Gig review: ROMEO’S DAUGHTER – The Garage, London, 28 March 2025

ROMEO'S DAUGHTER - The Garage, London, 28 March 2025

They may not have the most prolific touring schedule, but within the first three months of the year, Romeo’s Daughter have already played London twice. The first was a rare acoustic gig in January at the Jazz Cafe (which, with terrible timing, clashed with Magnum’s tribute to Tony Clarkin) but this saw the enduring melodic rockers in more familiar electric territory and at the same venue where they last played 18 months ago. Sadly, despite an excellent double bill of the two of best UK-based melodic rock acts, as on that occasion the Garage was under half full.

First up were Collateral, who when they dramatically emerged seven years ago seemed to have the world at their feet. However owing to a number of untimely factors including the pandemic and line-up changes, they still find themselves playing very similar support slots. Yet last year’s ‘Should Have Known Better’ album was a step forward and the band obviously believe in it strongly, as unexpectedly virtually the whole set was drawn from it.

COLLATERAL - The Garage, London, 28 March 2025

They opened with two already established live favourites in one of their more intricate songs,  ‘Glass Sky’, though the lyrics ’out of the darkness we’ll be coming home’ were unintentionally apposite with the band dimly lit, and ‘Sin In the City’ with a typically tidy riff from Louis Malagodi. However, it was interesting to hear a couple of the lesser played songs in ‘Original Criminal’, with a touch of Def Leppard in the chorus, and the longer ‘Final Stand’.

While I’ve been a fan from day one, I’d observed in the past that the disparate influences of the band members do not always gel coherently as a live act, but I found myself pleasantly impressed how they were noticeably leaner, tighter and generally more solid in the year since I last saw them.

COLLATERAL - The Garage, London, 28 March 2025

After the classic eighties inspired melodies of ‘No Place For Love’, charismatic singer Angelo Tristan belatedly donned acoustic guitar for a couple of songs, the elegiac ballad ‘On the Long Road’ which even had some of the melodies and chord progressions of Bryan Adams’ ‘Heaven’, and the jaunty ‘One Of Those Days’ reminding me of Tyketto, as many of their more melodic moments do. After a final newie in ‘Elysium’ there was just a solitary first album effort in ‘Mr Big Shot’ to close a splendid 45 minute set, whetting the appetite very nicely for the headliner.

ROMEO'S DAUGHTER - The Garage, London, 28 March 2025

Romeo’s Daughter played a lengthy and comprehensive set and even the most hardened fan would be hard pressed to quibble their favourite song was omitted. They opened with ‘Heaven in the Backseat’ and while for many years this would have been my favourite, it now feels a little dated, especially given the need for taped keyboards and backing vocals to replicate the original huge Mutt Lange production. However, ‘Bittersweet’ felt more authentic with some wonderful melodies and a couple of friends at the front swaying to the ‘who-oah-oh-oah’ outro, before ‘Attracted To the Animal’ was another with strong Lange/Leppard-isms.

Then the first pair of the night from excellent most recent album ‘Slipstream’ in ‘Fake’ and ‘Inseparable’ were both catchy but rocked with some urgency, either side of ‘Radio’ which singer Leigh Matty confessed was one of her favourites, and another oldie in the classy ‘Velvet Tongue’ with the crowd joining in on the closing ‘na-na-na’ refrain.

ROMEO'S DAUGHTER - The Garage, London, 28 March 2025

After the sweet mid-tempo sounds of ‘Time Of Your Life’, ‘Thinking About You’ was a new addition to the live set and yet still Leigh conducted a singalong, dividing the crowd left and right, while she then captured the moment perfectly in saying that the joyful ‘I’m Alive’ was the perfect antidote to escape the troubles of the world outside. With that raven coloured fringe that never changes, and sporting black leathers and a white frilled blouse, she was as ever the perfect host, radiating a well-spoken bonhomie and playful humour.

Once upon a time, I would have been hankering for the first album stuff to come round, but increasingly I enjoy the material from the three post-reunion albums just as much, if not more. ‘Enemy’ and ‘Over You’ bore out the maxim (was it Albert Einstein’s, or Henry Ford’s?) that ‘simplicity is genius’. Despite his modest low-key manner, they made guitarist Craig Joiner fully deserving of the songwriter’s awards he was teased for repeatedly during the evening.

 ROMEO'S DAUGHTER - The Garage, London, 28 March 2025

Only ‘Trippin’ Out’ fell short of the highest standards for me and yet there was still plenty to enjoy, not least in the way their sound is notably tougher live these days in the hands of the rhythm section of Steve  Drennan and Andy Wells, who made the most of his drumkit being in the line of the rear spotlighting, despite lacking a riser.

ROMEO'S DAUGHTER - The Garage, London, 28 March 2025

Inevitably it was time to go back to the beginning- I hadn’t realised till Leigh said it that the classy ‘Stay With Me Tonight’ was the first song that brought them to Mutt’s attention, before something more up tempo in ‘Inside Out’ with another of those wordless singalongs. During ‘Cry Myself To Sleep At Night’, there was a pregnant pause from Leigh to allow the crowd to roar the ‘I’m a Romeo’s Daughter’ line, while Craig deservedly took the spotlight with his sweet extended solo. Then after surprisingly teasing with the intro to ‘Won’t Get Fooled Again’, debut single ‘Don’t Break My Heart’ kept the fun atmosphere going.

By now the official Friday night curfew had been exceeded, but the club goers had to wait as they came back for their usual encore:  Leigh saying in that delightful voice that they were ‘rather cross’ that Heart, not they, had a big hit with ‘Wild Child’, which again rocked convincingly in slightly extended fashion. It was the perfect end to a generous hour and 45 minute set that saw the band playing arguably better than ever. What more will it take for them to pull a deservedly larger crowd next time?

ROMEO'S DAUGHTER - The Garage, London, 28 March 2025

Review and Photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

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Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

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Recent (last 30 days)


News: Albums of the Month (January – March 2025)

A quarterly feature highlighting album releases rated highly by the GRTR! review team and worthy of your investigation.  We try and pick out a cross-section of albums that reflect the range of genres reviewed at the website.

PERFECT PLAN Heart Of A Lion

Heart Of A Lion is a superb, beautifully crafted melodic rock recording, mixing keys and guitars in varying measures, creating the classy AOR that engages the casual fan as well as the obsessive.  ****1/2

Review by Brian McGowan

STONE FOUNDATION The Revival Of Survival

Stone Foundation are up there, jostling elbows with the best that soul music has to offer.

Review by Brian McGowan

CRAZY LIXX Thrill Of  The Bite

These are additional evidence that the memories of pop metal’s illustrious past have never faded. Loudly and skillfully, Thrill Of The Bite confirms this.

And it has done so by delivering an album of highly melodic, declamatory pop metal at its finest. ****

Review by Brian McGowan

JND

JULIET’S NOT DEAD This World Is Ours

…hard hitting rhythmic rock and had a big nod to the metal lovers. It is very fresh and current and I feel it would appeal to the new generation of rock fans as well as old.  ****

Review by Lucy Parr

Thea Gilmore - These Quiet Friends

THEA GILMORE These Quiet Friends

Thea Gilmore has crafted an album here that imbues a haunting acoustic sheen to well known songs and, indeed, enhances the iconic status of many of them – her voice, as ever, is peerless and the acoustic guitar and piano a perfect accompaniment.

Songs to inspire, songs to comfort and songs that calm – they’re all here, delivered with breathtaking skill and empathy by an artist at the top of her game.    *****

Review by Alan Jones

MORGANWAY - Kill The Silence

MORGANWAY Kill The Silence

Morganway have an album here with a wide appeal and a few supports/joint headliners with the likes of say Brave Rival or Skerryvore would help their fanbase grow even bigger. What a great musical start to the year. ****

Review by Jason Ritchie

Albums of the Month (Main index)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: CRY FOR MERCY – This Machine

CRY FOR MERCY – This Machine

Bandcamp [Release date 04.04.25]

A new name for me, Cry For Mercy hail from North Wales and are a self styled ‘powerhouse trio’ consisting of Kev Plant on vocals and bass, Andy Cutty on guitars and Kev’s son, Aled, on drums and percussion.

With ‘This Machine’, their third album, the band offer up a crisp and modern sounding dose of British Blues Rock that gives more than a passing nod to the classic rock bands of the 70s (although, contradicting the press release it’s more Whitesnake than Bad Company to these ears). Lovers of Scottish rockers, Gun will find plenty to admire here while I’m also struck by a definite Black Country Communion vibe.

Having taken a trip back through the previous releases it’s clear that the band are maturing as both songwriters and arrangers, embracing the opportunities offered by time in the studio, under the watchful eye of producer Ben McEwan.

The result is a superb slice of rock, with Kev Plants excellent vocals dominating throughout while Cutty’s carefully crafted guitar always complimenting rather than over powering, even on the quieter songs. The Plants, Kev and Aled on Bass and drums respectfully provide a rock solid foundation for a outstanding 12 song set.

It’s great to hear the variety in those 12 songs, it’s so easy, especially within the blues rock genre to rinse and repeat, ad infinitum but, it’s not a trap Cry For Mercy fall into.

From the hard hitters like ‘A Thing About Me’, ‘Saving Grace’ and ‘Let Me Be’ to  more subtle stripped back numbers such as ‘Nothing At All’ and ‘This Time’ the quality simply doesn’t drop.

Even so, there are some real stand out moments. ‘All My Life’ has a distinctly commercial sound while ‘Walking With The Enemy’ builds around an insistent and mesmerising riff. Great stuff!

If you are a lover of all things Blues Rock you really cannot go wrong with ‘This Machine’. If, like me, Cry For Mercy have slipped under your radar, do yourself a favour and check this album out. I have a feeling this could be the breakout release the band deserve and I will certainly be looking out for the earliest opportunity to catch them live. ****

Review by Neil Pudney


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MASTERS OF REALITY – The Archer

Master of Reality - The Archer

Provogue [Release date 28.3.25]

The new Masters Of Reality album The Archer’ is the band’s first release since 2009.

It’s an esoteric album which smoulders, occasionally sparkles, but too often settles on a peripheral approach suggesting unfinished ideas.

Perhaps the feeling of mystification mirrors the elusive art work and the meaning of the album title, explained by founder member and band leader Chris Goss as; “Whoever one perceives as their invisible ruler of fate.”

Goss himself seems caught between the tides of musical flux, and he sometimes relies on shifting sonic textures to make its mark.

There are moments of bluesy desert rock with angular riffs and ethereal psychedelia without quite slipping into jam band mode.

By contrasts ‘It All Comes Back To You’, the vivid ‘I Had A Dream’ and the closing ‘Bible Head’, all broaches an Eno/Bowie style electronica, both vocally and atmospherically.

It’s also an album that has something of a fragmented feel, not simply because of the subtle shifting genres, but more in the way some tracks sound far more developed than others.

The title track is an understated opener with a subterranean ethereal feel with mixed back vocals, while the evocative lyrics of ‘I Had A Dream’ are spun out over retro buzz tone opening, before a strong Bowie style rhythm and David Byrne influenced vocal help build an unresolved tension.

You might argue the latter is the most complete piece on the album and certainly benefits from the change of tempo.

Goss’s chameleon like vocal presence is illustrated by the Neil Young sounding ‘Chicken Little’, which has a sludgy doomy blues foundation, while ‘Mr. Tap n’ Go’ is a mix of lumbering bass, power chords and gnawing guitar riffs which contribute to an edgy electro feel.

He adds rapped out animated vocals and finishes on a repeated “run children run” portentous refrain.

Barely 4 tracks into the album, the listener might be searching for a musical barometer, if not the sort of guiding light aluded to in the album title.

‘Barstow’ provides the moment when the music breathes, on a string-led piece with an earthy vocal, some welcome clarity of diction and a beefed up by a choral line with a piano motif.

It’s got an eerie feel, which evokes the need to escape a desert town and suddenly slips into a Perry Como ‘Catch A Falling Star’ refrain and a psychedelic guitar break which might have come from an early Love album.

‘Sugar’ reverts to a Neil Young vocal style over a mellatron sounding backdrop with powerful changes.

And sticking with a retro feel, ‘Powderman’ drops us into a descending John Lennon ‘Mind Games’ era intro, with a mixed back vocal bathed in echo and reverb and a long drone.

It’s another point on the album where the songs seem to drift rather than deliver clarity or punch.

No matter, on balance ‘The Archer’ is not too far from hitting its intended target. It gives the impression of a ring rusty boxer, bobbing and weaving his way towards the centre of the ring.

By the time of the languid funk of ‘Bible Head’ – encompassing a fuzzy riff, a shrieky wall of sound and a perfunctory ending – Goss  sounds as he’s thinks he’s done enough in his comeback.

The Archer’ undoubtedly reveals more with repeated plays and much like the album concept itself, the core elements can be found by the listener who pays attention.

One part a splurge and one part a coherent statement of intent, ‘The Archer’ offers a teasing musical glimpse of the Masters Of Reality future musical direction.  ***

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: A.J. CROCE – Heart Of The Eternal

Pete Feenstra chatted to A.J. Croce for Get Ready to ROCK! Radio including tracks from the new album.  First broadcast 6 April 2025.

A.J. Croce - Heart Of The Eternal

BMG [Release date 7.03.25]

‘Heart Of The Eternal’ is an ebullient roots-rock album with a philosophical core.

It’s a musically diverse album which as the title suggests aims high to realise an enduring musical appeal across different genres.

Given his heartfelt songwriting, it’s an approach A.J. Croce has attempted before, but these 11 songs take him a step further, based on a willingness to immerse himself in the moment on whatever the instrument or genre.

He’s a versatile musician who always serves the song, while still managing to pay attention to the coherent flow of the album as a whole.

