Album review: THE WESTERN SIZZLERS – For Ol’ Times Sake

Roar Hide Records [Release date: 20.05.13]

‘Unfinished Business’, the penultimate track on The Western Sizzlers ‘For Ol’ Times Sake’, neatly summarises self exiled British musical maverick Kevin Jennings’s situation. A former catalyst for the Georgia Satellites (he got them signed up in the UK) and briefly the manager of the Black Crowes (though that was subject to a legal challenge), he is a southern roots rocker at heart in search of a vehicle for his songs.

He’s a mover and shaker whose musical pedigree also includes Jason & The Scorchers, The Stray Cats and Kris Kristofferson. The question is how to bottle the genie?  The country rock opener ‘One More Beer’ sets the standard for some fine rocking and wry lyrics on 11 self penned country roots rockers and one cover.

‘For Ol’ Times Sake’ is shot though with sledgehammer riffs and Nashville yearning, all loosely shaped by various guests including Charlie Starr from Blackberry Smoke, bassist Jeff Bakos (Jason & The Scorchers) and Georgia Satellites guitarist Rick Richards.

The band’s name apparently came from an early 80’s Satellites Monday night residency in Atlanta, where guitarist Rick Richards spontaneously christened the band. The name didn’t stick, but whether by design or alcohol fuelled creativity it struck the perfect balance between country and rock, pre-dating what was to become alt. country and the perfect choice for this crossover project.

The Western Sizzlers aren’t so much a lo-fi, garage combo as country tinged, bar room rockers with a live in the studio feel. 3 decades on from their famous residency and one song in, you could be forgiven for thinking the sizzling, slide-led rocker ‘Keep Smiling’ was a previously undiscovered Georgia Satellites outtake. The band launch into it with juggernaut intensity, up in the mix vocals and distorted slide.

Jennings is back to relive his own musical dream with the very same country inflected southern rock crossover that turned an antiquated musical genre into something almost hip. Charlie adds booming vocals, southern twang and evocative phrasing to match the band’s musical acumen on an album that alternates between pedal to the floor rocking and heartfelt country songs with a humorous twist.

Both the blistering ‘I’ll Die A Happy Man If It Kills Me’ and the Keith Richard meets Chuck Berry style riff rocker ‘The Lions Cage’ could easily have come from a Satellites album, though there’s more musical variety and delicate instrumentation in the mix.

Kevin’s intuitive grasp of the link between country roots, southern rock and its distant three chord boogie cousin is also evidenced by his spirited rendition of Quo’s ‘Breaking The Rules’.

But if it’s bar room rocking that fires this hugely enjoyable rough-hewn album,Jennings’s humorous narratives go a long way to making some recycled country a lot more palatable. Southern rock fans will warm to the guitar-driven rockers on a well paced album with thoughtful sequencing. The self penned roots rock dips in and out of its country music antecedents but is never dominated by it.

‘Cant Win For Losing’ rejoices in the chorus of :’ I’ve got 3 ex wives and 4 children’ with the kind of alt. country feel so adroitly mined by Jason & the Scorchers, while the humorous unreconstructed country song ‘Sugar Pie’ is full of confident harmonies, an aching dobro and banjo.  ‘Shine’ is a ragged but melodic cowboy style love song, not too far removed from the pedal steel and slide guitar of the poignant ‘Unfinished Business’. In between there’s the early Beatles influenced ‘One Day Closer To Crazy’ and the harp-led rockabilly of ‘The Last Straw’, which suggest that whatever the musical expectations Kevin will always find a way to subvert them

‘For Ol’ Times Sake’ is the perfect title for an album that glances back over its shoulder to the halcyon days of pre-corporate independent southern rock and alt. country. It’s that combination of bar room boogie and a batch of impressive songs that make this an album well worth checking out. **** (4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: JOANNE SHAW TAYLOR – Borderline, London, 12 May 2013

Tonight may have been all about cutting a live DVD, but with the exception of one false start you’d have been hard pushed to notice the cameras, as Joanne Shaw Taylor made light of any pressure with a splendid show that brought an extra charge of energy to some impressive material.

Since breaking out as a blues-rock artist with a brace of albums, ‘White Sugar’ and ‘Diamonds in the Dirt’, Joanne Shaw Taylor has repositioned herself both geographically – she moved to the States – and musically in terms of her new album ‘Almost Always Never’.

She’s still rooted in contemporary blues-rock, but her new material is more song-driven, and full of delicate tones and contrasting solos. As a result the guitar parts shape the songs rather than dominate them. It was curious then that her capacity crowd was notable for being twice her age, a fact reflected by the enthusiastic cheers for her one Hendrix cover of the night.

But if Joanne is hoping to lead her fans to greener pastures, then she’s doing so with the best possible material. A mix of biographical and poignant relationship songs, intricate word plays and incendiary guitar playing lit up a powerful set.

Her solos were as fiery as they were succinct, adding weight to a melody here, and evoking a meaning or mood there, in an exercise of measured restraint. No note was wasted and if her audience were there to cast her in the light of a guitar heroine, then she quickly made her own intentions clear as she confidently leant into the electro funk of ‘Soul Station’ and the altogether heavier riffs of ‘Tied & Bound’ with its ascending, snaking guitar line.

She added a whispered vocal on the subtle groove of ‘Beautifully Broken’ and explored a beautiful tone alongside keyboard player Jools Crudgins’ delicate percussive parts on ‘Almost Always Never’. And if they were good examples of her new ground breaking style, then she sought continuity too with the heavy duty shuffle ‘Let It Burn’ and the tightly wrapped funk of ‘Jump That Train’, both from her last ‘Diamonds in the Dirt’ album.

Her new and expanded band gave the songs a little more colour, the arrangements a wider scope and more room to manoeuvre.  No surprise then that her first encore was the heartfelt ‘Lose Myself To Loving You’, which adroitly mapped out the distance between her role as a guitar slinger and that of a fast maturing singer song-writer unafraid to tackle emotion.

Review by Pete Feenstra
Photos by Stephen Fourie

Set list: Soul Station/Tied & Bound/Beautifully Broken/Watch ‘em       Burn/Diamonds In The Dirt/Manic Depression/You Should Stay, I Should Go/Almost Always Never/Jealousy/Kiss The Ground Goodbye/Just Another Word/Let It Burn/Time Has Come/Jump That Train – Encores: Lose Myself To Loving You/Going Home


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: H.E.A.T. – The Borderline,London,11 April 2013

H.E.A.T. - The Borderline, London, 11 April 2013

Belatedly, the word seems to be spreading in the UK about young Swedish melodic rock sensations H.E.A.T. Their reputation and talent was not matched by barely three figure turnouts at their London shows at the Underworld  and the Gaff three or four years ago, despite the buzz about them on the ‘scene’.  Arriving at the Borderline I was expecting another  sparse crowd of diehards, but was shocked to see the place packed to the rafters.

This was H.E.A.T.’s first UK tour in support of their third album ‘Address the Nation’ and  the first with new singer Erik Gronwall. While opinions differ as to their respective vocal abilities, there is no doubt he has a far livelier and more charismatic manner than his predecessor Kenny Lekremo, givig the band a more energetic dimension.

H.E.A.T. - The Borderline, London, 11 April 2013

However, eagerly anticipating this gig after they were among the very best acts of the previous weekend’s HRH AOR festival, I was disappointed for a long time.  There was a menacing edge to some of the crowd, with a large number of rowdy young glam fans with spectacular, view-restricting haircuts, some of them taking their attitude and aggression too far.

 The other problem was a loud, raw sound which totally smothered the bands hooks and melodies, which I was struggling to make out through the din as they opened  with Breaking the Silence and Better off Alone from the new album and songs like Straight for Your Heart and Late Night Lady suffered dramatically.

H.E.A.T. - The Borderline, London, 11 April 2013

Fortunately as the gig wore on things settled down and  the Bon Jovi style chorus of Heartbreaker was irresistible, while the more laid back In and Out of Trouble had a cool eighties vibe to it that would not have been out of place on a movie soundtrack.

Living on the Run was another commercial gem from the new album with its catchy hooks, while we also got a couple of songs that had been missing from their HRH set at Rotherham set- first album classic Never Let Go, with its Bad Medicine-isms, and the – by their standards- more musically adventurous Who Will Stop the Rain closing the set.

Another song omitted from HRH began the encores, Here for You with the guitar intro catchier than most bands can manage even with lyrics. It’s All About Tonight, which has a great groove to it, proved a fitting encore although it was disappointing that Keep On Dreaming -  perhaps their classic anthem -  was due to be played but omitted because of time constraints.

H.E.A.T. - The Borderline, London, 11 April 2013

This was not perhaps the best night to witness H.E.A.T.’s talent, but when they return it will surely be in bigger and better appointed venues and there was enough to demonstrate they are standards bearers for a new generation of melodic rock inspired by the greats of the eighties but with a freshness all of their own.

Review and photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: MOSS – Camden Underworld, London,15 May 2013

Support Acts: Purson & Black Magician

Review by Yiannis (John) Stefanis

Having just returned from a great holiday, involving great company, awesome food and top quality wine, I had to face the cold and rainy streets of London once more. What better tonic for the post-holiday blues, however, than to be heading towards The Underworld in order to attend a show by Moss – one of the most terrifyingly slow and heavy-hitting bands in the Doom Metal scene. And so, following an interview with Moss’ front man Olly Pearson, I found a good spot in the very bowels of this famous/infamous London venue and braced myself for the assault to come.

First to storm the venue’s stage was a Doom Metal quartet from Liverpool called Black Magician. Not much was known to be about this band prior to tonight’s thirty minute set and,  I have to say, I’m none the wiser as to their background since there is not much out there on them.

Anyhow, all you need to know is that these guys play a slightly predictable and pretty straight-forward kind of Doom Metal with many clear influences from bands like Cathedral, they like to dress in typical 70s fashions (vests, bell-bottoms), their singer, Liam, has stage mannerisms, identical to Ozzy Osbourne (Sabbath era) and they simply love to play loud.

Keyboards seem to play a very important role in terms of conveying mood an emotion and so it was sad to have them buried underneath layers of highly distorted riffs, but Kyle’s work in that department was so impressive that none of the eighty or so punters who decided to watch the band’s set seemed too bothered about this.

Keyboard-related sound problems persisted long after Purson hit the stage, but the UK quintet, and especially Samuel Shove (organ, Mellotron,Wurlitzer) dealt with them with both patience and sheer professionalism.

