Black Lodge Records [Release Date 25.07.25]
Swedish melodic rockers Roulette have had a chequered history- around since the eighties, they never got as far as releasing an album till 2008. It was another eleven years before a very well received album of contemporary material, the suitably titled ‘Now’ appeared. So, another one word album has been a ‘mere’ six years in the coming.
Singer Thomas Lundgren has a deep and at times gruff, though always melodic voice and indeed, on opener ‘Answer To My Prayers’ he comes over like Uriah Heep’s John Lawton. They make no effort to emulate the modern sounds of the current Scandinavian generation; this is old-school melodic hard rock.
The one health warning is that the album is very similarly paced with only differences of nuance in the songs. Most are also on the short side which means they go straight to verse and chorus and have little time to develop- on the other hand this makes for a lean album devoid of padding.
Yet after initially being only modestly impressed by the likes of ‘Fire In Your Eyes’, ‘Strangers’ and ‘Brand New Start’ really grew on me. The song that stands out most is ‘We Remember You’ whose teasing power chords and nostalgic lyrics make it a distant cousin of ‘Summer of 69’.
Two songs benefit from having a slightly longer running time to develop in ‘What Are We Looking For’ which has a slight pomp rock feel, and Take Me As I Am’, which threatened at the start to be the album’s sole ballad.
A later couple in ‘Don’t Be Sorry’ and ‘She Can’t Hide’ have very lively choruses- though the latter begins with a classic keyboard intro, generally they just provide colour in the background to quite a guitar heavy album, providing another contrast with the young Turks of Scandinavian AOR. Closer ‘Better Walk Alone’ is a slice of bluesy hard rock which reminds me of fellow countrymen Perfect Plan, just not quite as good.
It’s not a spectacular album but a real grower, and confirming the impression I got when I saw them at Malmo Melodic last year, a thoroughly likeable one. ****
Review by Andy Nathan
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