This is very much an old school crafted album with 11 short meaningful songs coming in at less than 40 minutes, but there are enough stand-alone tracks to satisfy the download generation.

He is equally good on piano and guitar which gives the songs different sonic qualities. And there’s a lovely balance between the retro and more contemporary, all shot through with unflinching emotion, catchy rhythmic work and frequent reflective lyrics.

There’s funk, soul, old school R&B, fuzzed out rock and blues and salient New Orleans influences, spread over deep grooves with imaginative arrangements.

‘Heart Of The Eternal’ is also a very a personal solo album which effortlessly nails his own inherent rootsy style.

It’s a song-led album given its heft by Croce’s effortless musicianship, the band’s spirited interplay and producer Shooter Jennings’ organic approach which lets the music breathe.

Jennings deftly creates mini walls of sound for musical emphasis, as on the Mambo intro, New Orleans feel and Django Reinhardt influenced ‘Complications of Love’, complete with sonorous violin and acoustic guitar.

A.J. Croce wisely records with his road band who make everything sound like an extension of what they do on stage.

He opens with the psychedelic fuzzy funk of ‘I Got A Feeling’, a celebratory keyboard-led groove and single which sets a standard for the album as a whole.

It’s short, sharp and to the point, and leaves a sudden void which involuntarily propels the listener into ‘On A Roll’, a laid back autobiographical outing with vibrant piano accompaniment.

‘Reunion’ is thematically a sister track to the closing ‘The Finest Line’.

It’s a co-write with John Oates which delicately ponders the afterlife and has led to two separate versions. Croce’s bluesy waltz-time arrangement makes the number all his own, complete with some Randy Newman style phrasing, helmed by big gospel vocals.

The catchy, but heavier ‘Hey Margarita’ is more of a tougher riff-driven piece which could be an early 70s rock-blues track, with a reach back to Chicago blues.

Then there the meditative ‘The Best You Can’, a song about resilience, full of pedal steel and gospel bv’s, as he stretches his vocal into Joe Cocker ballad territory.

Each repeated play of this album brings fresh reward, though it only took one play for me to fixate on the wonderful ‘All I Want.’

Some big opening piano chords lead to his best vocal on very poignant song about loss. There’s also a lovely and unexpected ethereal feel at 2.24, bolstered by strings which underpin some dark lyrics: “I’ve been changed now I’m no longer playing the game, everyday now I won’t ever be the same.”

Croce also dips into the warm sounding acoustic ‘Turn Around’, on an intricately woven piece with an early hook and a vague Paul Simon feel.

And when it comes to musical influences he lays his cards on the table on the rhythmically strong, Gary Nicholson co-penned ‘So Much Fun’.

A New Orleans style piece with gospel bv’s and a palpable Dr. John feel, his vocal is actually closer to Randy Newman.

And having taken us on hybrid musical journey, he returns to the themes of loss, grief and the afterlife on the very moving ‘The Finest Line’

The piano led-piece is anchored by a tic-toc cymbal, a repeated portentous bell and a defining ‘call and response’ duet with country star Margot Price

‘The Finest Line’ provides the album with a deeply felt cathartic release and acts a coda in reuniting us with one of several reflective and deeply felt narratives, which gives a musically excellent album real substance  ****

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: CATFISH – Time To Fly

Catfish - Time To Fly

Self Release [Release date 22.03.25]

‘Time To Fly’ is both a well chosen title track and a conceptual theme for the final Catfish album which marks the legacy of the late Matt Long, the band’s singer songwriter, guitarist.

It’s an album produced and made with love and care by Matt’s dad, the keyboard playing songwriter Paul Long.

Paul rescued some songs from the bare bones; including the evocative self penned ‘Lost In Autumn’ written round little more than an existing solo.

His vocal is initially too tentative, but the song gradually locks into the evocative lyrics and Matt’s climatic solo.

Given the sad circumstances of the album, it’s a measure of the intuitive production and intricate band interplay that the album sounds like the best possible example of what Catfish will be remembered for,  a blues inflected British rock band who always played to the song, but jammed out when the moment inspired them.

The arrangement of Paul’s slow building reflective ballad ‘Don’t Turn Around’ mirrors that of a road tested band. They build a wall of sound, topped by Chloe Josephine’s imperious vocal line, which will probably draw inevitable comparisons with Clare Torry on Floyd’s ‘Dark Side of The Moon’.

There’s a subtle equilibrium at play which glues together all the band’s facets.

For example, the outright bluster of the growling guitar lines, organ stabs and abrasive vocals perfectly frame the lyrical duality and cool dynamics of ‘Change My Ways.’

Then there’s the surprising guitar-driven intensity of the Memphis Soul classic ‘Breaking Up Somebody’s Home’.

‘Broken Halo’ hovers above a lovely groove, until a sudden tempo change ushers in Matt’s ascending solo which serves to rebuild the track.

The acoustic ‘Forevermore And Again’ is another great rescue job by Paul, on a song which amplifies lyrical intent.

He adds an accompanying organ line, as the song moves towards conjoining his own vocal with Matt’s extant vocal line on the chorus.

The way the song suddenly stops gives it an unresolved eerie feel, suggesting the lack of Matt’s presence.

The self explanatory ‘Sick Of It All’ is one of the few moments when Matt seems overwhelmed by his personal health challenges.

He opens with a doomy, metal and grungy feel and a later dark lyrical line: “All I’ve ever known has been taken away from me.”

And just when it feel like we are going down a rabbit hole, a belated tempo change at 3.42 leads to a spiralling guitar break with a slight eastern tinged tone and a resolving full blown solo.

The latter suggests that in spite everything he was still reaching for the light.

Like the album as a whole, the song taps into swirling emotions which ultimately draw us into the closing ‘Say The Word’, which is arguably the band’s finest moment and the perfect finish to a shattered career.

Incredibly it’s another rescued song, featuring an introspective opening which references Bonamassa’s version of ‘Slow Gin’, as well as the early folksy vocal style of Wishbone Ash and even a Radiohead style falsetto.

It’s a subtly paced song aching with real feel, and shot through with emotional intensity and a defining solo.

The real triumph of ‘Time To Fly’ is that it’s a painstakingly produced and coherent album which embraces emotional song writing while capturing real spark and a sense of flow.

Above all, it is the pinnacle of a cross generational band making great music. ****

Review by Pete Feenstra

 

 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

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Recent (last 30 days)


News: HOLLOW SOULS, BTO, LEMMY (April 2025)

Hollow Souls (Kris Barras, Phoebe Jane, and Josiah J Manning)

News - Album News

A-Z release their second album ‘A2Z2′ on June 6 via Metal Blade Records. The band features drummer Mark Zonder (Fates Warning) and former Fates Warning vocalist Ray Alder.

Babymetal have signed to Capitol Records, which will release the group’s new album, ‘Metal Forth’, on June 27.

Bachman-Turner Overdrive have released the single ’60 Years Ago’, their first new music in over 25 years.

The Blow Monkeys release their latest album ‘Birdsong’ on August 15.

The remaining members of the Alice Cooper Band release a new studio album together for the first time in 50 years. Entitled The Revenge of Alice Cooper’, it will be available via earMusic on July 25.

Original KISS drummer Peter Criss will release a new solo album in the autumn. The album is co-produced by Barry Pointer, and guests on the album include Billy Sheehan and John 5.

The Cure have announced a remix album of last year’s ‘Songs of a Lost World’. ‘Mixes of a Lost World‘ will be released through Fiction/Polydor on June 13.

The Divine Comedy release their new album ‘Rainy Sunday Afternoon’ on September 19. The first song from it, ‘Achilles’, was released on April 9.

Nick Drake’s ‘The Making Of Five Leaves Left’ will be released on July 25 via UMR/Island Records. This Nick Drake Estate authorised edition includes over 30 previously unheard outtakes from the sessions which became the ‘Five Leaves Left’ album. It will be available as 4CD and 4LP boxed sets.

Foreigner ‘4′ gets a re-issue in September and it includes a newly recorded song with Lou Gramm called ‘Fool If You Love Him’. The song’s lyrics were started at the original recording sessions but not fully completed until now.

Crown X Recordings release ‘Helix 50 – The Best Of’ in July. It is preceded by a new song from the band, ‘Stand Up’, released on May 16 and an all-star recording of the band’s ‘Rock You’, which is released on May 2.

Helloween release their new studio album ‘Giants & Monsters’ on August 29.

Hinder release their new album ‘Back To Life’ on May 23.

The Hives release their latest album ‘The Hives Forever Forever The Hives’ via Play It Again Sam on August 29.

Kris Barras’ Hollow Souls (pictured) features Kris Barras, Josiah J Manning and Phoebe Jane, and they plan to record with fellow guest musicians. They have premiered their debut single, ‘Borderline,’ which features Jared James Nichols.

Inglorious release their new album ‘V’ through Frontiers on June 6 and have released a second song, ‘Devil Inside’, ahead of the album’s release.

Insania release their new studio album, ‘The Great Apocalypse’, on June 13 via Frontiers.

Robert Jon & The Wreck have announced the release of their ninth studio album, ‘Heartbreaks & Last Goodbyes’, which is due out August 22 via Journeyman Records.

Katatonia will release a new album, ‘Nightmares As Extensions Of The Waking State’, on June 6 via Napalm Records.

The Lemonheads plan to release their new album ‘Love Chant’ in October.

Linkin Park have released a new song, ‘Up From The Bottom’, ahead of a deluxe version of their 2024 album ‘From Zero’ which is due on May 16.

Lynyrd Skynyrd release Celebrating 50 Years: Live at the Ryman’ on June 27 through Frontiers.

Amy Macdonald her sixth album ’Is This What You’ve Been Waiting For?’ on July 11.

The Milk Men release ‘Live at Milk Fest’ on May 16.

My Chemical Romance release ‘Three Cheers For Sweet Revenge (Deluxe Edition)’ on June 6th. This expanded edition of their 2004 album will feature new artwork and remixes by Grammy-winning producer Rich Costey.

Stevie Nicks is planning to start work on recording a new album – which will be her first since 2011.

Mike Oldfield’s ‘Hergest Ridge’ album is to be reissued in various formats to celebrate the album’s 50th anniversary through UMC on June 27.

Papa Roach will release their next album in 2026 and plan to release new music throughout this year ahead of the album’s release.

Puddle of Mudd will release a new album, ‘Kiss The Machine’, on May 2 via Pavement Entertainment.

Pulp release their new album ‘More’ on June 6 via Rough Trade. They released the single ‘Spike Island’ on April 11.

Felix Rabin releases a new six song EP ‘Blue Days’ on April 4.

Marillion’s Steve Rothery and Tangerine Dream’s Thorsten Quaeschning will release new collaborative album ‘Gentō’ in July.

Sabaton have signed with Better Noise Music and release a new song ‘Templars’ on April 25.

Saxon are working on new music with an aim to record in November and release early next year.

Bruce Springsteen releases a new box set, Tracks II: The Lost Albums’, on June 27. It includes seven unreleased LPs recorded between 1983 through 2018 and will be available as a seven CD, nine LPs and digital sets.

Rod Stewart releases a double CD ‘Ultimate Collection’ on June 27 via Warners.

Sven Gali release Live At The El Mocambo’ on June 13.

Wet Leg release their second album ‘Moisturizer’ through Domino on July 11.

Wolfskull hav signed with Metalapolis Records (SPV) and release their new album later this year.

Yes are currently working on a new album for a tentative release later in the year.

News - Tours and Gigs

Newly announced UK tours (2025 unless stated):

the Amazons (Oct, Nov), Avatar (Feb 2026), British Lion + Stray (Nov, Dec), Death Angel (Jun), the Divine Comedy (Oct), Fields Of The Nephilim (Oct, Nov), Hollow Souls (Oct, Nov), Larkin Poe (Oct), Amy Macdonald (Nov, Dec), Motionless In White (Feb 2026), My Bloody Valentine (Nov), New Found Glory (Oct), Scouting For Girls (Feb, Mar 2026), Those Damn Crows (Oct), Ricky Warwick & the Fighting Hearts (Sep), Bobby Weir with the Royal Philharmonic Concert Orchestra (Royal Albert Hall, Sat June 21), Wet Leg (May), When Rivers Meet (Sep-Dec),

Upcoming (Gigs – UK)

Newly announced US & European tours (2025 unless stated):

Bryan Adams (US), Architects (US), Blacktop Mojo (US), Blink-182 + Alkaline Trio (US), Breaking Benjamin + Three Days Grace (US), Candlemass (BR, ES), Alice Cooper + Judas Priest (US), the Darkness (US), Death Angel (EU), Faster Pussycat (US), Foreigner (orchestral – US Mar 2026), Darryl Hall (US), the Hives (AU), Kansas (US), Lamb of God (US), Larkin Poe (US,EU), Marilyn Manson (US), Motionless In White (EU 2026), Stevie Nicks (US), Night Ranger (JP), PowerWolf + Dragonforce (US), Pulp (US), Todd Rundgren + Heart (US), Sex Pistols & Frank Cater (US), Sparks (US), Stryper (MX, BR, AR, CO), Symphony X + Sonata Arctica (US), 10CC (US), Rick Wakeman (US), ZZ Top (US),

Upcoming (USA/ROW)

Randy Bachmann and Burton Cummings have been in talks about a Guess Who reunion tour in 2026.

Pete Best, the original drummer for the Beatles, has announced his retirement following the completion of a recent US tour.

Postponed/cancelled gigs & tours:

Lou Gramm will fill in for Kelly Hansen on Foreigner’s South American farewell tour.

ZZ Top drummer Frank Beard will sit out the band’s Australian tour with John Douglas standing in for him.