Even though this was the first time I had seen the band live, I had heard people sing their praises, which was enough to make me expect a decent set – and I was not at all disappointed. It only took a minute or so after the first tunes of the opening composition “Spiderwood Farm” were performed for Rosalie Cunningham (vocals/lead guitar) and her band mates to impose their authority on the significantly larger crowd and the end result was an amazing aural and visual experience.

Though young, these guys have a chemistry that is normally expected of musicians twice their age and, most importantly, they know how to have fun on stage and transfer their youthful energy to their audience.

Whether indulging in fast and hard-hitting tunes like “Leaning On A Bear” or performing slow/moody compositions such as “Rocking Horse”, Cunningham’s ethereal vocals – a common denominator throughout – brought influences from bands as diverse as The Beatles, Led Zeppelin, Pentagram and Pentangle into a successful mix and kept us all solidly focused throughout the band’s remaining set. With sheer musicianship and high levels of passion, it will really be a crime if these guys do not make it big one day… fingers crossed.

Moments after the Southampton-based trio Moss hit the stage, a light smoke with a rather odd smell (?!) started spreading throughout the venue and the slightly reduced crowd by this stage,  fell into a more relaxed state of existence – the perfect way to embrace the band’s slow and heavily distorted drone-y riffs.

With “Moss’s Horrible Night” less than two months old, it was of no surprise to anyone that the majority of tonight’s set would be based on said album, a decision supported by the crowd’s warm reaction towards “Horrible Night”.

Investing more in his clear Ozzy-like vocals these days, singer Olly Pearson performed his craft mostly with his eyes closed, and guitarist Dominic Finbow adopted a stable pose, looking fairly immersed in a different dimension from the ones you or I are familiar with.

By this stage, a small number of people who looked quite in tune with the melodic escapades of Purson started heading towards the exit but this did not seem to deter the noise-making trio, who continued their slow, heavily-distorted riffs in the form of “Dark Lady” – a song that was introduced by Olly Pearson, slightly predictably, as being “about an evil woman”. The band’s oldest fans must have been delighted by the impressive renditions of “The Bleeding Years” and  “I Saw Them That Night”, following which Pearson thanked all the opening acts and introduced “Tombs of the Blind Drugged” as the last song of the show.

The Underworld is a venue that has hosted countless Folk and Doom Metal gigs in the past, with bands like Pentagram and Saint Vitus having certainly left their echoes in its walls. Whereas this north London venue looked appropriate for tonight’s headliners and the Liverpool-based opening act Black Magician, it could barely contain Purson – a band which won hands down with regards to both performance and originality. Those of us who were there on the night of the 15th of May witnessed a very special gig indeed!

Purson Set List:

 “Spiderwood Farm”

  1. “Leaning On A Bear”
  2. “Rocking Horse”
  3. “Well Spoiled”
  4. “Mavericks & Mystics”
  5. “Sapphire Ward”
  6. “The Contract”
  7. “Wool”
  8. “Twos And Ones”

Moss Set List:

  1. “Horrible Night”
  2. “Coral Of Chaos”
  3. “Dark Lady”
  4. “The Bleeding Years”
  5. “I Saw Them That Night ”
  6. “Tombs of the Blind Drugged”


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BLACK STAR RIDERS – All Hell Breaks Loose

Black Star Riders - All Hell Breaks Loose

Nuclear Blast [Release date 27.05.13]

I’ve always considered Scott Gorham to be the least talented of the classic Thin Lizzy line up, and his continued trading on the name hasn’t endeared either.  It’s one thing to keep the legacy alive, quite another to use it to stroke an over inflated ego.  It’s a blessing therefore, that he decided against – as was originally planned – releasing this album under the Thin Lizzy moniker.

He says that’s out of respect to Phil Lynott and his legacy.  I’m not so sure – there’s plenty of Lynott’s legacy on display here on an album made by a band of rock ‘n’ roll mercenaries – vocalist Ricky Warwick (The Almighty), guitarist Damon Johnson (Alice Cooper, Brother Cane), bassist Marco Mendoza (Whitesnake, Blue Murder) and drummer Jimmy DeGrasso (Y&T, Megadeth).  One suspects there may have been some pressure applied by the Lynott estate.

Part of John Sykes original revival of Lizzy back in 1996 Gorham has slowly, through a never-ending merry-go-round of players in which he’s remained the only constant, engineered himself into a position at the band’s helm.  It’s where he’s always wanted to be.  And if ‘All Hell Breaks Loose’ is down to his direction, then hat’s off to him – it’s the best album Thin Lizzy never made.

It’s clear from the opening restrains that the material has been conceived to slip almost unnoticed into a Thin Lizzy set.  Not a surprise given the band have, and will, continue to perform as Thin Lizzy.  But actually, it’s a damn fine rock album – again, perhaps not entirely surprising given the talents of the players and with Kevin Shirley beefing up the production in his normal tub thumping manner.

But there is a huge elephant in the room – the presence of Phil Lynott looms large throughout.  On first listen Warwick’s aping of Lynott’s unique vocal tone, phrasing and inflections is unsettling.  Less so the very many riffs, runs and fills that were Lizzy trademarks (Johnson wrote much of the music), or the Warwick’s lyrical style that cleverly plagiarises that of Lynott.

The acid test must be, what would Lynott have made of it?  Had he not succumbed to the rock ‘n’ roll lifestyle, he may well have moved on from here, but ‘All Hell Breaks Loose’ pretty much picks up the story from where ‘Thunder and Lightning’ left off – that is, at the heavier end of the Lizzy spectrum.

And there’s some real humdingers that will have Phil smiling in his grave – the title track, the first single ‘Bound For Glory’, ‘Valley Of The Stones’ and in particular the magnificent set closer ‘Blues Ain’t So Bad’.

Phil Lynott was Thin Lizzy.  Black Star Riders are the next best thing.  *****

Review by Pete Whalley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: DAMES OF DARKNESS Festival,Robin 2,Bilston,11 May 2013

Delain - Dames Of Darkness Festival, 11 May 2013

So on a wet Saturday afternoon you would think there would be nothing to do in Bilston, west of Birmingham?

Dames of Darkness festival was the brainchild of David Homer and Paul Collins of ‘Apparition’ who back in 2007 decided to put on a festival which featured female fronted bands.

Over the years since then the festival happened in various guises including ‘Femme Metal Festival’ and now after a few years break David has brought the festival back to the Robin 2 and also with the promise that ‘Delain’ will be the event headliners. The event was a 1 day festival and brought together some of the best female fronted bands from around Europe.

Compere for the day is the sometimes comical but mostly mad Jim Beerman presenter/owner/big boss man for Top Rock Radio. As the doors open at 2pm there is already a decent sized crowd filling the room and the beer is already flowing well for an afternoon session.

Incarna - Dames Of Darkness Festival, 11 May 2013

Incarna have the unwelcome task of being the 1st band on today but they should have no problem as a decent crowd has already amassed. The UK based band fronted by Emily Jane are a 4 piece band from the Wycombe area. Powerful guitar lines by Mitch (Bass) and Rik (Lead) provide a base for the outstanding vocals of Emily Jane and they play a very good set which was a great way to start the day.

Chemikill - Dames Of Darkness Festival, 11 May 2013

Next are a personal favorite of mine in Chemikill, these midlands based metallers are more on the heavy side of classic Heavy Metal. Natalie’s voice biting though both high and sublime and rough growl throughout the set. They have been around the scene for over 20 years now and are due to play a number of dates over the next few months.

Ex-Libris - Dames Of Darkness Festival, 11 May 2013

Ex-Libris are a Dutch based heavy metal band and it’s the first time I’d seen or heard them. Fronted by Dianne van Giersbergen who has a formidable and powerful voice they have a full sound thanks to the drumming of Eelco van der Meer and the keyboards of Koen Stam who is all over his keyboard. They play a great set and go down very well with me and the crowd.

Azylya - Dames Of Darkness Festival, 11 May 2013

Possibly the most visual of the female vocalists today is Jamie Lee from Azylya who comes onstage in a white leather catsuit and a silvered mask and for the first few numbers dances at the front of the stage with the blond hair blowing in a fan. The Belgian based band is not really my type of music but go down well with the crowd.

Whyzdom - Dames Of Darkness Festival, 11 May 2013

The other band that just didn’t work for me was the Paris based Whyzdom, while very good musically and vocally the symphonic sound was just too far out for my personal liking but again I will say that I was in the minority as they went down very well with the crowd and played a very good set.

Apparition - Dames Of Darkness Festival, 11 May 2013

The next two bands I have not seen before and both were a pleasant surprise, Apparition, a Midlands based band and also featuring David Homer and Paul Collins the organisers of the whole show.  The current band is fronted by Sakara Marshall and they play a great tight set.

Visions Of Atlantis - Dames Of Darkness Festival, 11 May 2013

Visions of Atlantis, an Austrian based symphonic power metal band, are the only ones today with dual vocalist in the form of Mario Plank and Maxi Nil who play off each other during the set. Promoting their fifth album Ethera they give a great powerful set that is certainly to my liking.

Delain - Dames Of Darkness Festival, 11 May 2013

When headliners Delain come to the stage the venue is packed and they are welcomed by a huge cheer. The Dutch symphonic metallers are currently touring their latest album ‘Interlude’ a mix of new songs and live versions of previous work.

The set kicks off with ‘Mother Machine’ and right from the off Charlotte Wessels voice powered through the music and held the crowd.  Throughout the set the fans were singing along and were obviously really enjoying the music.

As the main set concluded with ‘Not Enough’ it was clear that the crowd hadn’t had enough as the cheers and foot stamping for more rang out. So we finally got out first encore of the day and were treated to three final songs and I think ‘The Gathering’ got the biggest emotive reaction from the crowd over the day.

Well – what a great event it has been today excellent music/fans and venue, the organisers have no doubt gained a lot more followers today who will be waiting for an announcement for the next instalment of The Dames Of Darkness.

Delain Setlist:  Mother Machine, Stay Forever, Go Away, Milk and Honey, Virtue and Vice, See Me in Shadow, Electricity, Invidia, Pristine, Hit Me With Your Best Shot, Sever, Get the Devil Out of Me, April Rain, Sleepwalkers Dream, Not Enough
Encore: Control the Storm, The Gathering, We Are the Others

Review and photos by Simon Dunkerley

Delain interview and album review (Interlude)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: PENDRAGON – Leamington Assembly, 2 May 2013

PENDRAGON - Leamington Assembly, 2 May 2013

Luckily for myself and fellow Midlands rock fans Pendragon seem to have taken a shine to the Assembly holding a number of their rare UK performances at the venue, luckily they have a loyal following prepared to travel to see their musical heroes so the hall was busy and buzzing.

