’, as Ray locks in with keyboard player Geoff Castle on a number that has little stop and start pulses.
For a significant portion of the 2 set show Ray is in tandem with the redoubtable Mo Foster, whose luscious bass notes could anchor a ship, while the contrast between Chris Biscoe’s earthy tenor and his higher register soprano sax brings variety, before he merges into one of those magical moments when the band coalesces as one.
Biscoe is a fellow tone convert who shapes and moulds melodies to his own end and acts as the perfect foil for some of Russell’s more angular excursions.
The band frequently settle on a layered sound that is glued together by keyboard player Geoff Castle who seamlessly shifts from synth fills to eloquent solos.
Russell and Castle combine effortlessly on ‘Blue Shoes No Dance’, a number full of space, time and more of Ray’s wonderful tonal explorations, as he deftly uses his whammy bar to dig deep for emotion.
When Mo takes a break, Ray’s son George adds his own musical imprint with a Chapman stick, setting up the intro to a wonderful cover of ‘Goodbye Pork Pie Hat.’
And while the energetic Gill Evans favourite ‘Juna The Last’ perfectly bookends the first set, Billy Cobham’s ‘Stratus’ – featuring the excellent Phil Hilborne on second guitar and the brusque Ralph Salmins on drums – is a significant reminder of the fusion’s early 70′s hegemony.
A roll call of guests includes vocalist Linda Hayes who adds a spirited rendition of Bonnie Rait’s ‘Love Sneaking Up On You’, while Denny McCaffrey adds a gritty vocal on ‘I Don’t Need No Doctor’, in between more sterling guitar work from Ray and Phil.
Perhaps the moment of the night though, comes near the end when Ray engages Phil Hilborne in a stunning harmony guitar duet on the incendiary ‘Freeway Jam’, which works its way to a breathless crescendo.
In keeping with his understated persona, Ray seems momentary nonplussed as what to play next, but settles for an old RMS piece which suggests that whatever the limited commercial shelf life of fusion, when its played with this much passion there will always be a generation of fans wanting more.
Review by Pete Feenstra
Photos by Prakash Prak 1-4
Dave Stark (songlink) 2-6
Featured Artist: JOSH TAERK
Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.
Latest session: Sunday 14 April
Check out videos here: https://www.facebook.com/getreadytorockradio
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 7 April 2024.
UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 2 April 2024.
How to Listen Live?
Click the programming image at the top of the page (top right of page if using desktop)
Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”
Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.
More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com
Power Plays w/c 15 April 2024
ENMY The Ledge (FiXT)
KAROBELA Get Hard (indie)
KATH & THE KICKS Neptune (indie)
THE BEE TELLERS River Poem (Black Sand Records)
LAUREN FREEBIRD Like A Bomb (indie)
Featured Albums w/c 15 April 2024
09:00-12:00 The Best of 2003-2023
12:00-13:00 The Best of 2003-2023
14:00-16:00 KATARINA PEJAK – Pearls On A String (Ruf Records)
To see our Tweets you need to be logged in to a Twitter account
Popular (last 10 days)
Share the post "Gig review: RAY RUSSELL 70TH BIRTHDAY SHOW – 606 Club, London, 03 April 2017"
PDF - you can delete unwanted sections