Other Stuff

The unveiling Andy Edwards’ 2.25m bronze statue of Lemmy will now take place at 4pm on Friday 9 May, out of respect for the 80th celebrations of VE Day on the previous day.

A two-part documentary on Billy Joel entitled titled ‘And So It Goes’ airs on US channel HBO this summer.

‘Slade In Flame’, newly remastered to celebrate its 50th anniversary, premieres at BFI Southbank on May 1 and there will be nationwide screenings throughout May.

Kurt Cobain Unplugged will be hosted at the Royal College of Music Museum from June 3 to November 18. Amongst the exhibits will be Cobain’s Martin guitar, as played during Nirvana’s classic 1993 MTV Unplugged performance, on display in Europe for the first time.

Godsmack have confirmed the departure of the band’s long-time drummer Shannon Larkin and guitarist Tony Rombola.

Guitarist Doc Coyle and bassist Kyle Konkiel have left Bad Wolves and replacing them are returning guitarist Chris Cain and new bassist Kevin Creekman.

Bassist Mike Leon has left Soulfly.

News - RIP

Engineer Terry Manning who worked with ZZ Top, Led Zeppelin, Iron Maiden and many more.

Gang of Four bassist Dave Allen.

Blondie drummer Clem Burke, who also recorded with Iggy Pop, Eurythmics and many more.

Former Judas Priest drummer Les Binks.

Original Little River Band bassist Roger McLachlan.

David Thomas, co-founder and frontman of Rocket From The Tombs and Pere Ubu.

Roy Thomas Baker who produced Queen’s first four albums, and produced albums for many other artists including Yes, Dokken, the Cars and Motley Crue.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Feature: GRTR! Greats – WISHBONE ASH

GRTR! Greats

WISHBONE ASH- Islington Academy London, 5 October 2023

MARTIN TURNER- 100 Club, London, 3 October 2024Photos: Andy Nathan

In 1977, after their successful ‘Front Page News’ tour, Wishbone Ash’s record label posted an advert in the music papers saying “not bad for four boring old farts’, or words to that effect. A time traveller from those days might be shocked in 2025 to learn that there has been a constant flurry of Wishbone activity since this website began in 2003.

With Andy Powell the sole remaining member from the classic line up, Wishbone Ash maintain a punishing touring schedule across the globe. Meanwhile founder member Martin Turner has since 2005 traipsed the highways and byways, mainly in the UK, with a fine band playing the band’s back catalogue with great sensitivity.

The band’s recorded output during GRTR!’s years can be divided into three broad categories. There have been a number of live albums from each party, often commemorating landmark albums like ‘Argus’ or ‘Live Dates’. There have been reissues, particularly belated, but brilliant, legacy projects such as the 30 CD ‘Vintage Years’ package and the current release ‘At The BBC 1970-1988′, officially endorsed by all members of their classic lineups.

And finally, yes there have been new albums from time to time. Wishbone Ash released a pair in quick succession in the mid-2000s, ‘Clan Destiny’ and ‘The Power of Eternity’, which played it rather safe.

There were a further pair in the 2010s in ‘Elegant Stealth’ and ‘Blue Horizon’ where Andy Powell seemed to make a distinct attempt to return to the seventies sound, some longer songs giving full reign to instrumental passages with those marvellous harmony lead guitars that were so influential. However both of them, and even more so their last album to date in 2020′s ‘Coat of Arms’, suffer from some rather bland songwriting and delivery.

Martin Turner trails behind with just the solitary album, 2016′s ‘Written In The Stars’ with moments that reflect past glories, including the original line-up’s late eighties reunion, but again not consistently.

The band’s constant touring during the period – in both Andy Powell/Martin Turner formats – has given labels plenty of incentive to release back catalogue; also a mark time affair between new albums.

Perhaps surprisingly for some readers Wishbone Ash have never been afraid to rest on their early folksy prog laurels.  In 2002 Jason Ritchie reviewed a 3-CD box Heritage which included two techno albums!

Talking Elephant released a series of live compilations called Tracks between 2002-2007: “…whether you are a trainspotter or merely a lover of classic guitar-driven rock, you won’t fail to be impressed by these collections.”

David Randall further wrote: “Duplication between releases in the ‘Tracks’ series is inevitable, but for those who want a pretty thorough live resumé of one of our most hard-working bands look no further.”

Wishbone Ash

2004′s Lost Pearls plundered Andy Powell’s attic to deliver some previously unheard tapes from around the time of ‘No Smoke Without Fire’ and ‘Just Testing’ albums.

Also in 2004 the 3-disc Backbones was essentially “an excellent trawl across several Talking Elephant releases, starting with 1996′s ‘Illuminations’ and including ‘Bare Bones’ (1999) and ‘Bonafide’ (2002)”.

Wishbone Ash

In 2007 we reviewed some more “historic” recordings First Light which goes right back to the dawn of the band whilst that year saw one of many reissues of the classic Argus with Jason Ritchie commenting: “For fans a real treat and if you love 70′s rock music then this is a ‘must have’ in any collection.”


I always feel we are a work in progress and could do better.

But that’s what keeps it alive for me. Yes, I suppose there’s a fair degree of frustration. I’m definitely on a mission and don’t feel that I’ve scratched the surface of our potential yet.

Andy Powell, 2006


Andy Powell, Wishbone Ash - 2010Photo: Noel Buckley

Wishbone Ash first hit the GRTR! live radar in 2007 when Bill Leslie reviewed the band In October in Pontedawe, South Wales “Wishbone Ash aren’t just trading on former glories.”

The Elegant Stealth Live tour in October 2012 prompted David Randall’s comment that the frequency of the band’s appearances in the UK may induce a certain inertia amongst the audience but Powell is keen to keep things fresh.

The Andy Powell/Wishbone Ash modus operandi was well in place by 2006 as he told David Randall:

We like to shake the set list up for ourselves as well as the audience and with over 50 UK Dates a year this is important. We’ll also be playing our annual show just for the fans, which we do each year. We’ve held these events all over the world and even for a couple of years on cruise ships. They are always fun and bring people together from far flung places.

At this time the band also featured Muddy Manninen on guitar, Bob Skeat (bass player since 1998) and Joe Crabtree (drums).


WISHBONE ASH SET-LISTS

The Pilgrim / Driving A Wedge / Healing Ground / Sometime World / The King Will Come / Peresphone / In Crisis / Lady Jay / Front Page News / Tales Of The Wise / Reason To Believe / Engine Overheat / Jail Bait / Phoenix ..encore.. Blowin’ Free (May 2010)

Blowin’ Free/ Bona Fide (instrumental)/ You See Red/ The Power/ Can’t Go it Alone/ Warrior/ Throw Down The Sword/ F.U.B.B. (instrumental)/ In Crisis/ Northern Lights (instrumental)/ Disappearing/ Front Page News/ The King Will Come/ Reason To Believe/ Engine Overheat/ Phoenix Encore: Persephone (March 2011)

1. The King Will Come 2. Throw Down The Sword 3. Can’t Go It Alone 4. Living Proof 5. In The Skin 6. Open Road 7. Sometime World 8. Warm Tears 9. Invisible Thread 10. Jail Bait 11. Engine Overheat 12. Phoenix Encore: 13. Hometown 14. Blowin’ Free (October 2012)


Wishbone Ash

The band’s 2011 album Elegant Stealth was described by David Randall as “a wonderful return to top form. It may not be fashionable to like this band but you’d be a fool to ignore them.”

Wishbone Ash, photo by Noel Buckley Photo: Andy Nathan

Andy Nathan reviewing their London gig in March 2011 commented that there were half a dozen songs from the post-2007 period “relatively average compared to past glories, but live take on a life of their own as they develop into full on twin guitar jams with loads of interesting interplay.”

Andy Powell deserves huge credit for keeping the Wishbone show on the road through thick and thin. As long ago as 1977 they were being dismissed as boring old farts, so now that classic rock is more respected as a genre and there is a greater appreciation of the great acts of its heyday, it is a pleasure to report that the phoenix is still blowing free.

A week or so later, in Birkenhead, Andy Powell commented on the other Andy’s description of ‘Engine Overhaul’ when it …”unexpectedly developed into a meandering jam with bass and guitar solos.”

GRTR!’s Keith Thompson thought that it might have meandered, “but in a nice way” whilst David Randall offered: “Wishbone Ash are masters of their trade whether they stretch out ‘nicely’ or play succinct and accessible songs sparkling with distinctive harmony guitars.”

Martin Turner's Wishbone Ash, photo by Noel BuckleyPhoto: Noel Buckley

Running parallel with the Andy Powell version of Wishbone Ash, from at least 2004, was original bass player Martin Turner. After some wrestling with the name rights (finally decided in 2013) Turner would settle on Martin Turner’s Wishbone Ash then Martin Turner Ex-Wishbone Ash.

On balance, the Turner version has been less productive in terms of new studio albums although there have been a stream of live releases (including a series of reissues in 2016). The stage setlist has largely revolved around the classic album ‘Argus’ (as at the March 2009 gig with Golden Earring) but later on other albums would be featured in their entirety by way of theming a particular tour.

Martin Turner's Wishbone Ash

2008 saw the reimagining of Argus reviewed by David Randall who noted that the album’s original sequencing was restored and with modern recording techniques it sounded better than ever whilst keeping to “the spirit of the original and therefore it highlights the folksy, typically very English, approach and of course retains the pristine guitar interplay.”

This version of Ash have been staples on the festival circuit and our early encounters were at Skegness (January) and High Voltage in July 2010.

Martin Turner - High Voltage 2010Photo: Lee Millward

In February 2010 Andy Nathan noted:

I have great respect for Andy Powell’s dedication in keeping the official Wishbone flag flying through thick and thin by virtue of years of constant touring, not to mention a mixed bag of new product from time to time.

Yet I have to say that – musically – Martin Turner’s outfit feels closer in spirit to the classic line-up of the band, and not only through Martin’s distinctive singing and bass lines.

And in December 2010 Pete Feenstra commented: “Martin’s rock solid bass lines and melodic voice provided the perfect foil for the twin guitar attack of Ray Hatfield and Danny Willson.”

Reviewing their London gig with Uriah Heep in December 2011 Andy Nathan wrote: “…for me, as a die-hard fan of Wishbone’s music, the highlight was ‘Rock n Roll Widow’, complete with a humorous introduction in a fake Texan accent from born raconteur Martin, guitarist Danny Willson doing a fine job on lead vocals and some spectacular slide guitar from Ray (Hatfield).”

Martin Turner and Ted Turner in August 2012Photo: Noel Buckley

Andy was present at a unique gig in late-August 2012 when Turner “and guests” appeared at the so-called “garden party” at Liscombe House in Buckinghamshire. The setting was rural with the stage set up in a farmyard, the setlist was loose and deviated from the usual ‘Argus’ domination. and – moreover – the gig promised some special guests. These included original guitarist Ted Turner, his replacement Laurie Wisefield, and Steve Upton the band’s original drummer (although Steve didn’t play).

As a long time fan of the music of Wishbone Ash (if not quite as long as many present whose experience dates back to the early seventies!) this was a memorable and unique event I will never forget. It was a privilege to be a small part of it.

Martin Turner and Friends - The Garden Party

The Liscombe bash was captured on the 2015 release: “Given that there is a complete lack of new material from Martin Turner (the last band album was released in 2011) ‘The Garden Party’ is both a great souvenir of a “private” and historic event and a stop-gap until, well… er… uhm.. the next live album.”

David Randall chatted to Andy Powell about Wishbone Ash.  First broadcast on Get Ready to ROCK! Radio, in October 2012

Wishbone Ash - Blue Horizon

Andy Powell’s Wishbone Ash released the band’s studio album in 2014 – Blue Horizon – when David Randall commented “If you can set aside the bitter dispute over the trading name, there is no doubt that Andy Powell has worked tirelessly to produce albums that are completely befitting the Wishbone Ash heritage. He’s also regularly treading the boards to ensure that legacy is perpetuated.”

Randall continued; “If there’s a criticism, there’s an absence of the gritty straight ahead guitar duelling of old – and whilst we have no right to expect another ‘The King Will Come’ something in that vein would have been very welcome. As it is, we have to be content with the admittedly very fine play-out on the title track.”

Martin Turner ex-Wishbone AshMartin Turner Ex-Wishbone Ash in 2018

In 2015 Martin Turner finally released an album of new material – ‘Written In The Stars’ and revealed some tracks at a gig in October at the Boom Boom Club in Sutton whilst Wishbone Ash were reviewed at Weyfest in 2016. Reviewing the gig at London’s 100 Club in October 2017 Andy Nathan noted that the band’s performance of ‘Argus’ (at that year’s Ramblin Man Fair) was a festival highlight.

Pete Feenstra chatted to Martin Turner for Get Ready to ROCK! Radio about the band’s progress from the late-1960s, following the release of the definitive 30-CD box set.  First broadcast 10 June 2018.

In January 2018 we reviewed Turner at Giants Of Rock and later in October when he played the whole of the band’s first album. There was a new limited edition box set containing no less than 30 CDs including eight previously unreleased live recordings. This coincided with the band’s 50th Anniversary.

WISHBONE ASH - The Vintage Years (1970-1991)

In 2017 Yorkshireman Mark Abrahams joined Andy Powell to restore the twin-guitar onslaught following Muddy Manninen’s departure. Nathan noted “A defining characteristic of Andy’s years leading Wishbone has been to push them forward as a contemporary recording act rather than simply wallow in nostalgia.”

WISHBONE ASH - The Tivoli, Buckley, 3 November 2018Photo: David Randall

And in October 2018 we published two live reviews of the band in London and Buckley when David Randall commented:

While Martin Turner continues to play whole albums and highlights, Powell’s approach is to provide a broad sweep of songs that both underline their early, folkier – and proggy – style and the later more straight ahead rock often reflecting the time of original creation. But of course whole swathes of newer stuff went unheard with the exception of 2014′s Blue Horizon which yielded two songs.