It seems a shame that most of mainland Europe’s rock fans seem to hold Pendragon, one of the greatest prog rock (with the emphasis on rock) bands around in more esteem than the general British rock fraternity but all we the enlightened can do is to keep spreading the word over here.

Gary Chandler - Leamington Assembly, 2 May 2013

Support was a solo set by Gary Chandler, front man of melodic progressive rock band Jadis and included tracks from that band’s back catalogue and solo material, a rich vocalist and excellent guitarist his set which included use of backing/samples to enrich the sound along with his easy going stage manner quickly won the audience over.

The highlights included a superb, abridged version of Jadis number ‘Standing Still’ and from his solo output (and I think titled) ‘A Thousand Scary Eyes’, the latter full of funky backing sounds and hints of Spanish Style guitar was a slow burning delight of a number.
An impressive set from someone I will definitely check out, both his work with Jadis and on the solo side.

PENDRAGON - Leamington Assembly, 2 May 2013

With no new album to plug on this tour Pendragon had free reign to put together a set stretching the breadth of their extensive back catalogue, including most of the classics (or as Nick Barrett puts it “All the Hits !!), while still visiting their more recent output and walking around the hall after the show just two of the comments I head were “that was just about a perfect set list” and “just how good was that”, so it looks like they got it just about right.

PENDRAGON - Leamington Assembly, 2 May 2013

The usual intro snippets of classical music had the audience clapping along, building the atmosphere until the band hit the stage and then the place fair erupted.

A review recounting all the evenings highlights would be far to long and test the patience of even their biggest fans but a special mention for golden oldies an exquisite ‘Paintbox’, the medieval tinged ‘The Black Knight’ complete with the fabulous introduction on how it is the only Pendragon track that Nicks postman likes and ‘The Shadow’ (what a guitar solo!)

A real treat was the gentle, beautiful and rarely played ‘Fallen Dreams and Angels’ and following a rally cry of “Are you ready to rock” the room was jumping for ‘Nostradamus (Stargazing)’ while the epic, layered ‘Breaking the Spell’ was as breathtakingly good as ever.

PENDRAGON - Leamington Assembly, 2 May 2013

As fans of the band know they are a real class act, led by one of the finest rock guitarists around in Nick Barrett who is as at home crashing out the riffs as he is delivering solos dripping with emotion (not a bad voice either), the rest of the band are Clive Nolan who supplies the keyboard magic (also for Arena), bass player supreme Pete Gee and on drums the Bonham like power of Scott Higham.

PENDRAGON - Leamington Assembly, 2 May 2013

Material from the last two incredibly well received albums performed included with it’s Pink Floyd at their very best first section ‘This Green and Pleasant Land’ from ‘Passion’ an emotion packed delight as was’ ‘It’s Only Me’  from ‘Pure’, the more metal tinged edge on these releases was shown in blistering versions of ‘The Freak Show’, ‘Empathy’ and a massive ‘Indigo’.

The encore was no surprise as the band returned after nearly two and a half hours with a triumphant ‘Masters of Illusion’ with the audience rocking out as one, this ended a Pendragon show to remember for a very long time.

Review and photos by Andrew Lock


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MIRACLE MILE – In Cassidy’s Care

 

 

 

 

www.miraclemile.co.uk  (Released 22nd July)

Mircale Mile are a duo consisting of Trevor Jones and Marcus Cliffe, who have released eight albums prior to this one as Miracle Mile. This new album is a concept piece, based on the breakdown of a man’s relationship and the everyday dramas around his life. The story of ‘Cassidy’s Care’ runs through the music and also in the inlay sleeve, plus in a genius piece of marketing you can download the story onto your Kindle.

Miracle Mile require your full attention as not only are the lyrics very moving at times (I defy anyone listening to ‘I Love You, Goodbye’ not to have a lump in their throat) but the music and its rich texture is simply stunning. There is an instrumental ‘Jog’ which illustrates this perfectly.

Trevor Jones has a soothing vocal, with a slight tremor on the emotional parts which works so well. Quite honestly I have not been moved by an album for such a long time and songs like ‘Park Bench’ and the slight Americana tinge on ‘Any Human Heart’ are picks of a strong album.

I don’t think Miracle Mile will ever win any major awards, mores the pity, although they will delight the listener and leave you thinking long after the final note of the album fades away.

****1/2

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig Review: STEVE HACKETT – Royal Concert Hall, Glasgow, 14 May 2013

Almost 40 years on there is a seemingly never ending market when it comes to early Genesis music. Mention ‘The Lamb Lies Down On Broadway’ to gentlemen of a certain age and they can talk wistfully for hours on every aspect of the original gatefold sleeve and the story of Rael and that’s before you get them started on the music ( I do include myself in this category).

When Steve Hackett released his first ‘Revisited’ album it was well received but most of the tracks were heavily reworked and the project didn’t really lend itself to the live arena. With the release of ‘Revisited II’ though, Steve lovingly recreated the tracks in original form and, much to the delight of old codgers like me, decided to take the album on the road. With shows selling out quickly up and down the country it proved to be a popular move.

With the hall filling nicely, proceedings were opened by stalwart of the prog scene Anne Marie Helder. Armed with just an acoustic guitar and some classy on-stage lighting, Anne Marie ran through a few numbers which went down well. Her vocals shone through and with some tasty guitar work she provided the perfect warm up set for Mr Hackett and crew. Finishing her set with ‘Wheels Within Wheels’, Anne Marie left the stage to warm applause.

With the hall now at capacity Steve Hackett and band took to the stage and the familiar opening strains of ‘Watcher Of The Skies’ heralded the start of what was to be a fantastic night of nostalgia for Genesis fans both young and old. For this tour Steve has gathered an amazing group of musicians together who have no trouble in recreating the complex melodies and rhythms that are the signature of early Genesis tracks. By the end of ‘Watcher…’ you were left in no doubt of the band’s abilities!

Next up was ‘The Chamber Of 32 Doors’, this was augmented with excellent on stage lighting and back projections which were both used to great effect throughout the night. I especially liked the giant angle poise lamps at the back and sides of the stage which moved independently, like some giant Pixar animation.

Main vocalist for the evening was Nad Sylvan who sounds uncannily like Peter Gabriel but looks like Gene Wilder when he portrayed Willy Wonka in the 70’s movie, even his stage persona was similar. He did though have company as Steve introduced former Genesis vocalist Ray Wilson on stage to sing on ‘Carpet Crawlers’, this he has recorded with Steve for inclusion on the ‘Selections’ album which also includes choice cuts from ‘Revisited II’.

One of the night’s highlights followed in the shape of ‘The Musical Box’ which was stunning. There was a bit of humour during the closing section when two guys in the audience donned the Foxhead and Old Man masks, once sported by Peter Gabriel, and danced along furiously, much to the band and crowd’s amusement.

The band then got the opportunity to demonstrate how good they were over the course of the next four tracks, kicking off with ‘Blood On The Rooftops’ and the third vocalist of the night, drummer Gary O’Toole, putting in a great performance. This was followed by ‘Unquiet Slumbers For The Sleepers’, ‘…In That Quiet Earth’ and finally ‘Afterglow’. During this selection Steve’s guitar playing was exceptional. Whether sitting with an acoustic or rocking out with his Les Paul he was the consummate musician and didn’t miss a beat all night.

Ray Wilson then reappeared for a rousing version of ‘I Know What I Like’ and then shared vocals with Nad on ‘Entangled’.  It was the appearance of a 12 string acoustic guitar though that sent things into fever pitch as it signalled the beginning of the epic ‘Suppers Ready’. From Steve’s intricate opening guitar passage to the bombastic ending the crowd sang along to every word along with Nad. I am sure most people would agree this performance of ‘Suppers Ready’ was worth the entry fee alone, absolutely stunning.

Two encores followed, ‘Firth Of Fifth’ with Steve again taking centre stage with electric fretwork, and the night was rounded off with a reworked version of ‘Los Endos’ which opened with some jaw dropping rapid fire interplay between Steve’s guitar and Lee Pomeroy on bass who was amazing throughout the set.

The standing ovation at the end of the set was well deserved and Steve and the band seemed genuinely and pleasantly surprised at the level of appreciation shown. This was a fantastic show and proved how the tracks aired had stood the test of time and how much interest there still is in the early Genesis catalogue. When played with this level of commitment and enthusiasm it would appear that the Steve Hackett legacy has plenty of life in it yet. Catch this show live while you can.

Review by David Wilson
Photos by Steve Goudie

Steve Hackett Tour Dates (October 2013)

22/10 BIRMINGHAM Symphony Hall 23/10 BRISTOL, Colston Hall 24/10 LONDON, Royal Albert Hall 26/10 MANCHESTER, O2 Apollo 27/10 NEWCASTLE, City Hall 29/10 LIVERPOOL, Philharmonic 30/10 SHEFFIELD, City Hall 01/11 CAMBRIDGE, Corn Exchange


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: RYAN MCGARVEY – Redefined

Ryan McGarvey Redefined

Forward In Reverse Music

Ryan McGarvey’s current album ‘Redefined’ actually came out last year, but it’s deservedly gaining extra attention because of his current debut UK tour.

He works in a trio format (with occasional keyboard parts) though you’d be hard pressed to realise that on an album full of sumptuous tones, a thoughtful production and a nicely distorted wall of sound that gives the music a psychedelic edge.

Ryan McGarvey is a guitarist who understands the importance of feel, tone and subtle dynamics. He evokes different moods and explores musical depth on smouldering grooves that fill the room with chiming tones, soaring arcs of sound and occasional catchy hooks.

He’s one part Bonamassa, one part Trower and occasionally Jonny Lang, but ultimately he moulds it all into his own style with a melodic drone-led sweep that fashions a plateau of sound over which he applies ascending guitar lines.

‘Starry Night’ is a great example, with an eastern influenced drone and a sweeping melody topped by a ripping solo, while ‘Blues Knocking At My Door’ is a contrasting slide-led, riff-heavy piece full of intense repeated notes and fierce soloing over extravagantly splashed cymbals.

His solos start like a restless mountain stream, and build up to an unstoppable mellifluous flow that sweeps you along like a river. The pulsating wah-wah reverb of ‘Prove Myself’ has the same effect. Ryan constructs a magnificent solo from the bottom up as bass player Sam Miller slips into a funky mode. It’s a perfect example of intuitive interplay and demonstrates Ryan’s innate ability to take a song up a notch on the back of a fluid guitar break.

