Album review: SNOWFALL – Cold Silence

 

 

 

Escape Music www.escape-music.com

Norwegian band formed from the ashes of Winter Parade and they feature Tore Meli (guitars/keys), ‘PB’ Riise (bass/keys) and Coldspell’s drummer Perra Johnson, who has also recently appeared on the Love Under Fire album. The man at the mic stand is Shy vocalist Lee Small, who is building a reputation for himself in melodic hard rock circles (check out his solo album ‘Jamaica Inn’ also available on Escape).

The keyboards and guitars on ‘Don’t Drive Me Home Tonight’ are simply immense. One for a highway with the top down in the summer in the US (it doesn’t seem to sound so romantic if you say for example Hanley). ‘Wolf’s Liar’ again builds on keys and guitar, whilst the ballad ‘The Vesper Bell’ rounds the album off in style. This song adds a little epic sound to the proceedings and features the guitar solo of the album.

Lee Small is an undoubted star of the album and sounds uncannily Glenn Hughes circa the Hughes-Thrall album.

‘Jack Of Diamonds’ and ‘Wolf’s Liar’ can sound a little AOR by numbers, although they are still stronger songs than found on some other recent melodic rock releases.

For high quality tunes that are keyboard led look no further as Snowfall will delight you. Be even better if this band could get onto the stage as live I feel they would delight fans of FM, Firehouse and Giant.  ****

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JAMES COTTON – Cotton Mouth Man

James Cotton

Alligator records [Release date: 06.05.13]

Grammy award winning Chicago blues-harp legend James Cotton is back! Well he’s never really been away, but ill health robbed him of his vocals making it all the more remarkable that ‘Cotton Mouth Man’ is such is a pivotal recording.

He’s teamed up with the song-writer, drummer and Buddy Guy’s Grammy award winning producer Tom Hambridge to co-write 7 songs. Much like the Muddy Waters album ‘Hard Again’ on which he played, Cotton is rejuvenated by an ‘A’ team of players and special guests who provide him with the backing, support and enthusiasm to bring a renaissance to his playing

James blows energetically on the ripping title track as the ubiquitous Joe Bonamassa adds a steely solo over Rob McNelley’s boogie rhythm. Cotton huskily introduces ‘Midnight Train’ and revisits the steam train sounds of his youth before adding a gritty solo alongside Greg Allman’s trademark vocal on a funky groove. He also wails from his soul on ‘Mississippi Mud’ as Keb Mo gets down low with some expressive phrasing.

Cotton attacks his music with fervour and a mix of breathy wails and sparkling riffs that mirror the feel of the songs. He’s in inspired form, no more so than on the celebratory autobiographical stop-time ‘He Was There’. The song is epitomised by the line: ‘You can’t make this stuff up, James Cotton was there’.

‘Wasn’t My Time To Go’ is a sister song, notable for its heartfelt warmth and ironic lyrics. Keb Mo’s observational narration tells James’s life story and he later nails his life force on closing phrase: “As Long as I can still blow it ain’t my time to go”. Needless to say James blows hardest on this track as if to emphasise the veracity of the lyrics.

It’s closely followed by the dynamic boogie ‘Something For Me’ featuring Warren Haynes, who sings his first verse through a mic harp and then steps things up with James. They momentarily play double lines over the peerless rhythm section of bassist Glenn Worf and Tom Hambridge, before James’s riffs busily emulate Warren soulful vocals.

The album has a lovely flow and some thoughtful sequencing, and sensibly places the slow blues ‘Wrapped Around My Heart’ in the middle of the play list. Ruthie Foster’s vocal is perfect and guitarist Rob McNelley and James adds weighty fills before he takes the main solo.

Darrell Nulisch adds an excellent vocal on the crisp shuffle ‘Saint On Sunday’, while Cotton’s Texas buddy Delbert McClinton adds his own ironic phrasing on the languid swing of ‘Hard Sometimes’. Cotton’s big-toned riffs and note repeats are delivered with the kind of power and intensity that seemed beyond him a few years ago.

‘Cotton Mouth Man’ is a resounding triumph built on rigorous pre-planning and a musical vision that incorporates the life and times and signature sounds of James Cotton. It is one thing to search for a representative equilibrium to mirror the Chicago legend’s music, but it’s quite another to make everything gel and spark so well, let alone generate such a defining performance from the man himself.

Producer Tom Hambridge knows his subject well as evidenced by the defining line of ‘Blues Is Good For You’: “The doctor done told me playing the blues is good for you, he said just keep on blowing ‘til your 102”. Let’s hope he does. ***** (5/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: SUICIDAL TENDENCIES,DRI,Waking the Dead – Amos’ Southend,Charlotte,NC,26 April 2013

They say the sun shines on a dead dog’s ass from time to time. Can’t think of a more accurate cliché that fits my life. After a long ofrun of seeing some awesome shows it seemed that the well had run dry. Well, a tleast my finances had. For the time being shows are going to be scarce andplayed by ear.

Luck shined down on this dead dog ass the other night allowingme to see Suicidal Tendencies/DRI/Waking the Dead at Amos’ Southend in Charlotte. When myself and some of my posse saw the show listed we wereslightly intrigued, but the tickets seemed out of reach at the time, plus I had some reservations about seeing the show.

