www.chantelmcgregor.com [Release date 12.07.21]

Reasons To Be Cheerful Part 3.  In Chantel McGregor’s case, parts 1 and 2 aka Shed Sessions.  Gather together the fish tank, an acoustic guitar and a tame keyboard player (Jamie Brooks) and you have a ready made concert for lockdown streaming.  McGregor’s never missed a trick or two in terms of self-promotion and tirelessly works social media even if promoting beer, a hamster or her cats.

The two volumes are a nice keepsake of the past twelve months when Chantel has streamed her music every week and split nicely between acoustic and acoustic/electric. Volume One consists of cover versions reflecting fan requests including Neil Young’s ‘Needle And The Damage Done’ and ‘Harvest Moon’ and her own influences including Stevie Nicks (‘Gold Dust Woman’ and ‘Landslide’) and James Taylor.

Without all the preamble and sometimes irritating banter – (or one of the more appealing aspects of the original streams if that’s your bag) – we can just focus on the music.  Re-recorded at home with minimal technical interjection it sounds great.  *****

Volume Two turns up the heat a little bit by adding electric guitar and keyboard giving stripped back versions of her own material including the standouts (‘Walk On Land’ and ‘April’ but no ‘Anaesthesize’ or ‘Screams Everlasting’) and tunes by Tori Amos (‘Winter’) and Steven Wilson (‘Drive Home’, ‘The Raven That Refused To Sing’).  ****1/2

What both volumes reveal is a talented guitarist, yes, but a lovely voice too.  When I reviewed Chantel’s debut album, in 2011, I opined “There is fragility in her songwriting and in her vocal style, which is highly appealing – this may have something to do with her young age but it bodes well also for the future.”

I must admit I wasn’t that impressed with Chantel’s live album – ‘Bury’d Alive’ – feeling that it didn’t represent the excellent show we saw at Giants Of Rock in January 2018 possibly due to the mix quality.

These two albums are, though, a great addition to McGregor’s slightly stop-start album output over the years and will be readily enjoyed by her fanbase.  They remind me of the sort of thing Judie Tzuke has been doing in recent years: home spun, honest, quietly outstanding .

Review by David Randall

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Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Next session: Sunday 1 December

Check out videos here: https://www.facebook.com/getreadytorockradio

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David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 20 October 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 22 October 2024.

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Power Plays w/c 11 November 2024

ARCANE MOON Hello Sun (indie)
S8NT ELEKTRIC XTC (Long Branch Records)
RIOGHAN Hands (Inverse Records)
ARCANA KINGS Here We Go (Curtain Call Records)
KLOGR face The Unknown (Zeta Factory)
BEYOND UNBROKEN Dance With The Dead (FiXT)
REVENGIN Decadent Feeling (Wormholedeath)

Featured Albums w/c 11 November 2024

09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)

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