A year later Martin Turner continued the themed tour concept, playing the whole of second album ‘Pilgrimage’ and reviewed at a gig in London.

In the past few years Andy Powell’s Wishbone Ash released Coat Of Arms. Both his and Martin Turner’s band continue to tour regularly, with both reviewed in November 2021 and again in 2022 when Turner played the whole of the ‘Wishbone Four” album.

And, in October 2022, Andy Powell succumbed to the “whole album syndrome” by playing all of ‘Argus’ in celebration of its 50th Anniversary.

WISHBONE ASH - Argus (50th Anniversary Edition 1972-2022)

That album was celebrated in a handsome special edition box set released in 2023 which included several contemporaneous live recordings (highlights on coloured vinyl, two CDs and a DVD from French and Swiss TV) together with an informative 48 page booklet to which all band members contributed. And there’s also a red vinyl single ‘No Easy Way’ and ‘Blowin’ Free’.

Since 2003 several Wishbone alumni have released albums.  Ted Turner and his partner Majella released Better Together (2018) and Divine Timing (2020) whilst Muddy Manninen’s solo album River Flows came out in 2020 and Ben Granfelt’s Melodic Relief in 2013.

MARTIN TURNER- 100 Club, London, 3 October 2024Photo: Andy Nathan

2023 and 2024 repeated the twice yearly sighting of both Wishbone Ash iterations in the live context. The 50th anniversary of ‘Live Dates’ was marked by both with gigs in September and October 2023. In 2024 Andy Nathan reviewed two Martin Turner gigs in March and October when the theme was the ‘Live Dates 2′ package originally released in 1980. This year the band also toured in the States with Asia, Focus and Curved Air.

Andy Nathan believes that it is in the live environment that both versions excel:

Andy Powell – as well as having been sole vocalist for some time – continues to be a master of fluid and intelligent guitar playing, not least on his trademark Flying V.

For most of this period his ‘twin’ was inscrutable Finn Muddy Manninen, who proved a good foil with his slide playing helping the band go down more of a blues rock path.

More recently Mark Abrahams’ fiery playing and youthful vigour has given the band a shot in the arm and their professionalism and tightness is something to behold. Live sets also cover the full span of the band’s career from past to present.

Martin’s band are closer to the melodic spirit of vintage Wishbone, not only with the guitars but a greater emphasis on vocal harmonies supporting his characterful vocals and distinctive up front bass playing.

Other than a brief period when their new album was released, the music is solely from the olden days and they went through a phase of playing vintage albums in full, giving us a chance to hear songs rarely played live, if ever.  There is also a more light hearted vibe to their shows with Martin’s jokes and entertaining tales of the stories behind the songs.

I really enjoy seeing both, although the Wishbone fanbase is somewhat divided on their varying merits, and a degree of caution is needed in not upsetting one camp over the other! For me, long after they were dismissed as old hat, it is delightful to see Wishbone music past and present still being released and played live.


Andy Nathan’s recommended tracks (post 2003)

As stated above, unfortunately none of the post 2003 albums have consistently hit the heights of vintage Wishbone but here are five that have been good enough to find their way into live sets and not look out of place:

Eyes Wide Open – from Clan Destiny (2006)
Growing Up – from Power of Eternity (2007)
Can’t Go It Alone – from Elegant Stealth (2011)
Deep Blues – from Blue Horizon (2014)
Written In The Stars – from Written In The Stars (2016) (Martin Turner)


Pete Feenstra chatted to Martin Turner with tracks from the new box set ‘At The BBC’ on Get Ready to ROCK! Radio.  First broadcast Sunday 30 March.

Album review (At The BBC 1970-1988, 2025)
An Introduction to (2020)

UK Tour Dates

Wishbone Ash

Wed September 17 DERBY Flowerpot
Fri September 19 CHESTER Live Rooms
Sat September 20 CHESTER Live Rooms (AshCon 2025)
Mon September 22 LYTHAM ST ANNES Lowther Pavilion
Tue September 23 SOUTHPORT Atkinson
Wed September 24 KENDAL Bootleggers Bar
Thu September 25 GALASHIELS MacArts
Fri September 26 HADDINGTON Corn Exchange
Sat September 27 GLASGOW QMC
Sun September 28 GATESHEAD Glasshouse
Wed October 1st STOCKTON ARC
Thu October 2nd LEEDS Brudenell Social Club
Fri October 3rd LEEDS Brudenell Social Club
Sat October 4th MANCHESTER Academy 2
Sun October 5th WOLVERHAMPTON Robin
Tue October 7th STAMFORD Corn Exchange
Wed October 8th LINCOLN Drill
Thu October 9th BURY ST EDMUNDS Apex
Fri October 10th WORCESTER Huntingdon Hall
Sat October 11th GILLINGHAM Glassbox Theatre
Sun October 12th HARPENDEN Eric Morecambe Centre
Tue October 14th MILTON KEYNES Stables
Wed October 15th MILTON KEYNES Stables
Thu October 16th Islington Assembly Hall
Fri October 17th GLOUCESTER Guildhall
Sat October 18th ABERDARE Colliseum
Sun October 19th BASINGSTOKE Haymarket
Tue October 21st SHOREHAM Ropetackle Arts Centre
Wed October 22nd SOUTHAMPTON Brook
Thu October 23rd WIMBORNE Tivoli Theatre
Fri October 24th WIMBORNE Tivoli Theatre
Sat October 25th FROME Cheese and Grain

Martin Turner

Mar 26 Kinross Backstage at The Green Hotel
Mar 27 Glasgow The Ferry
Mar 28 Blackpool Waterloo Music Bar
Mar 29 Hull Wrecking Ball Arts Centre
Apr 4 Derby The Flowerpot
Apr 5 Sheffield The Greystones
Apr 13 Übach-Palenberg, Germany Rockfabrik
Apr 15 Bremen, Germany Meisenfrei Bremen
Apr 17 Wermelskirchen, Germany Haus Eifgen
Apr 18 Hamburg, Germany Logo
Apr 19 Dessau-Roßlau, Germany Kornhaus Dessau
Apr 21 Zwickau, Germany Liederbuch Zwickau
Apr 23 Würzburg, Germany Keller Z87
Apr 24 Metzingen, Germany Glems Hirsch
Apr 25 Habach, Germany Village Habach
Apr 27 Mannheim, Germany 7er Club
Sep 11 London 229
Sep 12 Chelmsford Social Club
Sep 13 Deal Astor Theatre
Sep 18 Bath Chapel Arts Centre
Sep 19 Ivybridge Modbury Memorial Hall
Sep 26 Darlington Forum Music Centre
Sep 27 Otley Courthouse
Sep 28 Warrington Irish Club
Oct 2 Hampton Inspired Hub
Oct 3 Maidenhead Norden Farm Centre for the Arts
Oct 4 Havant Arts Centre
Oct 5 Newport (Isle of Wight) Strings Bar & Venue

Wishbone Ash website
Martin Turner Ex-Wishbone Ash website

GRTR! Greats


GRTR! Greats
Introduction and Conclusion: Andy Nathan
Main story: David Randall
Contributors: Pete Feenstra,  Bill Leslie, Andy Nathan, David Randall, Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: SOUTH OF SALEM – Thekla, Bristol, 27 March 2025

SOUTH OF SALEM - Thekla, Bristol, 27 March 2025

It’s quite a novelty stepping on to an old German cargo ship to see a gig in the cargo hold and in 2024 Thekla celebrated its 40th anniversary as a live music venue. Judging by the snaking crowd greeting the discharged rockers club nights are especially popular.

In truth it’s not the biggest of venues and line of sight is poor. But, whatever, South of Salem chose the place to open their spring tour. We last saw them early last year when the larger stage suited their theatrical approach. ‘Death Of The Party’ was my album of 2024 and they were contenders in the Breakthrough section of our yearly poll.

SOUTH OF SALEM - Thekla, Bristol, 27 March 2025

They have been plying the festival circuit since at least 2022 and last year promoting their sophomore album at events like Maid Of Stone, Steelhouse and Bloodstock whilst touring with Wednesday 13 in the autumn.

The surprise tonight was that they played the whole of that album from start to finish.

SOUTH OF SALEM - Thekla, Bristol, 27 March 2025

They started with the older ‘Let Us Prey’ and their new cover version of the Savage Garden classic “To The Moon And Back”. A brilliant opening salvo.

The band are an infectious mix of 80s sleaze, 90s goth and noughties nu-metal.  Here lies the conundrum;  the average age of tonight’s crowd was at least 50 and an older punter is not best disposed to either standing or poor line of sight. And not least poor sound.

SOUTH OF SALEM - Thekla, Bristol, 27 March 2025

This is not to detract from the band, they just need to play bigger venues with more space for both themselves and their audience.

To be critical when hearing the album, and without a larger hall revealing the subtleties, the songs can seem one paced a fact noted in our review. Only the encore ‘Demons Are Forever’ introduced more light and shade.

To increase their momentum they obviously need to get album number 3 out soonest.  Sink or swim South of Salem still stand a better chance than most but maybe not buried in the bowels of a small cargo ship.

Review and photos by David Randall

Album review (Death Of The Party, 2024)

UK Tour Dates

THURSDAY 27TH MARCH – THEKLA, BRISTOL
FRIDAY 28TH MARCH – RESCUE ROOMS *SOLD OUT*,  NOTTINGHAM
SATURDAY 29TH MARCH – KEY CLUB *SOLD OUT*,  LEEDS
SUNDAY 30TH MARCH – THINK TANK?, NEWCASTLE
TUESDAY 1ST APRIL -  CATHOUSE, GLASGOW
WEDNESDAY 2ND APRIL- CLUB ACADEMY, MANCHESTER
THURSDAY 3RD APRIL – KK’s STEEL MILL, WOLVERHAMPTON
FRIDAY 4TH APRIL – UNDERWORLD *SOLD OUT*, LONDON
4TH MAY – ROXOFF FESTIVAL, THE BRICKMAKERS, NORWICH
8TH AUGUST – FIREVOLT FESTIVAL, MANCHESTER
21ST AUGUST – CHEPSTOW CASTLE, WALES


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MILTON HIDE – Bungaroosh

MILTON HIDE - Bungaroosh

Bandcamp [Release date 19.04.25]

Album number three from the Milton Hide, aka the duo of Jim Tipler (vocals, guitar) and Jo Church (vocals, clarinet) and the album was produced by Dandelion Charm’s John Fowler (who also played drums, guitar & bass). Other musicians who contributed to the album were Phil Jones on double bass, Fred Gregory on mandolin and Bruce Knapp on guitar.

The album’s title Bungaroosh comes from the building trade, referring to walls that were put up cheaply and quickly in the Regency period, mainly in the Brighton and Hove area. These walls were filled with a variety of local, plentiful materials including flint, chalk, pebbles and sand held together with a lime mortar then rendered to give a smooth finish.

The title track of this album acts as a metaphor for people and places in this world that hide their true nature behind a classy facade.

‘Judge, Jury and Executioner’ packs a mighty punch, both lyrically and in the rocking beat. Plus, surely one of the few rock songs to feature a clarinet solo?! Love it! ‘Spoil the Game’ is the other folk rocker on the album, taking a swipe at the UK’s current voting system.

In the more traditional folk sounds the single ‘Simon’s Nick’ hits the musical spot. The acoustic ‘Goldfinch’ with both Jim and Jo on vocals is a beautiful song dedicated to the exotically coloured goldfinch, always a welcome visitor to any garden.

‘Quicksand Calling’ has an epic feel with some gorgeous guitar playing. A haunting song based on the Chinese cockle pickers who died tragically in 2004 at Morecombe Bay.

‘Voodoo Queen’ is a curveball towards the end of the album with its rock n roll beat coupled with a 60’s soundscape. Speaking of sound, the production on the album is crystal clear, allowing each instrument and vocal effect to be heard.

The CD is an excellent package too with a fold out poster/lyric sheet, showing that it is the little extras that make the whole listening experience just that little bit more special.

Milton Hide have produced their finest work to date, straddling folk and rock with a touch of music hall (‘Festival of Freaks’) with ease. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: JIZZY PEARL’S LOVE/HATE – The Underworld, Camden, March 13 2025

JIZZY PEARL'S LOVE HATE

Celebrating the 35th anniversary of the band’s debut album “Blackout in The Red Room”, Love/Hate frontman Jizzy Pearl led his current incarnation of the band through a decade defying gig that was reminiscent of the original band back in the day when I first saw them at the Marquee. In return, London gave Pearl a sold-out Underworld that sung along to every song.

Obviously we have the debut album in its entirety (not in album order as that would have meant two of the set’s ultimate highlight’s being played first) with the likes of “Tumbleweed”, “She’s An Angel”, “Mary Jane”, “Fuel To Run” and “One More Round” all sounding magnificent. We also heard latest single “You’re Gonna Burn”, a superb “Spinning Wheel” from 1993’s “Let’s Rumble” album, and a trio of tracks from the band’s second album “Wasted In America”, these include the title track itself, “Evil Twin”, “Spit” and ”Tranquilizer”. The closing due of “Why Do You Think They Call It Dope?” and “Blackout in The Red Room” making sure the crowd left on an absolute high.

Latest album “Punk Rock Fiesta!” shows that Pearl is not treating Love/Hate as a nostalgia vehicle as the album has rejuvenated the band and with the fans, old and new, turning out in force for the latest tour we can only hope that the band are soon back in the UK to capitalise on this.

Review by Nikk Gunns


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: WISHBONE ASH – At The BBC 1970 – 1988

Pete Feenstra chatted to Martin Turner with tracks from the new box set ‘At The BBC’ on Get Ready to ROCK! Radio.  First broadcast Sunday 30 March.