‘Redefined’ is an album that brings fresh rewards with repeated listens. To the untutored ear, tracks like ‘All The Little Things’ might remind you of Bonamassa, but the mesmerising chiming guitars and rich tone colours are all his own. Similarly the melodic guitar motif, earthy vocal and catchy hook of ‘My Sweet Angel’ isn’t too far removed from Jonny Lang, but listen carefully to the intricate guitar work and wall of sound and you are hearing Ryan’s patented sound.

He switches from acoustic to electric on the Kenny Wayne Shepherd influenced ‘Blue Morning Night’.  It’s another slow burner that builds up unhurriedly on the back of Ryan’s jangling notes and confident vibrato.

This is an album with well structured arrangements that leaves no room for ambiguity as to when the solos will arrive, but when they do Ryan is inspired, switching tone colours as frequently as he changes guitars at his shows. Refreshingly the solos are an integral part of the song and melody.

Best of all is the psychedelic masterpiece ‘So Close to Heaven’ which employs a repeated, deep-toned motif and contrasting chimed notes that hook you and rarely let go. It’s simply a classic track with a broad musical sweep that cleverly evokes the song title and lifts the album to another level.

‘Redefined’ is an underrated independent release worthy of significant record company backing. It’s an album of real substance that demands repeated plays if only to bring the oxygen of publicity to a great band. **** ½

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: RYAN MCGARVEY – Beaverwood Club, Chislehurst, 14 May 2013

New Mexico blues-rock guitarist Ryan McGarvey cuts an understated figure in a crowded market place full of wannabee guitarist heroes and established wiser heads. But the moment he plugs in he starts to build a succession of grooves, drones and wah-wah tinged solos that insidiously nestle in your deepest psyche.

Sure there are inevitable SRV and Bonamassa influences, but such is the breadth of his musical vision that he weaves a unique tapestry all of his own.  Ryan appears to have an almost painstaking studious style that fills his musical canvas with all manner of possibilities. He’s a guitarist who always has plenty of options including effortlessly lifting a song with a significant guitar break to imbue it with previously unforeseen possibilities. He shapes and smothers his songs with luscious tones within drone like grooves. On the magnificent climax of ‘Mystic Dream’ it even borders on space rock.

Tonight’s gig was essentially an introductory London show for an intuitive guitarist who took us on an insistent, slow-fuse blues journey. Ryan stretched his material with long linear solos and a beautiful touch and tone before he unexpectedly sat down for some dazzling slide-led lap steel on the heavy duty ‘Right In All The Wrong Ways’

He subtly paced his set with a variety of styles, complimenting his ability to make each note count by quietly testing the venue’s ambience with a lovely fluid solo before momentarily letting the notes fill the room like raindrops in sunlight. His impressive musical armoury draws you into his music. One moment the crowd fell silent in rapt attention and the next they were cheering his guitar breaks as bit by bit the evening came together like pieces in a jigsaw.

Ryan is an unlikely looking guitar hero, a rangy, suited, almost formal looking figure not given to saying much other than offering his heartfelt thanks to the crowd for supporting him on this his first UK tour. But it’s his guitar that does the talking and he speaks to us on different levels via a range of emotions from the sonorous to the exclamatory, all given full vent by glistening melodies and soaring solos flecked by generous psychedelic brush strokes

He was at his majestic best on the tension building but beautifully nuanced ‘My Sweet Angel’, complete with repeated chiming notes. And he brought real presence to bear on the spacey, ethereal and big sounding blues ballad ‘So Close To Heaven’. It’s the kind of show stopper that could well provide him with an anthem.

The muscular funk and tightly wrapped interplay of the SRV influenced ‘Downright Insane’ restored a sense of immediacy, though the wah-wah wash suggested other possibilities, before he added a sister instrumental shuffle ‘Texas Special’ for good measure.

Ryan’s set was anything but predictable. He’s a tone meister who takes his arrangements and solos to the outer edge and he likes nothing better than to colour a slowly building groove with an ascending guitar line and subtle dynamics. Such was the case on ‘Joyride’ on which he subtly sculpted his solo, while the wistful ballad ‘So Close To Heaven’ brilliantly evoked the song title.

But he saved his best for last with the eastern feel of ‘Mystic Dream’ on which he used his pickup switch to generate a range of fractured tones over a fazed guitar sound. His repeated incremental lines gave the song an epic psychedelic wall of sound. The illuminating tone colours, harmonics, dashes of wah-wah, accompanying cymbal splashes and pounding bass drum pushed the groove into the early Hawkwind territory and the crowd into raptures.

You suspect there’s much more to come from Ryan McGarvey a guitar star in the making.

Review by Pete Feenstra
Photos by Mark Hughes

Set List: Blues Knocking At My Door/ The One That Got Away/ Downright Insane/Cryin’ Over You/Watch Yourself/Starry Night/Texas Special/Never Seem To Learn/Joyride/My Sweet Angel/So Close To Heaven/Four Graces/Right In All TheWrong Ways/Mystic Dream

Album review


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: TIMO TOLKKI’S AVALON – The Land of New Hope

Frontiers www.frontiers.it

Ex-Stratovarius mainman Timo Tolkki returns again with a new project after relative failures with both Revolution Renaissance and Symfonia. Stratovarius was Tolkki’s band from 1986 through to 2008 when after 4 years of turmoil Tolkki called it a day. Stratovarius returned with a new guitarist and new success whilst Tolkki struggled on…

“The Land of New Hope” is, as the wonderful cover artwork states, “a Metal Opera”. This immediately brings to mind Avantasia and that comparison is actually not far off the mark. Tolkki has written a concept piece concerning a group of survivors of worldwide destruction searching for a mythical “Eden” and has assembled a wonderful cast of performers including the amazing Elize Ryd (Amaranthe), “Sir” Russell Allen (Symphony X) Michael Kiske and Rob Rock on vocals, Jens Johansson and Derek Sherinan on keyboards and Alex Holzwarth (Rhapsody) on drums with Tolkki himself handling bass and guitar duties.

At its best, such as on the wonderful “Enshrined in My Memory” with the delightful Elize on vocals and “In the Name of the Rose”, this is up there with the best but there are just too many songs that just don’t quite hit the same high standard…but that’s not to say they aren’t good. “We Will Find a Way” sounds like a Stratovarius-Avantasia mash-up and the Rob Rock solo numbers “The Magic of the Night” and “To the Edge of the Earth” sound like pure (but classic) Stratovarius. “Shine” featuring Elize and Sharon den Adel (Within Temptation) is missing a truly memorable melody which is a shame. Ballad “I’ll Sing You Home” is superb though and the closing Michael Kiske lead epic title track reminds me of his tenure with Helloween around the “Keeper” era…but again just misses that special something to these ears.

Could have been superb and up there with Avantasia but just misses out – still a return to form for Timo Tolkki and hopes are high for his next “Metal Opera”…

****

Phil Berisford


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: AMAZE ME – Guilty As Sin

 

 

 

AOR Heaven (Released 25th May)

Amaze Me are a duo consisting of Peter Broman, who plays all the instruments and wrote the songs and vocalist Conny Lind (ex-Great King Rat/Mattsson). Their last album was released over ten years ago, although AOR Heaven did release a best of last year through their Classix off shoot label.

The album is full of AOR delights from the Def Leppard approved harmonies on ‘Dying To Be Loved’ through to the mid-paced AOR of the title track. ‘With Or Without You’ is simply immense, be it the banks of keyboards or the hook filled chorus. This is what good AOR/melodic rock songs are all about. You wouldn’t think it is only one man playing all the music and even the guitar solos fit the music perfectly, as sometimes on these duos the guitar solos can be the weakest link.

This new album will be sure to satisfy fans of the band and hopefully draw in a few new listeners as Amaze Me are often left out of discussions of classic Scandinavian bands. Along with the new Bai Bang, AOR Heaven have a couple of ‘must have’ albums here.

****

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ahab – Wits End

Navigator Records www.navigatorrecords.co.uk

Ahab have been gaining rave reviews including ones from Bob Harris and Simon Mayo, coupled with honing their sound with live appearances including an appearance at Fairport Conventions’ annual Cropredy festival.

I have reviewed their previous EP ‘KMVT’ previously and that was one glorious piece of harmony filled folk meets acoustic pop. This release includes that EP, plus ‘No King’ compiled together and given a re-mastering.

Where to start? ‘Wish You’ and ‘Run Me Down’ show the band’s four part vocal harmonies off to stunning effect. Like the Byrds less the jangly guitar sound. ‘Lucy’ and ‘Docker’s Hands’ mine a more folk tinged sound, helped by having the mandolin playing of Luke Price complementing the guitars Callum Adamson and Dave Burn.

Just go and buy/download the damn CD as band’s this talented don’t come too often…

****1/2

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FAIR WARNING – Sundancer

 

 

 

 

SPV www.spv.de (Released 27th May)

This band I always confuse with prog rockers Fates Warning for some bizarre reason. I loved their ‘Rainmaker’ album however since then they have not really tickled my fancy until this new album. I don’t know what they have done but they hit the mark and vocalist Tommy Heart sounds as good as ever.

‘Keep It In The Dark’ is a monster of a tune featuring catchy keys and guitar riffs. Mind you opener ‘Troubled Love’ gives it a good run in the instant hits stakes. ‘Real Love’ sounds like a classic Foreigner ballad, cleverly mixing the ballad pace with some added guitar crunch. A song like ‘Natural High’ owes more the current revival in bands taking the 70’s hard rock sound and updating. ‘Pride’ has that laid back US AOR feel and another ear candy chorus.

If like me you’ve be a casual fan at best of the band rest assured this album is up with the classic ‘Rainmaker’. It has that certain something and one for lovers of high quality melodic rock.

****1/2

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: CELEBR8.2 Festival – The Hippodrome, Kingston, Surrey, 11-12 May 2013

Celebr8 Prog

Saturday 11th May

The Celebr8.2 festival was back for its second year having moved from July to May. It has an ideal venue in the Hippodrome with its suitably sci fi décor and the location right in the centre of Kingston. As my friend remarked it is very strange to see so many bouncers at a prog gig, although Saturday night has a strict 9:30pm curfew as the young ‘uns take over and it reverts to a nightclub.

To the music…US band District 97 were making their UK debut and after enjoying their recent album ‘Trouble With Machines’. A strange combo as the band are fronted by an American Idol finalist Leslie Hunt.

If hearing the band for the first time they may put some off as they have many musical ideas in each song, although the accessible vocals of Leslie Hunt keep the band on a melodic path.