Wishbone Ash At The BBC 1970-88

Madfish [Release Date: 28.03.25]

The Wishbone Ash At The BBC 1970 -88 box set will please more fans than it will disappoint.

It comprises 11 CD’s of never-before-heard sessions and live concerts restored and re-mastered, plus a DVD spanning the 1971, ’77 and ‘80 line-ups.

There’s also a superbly researched 72-page hardback book with rare photos, session documentation and insightful band member recollection, making for a good chronological spread.

The box set includes the sought after last recorded 1974 performance for 14 years by Ted Turner and the mark one line-up.

There’s also the heralded May 1972 session and the highly regarded May 1978 ‘In Concert’ show,

Given Madfish’s track record with previous Ash box set releases, you know the legacy is in safe hands in terms of research, audio quality and band support.

Any potential gripes from die-hard fans who have already bought everything on offer, and who continue their search for unreleased tracks are offset by this box set release which does its job in documenting an ever changing musical journey, while also doing the right thing, by publishing the extant sessions that they have yet to get hold of.

The box also set traces the flourishing relationship between the band and BBC, which finds both parties evolving in an integral relationship at the dawn of the rock era.

Live At The BBC is coherent story of a band who quickly fulfilled its potential, signed to an American label and engaged an extrovert American manager, moved to the States, arguably lost something of their public identity.

And yet despite significant line-up changes they explore different musical directions to the point that they were sometimes musically unrecognisable from their early days.

WISHBONE ASH –  At The BBC 1970 - 1988

Disc 1 opens with a 1970 John Peel session full of Steve Upton’s cymbal bluster on Jack McDuff’s jazzy ‘Vas Dis’, a song that seems unencumbered by the dry sound of the BBC studio.

It’s the perfect start, highlighting the lovely interplay between the wah wah inflected guitars and Martin Turner’s honeyed bass lines.

Several repeated takes appear later, on an ‘Old Grey Whistle Test’ DVD, which Martin Turner describes as “full of gusto and energy.”

There are two early versions of ‘Phoenix’ – a song Andy Powell described as “our anthem really” – on which the guitars rise jubilantly over a stop-time rhythm to build a tremulous tension, which is finally ruptured by a galloping tempo change with ethereal vocals.

The May 1972 version (Disc 2) is expanded by a further 5 minutes, complete with controlled feedback. It illustrates how the band had palpably grown in confidence on the back of relentless road work.

Everything in the second version seems up in the mix, from the steely guitar lines and growling bass to the extended percussion and staccato drums.

You can hear the audience starting to show its appreciation long before the final crescendo.

The 1971 ‘Top Gear’ version of ‘The Pilgrim’ is another essential exciting example of the band’s tight melodic interplay.

The 1972 version of ‘Warrior’ is equally good, with intricate guitar interplay and deft vocal harmonies, while ‘Throw Down The Sword’ is a unison guitar celebration (described by Andy as: “The finest, classic, stadium rock Ash anthem of all time”).

It’s good example of both the band and BBC evolving mellifluously into the dawn of the rock era.

The “lost” 14 February 1974 BBC ‘In Concert’ show featuring the last Ted Turner mark one line-up for 14 years, is well worth the wait.  (Disc 3).  It’s a cool reminder of just how good the band was, especially on the stellar versions of ‘Blowin Free’ and the previously mentioned ‘Phoenix’  but with a shift towards folk rock on the waltz-time ‘Ballad Of The Beacon’.

‘Blowin’ Free’ provides a signature guitar opening, a pulsating drum break and smoother harmonies, capturing a band that had come straight off a West Coast tour.

The second version is extended by an extra 30 seconds or so, and rocks harder.

‘Rock & Roll Widow’ also offers more bite. That said, the session sounds slightly mixed back, in effect smoothing out the edges to be found on the fledgling sessions.

The burgeoning ‘Time Was’ is also a guitar fest, glued together by some rock solid bass and topped by a vocoder.

Disc 4 spans 1976/77, and opens with material from the ‘New England’ album with the edgy rocker ‘Runaway’ which sounds like a band in flux, while ‘Lorelei’ features what Steve Upton describes as: “mythological themes similar to that of Greek sailors being lured onto the rocky coasts.”

It’s a shade closer to what you might expect from earlier Ash, while the riff rocking ‘Mother Of Pearl’, sounds very American even in a BBC setting.

Laurie Wisefield describes it as emanating from his opening riff led jam, tinged by his interest in Bowie’s ‘Fame’ at the time.

‘Baby Come In From The Rain’ is a veritable stomp with a great vocal, subtle gnawing guitar work and a salient hook, and is arguably the strongest track from this session.

Then there Wisefield’s Miami recorded, but West Coast sounding and harmony drenched ‘Goodbye Baby, Hello Old Friend’.

Martin Turner accurately describes it as having “real feel”, but “it didn’t seem to achieve the success that I thought it deserved, maybe because it sounded too American for a British band?”

The Glasgow Apollo 1977 set (Disc 5) comes from one of the band’s favourite venues and mixes classic Ash rockers like ‘Blind Eye’ – the vocal is dominated by the opening guitar lines – which is  mixed in with newly integrated tracks such as the laid back ‘Front Page News’, with its radio friendly chorus.

They round off the set with some over extended audience participation on ‘Bad Weather Blues’, an unremarkable rock-a-boogie with a bluesy edge, often used as an encore, in this case from a Newcastle show!

WISHBONE ASH –  At The BBC 1970 - 1988

Disc 6 features the 1978 double helping of the highly regarded Hammersmith Odeon, show featuring Laurie Wisefield on the impressive  jangle of ‘You See Red’, and Martin Turner’s bass anchored ‘F.U.B.B.’ which is a flashback to the band’s twin guitar interplay of their early days.

By the time of ‘Way Of The World’ they sound as if they have come full circle on another harmony drenched slow burner, which Laurie says was part of an attempt:  “to get back to a more English sounding album.”

When it became part of the enduring Ash and BBC umbrella, how could they fail?

Disc 7 starts with the rest of the ‘78 Hammersmith show and the forgettable ‘Runaway’ which Andy describes as “A bombastic little rocker, based on a staccato Laurie power-chord riff.”

In truth, it sounds a bit like a Thin Lizzy cast off , while 79’s externally written single ‘Helpless’ from the  ‘In Concert’ (Wembley Empire Pool) was included because as Martin says:  “we were trying to be ‘commercial’.”

It opens with some Alice Cooper style bluster and boogie’s along inoffensively into a limping chorus, though the twin guitars bluster does its best to resuscitate it, but ironically sounds like Thin Lizzy.

By Disc 8 we are back at the Hammersmith Odeon for a 1980, 10th anniversary tour show , given a voice over by Brian Matthew and the band’s vibrant version of  1973’s ‘Doctor’, with uplifting vocals and tight interplay to the fore.

There’s also new material from ‘Just Testing’ including ‘Insomnia’, which percolates, but never takes off.

In sharp contrast, there’s the cascading flurry of ‘Queen of Torture’ and the tub thumping ‘Living Proof’’ on which is the band once again sound at its best.

In between the two tracks, there’s  ‘Lifeline’ which features a lovely riff and some nifty guitar work as it revisits an early career feel with staggered tempos and bursting guitar lines.

Disc 9 comes from another Hammersmith Odeon concert in 1981 in support of the ‘Number The Brave’ album’, with John Wetton having replaced Martin Turner.

If nothing else, it provides a snapshot of a band trying to find a foothold in changing times,

The problem here is the poor vocals, especially on staples like ‘Blowin’ Free’, a song reduced from bursting at the seams, to an almost by numbers rendition, though in fairness, it’s still well received.

Both the plodding ‘Where Is The Love’, and funky ‘Loaded’ are dogged by poor vocals, on which Claire Hamill’s presence doesn’t help.

‘Underground’ is another Andy Summers/The Police inflected tune, with better harmonies, but is of little interest to early Ash fans, though Steve Upton revels in some cool percussive work.

‘Kicks On The Street’ has a strong rhythmic presence, while the harmony vocals sound like String Driven Thing.

The band does sound as if they were searching for a more purposeful direction, though that is belatedly tempered by the misstep step of Smoky Robinson’s ‘Get Ready’, which in spite of a snappy arrangement lacks an essential soul ingredient.

Disc 10 extends the 1981 Hammersmith concert, before leaping to ‘85 for material from the very moderate ‘Raw To The Bone’ album.

‘Long Live The Night’ sounds like anonymous American AOR, while ‘Love Is Blue’ is well sung by Mervyn Spence, but is dogged by an ’80’s drum sound.

I’d wager any early Ash fan who has never heard this material before, would be hard pressed to recognise it as Ash

‘People In Motion’ opens like a Robert Palmer cast off, before hitting the heights vocally on another AOR outing, while ‘Cell Of Fame’ ups the tempo slightly and is a highlight of the band’s new musical AOR direction.

WISHBONE ASH –  At The BBC 1970 - 1988

Disc 11 focuses on the reformed classic line-up for the instrumental  ‘Nouveau Calls’ album.

It is represented here by the creditable ‘Tangible Evidence’, the intro of which could be  an update of The  Shadows.

The band beautifully rakes over old coals on a soaring version of ‘Living Proof’, but they remain dogged by the AOR feel on ‘No More Lonely Nights’.

The latter is a good song which rises on the back of a lovely guitar break, but wasn’t quite memorable enough to crack the same American niche that gave Asia such a huge career.

Ted Turner graces ‘The King Will Come’  and takes us back to the band’s pinnacle years, complete with some lovely wah-wah squalls.

The band builds a Latino groove on ‘Clousseau’, on a stop-start instrumental, while ‘In The Skin’ is bathed in a funky electro arrangement, a case of Ash manfully trying keeping up with the times.

The bonus DVD clips feature 3 snapshots of a changing band, from the ’71 Old Grey Whistle Test and the ’77 Criteria Studio sessions in Miami , to a 1980 Guildford Civic Hall gig;  a reminder that right up to 1980 and beyond, the band were still pushing the stylistic envelope.

In sum, At The BBC 1970-1988 is a must for completists as well as those fans still catching up on the mark two band onwards. ****

Review by Pete Feenstra

GRTR! Greats (March 2025)

Get Ready to ROCK! - The Best of 2025


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: IQ – Dominion

IQ - Dominion

Giant Electric Pea  -  [Release Date: 28.03.25]

It’s a new IQ album – what’s not to like?

At the forefront of the progressive rock cognoscenti’s ‘Finest Prog Bands’ list since their debut ‘Tales From The Lush Attic’ in 1983 (when they were contemporaries of the so-called “Neo Prog” scene along with Marillion, Twelfth Night, Pendragon, etc.), IQ have an enviable body of work through twelve studio albums – always brilliant, occasionally exceptional, always too far apart…

And so we arrive at album number thirteen, ‘Dominion’, six years on from 2019’s ‘Resistance’ and with a band much benefitting from a stable line-up since 2014’s epic ‘Road Of Bones’ album and still producing progressive rock of the highest calibre.

‘Dominion’s five tracks demonstrate the band’s ability to thrill every time they take to the studio with peerless songwriting, remarkable musicianship and a coherent, contemporary and articulate libretto that places them in a world of their own, all delivered with their usual panache.

The five tracks are pretty much divided into two camps – the shorts and the longs, with three clocking in at under ten minutes and two mighty epics at a bladder-testing thirteen and twenty two minutes.

The three shorter tracks would be outstanding cuts on any prog band’s album they’re so good, but, good as they are, it feels as though they’re the support act for the main event.

‘One Of Us’ is an acoustic work-out featuring Howe-esque picking from Mike Holmes and a terrific vocal from Peter Nicholls, ‘No Dominion’ is classic IQ (it couldn’t be anybody else) featuring a recurring ear-worm of a keyboard motif courtesy of Neil Durant (surely one the most under-the-radar keyboard players around) and ‘Never Land’ with its spacey keys intro seguéing into a pulsing riff with excellent bass work from Tim Esau overlaid with Nicholl’s envelope-pushing vocal – probably his finest vocal performance on the album.

The twenty two minutes of opening track ‘The Unknown Door’ opens with a Vangelis-like clarion call played over Neville Chamberlain’s famous wartime broadcast and develops via pounding riffs and intertwining keys, all propelled by explosive drumming from Paul Cook, into an acoustic middle section, which is, in turn, kicked into next week with more duelling keys and guitar before finishing off with an uplifting coda.

But, best till last, ‘Far From Here’ – at a mere thirteen minutes – opens as tinkling ivories prelude a tense intro into a classic IQ workout with great riffs calmed with delicate intricacies all overlaid with Nicholl’s other-worldly vocals, to produce a progressive rock masterpiece to match even their own finest work.

I just don’t know how they do it. The bands that can put an album like this together are very few.

In summary, outstanding, ground breaking, emotional and superbly recorded.

But most of all, it’s a new IQ album – what’s not to like?

An absolute blast.    *****

Review by Alan Jones

Get Ready to ROCK! - The Best of 2025


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: IZZY REIGN

 IZZY REIGN

FiXT Music [Release date: 21.03.25]

Each week, when compiling our radio sequence ‘New to GRTR!’, there have been an increasing number of artists fusing electronica elements or EDM (electronic dance music) with rock and alternative metal. Maybe I am just drawn to this contemporary mash-up and in truth some of it stays just about on the right side of AI.

The FiXT label is one of the main outlets for this genre and sometimes their roster of artists collaborate. Bands like ENMY, Fight The Fade and The Defect are worth investigating. The only aspect that might unnerve the listener is the juxtaposition of melodic, anthemic chorus with pile driving metal and metalcore content. The cinematic elements facilitate the label’s strategy with film and advertising sync placements.

Kristin Matzkows created her Izzy Reign persona after earlier excursions with metal and rock and now working with producers Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!) and Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens).

This album is a maelstrom of lyrical angst, existential horror, industrial metal beats and unbridled passion.

The subject matter encompasses much that is relevant and contemporary; mental illness (‘Broken By Design’, manipulation/control (‘The Sunken Place’), celebrity (‘Your Entertainer’).

At times this is like what Alanis Morissette might have sounded like had her career launched in 2023 and Morissette is unsurprisingly one of the singer’s influences.

Izzy Reign’s debut is a good entry point if you wish to explore this burgeoning genre, if not for the faint-hearted. But it may well be, in every sense, one of the most challenging albums of the year. ****

Review by David Randall

David Randall presents ‘New to GRTR!’ each week on Get Ready to ROCK! Radio.  Sunday live (21:00 GMT), Tuesday 16:00 and Thursday 21:00. Playlists


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ALLIANCE – Before Our Eyes

Frontiers Music [Release date: 28.03.25]

Before Our Eyes is the new album from Alliance: Robert (3, GTR) Berry, David (Sammy Hagar) Lauser and Gary (Boston) Pihl. It’s their first on Frontiers, and only their sixth in 30 years.

The band members’ storied past and present – careers on the frontline of rock’n’roll – is well documented online.

Large gaps between albums suggest these musicians are always busy on other projects, and they are. But the truth is they’ve been sending and swapping their digitised recordings with each other online for a while now.

It’s a modus operandi for a lot of bands. Geography is not a limiting factor today.

And you might expect that all these years in the music business would lead to a safety first, take no risks attitude. Instead, rather than stifle creativeness, that in itself lends a freshness to the music.

Before Our Eyes is an album brimming with experience, emotion and ideas, it’s ultimately aimed at the fans who have always stuck with them, through thick and thin.

The songs. Sometimes they simmer, like the bluesy, world weary observations of ‘Too Many People’. Sometimes they sparkle, like ‘Tell Somebody’, where Berry’s rough hewn vocals squeeze out a song crafted from Texas blues.

Most of the time they show an aversion to polished sounds. On the sardonic, sanded down melodic rock of ‘Nothing Will Make You Change’, Lauser’s beats and Berry’s bass can be heard loud and clear. Pihl’s chiming guitar just sits in front of it all, adding and subtracting, a slight change of direction here and there, like an orchestra conductor, allowing Berry free rein to voice the frustrations he clearly feels.

‘Good Life’ is a tip of the hat to a life lived in rock, opening with Who like power chords, and closing, deftly, on a Revolver-ish guitar solo. We get it.

Especially, when ‘Joan Of Arc’ describes the flipside. ‘Life is hard on the road, drivin in the dark, when all I want is to make it home’.

In among these tracks is the more commercially sounding ‘Face Of Justice’… an energetic melodic rock song punctuated by Prog stylings. Peter Gabriel meets Night Ranger. A compelling creation.  ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : STONE FOUNDATION – The Revival Of Survival

100% Records [Release date : 28.03.25]

Eleventh album from English 8 piece soul band, Stone Foundation.

It’s said that you should judge people by the company they keep.

If four time Grammy nominee, Melba Moore; Nina Simone soundalike, Sheree Dubois; emerging UK soul/jazz talent, Laville; Jam/Style Council alumnus, Paul Weller, all guests on previous albums, are anything to go by, then the Stone Foundation are up there, jostling elbows with the best that soul music has to offer.

Namedropping aside, it’s unquestionably the band at the core of the music, everything else is just information.

Regular contenders on the vinyl best seller lists, their last 4 releases have been Top Forty album chart entries.

No surprise in that… there are moments in Revival Of Survival that are are better than full albums of other bands.

There is no formula. ‘How Many Times’ starts up by mixing brass, piano and ambient noise, then ushers in a chamber choir on the softly spoken chorus, rising in volume and emotion toward the end of the track, where it finds a tribal groove.

On standout track, ‘Cut Me Loose’ you can’t help but think Burundian guest singer, JP Bimeni is the guy Chicago were looking for on their early funk, soul and groove albums.

The focus on detail, crisp production and immaculate delivery is remarkable. There’s a lot of moving parts, but every piece fits.

‘Summer Song’, sung by English neo-soul singer, Omar, crams so much together … marshalling punchy brass rhythms behind warbling keys, glassy guitar sounds and a slick percussive groove. Soulful backing vocals come in half way through, shadowing Omar’s emphatic vocal, giving the song a jazzy, laid back, hip hop feel.

The other side of the coin – the simple, catchy ‘Fix You Up’ – carefully rations the horns behind an insistent beat, giving the the song some extra oomph at all the right moments.

Another step up the ladder by Stone Foundation.

The band is just about to embark on a Record Shop Tour, then a full nationwide tour in the summer. ****

Review by Brian McGowan

Albums of the Month: January - March 2025


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : CARE OF NIGHT – Live At The Sweden Rock Festival

Frontiers Music [Release date: 28.03.25]

With three highly rated Melodic Rock albums under their belt, Sweden’s Care Of Night were a welcome act at their home country’s annual Rock Festival last year.

Along with others on Frontiers melodic rock roster, like Eclipse, Art Nation, Streetlight, Perfect Plan, Houston, the rebirth of well constructed AOR songs, fleshed out with melody, harmony, a bit of grit here and there, and big anthemic choruses, is something to be celebrated.

The setlist is chosen more or less equally across those three albums, four from the debut, Connected (2015) ; three from Love Equals War (2018) and four from 2023’s Reconnected.

We picked out ‘Melanie’ and ‘Tonight’ from last year’s Reconnected album as being something special, and – unsurprisingly – they are strongly featured on the live setlist.

‘Street Runner’ opens the gig alongside ‘Love Equals War’, the title track from their second album. Appropriate homages to Journey and Survivor, the progenitors of the genre.

Calle Schonberg’s breathless vocals add a note of urgency, getting an enthusiastic response from a noisy audience. But it’s the two Bergs, Ostrom on guitar and Viktor on keys who are the driving force, ensuring the music maintains momentum.

And the crowd just lap it up.

Like much of the rest of this live performance, tracks like the wonderful ‘Contact’ and ‘Your Perfection’ sound like forgotten hits beamed in from some AOR FM radio station from the past.

Some will argue that these sounds are rooted in nostalgia, but they have a transformative power that appeals to today’s audience as well as yesterday’s.

‘Stay With Me’ and ‘Cassandra’ (hear the ghost of Jimi Jamison) are packed with emotion. Real crowd pleasers, witness the response.

The first song the band wrote, ‘Heart Belongs’ closes the show. Easily recognised by an attentive crowd. A splendidly apposite end to an exhilarating live performance.

Impressive recorded sound quality too. ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : THE QUIREBOYS – Hey You! The Parlophone Years 1989-93 (4 CD Boxset)

Cherry Red [Release date : 28.03.25]

From Choirboys to Queerboys to Quire Boys.

This 4 CD set is a compact quartet of Quireboy’s music, comprising their first two charting albums, with bonus tracks, plus an album of demos and an “all around the world” live music recording.

CD1 : A Bit Of What You Fancy (plus) 1990
CD2 : Bitter, Sweet and Twisted (plus) 1993
CD3 : The original demos (20 tracks)
CD4 : Live And Loaded 1989-92

The debut, A Bit Of What You Fancy, reached no.2 on the UK charts and a got a LOT of radio play. It went Gold.

This version includes ‘Pretty Girls’ and ‘How Do You Feel’, bonus tracks from the 1990 Japanese version.

There will be few reviews of the band’s debut album that don’t compare them to the Faces and/or Rod Stewart.

But the band’s raucous bar-room rock was always sweetened with glam highlights and a rollicking joie de vivre. A side step away from The Faces’ undiluted, harder rocking MO.

The band’s singer/songwriter, Spike, met guitarist/songwriter Guy Bailey as teenagers in London. As you do, they decided to put a band together.

Managed by Sharon Osborne, they recorded and released ABOWYF.

Arguably, the the sum of the parts was always greater than the whole.

The singles, ‘Hey You’, ‘I Don’t Love You Anymore’, ‘7 O’Clock’ and ‘There She Goes Again’ all broke the UK Top Forty.

That mix of raucous rock and more considered, reflective material created the foundation for a lifetime career.

(It’s interesting to note that Kevin Savigar was once a band member. He went on to produce Faster Pussycat, Pat Benatar, Blue Tears, LA Guns, Bang Tango and many others in the vanguard of eighties’ US Radio Rock.)

In the two year gap between the debut album and the follow up, Bitter, Sweet and Twisted, the music world had spun out from beneath their feet.

Rock’n’Roll from the US Pacific north west was now dominating the map.

And so a superb second album – repeating the rock solid, tried and tested formula of the debut – was consigned to relative obscurity.

This set’s third CD comprises the demo recordings of all 20 tracks that made it onto the those first two long players. Moments in time that sometimes just cannot be recaptured.

CD4 is an expanded version of their Live Around The World album, originally released 1990. The jangling piano, wailing harmonica and gutsy guitars all converge around Spike’s down and dirty vocals, on stages from Europe to the Orient, culminating in a Hogmanay performance in front of an estimated 50,000 in Tokyo.

A fitting curtain call to Phase One of The Quireboys’ saga. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


EP review: LITTLE LORE – River Stories

LITTLE LORE – River Stories

Bandcamp [Release date 04.04.25]

Little Lore is back with another EP and one with an interesting back story. Over to Little Lore for more on the EP’s creation – “In November 2023, I was invited to become songwriter in residency on Johnson’s Island – a tiny land mass in the mouth of the Grand Union Canal and the River Brent in Brentford, and home to fifteen or so artists’ studio. My idea was born when I called my friend, the artist Angela Chan, who has a studio on the island. I asked her whether she thought that the artists who work there would be willing to let me come and visit them or interview them to see if that would stimulate some songs. I had four days in the studio and I imagined I would write about the artists and the huge changes that Brentford in West London is undergoing. But a week before the residency I got a call letting me know that the island had been flooded and that the residency was in jeopardy. I sat down and wrote ‘The River’ – reflecting on the incredible power the river has to calm us with her beauty but also destroy.”

“Against all the odds, the studios dried out and the residency went ahead, as planned. I arrived full of enthusiasm…I dropped my gear into the studio and went to see who else was working on the island – only to find that I was the only person there! None of the other artists were in their studios that morning – I mean it was pretty early. The project was not going at all as I had planned. I sat in the studio looking at the river and my mind started to wander to my relationship with water. I sketched a time line of my entire life noting any river or water related incidents or interactions from my birth to present. I can’t imagine living anywhere that wasn’t within a few minutes’ walk of a river or estuary of some kind.”

The EP was produced by Oli Deakin, who also played all the instruments bar Francesca Dardani on violin, Sasha Ono on cello and Morgan Karabel on drums.

Six songs, all beautifully sung and arranged, with plenty of musical depth as can be heard on ‘Run with the Tide’ or stripped back to vocals and guitar on ‘The River’. This song highlights the soothing vocals of Little Lore, easy on the ear, as well as being enchanting lyrically.

‘I Can Breathe Underwater’ is one of her strongest songs to date, with an instant, memorable chorus that could, in an ideal world, grace the playlists on daytime radio. The jaunty ‘Johnson’s Island’ is another jostling for the EP’s stand out song.

Special mention to the production which allows the vocals and instruments equally billing, sounding that extra bit special on headphones.

An EP awash with musical ideas and joyful melodies, as Little Lore continues to impress musically, and this could be the EP to finally gain her the success she deserves. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : W.E.T. – Apex

wet-apex 150

Frontiers Music [Release date : 28.03.25]

Fourth album from WET, whose ranks have swollen from three members to six.

What was once Robert Sall (Work Of Art), Erik Martensson (Eclipse) and Jeff Scott Soto (Talisman), is now those three plus Andreas Passmark (W), Magnus Henricksen (E) and Jamie Borger (T).

And the six strong band sounds different. As the old cliché goes, we get a game of two halfs.

Openers, ‘Believer’ (Giant anyone?) and ‘House On Fire’ blitz through a breathtaking bunch of richly melodic twists and ear-catching hooks, all reminiscent of the genre’s glory days. They signal a deep dive into a past that might remind aficionados why they got into melodic rock in the first place.

But it’s the next three tracks, expansions of a world that worked best on the simplest of terms, that really make an indelible mark here.

‘What Are We Fighting For?’ and ‘Where Are The Heroes?’ are big on everyman philosophy. The mature grain of Soto’s voice make the self explanatory sentiments work, joining vocals with Martensson on the latter song, singing like they mean it.

But it’s the meticulous arrangements and anthemic choruses that will make you swoon. This band has pulse quickening hooks hardwired into their DNA, always searching for a stadium to set alight.

The third of the three, ‘Love Conquers All’ is the inevitable ballad.

Thanks goodness for inevitability. Full of interesting emotional observations, the song reaches out and touches that magic melodic rock moment, playing to the past without sounding derivative.

The second half of the album is heavier, harder, busier, with down and dirty white boy riffs (‘Pay Dirt’), by the numbers rock ballads (‘Pleasure And Pain’) and a busy, major key stomp (‘Breaking Up’).

But this material lacks the musical chemistry that ignites the rocking melodic stuff that burns so brightly earlier in the album. ***

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: GRAHAM GOULDMAN – Cadogan Hall, London, 20 March 2025

GRAHAM GOULDMAN - The Apex, Bury St Edmunds, 7 March 2025

Graham Gouldman’s ‘Heart Full Of Songs’ is an inspirational evening built round his own remarkable song history and related stories.

The show is fleshed out by glistening harmonies, salient hooks and a set list which interweaves the substance of his songcraft.