Highlights included ‘The Prefect Young Man’ and possibly their most instant song, ‘Open Your Eyes’. They did a King Crimson cover too, ‘The Great Deceiver’ as they had John Wetton guest on their album and after this gig they were off into Europe supporting John Wetton. This band have a bright future ahead of them and they need to keep Leslie Hunt as her vocals help top the fine musicianship backing her.

Next up Frost* whose set last December co-headlining with It Bites I thoroughly enjoyed. Jem Godfrey had broken his finger in a gardening accident so he relied heavily on pre-recorded parts, although fair play to him as he played as many keyboard parts as he could.

It was a stunning set, sprinkled with the humorous interludes from Jem Godfrey.  New songs on display included ‘Heartstrings’ and the gentle ‘Lantern’ – Jem Godfrey is the vocal star on this one. Bodes well for the upcoming album.

Of the older songs we had a raucous run through the instrumental ‘Hyperventilate’ with the rhythm section of Nathan King and Craig Blundell almost metal like in their pounding rhythms.

Guitarist John Mitchell was putting in the first of his two appearances over the weekend and seemed to be enjoying the gig, along with playing some tasty solos. ‘Snowman’ got an interesting overhaul (the keyboards sounded different somehow) and ending with the rousing ‘The Other Me’ ended an amazing set from the band.

Threshold did put in the performance of the weekend for me. From the off the band were on form and in frontman Damian Wilson you have someone who gets even the neutrals in the crowd on the band’s side. This is doubtless helped by his wanderings through the crowd and thanking fans.

Good mix of new and classic songs in the set with the stand outs for me being ‘Don’t Look Down’, the ballad moment in ‘Pilot in the Sky of Dreams’ and ‘The Rubicon’. Pete Morten has certainly come into his own in the band and his soloing was top notch and no sound issues which plagued his appearance at the Underworld gig.It is no mean feat given that Karl Groom is the other guitarist in the band!

Encores were ‘Light and Space’ and ‘Slipstream’, one of their more commercial songs that could win them fans outside of the prog metal genre. Threshold had the audience on their side from the off and they are at the top of their game, both on album and playing live.

Threshold setlist:

Mission Profile/Don’t Look Down/Hollow/Coda/Part of the Chaos/Colophon/Pilot in the Sky of Dreams/Ashes/Angels/Staring at the Sun/Long Way Home/The Rubicon Encore: Light and Space/ Slipstream

Celebr8 Prog

Sunday 12th May

Back again for more! Made it in time to see local band Haken who generally impressed, although one gripe was I couldn’t really hear the vocals over the rest of the band. Musically they have the prog metal leanings of say Threshold and bizarrely some of their quieter parts and the vocals, reminded more of a melodic rock band like Journey. I would definitely go to see them play again and the keyboards/guitar interplay was impressive.

Off to the acoustic stage to see former Tinyfish member Simon Godfrey who had pulled a decent sized crowd. He has a good vocal, although I have never got into Tinyfish like their loyal followers have. It all got a bit to bizarre for me when he started strumming Sabbath riffs and talking about an evil duck…

Mystery were making their UK debut, although vocalist Benoit David has trod the boards in the UK with Yes a couple of years ago. What a way to start a show with ‘As I Am’, one of my favourite songs and a real goose bumps/spine-tingling moment.

I was wondering if they could top that but they did and the set, despite a few sound issues, was excellent throughout. Another stand out was ‘Dear Someone’, David’s vocals sitting neatly on top of the music. They sailed effortlessly though the epic ‘Through Different Eyes’ and for a band that most probably doesn’t play live that much they were extremely tight and the music seemed to flow effortlessly.

Guitarist and mainman Michel St-Pere and his guitar solos are a key driver in the band’s sound, never too ‘showy’ and they fit the music like a glove. Given the rousing reception they got from the crowd I’d guess they will try and return to the UK as soon as possible.

Arena were late taking to the stage due to the evening over running and had to trim their set to just over an hour. Still, vocalist Paul Manzi was amazing, no other word for it. His vocal range is astounding as he did the call and response with the crowd on ‘Crying For Help’, ending with a metal scream that no-one in the crowd dared even attempt!

He impressed me on their recent album ‘The Seventh Degree of Separation’ and he can more than replicate his studio performance live. ‘The Great Escape’ and ‘Rapture’ were highlights for me, along with the opener ‘The Last Escape’. Left feeling slightly disappointed as they had to drop a fair bit of their set and it meant very few older songs were played.

Many prog festivals and yours are being cancelled/downsized so do get out and support them as the organisers work so hard to get these events off the ground and being indoors it’s mud free.

Big note of thanks to Jon Patrick, Geoff Banks and all the people who work tirelessly to make this such a friendly and enjoyable event. Get along next year for some more progressive musical delights.

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: LORDI – Picture House, Edinburgh, 9 May 2013

I have a deep, dark secret which I feel must share with you to kick things off. As well as being a rock music aficionado, I also have a love of all things Eurovision. Yup, sorry to say that the annual Euro cheesefest is a big event in my household, including a finals party, it’s so bad, it’s good!

Back in 2006 in Athens my love of metal and Eurovision came together perfectly in that year’s Finnish entry. Lordi took the competition by storm and it was clear that there was only going to be one winner on the night and sure enough it was Mr Lordi collecting the trophy and bouquet.

Fast forward seven years and Lordi are back on the road in support of their latest album ‘To Beast Or Not To Beast’, another collection of excellent shock rock tracks. First up tonight were Black Country rockers Hostile who unfortunately had been and gone by the time I made the venue. By all accounts though they aquitted themselves well and there was plenty of positive feedback on their performance.

Next band up and my first of the night were Italian crew Kaledon. The band play a fine power metal and soon won the crowd over with a selection of tracks mostly culled from their just released album entitled ‘Altor – The King’s Blacksmith’.

Frontman Marco Palazzi has an infectious enthusiasm, although he did nearly shoot himself in the foot when he called the Edinburgh crowd ‘English’ on a couple of occasions, a none too subtle crowd member soon pointed out he was actually in Scotland!

All was soon forgiven though as the guys blew away the crowd with top class power metal featuring some fantastic guitar work from Alex Mele and Tommy Nemesio. Track of the set for me was ‘Steel Maker’ from the new album which contains great vocal harmonies and a killer chorus. All too soon the guys rounded off their set and took their applause, ones to catch again I think.

The stage was then set for the one and only Lordi. As the lights went down the PA pumped out ‘God Of Thunder’ by Kiss as an intro track which was quite apt as the band take a lot of cues from Gene and co. Lordi also have the bombastic songs to rival their peers and started off with a great version of ‘We’re Not Bad For The Kids (We’re Worse)’. Mr Lordi took command centre stage looking every inch the rock monster of your nightmares with the deep vocal rumblings to match.

‘Bringing Back The Balls To Rock’ and ‘The Riff’ followed in quick succession with Mr Lordi wielding a dry ice gun, the first prop of the night of which there were many. Lordi like to put on a show, they may not have the cachet of Kiss or Alice Cooper but they do the best they can to add a bit of theatre to the proceedings. The bulk of the set was culled from the band’s latest album, ‘To Beast Or Not To Beast’, and their 2006 album ‘Arockalypse’ both providing 5 songs each.

Putting aside the make up, props and costumes though, the bottom line is that Lordi are a fine hard rock band. Guitarist Amen is excellent, providing quality solos and chunky riffs throughout the show. The rhythm section of Ox on bass and Mana on drums pummel you into submission whilst Hella, the ‘Scarbie’ look-a-like on keyboards, provided the melodic flourishes.

More set pieces followed with snow falling from the roof during ‘ It Snows In Hell’, a levitating Mana before his drum solo, Hella receiving a new head when she malfunctioned and a raft of awards for Mr Lordi during ‘I’m The Best’, it may have had a ‘ghost train’ feel to it but it was entertaining.

‘They Only Come Out At Night’ and ‘Devil Is A Loser’ rounded off the main set, with Mr Lordi’s wings failing to operate for the first time in 9 years much to his amusement. He may look big and scary but Mr Lordi appears to have a keen sense of humour and doesn’t take himself too seriously which adds to his charm.

The band returned for four more songs, the second of these being ‘Hard Rock Hallelujah’ which had taken the band to Eurovision success and introduced them to a Europe wide audience. It may be a cheesefest but you can’t argue with the fact that with millions watching it is the perfect shop window. Rounding off the set with the heartfelt ‘Would You Love A Monsterman’ Lordi had provided us with a great night’s entertainment.

As I say, for all the theatrics and make up the main thing about Lordi that ensures them continuing success is the fact that above all they are a quality hard rock act with a catalogue to be proud of, everything else is a bonus. A monster night from a monster band.

Review by David Wilson
Photos by Simon Dunkerley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BETH HART & JOE BONAMASSA – Seesaw

Beth Hart & Joe Bonamassa

Provogue [Release date: 20.05.13]

One part rock chick and one part soul singer, ‘Seesaw’ finds Beth Hart settling in as an MOR interpretive singer with a nice lines in story telling. She’s both emotive and evocative on some well sourced material, including more songs by Billy Holiday, Etta James, Aretha Franklin and Melody Margot.  The approach is similar to the ‘Don’t Explain’ album, but with a slightly more middle of the road feel that irons out the raw edges and adds production gloss in the pursuit of radio friendly product

‘Seesaw’ mixes soul, blues and big band outings with pristine arrangements. Joe Bonamassa plays an understated but crucial supportive role in tandem with producer Kevin Shirley who incorporates all manner of horns and strings. On the final track ‘Strange Fruit’, he tops everything with an ethereal production wholly in keeping with the song.

There are plenty of highlights as Beth sings with a confidence and breathy presence to make light of her apparent apprehension in tackling some of the material. Once she hits her stride she’s mesmerising. It’s her natural ability to get inside a song that glues the album together and cements her musical relationship with Bonamassa.

She tackles one of the biggest songs first, wringing every lyrical nuance from ‘Them There Eyes’, the song made famous by Billie Holiday. It sets the tone for an album that rigorously sticks to tightly wrapped arrangements and focuses on Beth’s interpretive skills.

She opts for plenty of variety to give her vocals the best possible context in the realms of blues, soul, jazz and she has the range and phrasing to make the songs her own.

And while, ‘Seesaw’ is a collaborative affair with Joe Bonamassa, Beth dominates the set to suggest that she’s only one step away form filling the vacant Amy Winehouse niche.

But there’s a price to pay and a compromise to be made, which is that while Beth’s singing is faultless, and everyone does their job, what’s missing is her natural vivacity. The album successfully prises a coherent whole from a wide ranging choice of material spanning different eras, but the fact that she tops and tails the CD with two songs made famous by Billy Holliday suggests a pitch for the mainstream.