He draws on five songs from his current ‘I Have Notes’ album (including a reworking of The Yardbirds ‘Heartful Of Soul’, complete with Andy Parks sitar sounding acoustic), which suggests Gouldman’s creativity and enthusiasm remained undimmed by the passing of time.

His unerring eye for an observational lyric, coupled with his willingness to explore emotional love songs within a broad musical landscape serves the songs well and draws the audience into a magical musical journey.

‘Heart Full Of Songs’ reaches back some 6 decades, and is built on the foundations of balance and flow.

As a result, 10cc’s ‘Good Morning Judge’ comes early, while the show stopping ‘I’m Not In Love’ is a near mid-show anchor and the celebratory ‘Dreadlock Holiday’ is the perfect closer.

The flow serves to highlight the evolution of his songwriting. He also punctuates it by using a shopping list style “aide memoire” in which he repeats the artist and title at the conclusion of each song.  Happily, there’s a collective sense of anticipation which quickly fills the void and creates a new dynamic.

He opens with the 1966 Wayne Fontana hit ‘Pamela Pamela’ the kind of tender nostalgic love song that Gouldman captures so well.

When it comes to Herman’s Hermits ‘No Milk Today’, he dwells on the song’s achingly crafted defining couplet.

He explains his late dad provided the classic metaphoric line “No milk today, my love has gone away. The bottle stands forlorn, a symbol of the dawn.”

GRAHAM GOULDMAN - The Apex, Bury St Edmunds, 7 March 2025

For Gouldman Junior it was obviously a lesson well learned, as his own songs continue to provide intricate glimpses of feelings and emotions, which tonight he polishes and brings to life with sparkling harmonies, flinty arrangements and intuitive band interplay.

His semi-acoustic line-up relies on subtle percussion rather than a powerful rhythm section and serves to underscore the nuances of his craft.

We are beguiled by a magical combination of melodies, words and harmonies which at times recall Crosby Stills & Nash and the like.

In a show built on familiar chart songs, it’s encouraging that some of his lesser known solo and collaborative efforts rise to the occasion and fill the cavernous hall with the very qualities that give his back catalogue its enduring purchase.

There’s the Latino feel of the film soundtrack ‘Sunburst’, on which the deft acoustic opening could be ’80’s Dave Mason.

GRAHAM GOULDMAN - The Apex, Bury St Edmunds, 7 March 2025

Then there’s the ethereal ‘Floating In Heaven’ (complete with a subliminal ‘I’m Not In Love’ flashback intro), the heartfelt ‘Love’s Not For Me (Rene’s Song)’ and a jazzy ‘That’s Love Right There’.

The latter evokes the late Leon Redbone, albeit with intuitive lyrics and a catchy hook that is archetypal Gouldman.

His lyrics frequently search out commonly shared emotions, such as on the self explanatory ‘Memories’, while the later Andrew Gold co-write ‘Ready To Go Home’ borders on the anthemic with echoes of Simon & Garfunkel.

One of the best received songs of the evening, it arguably surpasses the equally good, but better known ‘Bridge To Your Heart’, which tonight sounds like something Hall & Oates could have recorded.

GRAHAM GOULDMAN - The Apex, Bury St Edmunds, 7 March 2025

There’s a further ode to the late Andrew Gold on ‘Daylight’ which could almost be Paul McCartney, whilst the uplifting Beth Nielsen Chapman and Gordon Kennedy co-write ‘We’re Alive’ cleverly draws on prosody to make a musical connection with the subject matter.

The show stopping ‘I’m Not In Love’ is cleverly rearranged to include a ‘call and response’ section instead of the original whispered ‘Big Boys Don’t Cry’ line.

It’s only when he briefly indulges himself in the Nashville tinged ‘Dancing Days’, and tries to evoke The Everly Brothers on the country tinged ‘Say You Love Me Tonight’ that he sounds as if he’s chasing a song, rather than simply immersing himself in his own talent.

It’s a subjective quibble in a superb show which brings a seated audience to its feet on a number of occasions, notably on The Yardbirds ‘For Your Love’ and the aforementioned ‘Dreadlock Holiday’.

Put simply, ‘Heart Full Of Songs’ never sounded so good.

GRAHAM GOULDMAN - The Apex, Bury St Edmunds, 7 March 2025

Tonight support Seb Wesson doubles both as an acoustic solo artist and electric band member.

In solo mode, he’s a potent whirl of left handed acoustic rhythms with a warm timbre, confident phrasing and a good mic technique.

His impresses with a handful of songs of which ‘Stand By Fire’ is a contemporary take on the late Nick Drake.

The ethereal sounding ‘Calais’ is also well received and the more up tempo optimism of ‘Elizabeth’ is neatly captured by the lovely refrain: “I hope you found your way home.”

Review by Pete Feenstra
Photos by Martin Porter

GRTR! Greats

Get Ready to ROCK! - The Best of 2025


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : GINEVRA – Beyond Tomorrow

Frontiers Music [Release date : 28.03.25]

The name of Swedish “supergroup”, Ginevra has its origins in the Celtic, Norman and Italian languages. Sources seem to settle on “White Phantom” as its meaning.

This is the band’s second album.

The band: Kristian (Seventh Crystal) Fyhr, Magnus (Primal Fear) Karlsson, Magnus (Nordic Union) Ulfstedt and Jimmy (HEAT) Johansson.

The debut, We Belong To The Stars, opened to considerable acclaim. “Supergroups” don’t always live up to their billing.

The dynamics of the much more modern sounding (than we’re used to) of ‘Lightning Roses’ (the first teaser trailer), coming early in the album, catches us off guard. It’s marked by a busy, bustling arrangement, compressed vocals, and one of Karlsson’s spine tingling orchestrations. It’s an electrifying formula that will soon surely become a key component of the band’s collective vocabulary.

Fyhr : it tells a story about fighting inner demons— losing yourself to something uncontrollably while pretending it will all go away.

‘Let Freedom Ring’ and ‘Echoes Of The The Lonely’, two rock hymns acclaiming the value of commitment and staying power, often in the face of enormous adversity, run parallel to that lyrical theme.

Opener, ‘Moonlight’ needs no encouragement to wade out into the Power Metal genre’s fast flowing waters.

‘True North’ strays back into anthemic Heavy Rock territory. Tough, heroic rock music, matching Fyhr’s expressive, hyper-energetic vocals with Karlsson’s biting, stinging axework. Superb stuff.

‘Beat The Devil’s opening 12 string jangle is soon overwhelmed by armour plated riffs and belting beats. Like so many tracks here – ‘Samurai’, and ‘Higher’ are two more obvious examples – it’s a call to arms. All of them underpinned by a tight, solid mix of symphonic and power metal orchestration, tough as teak guitar riffery and a piercing, convincing vocal from Fhyr, soaring above it all.

To quote Mark Mynett, producer and touring musician with Helloween and Running Wild. (Senior UK lecturer in music technology and production).

It’s not about being the fastest and the heaviest. It is about sounding powerful with a lot of energy and powerful vocal performances.

This band lives up to its billing. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : JINGLE JANGLE MORNING – The 1960′s US Folk Rock Explosion,

Cherry Red [Release date : 28.03.25]

From the beginning to the end, this is five star stuff.

Heavily influenced by The Beatles “invasion” of the USA in the sixties, electrified Folk Rock became the currency of US rock’n’roll.

This 3 CD set celebrates the artists who turned it into best selling recordings – singles and albums – and those who simply plugged in to make electric noise.

Without knowing it, Bob Dylan, Buffalo Springfield, The Grateful Dead, Linda Ronstadt, The Byrds, Love, Big Brother and The Holding Company and many others were adding their names to the pantheon of musical artists who led where others followed.

And they are all here.

Effectively then, this boxset eulogises the annexation of popular music by a new generation. Up to that point neither folk nor rock had enjoyed such prominence. The ongoing social upheaval – racial activism and anti (Vietnam) war protests – was the major catalyst.

There were protest songs in the genre, but they were few. Barry McGuire’s ‘Eve Of Destruction’ is one (originally a B-side, flipped by DJ’s across the USA). It was a worldwide hit. No.1 in the USA, Canada and many other countries. No.3 in the UK.

Buffalo Springfield’s ‘For What Its Worth’ became the clarion call of the counterculture movement in the USA. It went Top Ten in many countries.

Both these songs are here.

Simon and Garfunkel’s ‘Sound Of Silence’ was an unspecific protest song, railing gently but pointedly against a world in political chaos.

And, quite literally, the hits just keep on coming.

The Byrds’ worldwide hit ‘Mr.Tambourine Man’ (a Dylan cast off).

The Lovin’ Spoonful’s debut single and Top Ten hit, ‘Do You Believe In Magic’ and Sonny Bono’s Top Ten hit ‘Laugh At Me’ are here. As is huge worldwide hit for Judy Collins ‘Both Sides Now’ (written by Joni Mitchell).

Arguably, Michael (Monkees) Nesmith was the first artist to “mix a country sound with a rocker’s instincts”, on his First National Band debut album, Magnetic South, back in 1970. His hit single from the album, ‘Joanne’ is here.

So, who else? The Mamas And The Papas; Tim Hardin; Judy Collins; Phil Ochs; Johnny Winter; Poco; Melanie; Gene Clark; Tim Buckley; Quicksilver Messenger Service.

There are more of course, just not enough space here. They add up to four hours – 74 tracks, 3 CDs – of changing times.

The informative, detailed liner notes from Richie Unterburger are (almost) worth the admission price alone.

“In the jingle jangle morning, I’ll come following you”. *****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

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Recent (last 30 days)


Album review : CRIMSON GLORY – The Roadrunner Years (3 CD)

Cherry Red [Release date 21/03/25]

The Cherry Red label is currently on a run of highly compelling Heavy Metal reissues.

We’ve had Wrath, Tigertailz, Barren Cross in only the last month, and very recently, the superb Vision Of Disorder.

This run continues with Crimson Glory, an American Power/Pure/Prog Metal band, who suffered the usual revolving door band membership shenanigans that afflict almost all bands. Life kept getting in the way.

And yet they released two outstandingly good Metal albums and an ok one.

CD1 : Crimson Glory (1986)
CD2 : Transcendence (1988)
CD3 : Strange And Beautiful (1991)

Once seen, never forgotten. The band wore metal masks in order to present a memorable identity to the public. But the overheated Halloween effect led to them being binned by the time of Transcendence.

Much mention is made of the band’s vocalist, the singer with only one name, Midnight. No surprise. His banshee wail gave the band all the recognition it needed. Add to that Ben Jackson’s and Jon Drenning’s highly melodic guitar interplay, and we had a band set on cultivating their own sound.

They got mentioned in the same breath as Fates Warning and Queensryche, but in reality showed no evidence of being anything other than a straight up Power Metal band.

Listen to ‘Valhalla’ and ‘Azrael’ – and maybe ‘Angels Of War’ – to be convinced.

The first two albums got consistent 4 out of 5 star reviews in the music media.

Having drawn up their own metal boundaries on the debut, they stay well inside those limits on follow up, Transcendence.

This was the one. The band had perfected the Crimson Glory sound… Power metal with occasional Prog detailing. ‘Lady Of Winter’ and ‘Red Sharks’ show it best.

The music media’s inability to pigeonhole the band’s sound actually widened their appeal.

It put them on the cover of Kerrang, and got them tours with Queensryche and Anthrax. It won them many awards, especially in their native state of Florida.

While we all claim to embrace change, the band’s fans took a different view. The replacement of vocalist, Midnight, with David Van Landing, and a distinct change of direction into dancing-in-the-dust rhythms and hard rock guitar grooves on third album, Strange and Beautiful, didn’t go down particularly well.

And yet… ‘Promise Land’ and the Poison-esque ‘Song For Angels’ weave those different strands into a very powerful heavy metal argument.

But, it was not to be.

In an all too familiar plotline … the band soon dissolved and the members moved off to pursue new opportunities.

They reformed in 1999 to release a fourth album, Astronomica, but the magic was gone and the band broke up once again. ***

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: THE DARKNESS – G Live, Guildford, 11 March 2025

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

Say what you like about them- and many still do- the tale of The Darkness is a classic tale of redemption. The band that rose too fast to be the biggest thing in the pop let alone the rock world, and crashed to earth almost as swiftly, have had a steadier rise since reforming in 2011.

Thanks to well received tours and albums, singer Justin Hawkins’ presence on the Masked Singer and podcasting activity and the ‘Welcome To The Darkness’ film they are now back playing arenas. Yet admirably, in an age when tours have become shorter, the spring tour takes in 18 dates across the country and rather than the Wembley cowshed, a more intimate set up in Surrey’s county town was preferable for me and still commutable back to London the same night.

ASH - Regent Theatre, Ipswich, 6 March 2025

Support came from Ash, which took me back to the height of Darkness-mania when, killing the time before their headline appearance at the 2004 Reading Festival, the Northern Irish trio were one of the nineties bands I could never get into that I found myself unexpectedly enjoying, alongside the Wildhearts and The Offspring.

Now all in early middle age, there is something a little incongruous at seeing them deliver those exuberant anthems written as teenagers, but singer and lead guitarist Tim Wheeler is still recognisably fresh faced. There was no superfluous chat from him as they thrashed through an opening trio led by ‘Burn Baby Burn’ in no nonsense and punky fashion, though the wall of sound, especially from drummer Rick McMurray was impressive.

One of those many hit singles they had, ‘Shining Light’ was a bit of a change of pace, owing more to Britpop, while Tim’s Flying V seemed rather underused though as the set wore on there was the odd solo such as on ‘Braindead’. Their visual and musical approach was so much plainer than the headliners, but a decent 40 minute aperitif ended in fine style with new single, a punked up cover of Harry Belafonte’s ‘Jump In the Line’, and their trademark ‘Girl From Mars’, one of the enduring pop punk singles that had a fair few people jumping around.

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

As The Darkness took the stage as usual to the strains of Abba’s ‘Arrival’, there was a shock as the ever contrary Justin Hawkins sauntered on stage in a loudly checked houndstooth suit, white shirt and neckerchief, though before long his torso was uncovered save for the latter. They opened with one of the recently released singles from new album ‘Dreams On Toast’ in ‘Rock and Roll Party Cowboy’.

As the most fun ode to hedonism since Andrew WK’s ‘Party Hard’ I am convinced it will swiftly become a live favourite for years to come, but the band were in a difficult position timing wise with the album not out for a couple of weeks. Though in a jovial mood all night, Justin took out his frustration that hopes of reaching No 1 were threatened by other high-profile releases, with Mumford and Sons a vitriolic target.

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

The atmosphere was still oddly rather subdued during the first of the classic ‘Permission To Land’ singles in ‘Growing on Me’, but Justin successfully warmed people up with audience participation- and a handstand! – during ‘Get Your Hands Off My Woman’. Or course that is one of the songs most prominently showcasing his falsetto; that was always the main reason why they were a marmite-like figure and yet over the evening I thought he was more comfortable singing in that rather than his ‘normal’ singing voice.

‘Mortal Dread’ was totally new to me but boasted a good solid riff and occasional keys from Ian ‘soft lad’ Norfolk, their guitar tech who has now been given a more prominent role, almost as a fifth member.  However sometimes I find their songs rather unfocused and despite the rare sight of Justin on slide and crew member Scott on cowbell, ‘Motorheart’ was a case in point.

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

On the upside, Justin’s unpredictable and mischievous quirkiness was shown when another of those new songs that are their best in years, ‘Walking Through Fire’ turned into a riotously entertaining romp as he orchestrated the crowd turning left and right and marching on the spot. After a spoken intro, the heavy riffing of ‘Barbarian’ also impressed but another new song in ‘The Battle For Gadget Land’ tipped too close to nu metal when a roadie came on to join a quasi rap duet.

But as proof of their dizzying array of musical styles, ‘Love Is Only A Feeling’ saw the crowd eagerly swaying arms from side to side and excellent melodic guitar work both from ever reliable brother Dan and Justin. The latter then stopped to hear the crowd heckles and a ‘joker’ (yes there’s one in every crowd) shouting for ‘that Christmas song’ (sic) was deservedly met with a verse of ‘Mistletoe and Wine’. Continuing the diversity, ‘The Longest Kiss’ with prominent piano playing was reminiscent of the seventies when the likes of Queen would dabble in music hall inspired pop, while ‘Heart Explodes’ had a celtic theme.

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

A further unpredictable moment was when Rufus Taylor took a break from impressively attacking his drum kit to come out front, sporting a suit jacket and singing the almost lounge like ‘My Only’. He didn’t look wholly confident as a frontman and yet his rich baritone boomed out impressively. Though ‘Japanese Prisoner Of Love’ was another of those rather disjointed numbers, I could see the cheeky smile on Justin’s face as he led those of us near the front in a rendition of ‘Friday Night’.

Then after an oddly aimless solo guitar slot, he announced they would play their most famous hit. Yet early in ‘I Believe In A Thing Called Love’ he abruptly stopped the show, asking people to put their phones away and live in a big collective movement, bouncing as much as possible. The atmosphere lived up to his request, though it is a sad sign of the times that it took his announcement to manufacture what should be such spontaneous joy.

 THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

There was yet another surprise as the band returned for the encores smartly suited and booted (bassist Frankie Poullain swapping his polo neck for a dinner jacket and dicky bow),  Rufus again out front with some spoken word introductions, and ‘Weekend In Italy’ the sort of pastiche that graces 1970s ice cream adverts, complete with Justin accepting a bouquet of flowers.

In contrast another of those impressive new singles in ‘I Hate Myself’ turned into a full-blown rock out with Justin’s closing solo somewhere between Status Quo and AC/DC. Some things never change though, such as usual set closer ‘Love On The Rocks With No Ice’ extended to over ten minutes with audience participation and Justin going through the crowd on a roadie’s shoulders.

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

Though ‘One Way Ticket’ was a disappointing omission, it was a very well balanced set with the best ‘Permission To Land’ classics still there but only forming around a third of the set alongside the blend of more recent favourites and new songs, ensuring this was much more than a noughties nostalgia fest. Ever entertaining and with an edge of unpredictability, the gig confirmed The Darkness as one of Britain’s best rock acts who have weathered the ups and downs to stand the test of time.

Review by Andy Nathan
Photos by Martin Porter (taken at  Regent Theatre, Ipswich, 6 March 2025) 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : MICHAEL SWEET – The Masterplan

ROMEO'S DAUGHTER- The Garage, London, 28 March 2025

Frontiers Music [Release date : 03.04.26] The Masterplan is Michael Sweet’s tenth solo album. He’s yet to surpass his largely ignored Truth album from year 2000 (4 stars from Allmusic, Cross Rhythms, and Hard Roxx), but this one might just … Continue reading

Gig review: ROMEO’S DAUGHTER – The Garage, London, 28 March 2025

ROMEO'S DAUGHTER- The Garage, London, 28 March 2025

They may not have the most prolific touring schedule, but within the first three months of the year, Romeo’s Daughter have already played London twice. The first was a rare acoustic gig in January at the Jazz Cafe (which, with … Continue reading

News: Albums of the Month (January – March 2025)

Albums of the Month: January - March 2025

A quarterly feature highlighting album releases rated highly by the GRTR! review team and worthy of your investigation.  We try and pick out a cross-section of albums that reflect the range of genres reviewed at the website. PERFECT PLAN Heart … Continue reading

Album review: CRY FOR MERCY – This Machine

CRY FOR MERCY – This Machine

Bandcamp [Release date 04.04.25] A new name for me, Cry For Mercy hail from North Wales and are a self styled ‘powerhouse trio’ consisting of Kev Plant on vocals and bass, Andy Cutty on guitars and Kev’s son, Aled, on … Continue reading

Album review: MASTERS OF REALITY – The Archer

Master of Reality - The Archer

Provogue [Release date 28.3.25] The new Masters Of Reality album The Archer’ is the band’s first release since 2009. It’s an esoteric album which smoulders, occasionally sparkles, but too often settles on a peripheral approach suggesting unfinished ideas. Perhaps the … Continue reading

Album review: A.J. CROCE – Heart Of The Eternal

A.J. Croce - Heart Of The Eternal

Pete Feenstra chatted to A.J. Croce for Get Ready to ROCK! Radio including tracks from the new album.  First broadcast 6 April 2025. BMG [Release date 7.03.25] ‘Heart Of The Eternal’ is an ebullient roots-rock album with a philosophical core. … Continue reading

Album review: CATFISH – Time To Fly

Catfish - Time To Fly

Self Release [Release date 22.03.25] ‘Time To Fly’ is both a well chosen title track and a conceptual theme for the final Catfish album which marks the legacy of the late Matt Long, the band’s singer songwriter, guitarist. It’s an … Continue reading

News: HOLLOW SOULS, BTO, LEMMY (April 2025)

Hollow Souls (Kris Barras, Phoebe Jane, and Josiah J Manning)

A-Z release their second album ‘A2Z2′ on June 6 via Metal Blade Records. The band features drummer Mark Zonder (Fates Warning) and former Fates Warning vocalist Ray Alder. Babymetal have signed to Capitol Records, which will release the group’s new album, ‘Metal Forth’, … Continue reading

Feature: GRTR! Greats – WISHBONE ASH

WISHBONE ASH - GRTR! Greats

Photos: Andy Nathan In 1977, after their successful ‘Front Page News’ tour, Wishbone Ash’s record label posted an advert in the music papers saying “not bad for four boring old farts’, or words to that effect. A time traveller from … Continue reading

Gig review: SOUTH OF SALEM – Thekla, Bristol, 27 March 2025

250327_sos1

It’s quite a novelty stepping on to an old German cargo ship to see a gig in the cargo hold and in 2024 Thekla celebrated its 40th anniversary as a live music venue. Judging by the snaking crowd greeting the … Continue reading

Album review: MILTON HIDE – Bungaroosh

MILTON HIDE - Bungaroosh

Bandcamp [Release date 19.04.25] Album number three from the Milton Hide, aka the duo of Jim Tipler (vocals, guitar) and Jo Church (vocals, clarinet) and the album was produced by Dandelion Charm’s John Fowler (who also played drums, guitar & … Continue reading

Gig review: JIZZY PEARL’S LOVE/HATE – The Underworld, Camden, March 13 2025

JIZZY PEARL'S LOVE HATE

Celebrating the 35th anniversary of the band’s debut album “Blackout in The Red Room”, Love/Hate frontman Jizzy Pearl led his current incarnation of the band through a decade defying gig that was reminiscent of the original band back in the … Continue reading

Album review: WISHBONE ASH – At The BBC 1970 – 1988

Wishbone Ash Live at The BBC 1970-88

Pete Feenstra chatted to Martin Turner with tracks from the new box set ‘At The BBC’ on Get Ready to ROCK! Radio.  First broadcast Sunday 30 March. Madfish [Release Date: 28.03.25] The Wishbone Ash At The BBC 1970 -88 box … Continue reading

Album review: IQ – Dominion

IQ - Dominion

Giant Electric Pea  -  [Release Date: 28.03.25] It’s a new IQ album – what’s not to like? At the forefront of the progressive rock cognoscenti’s ‘Finest Prog Bands’ list since their debut ‘Tales From The Lush Attic’ in 1983 (when … Continue reading

Album review: IZZY REIGN

IZZY REIGN

FiXT Music [Release date: 21.03.25] Each week, when compiling our radio sequence ‘New to GRTR!’, there have been an increasing number of artists fusing electronica elements or EDM (electronic dance music) with rock and alternative metal. Maybe I am just … Continue reading

Album review: ALLIANCE – Before Our Eyes

ALLIANCE 150 Before Image

Frontiers Music [Release date: 28.03.25] Before Our Eyes is the new album from Alliance: Robert (3, GTR) Berry, David (Sammy Hagar) Lauser and Gary (Boston) Pihl. It’s their first on Frontiers, and only their sixth in 30 years. The band … Continue reading

Album review : STONE FOUNDATION – The Revival Of Survival

STONE 150 FOUNDATION Revival

100% Records [Release date : 28.03.25] Eleventh album from English 8 piece soul band, Stone Foundation. It’s said that you should judge people by the company they keep. If four time Grammy nominee, Melba Moore; Nina Simone soundalike, Sheree Dubois; … Continue reading

Album review : CARE OF NIGHT – Live At The Sweden Rock Festival

CARE 150 OF NIGHT Live image

Frontiers Music [Release date: 28.03.25] With three highly rated Melodic Rock albums under their belt, Sweden’s Care Of Night were a welcome act at their home country’s annual Rock Festival last year. Along with others on Frontiers melodic rock roster, … Continue reading

Album review : THE QUIREBOYS – Hey You! The Parlophone Years 1989-93 (4 CD Boxset)

quireboys 150 -hey-you

Cherry Red [Release date : 28.03.25] From Choirboys to Queerboys to Quire Boys. This 4 CD set is a compact quartet of Quireboy’s music, comprising their first two charting albums, with bonus tracks, plus an album of demos and an … Continue reading

EP review: LITTLE LORE – River Stories

LITTLE LORE – River Stories

Bandcamp [Release date 04.04.25] Little Lore is back with another EP and one with an interesting back story. Over to Little Lore for more on the EP’s creation – “In November 2023, I was invited to become songwriter in residency … Continue reading

Album review : W.E.T. – Apex

wet-apex 150

Frontiers Music [Release date : 28.03.25] Fourth album from WET, whose ranks have swollen from three members to six. What was once Robert Sall (Work Of Art), Erik Martensson (Eclipse) and Jeff Scott Soto (Talisman), is now those three plus … Continue reading

Gig review: GRAHAM GOULDMAN – Cadogan Hall, London, 20 March 2025

GRAHAM GOULDMAN - The Apex, Bury St Edmunds, 7 March 2025

Graham Gouldman’s ‘Heart Full Of Songs’ is an inspirational evening built round his own remarkable song history and related stories. The show is fleshed out by glistening harmonies, salient hooks and a set list which interweaves the substance of his … Continue reading

Album review : GINEVRA – Beyond Tomorrow

Ginevra 150-BeyondTomorrow-cover-2025

Frontiers Music [Release date : 28.03.25] The name of Swedish “supergroup”, Ginevra has its origins in the Celtic, Norman and Italian languages. Sources seem to settle on “White Phantom” as its meaning. This is the band’s second album. The band: … Continue reading

Album review : JINGLE JANGLE MORNING – The 1960′s US Folk Rock Explosion,

jingle 150 jangle cover image

Cherry Red [Release date : 28.03.25] From the beginning to the end, this is five star stuff. Heavily influenced by The Beatles “invasion” of the USA in the sixties, electrified Folk Rock became the currency of US rock’n’roll. This 3 … Continue reading

Album review : CRIMSON GLORY – The Roadrunner Years (3 CD)

crimsonglory 150 coverart

Cherry Red [Release date 21/03/25] The Cherry Red label is currently on a run of highly compelling Heavy Metal reissues. We’ve had Wrath, Tigertailz, Barren Cross in only the last month, and very recently, the superb Vision Of Disorder. This … Continue reading

Gig review: THE DARKNESS – G Live, Guildford, 11 March 2025

THE DARKNESS – Regent Theatre, Ipswich, 6 March 2025

Say what you like about them- and many still do- the tale of The Darkness is a classic tale of redemption. The band that rose too fast to be the biggest thing in the pop let alone the rock world, … Continue reading