‘Seesaw’ certainly delivers in terms of performance and collaboration on a soul album that pulls the genre in several directions. Beth’s strength lies in the way she inhabits some of the songs with her emotive vibrato and swooping phrases, but ironically it’s only on the rockier ‘Miss Lady’ – a song she sang with a sore throat – that she reaches beyond her comfort zone for the kind of Janis Joplin inspiration Joe associates her with.

Too often ‘Seesaw’ sounds like an exercise in fulfilling a Kevin Shirley idea rather than something she would naturally gravitate towards. ‘Nutbush City Limits’ is played superbly well but adds little to the original. On the other hand her spiky vocal adds presence to ‘Cant Let Go’, with Joe’s slide providing the perfect foil. ‘Close To My Fire’ sticks close to the lascivious feel of the original, swapping deep guitar tones instead of the original electronic minimalist production

Both Al Cooper’s ‘I Love You More Than You’ll Ever Know’ and Melody Gardot’s ‘If I Tell You I Love You’ are commercially driven choices, while Al Green’s funky groove ‘Rhymes’ and the moody ‘Sunday Kind Of Love’, are given the Etta James treatment.

Beth Hart is a blues rocker at heart and ‘Seesaw’ is an exercise in moulding her into a crossover artist, as Joe settles for a supporting role.  Given her career trajectory from teen star and blues rocker to confessional singer song-writer, it’s the next logical step. But Beth Hart is far form being a one dimensional artist, and if her natural inclinations are currently being subsumed in the push for commercial success, you can’t help but think that the critical reception to this album will almost certainly determine how long that will last. **** (4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: KILL FOR EDEN – 100 Club, London, 10 May 2013

This was a ‘Future Rock’ new band promotion night at the legendary 100 Club, in which hard/classic rockers Kill For Eden featured as the main support to headliners, The Branco Heist. Five bands had half hour-sets across the evening. The format worked really well with a diverse range of bands getting good exposure in front of a decent crowd, particularly so as the night progressed.

Kill For Eden are a London based hard rock outfit with a multinational flavour. Lead singer Lyla D’Souza comes to the UK via Australia and possesses an absolutely belting rock voice. She is an accomplished focal point on stage and led the band through a strong, tight set full of beefy riffs. All the toons came from their self titled debut album for which this gig was the launch party.

They kicked off with ‘Kerosene’, full of sharp vocal hooks and radio friendly guitar and then bled into ‘Beige’, a deft rocker with cute changes of pace. The five-piece looked comfortable on the small stage and there was good interplay between guitarists Dave Garfield and Andrea Basioli.

The highlight was a double-barreled salvo of chunky, dirty, down-tuned riff laden tracks in the shape of ‘Ned’ and the best track on the album (in my humble opinion) ‘Slip Away’. It was no co-incidence that Garfield strapped on his shiny, high-grain Gibson Explorer for these two belters and it made all the difference.

Set closer, ‘Untouchables’ pulled out all the stops and apart from a lingering desire to have heard Lyla’s vocals higher up in the mix, this was totally job done. 100 Club smashed.

Headliners The Branco Heist were new to me and I was impressed. This exceedingly tight, high energy three-piece served up an eclectic mix of indie spiked with crafty rawk, and spiced up with unexpected twists, harmonies and thrilling climaxes. Watch out for drummer Ros Hampton who was electrifyingly good. Much of the material was culled from their recently released EP ‘Heads Will Roll’. Branco Heist are a band on the march.

The other acts on the bill were not (yet) of the quality of these two. However Sisteray are worthy of mention as a young band who may be lacking some stage craft right now, but whose Buzzcocks/Kasabian inspired material really caught the ear. ‘War On The Floor’ was about the best of the bunch.

And HighDrant determinedly kicked some alternative hard rock ass with an exuberant set led from the front by Gary Moffat. Top entertainment, even if the material might need a bit of attention.

This was a great showcase for up and coming new bands and here’s hoping that the format proves successful.

Review by Dave Atkinson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: RIVAL SONS, THE GRAVELTONES, Leeds Met, 15 April 2013

Rival Sons - Leeds Met, 15 April 2013

We have been waiting for tonight’s gig for a while now.  Yes the Rivals Sons are headlining and are one of my current favourite bands but this is also the first chance to see The Graveltones as since being introduced to their music I’ve been unable to make the dates.

Leeds Met is a great venue, 1100 capacity and a good stage and facilities so all is looking good for the night.  A few beers across the road in the ideally situated Dry Dock and then onto the venue.

Ulysses - Leeds Met, 15 April 2013

First up is Ulysses, they were also on the previous Rival Sons tour and went down so well they have been invited back. This Bath based quartet bring their own unique style to the proceedings, dressed like they’ve stepped out of a 70’s pop video and sporting deer stalker and woolen hats they are definitely ready for fun.

Their sound is a strange mixture of rock, psychedelia and mid 90’s stoner,  but the overall sound is a gutsy roots rock that is held together by the backline of Shane Maxymus (Drums) and Julyan Wells-Cathedral (Bass) allowing the Guitars and main vocals to be taken care of by Tom Sartoryal and Luke Smyth (Main Vocals). Yes, those names are the only ones I could find reference to!

Most of the set tonight was from their recently released ‘Kill You Again’ album and certainly goes down well with the assembled crowd. After the set the band emerge in the merch stall and greet their followers old and new and spend time signing and posting for photo’s as all goods bands should do.

The Graveltones - Leeds Met, 15 April 2013

The Graveltones, mainstream these guys aren’t but I guarantee they will set alight any crowd at any venue they play. They are Jimmy O (Vocals & Guitar) and Mikey Sorbello (Drums & Noises. Originally from Australia but now based in London and have been playing extensively over the past 2 years, no doubt gaining more followers from each gig.

Like many of the two-piece bands around their sound is dirty rock blues and perform which such style and attitude you wonder where is all comes from.  Jimmy’s high vocals are reminiscent or a young Steven Tyler with a touch of Don Glen Vliet thrown in and he commands every inch of the stage whilst wringing every last note from his poor guitar.

The Graveltones - Leeds Met, 15 April 2013

You can tell from the state of the warped cymbals that Mikey does not take his task lightly and he attacks the drums to produce the tight powerful backing to complement Jimmy’s guitar.

The set kicks off with ‘Take it from Me’ and straight away you hit by the piecing vocals and guitar, the set continues with ‘Blame it on you’ and ‘Throw it over me’ all from the current self titled EP. Next up are new tracks from the soon to be released new album also.

The set finished with ‘Sullen Blue’ which sees Mikey make use of elbows/finger tips and even an air pipe to alter the drum sounds in an inspired solo. Awesome sound by this two- piece, hopefully some headlining gigs later in the year once the album is released.

Setlist: Take it from me, Blamin’ It On You, Throw It Over Me, I Want Your Love, No Good, Money, Catch Me On The Fly, Sullen Blue.

Rival Sons - Leeds Met, 15 April 2013

The venue is now full to the brim for this sold out gig and all are waiting for the Rival Sons. Now on their third Album and second label album they have gone from strength to strength and will soon be selling out the larger venues which will be great for the band but unfortunately will mean the gigs become less personal.  The mixture of ages in the crowd shows the strength of their music.

Tonight they kick off with ‘You Want To’ and ‘Get What’s Coming’ to the delight of the crowd and the rest of the set covers all three albums and the EP.  Jay Buchanan (Vocals) and Scott Holiday (Guitar) are upfront and personal with the crowd whilst Robin Everhart
(Bass) as usually takes a more backline yet ever cool approach to the show.Mikey Miley (Drums) as ever look to be totally enjoying the set and seemingly catches sight of people in the crowd throws them a smile.

Rival Sons - Leeds Met, 15 April 2013

The set is now in full flow and it seems that all is not good with Jay who although is giving it his all and is sounding just as good as ever spends quite a time coughing, obviously not used to our lovely warm climate over here, because of this we can forgive him for calling us ‘Manchester’ in one of his chats between songs.

‘Until The Sun Comes Up’ gives us another nod to the psychedelic influences to some of the songs on the ‘Head Down’ album, Mid-set we are get two slower tracks in the form of ‘Jordan’ and ‘Manifest Destiny’ which although Jay was struggling he sounded excellent.

‘Keep On Swinging’ and ‘Pressure and Time’ gets the crowd dancing again and builds us up the end of the set.  Encore time and Mikey kicks us off with a cracking drum solo and straight into ‘Burn Down Los Angeles’ and finally ‘Soul’.   The set tonight was one of the best so far and was delivered with such passion that you couldn’t help but have a good time.

Setlist
You Want To Get What’s Coming/Wild Animal /Gypsy Heart /Torture /Memphis Sun
All the Way /Until the Sun Comes/Jordan /Manifest Destiny, Part 1 /Keep On Swinging
Pressure and Time /Sacred Tongue /Face of Light  Encore: Drum Solo /Burn Down Los Angeles /Soul

Review and photos by Simon Dunkerley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: DELAIN – Interlude

Interview edit: Charlotte Wessels of Delain, 1 May 2013
First broadcast on Get Ready to ROCK! Radio, 5 May 2013

The full version of this interview is available as a podcast
(You can sign up to receive alerts of podcast additions via the Feedburner link at the foot of this page)

Delain - Interlude

Napalm Records [Release date 06.05.13]

Interlude is apt title for the Dutch symphonic rockers fourth release, as it marks their departure from Roadrunner and the mix of new songs, covers, new versions and live tracks serves as a past, present and future collective.

Five of the six live tracks, which make up half of the overall running time, are lifted from the band’s last album ‘We Are The Others’ and, in truth, come a little too close on the coat tails of that release.  Yes, they’re excellent, but they stick so closely to the studio versions you’d have to query why anyone other than acolytes would want to invest.

In complete contrast, their revisiting of the title track from the same album and it’s conversion to a monster ballad, compete with children’s choir, adds a whole new dimension to the song which is well worth the indulgence.

As are three cover tracks, and you have to hand it to hand it to Charlotte Wesells and the band – they take two huge numbers from the eighties – Bronski Beat’s ‘Small Town Boy’, and Talk Talk’s ‘Such A Shame’, together with  the 1996 lesser known Cranberries track ‘Cordell’ (a tribute to the late 1960s/early 1970s Moody Blues, The Move, Procol Harum and Joe Cocker producer) – chew then over and spit them out in their own style and one that would be almost unrecognisable to most.  If you’re going to do a cover, at least try and make it you own.  Delain do.

The three new numbers also ‘kick ass’, but it’s a fact that ‘symphonic’ rock is beginning to sound a little ‘dated’.  As a female fronted rock band, Delain have all the attributes to go in any direction they choose and rise to the top of the pack.  The critical question that must be posed of them is, ‘where to now?’  ****

Review by Pete Whalley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Quick plays: STEVE MAYONE,KEVIN DOHERTY,CHRISTOPHER PAUL STELLING

The Cousins Project Steve Mayone & Kristina Stykos - Beautiful Blood

The Cousins Project Steve Mayone & Kristina Stykos – Beautiful Blood 

In 2006 singer songwriters Steve Mayone and Kristina Stykos met by chance at a gig and discovered they were second cousins.  Fate had led them down similar paths – songwriters, producers, and independent artists.  ‘Beautiful Blood’ – an Americana blend of folk / rock, ballads and blues, recorded at their home studios charts the combining of their different styles into a single tapestry.

Mayone dominates vocal proceedings in a James Taylor sort of way, although Stykos provides harmony vocals and takes the lead on several tracks.  Hers is maybe a less accomplished delivery but it has a Marianne Faithful style charisma.  In fact the whole set has a retro, West Coast Laurel Canyon acoustic, soft rock feel.

And while that’s rather pleasant it doesn’t exactly cut new ground and is unlikely to significantly raise their collective profiles.  That said, there’s much to be enjoyed, in particular the rather lovely ‘South Of The Chelsea Line’, and the swamp bluesy ‘Sugar’ and ‘Deep Deep Baby’.  ***

Kevin Doherty – Seeing Things

The fourth solo outing from Donegal native and Dublin resident Kevin Doherty – a member of the folk ‘super group’ Four Men & A Dog – is, for the most part a mellow and melancholic affair with sparse arrangements – mainly guitar, piano and backing vocals.

Lyrically and melodically occupying the same space as the likes of Leonard Cohen, Tom Wait and Randy Newman it focuses on soul searching, introspection and social commentary.  As such it’s not an album to be enjoyed in the company of others – more one for consumption in isolation when you’re feeling like weeping into the bottom of an empty whisky glass.

Beautifully recorded and with Doherty’s rich Chris Rea/Johnny Cash style vocals the centrepiece, a mournful, reflective set for those whose life is heading off the rails.  You also get a ‘free’ pencil, although I’m not sure it’s wise to supply the album with a sharp object. **1/2

Christopher Paul Stelling – False Cities

Acoustic troubadour Stelling’s rootsy Americana debut – Songs Of Praise And Scorn – was released to a flurry of critical acclaim last year, and having spent the majority of 2012 on the road his follow-up is relentless in both angst and tenderness.  It’s an album that bares its teeth, spits and snarls.

The tenderness comes from Stelling’s campfire finger acoustic picking style that at times strays into almost flamenco style.  His vocals, on the other hand spill out like a pent up volcanic eruption – you can almost visualise the spittle, sweat and protruding veins and eyeballs as they are forcibly expelled.

It all adds up to an incendiary meeting of Gothic folk and punk.  A strange brew indeed, and not one for the faint hearted or casual listener.  **

Review by Pete Whalley

JJ GREY & MOFRO – This River

Alligator/Proper Records (Released 24th June)

JJ Grey is a blues/soul singer/songwriter who released his debut album back in 2001 and this album is his seventh overall (and fifth for his current record label).

The album does drift away to be honest and although his guitar playing is soulful, it is not an album I would honestly see myself playing many more times in the future. That said, ‘Your Lady, She’s Shady’ with its cheeky lyric recalls Taj Mahal. ‘Tame A Wild One’ reminding you of Robert Cray, being a well crafted and compact song.

***

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: Various – Get Up! Stand Up! (Human Rights Concerts 1986-1998)

Get Up! Stand Up!

Highlights From The Human Rights Concerts 1986- 1998 (Eagle Rock) CD & DVD

[Release date 27.05.13]

Live Aid in 1985 started something of a trend for the great and good of pop / rock coming together to raise awareness and funds for worthy causes.  Released to coincide with the 25th anniversary of the Amnesty International’s 1986 USA Conspiracy Of Hope concert tour, and the 52nd anniversary of the founding of Amnesty, it’s fitting therefore that Geldof should open proceedings with a duet of ‘Redemption Song’ with Little Stephen.

Sometimes when revisiting fond memories, reality fails to match the height of your recollections, but on this teaser release – which picks highlights from the ’86 Conspiracy Of Hope tour, the 1988 historic 5 continent 20 concert Human Rights Now! and the stand alone concerts An Embrace Of Hope (Chile 1990) and The Struggle Continues (Paris 1998) – there are plenty of gems to be enjoyed.

The complete concert set will be released in October 2013 as a box set, but for now it’s a selective trip down memory lane.  Should you opt for the DVD, as opposed to the 2-CD set, the scary part is just how young everyone looks and the realisation that there isn’t a new wave to follow in the footsteps of legends like Springsteen and U2.

There are moments here where rock doesn’t get any better – Bryan Adams’ timeless ‘Run To You’, a youthful Bono leading U2 and the crowd through ‘Sunday Bloody Sunday’, and Tracy Chapman’s sheer presence with just an acoustic guitar on ‘Talkin’ ‘bout A Revolution’.  Others, like Lou Reed, just exude an effortless cool.

Three of the four films have never been available in any format since their one-time only TV airings, and all have been digitally restored making this a perfect opportunity to enjoy some performances that still sound fresh and vital all these years later.  Classic stuff.  ****

Review by Pete Whalley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: SAXON, THE QUIREBOYS, Oxford Academy, 5 May 2013

Saxon - Oxford Academy, 5 May 2013

If only everything in life was as reliable as Saxon. You can set your watch by the fact the enduring Yorkshire stalwarts of the NWOBHM will be touring every spring, usually to coincide with St George’s Day. And you can guarantee a top quality professional performance, and a set list with a perfect balance of new material, unexpected cuts from their lengthy career and, as the set wears on, the classics that those of us of a certain age grew up on.

On this occasion a clash with their London show sent me and other stalwarts of the London gig scene on a Bank Holiday ‘away gig’ 60 miles up the road in Oxford. First support band Redline were a perfect fit for Saxon, making up for a rather amateur stage presence with enthusiastic traditional metal tipped off by the excellent vocal range of singer Kez Taylor.

In contrast the Quireboys‘ booze-fuelled, Faces and Stones inspired mayhem might have seemed an odd choice to back the tea drinking metallers. Yet the two have a lot in common – quintessentially English bands who enjoyed a brief spell in the spotlight, hit on hard times but have bounced back and enjoyed a rejuvenated career,  with a revised line up but with a distinctive singer and engaging frontman, in the Quireboys’ case  Spike,  looking like an extra from ‘Pirates of the Caribbean’ and hobbling from a football-related injury.

Their 40 minute set showed them in the best possible light – the sound was excellent and brought out  interplay between Keith Reid’s honky tonk piano and the guitars, including plenty of slide work from the well matched pair of Paul Guerin and Guy Griffin.

A well chosen setlist included old favourites like opener ‘Tramps and Thieves’,  ‘Misled’ and ‘Hey You’ but also looked to recent cuts – ‘Mona Lisa Smiled’ has become a  modern Quireboys classic, and even two brand new songs -  ‘Too Much of a Good Thing’, with its AC/DC inspired riff, and ‘Mother Mary’, with a melancholic feel that reminded me of Mott the Hoople,  before they ended with 7 O’ Clock, still one of the great singalong party anthems.

Saxon - Oxford Academy, 5 May 2013

Saxon opened with the title track from their new Sacrifice album, which featured heavily on alongside some vintage gems – ‘Power and the Glory’, which as Biff Byford pointed out has just celebrated its 30th anniversary, and the rarely played ‘Rock and Roll Gypsy’, with its commercial  chorus and a great solo from Paul Quinn.  Biff as always was the ringmaster and did his usual asking the crowd what should be played, with ‘The Bands Played On’ winning the day.

Of the new songs ‘Night of the Wolf’ and ‘Stand Up and Fight’ were more instant than much of their more recent material, harking back to their earlier days, while there was a smattering of non-obvious songs including a heavy ‘Conquistador’, complete with Nigel Glockler’s drum solo, and ‘Iron Wheels’, the song about Biff’s miner father, with acoustic guitars taking the pace down.

Saxon - Oxford Academy, 5 May 2013

Paul Quinn and Doug Scarratt were as solid if unflashy an axe pairing as ever, the former even cracking a rare smile as he donned a 12 string, while the latter was pulling some great metal poses to entertain the crowd at the front.

Another surprise from the late eighties in ‘Ride Like the Wind’ and an epic ‘Dallas 1pm’ sent us into the home straight of Saxon classics, which were predictable yet so evocative for those of us who grew up on metal in the early eighties – ’747 Strangers in the Night’ and ‘Wheels of Steel’, with Biff orchestrating the usual call and response.

Saxon - Oxford Academy, 5 May 2013

Nibbs Carter’s unmistakable rumbling bass intro set the scene for another classic in ‘Strong Arm Of The Law’ before fists were punching to ‘Denim and Leather’, the unofficial soundtrack to the NWOBHM era.

Seemingly impromptu they slipped in a furious ‘Heavy Metal Thunder’, though to the disappointment of some at the expense of ‘Crusader’, before Paul was ushered forward to play the  opening riff to another, much loved, early classic in ‘Princess of the Night’.

If truth be known I may have seen better Saxon gigs yet, to quote their contemporaries Judas Priest, few bands are more consistent at delivering the goods time after time. I will never tire of seeing both them and the Quireboys and long may both continue to rock it old school.

Review by Andy Nathan
Photos by Stephen Fourie

More from the Sacrifice tour:

Gig review (Glasgow ABC, 21 April 2013)
Gig review (Nottingham Rock City, 20 April 2013)
Gig review (Leamington Assembly, 18 April 2013)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: THEA GILMORE, Philharmonic Hall, Liverpool, 10 May 2013

Thea Gilmore - Philharmonic Hall, Liverpool, 10 May 2013

This promotional gig for Thea’s excellent new album Regardless, complete with supporting string quartet, proved at least one thing – there’s no finer British vocalist/singer songwriter on the scene at present.

Finding local ‘talent’ to open the set – a guy called Johnny Sands who did his best but was frankly out of his league – wasn’t, perhaps, the smartest of moves.  Yes, it set Thea in the best possible light, but a innovative reworking of Echo & The Bunnymen’s ‘Killing Moon’ apart, it succeeded only in driving patrons towards the bar.

Thea, on the other hand was the consummate professional with a set that, while focusing on her new album, dipped into recent releases and further back into her catalogue.  In particular, the string section brought material from her 2011 Sandy Denny project (Don’t Stop Singing) to life, while her self-depreciating banter and good humour served to strengthen the bond with an appreciative audience.  And Gilmore herself was clearly grateful for the support that has pushed ‘Regardless’ to the boundaries of the Top 40.  A significant achievement for an independent artist, but one very much merited.

On the night, her band led by hubbie Nigel Stonier were as tight as you might expect, at times perhaps overpowering the string quartet and it would have been nice to see more of the piano/strings combination that worked so well on ‘Mainstream’ and which was a platform that presented Gilmore’s vocal prowess in all its glory.

Thea Gilmore - Philharmonic Hall, Liverpool, 10 May 2013

In fact, it was the unaccompanied performance of ‘The Amazing Floating Man’ – taken from her ‘tour only’ Beginners EP – that held the audience most transfixed.  A pin dropping could have been heard during its quite stunning rendition.  The closing encore ‘My Friend Goodbye’, supported just by Stonier on acoustic guitar, was equally poignant.

The other thing the date proved was that Gilmore has it all – she can do folk, pop, soft rock all with equal aplomb.  And on the night she gave a peerless vocal performance.  I’ve seen her several times now, and this was by far the most complete.  Combined with Regardless including some of her most commercial/radio friendly work to date, and clearly striking a chord with the public, could it be that she’s on finally on the brink of achieving the wider recognition she so richly deserves?

Review by Pete Whalley

Set List:  This Is How You Find The Way/ Old Soul/ Beautiful Hopeful/ Start As You Mean To Go On/ This Road/ Brother Can You Spare Me A Dime/ The Amazing Floating Man/ Mainstream/ Pain In My Heart/ I Will Not Disappoint You/ Spit And Shine/ Regardless/ Love Came Looking For Me/ You’re The Radio/Something To Sing About/ London/ This Girl Is Taking Bets/ My Friend Goodbye.

Album review (Regardless)

Thea Gilmore - Philharmonic Hall, Liverpool, 10 May 2013


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: HONEY AND THE BEAR – Wish & A Tide

Website [Release date 23.04.26] Honey and The Bear is a duo consisting of husband and wife Jon and Lucy Hart. Jon plays guitar and electric guitar with Lucy as the main vocalist, and they both play double bass and bouzouki. … Continue reading

Album review: THE WESTERN SIZZLERS – For Ol’ Times Sake

Roar Hide Records [Release date: 20.05.13] ‘Unfinished Business’, the penultimate track on The Western Sizzlers ‘For Ol’ Times Sake’, neatly summarises self exiled British musical maverick Kevin Jennings’s situation. A former catalyst for the Georgia Satellites (he got them signed … Continue reading

Gig review: JOANNE SHAW TAYLOR – Borderline, London, 12 May 2013

Tonight may have been all about cutting a live DVD, but with the exception of one false start you’d have been hard pushed to notice the cameras, as Joanne Shaw Taylor made light of any pressure with a splendid show … Continue reading

Gig review: H.E.A.T. – The Borderline,London,11 April 2013

H.E.A.T. - The Borderline, London, 11 April 2013

Belatedly, the word seems to be spreading in the UK about young Swedish melodic rock sensations H.E.A.T. Their reputation and talent was not matched by barely three figure turnouts at their London shows at the Underworld  and the Gaff three … Continue reading

Gig review: MOSS – Camden Underworld, London,15 May 2013

Support Acts: Purson & Black Magician Review by Yiannis (John) Stefanis Having just returned from a great holiday, involving great company, awesome food and top quality wine, I had to face the cold and rainy streets of London once more. … Continue reading

Album review: BLACK STAR RIDERS – All Hell Breaks Loose

Black Star Riders - All Hell Breaks Loose

Nuclear Blast [Release date 27.05.13] I’ve always considered Scott Gorham to be the least talented of the classic Thin Lizzy line up, and his continued trading on the name hasn’t endeared either.  It’s one thing to keep the legacy alive, … Continue reading

Gig review: DAMES OF DARKNESS Festival,Robin 2,Bilston,11 May 2013

Delain - Dames Of Darkness Festival, 11 May 2013

So on a wet Saturday afternoon you would think there would be nothing to do in Bilston, west of Birmingham? Dames of Darkness festival was the brainchild of David Homer and Paul Collins of ‘Apparition’ who back in 2007 decided … Continue reading

Gig review: PENDRAGON – Leamington Assembly, 2 May 2013

PENDRAGON - Leamington Assembly, 2 May 2013

Luckily for myself and fellow Midlands rock fans Pendragon seem to have taken a shine to the Assembly holding a number of their rare UK performances at the venue, luckily they have a loyal following prepared to travel to see … Continue reading

Album review: MIRACLE MILE – In Cassidy’s Care

        www.miraclemile.co.uk  (Released 22nd July) Mircale Mile are a duo consisting of Trevor Jones and Marcus Cliffe, who have released eight albums prior to this one as Miracle Mile. This new album is a concept piece, based … Continue reading

Gig Review: STEVE HACKETT – Royal Concert Hall, Glasgow, 14 May 2013

Almost 40 years on there is a seemingly never ending market when it comes to early Genesis music. Mention ‘The Lamb Lies Down On Broadway’ to gentlemen of a certain age and they can talk wistfully for hours on every … Continue reading

Album review: RYAN MCGARVEY – Redefined

Ryan McGarvey Redefined

Forward In Reverse Music Ryan McGarvey’s current album ‘Redefined’ actually came out last year, but it’s deservedly gaining extra attention because of his current debut UK tour. He works in a trio format (with occasional keyboard parts) though you’d be … Continue reading

Gig review: RYAN MCGARVEY – Beaverwood Club, Chislehurst, 14 May 2013

New Mexico blues-rock guitarist Ryan McGarvey cuts an understated figure in a crowded market place full of wannabee guitarist heroes and established wiser heads. But the moment he plugs in he starts to build a succession of grooves, drones and … Continue reading

Album review: TIMO TOLKKI’S AVALON – The Land of New Hope

Frontiers www.frontiers.it Ex-Stratovarius mainman Timo Tolkki returns again with a new project after relative failures with both Revolution Renaissance and Symfonia. Stratovarius was Tolkki’s band from 1986 through to 2008 when after 4 years of turmoil Tolkki called it a … Continue reading

Album review: AMAZE ME – Guilty As Sin

      AOR Heaven (Released 25th May) Amaze Me are a duo consisting of Peter Broman, who plays all the instruments and wrote the songs and vocalist Conny Lind (ex-Great King Rat/Mattsson). Their last album was released over ten … Continue reading

Album review: ahab – Wits End

Navigator Records www.navigatorrecords.co.uk Ahab have been gaining rave reviews including ones from Bob Harris and Simon Mayo, coupled with honing their sound with live appearances including an appearance at Fairport Conventions’ annual Cropredy festival. I have reviewed their previous EP … Continue reading

Album review: FAIR WARNING – Sundancer

        SPV www.spv.de (Released 27th May) This band I always confuse with prog rockers Fates Warning for some bizarre reason. I loved their ‘Rainmaker’ album however since then they have not really tickled my fancy until this … Continue reading

Gig review: CELEBR8.2 Festival – The Hippodrome, Kingston, Surrey, 11-12 May 2013

Celebr8 Prog

Saturday 11th May The Celebr8.2 festival was back for its second year having moved from July to May. It has an ideal venue in the Hippodrome with its suitably sci fi décor and the location right in the centre of Kingston. … Continue reading

Gig review: LORDI – Picture House, Edinburgh, 9 May 2013

I have a deep, dark secret which I feel must share with you to kick things off. As well as being a rock music aficionado, I also have a love of all things Eurovision. Yup, sorry to say that the … Continue reading

Album review: BETH HART & JOE BONAMASSA – Seesaw

Beth Hart & Joe Bonamassa

Provogue [Release date: 20.05.13] One part rock chick and one part soul singer, ‘Seesaw’ finds Beth Hart settling in as an MOR interpretive singer with a nice lines in story telling. She’s both emotive and evocative on some well sourced … Continue reading

Gig review: KILL FOR EDEN – 100 Club, London, 10 May 2013

This was a ‘Future Rock’ new band promotion night at the legendary 100 Club, in which hard/classic rockers Kill For Eden featured as the main support to headliners, The Branco Heist. Five bands had half hour-sets across the evening. The … Continue reading

Gig review: RIVAL SONS, THE GRAVELTONES, Leeds Met, 15 April 2013

Rival Sons - Leeds Met, 15 April 2013

We have been waiting for tonight’s gig for a while now.  Yes the Rivals Sons are headlining and are one of my current favourite bands but this is also the first chance to see The Graveltones as since being introduced … Continue reading

Album review: DELAIN – Interlude

Delain - Interlude

Interview edit: Charlotte Wessels of Delain, 1 May 2013 First broadcast on Get Ready to ROCK! Radio, 5 May 2013 The full version of this interview is available as a podcast (You can sign up to receive alerts of podcast … Continue reading

Quick plays: STEVE MAYONE,KEVIN DOHERTY,CHRISTOPHER PAUL STELLING

The Cousins Project Steve Mayone & Kristina Stykos - Beautiful Blood

The Cousins Project Steve Mayone & Kristina Stykos – Beautiful Blood  In 2006 singer songwriters Steve Mayone and Kristina Stykos met by chance at a gig and discovered they were second cousins.  Fate had led them down similar paths – … Continue reading

Album review: Various – Get Up! Stand Up! (Human Rights Concerts 1986-1998)

Get Up! Stand Up!

Highlights From The Human Rights Concerts 1986- 1998 (Eagle Rock) CD & DVD [Release date 27.05.13] Live Aid in 1985 started something of a trend for the great and good of pop / rock coming together to raise awareness and … Continue reading

Gig review: SAXON, THE QUIREBOYS, Oxford Academy, 5 May 2013

Saxon - Oxford Academy, 5 May 2013

If only everything in life was as reliable as Saxon. You can set your watch by the fact the enduring Yorkshire stalwarts of the NWOBHM will be touring every spring, usually to coincide with St George’s Day. And you can … Continue reading

Gig review: THEA GILMORE, Philharmonic Hall, Liverpool, 10 May 2013

Thea Gilmore - Philharmonic Hall, Liverpool, 10 May 2013

This promotional gig for Thea’s excellent new album Regardless, complete with supporting string quartet, proved at least one thing – there’s no finer British vocalist/singer songwriter on the scene at present. Finding local ‘talent’ to open the set – a … Continue reading