See, years ago I saw ST opening for Queensryche, which I found to be an odd mix taking in consideration that thiswas for the Empire tour, when QR started moving away from the heavier stuff into the lighter sound. Of course, being a big fan of both bands I went. Nomatter how crappy Queensryche’s music has gotten over the years (holding out hopethat the La Torre fronted version breathes new life into the band) they’vealways put on an excellent show.

My problem? Mike Muir. Like I said, I loved ST’salbums immensely, but what bugged my so much was that, as an opening act theywere already limited on playing time, and sonically the band were tight ashell. Mike Muir, however, talked so much between songs I felt it cut too muchinto their abilities to play more music.

My fear going into the show the othernight was that it was going to be more of the same. Not to mention that I hadheard from others that DRI, another band I have loved for some time, tended to…well,suck live. As for Waking the Dead, I had no idea who they were and with shortnotice of getting to go to the show didn’t get my usual time to investigate.

Also due to the last minute opportunity to see the concert I wasn’t able to round up my usual crew, plus lack of funds prohibited me from taking my woman. Well, truth be told I would’ve sprung for her to go as well no matter how broke it would’ve left me, but she told me she wasn’t really that big of a fan.

Of course, I suspected that this was a lie to prevent me from spending the money. I don’t mind going to shows alone, though I do prefer having someone with me. I usually run into folks I know at shows, but I took my Kindle with me just in case so I would have something to occupy my time between sets. I also ate at the house sacrificing the usual trip to McDonalds (though I did hit them afterwards.)

On my way to the show I played Suicidal’s new album 13. I gotta say that it’s a pretty great album. Mike sounds as fresh as ever and musically it stands with anything the band has done in the past.

If you get the chance check it out! Once I got to the club I sat in the car for a little bit reading, waiting for the doors to open.I freely admit I’m not a big social guy when it comes to making new friends. Ido fine online, but in the real world…not so much.

Once I noticed the doors open, I tucked my Kindle into my pocket and headed inside. Almost immediately Iran into someone I knew, Ferndog the new bassist for Final Curse. We chatted some then parted ways.

Lucky bastard got to meet Mike Muir. Then I run into Kevin, who used to play bass in my band Hot Soup back in college. We joked that it had been so long since seeing each other and now we’d seen each other in two weeks at two metal shows. We chatted for a bit, and then he went to check out the merch.

While I’m standing next to the sound board area who do I see walking by?John, the guy I run into at almost every show I’ve been to the last year or two. I actually met him through Mike from Final Curse. We ended up hanging out the whole night, which was pretty cool seeing as he’s moving to Florida soon.

The first band of the night was Waking the Dead. Both Kevin and John told me that it was a band put together by former ST rhythm guitarist Mike Clark a few years back called No Mercy.

The name change came courtesy of Vince McMahon of WWE fame taking umbrage with the name choice as he was running a PPV of the same name back then. The name Waking the Dead was taken from an ST song of the same title. Damn they were so good! Much like Suicidal, they play what is commonly referred to as Crossover, or Crossover Thrash.  Basically it’s the melding together of punk sensibilities and song structures with thrash metal intensity and solo’s.

Whereas Suicidal plays a more funk oriented version of it, WtD goes straight for the throat. Amos’ was already starting to fill up when they hit the stage, and the crowd was really into their set. I was impressed enough with them that I had all intentions of purchasing their CD,but was informed they didn’t have one out yet. It’s to be released in October and I can assure you it will find its way into my collection with the quickness.

DRI was next up to hit the stage. Much like Suicidal Tendencies, DRI was a band I’ve been a fan of since high school and had always wanted to see live. Their music is so ensconced in the Crossover scene they even have a classic album called Crossover.

I have missed them a couple times prior mostly due to money, but partially because I had heard a few people tell me that often times they’re very drunk live and the performance suffers greatly from their inebriation.

This left me a bit weary to see them as there’s nothing that pisses me off more than to spend money for a lackluster show. John and I were outside when their set began, so we made our way back in. I have to say that apparently I was fed bad information or else the band was on fire this night.

The energy was high, the performance was spot on, and they truly knew how to work the crowd. And clearly the crowd was super into them. They played all the songs I wanted to hear with the exception of “Nursing Home Blues,” but there’s always next time. So far the night was shaping up to be a surprisingly awesome night of music…but Muir had yet to take the stage.

John had never seen Suicidal Tendencies before, so I gave him a heads up. He wanted to get up towards the front, and I thought that would be a good idea, allowing me to get some good pictures. By this point Amos’ was fairly well packed. It had been a while since I had seen a crowd this size at this venue.

There were only about three rows of people (maybe four) separating us from the stage. In fact, one of the people standing right beside of us was founding member of Nile singer/guitarist Karl Sanders.

So as to not draw attention to him we spoke very casually. The pit had been fairly active all night, but I felt confident that we wouldn’t get sucked into it. Besides, John said he’d keep an eye out for me what with my knee and all. As soon as the opening strains of “You Can’t Bring Me Down” started the crowd started moving, and frighteningly enough we got caught up in the melee. Not entirely sucked in, but close enough that we were getting pushed and shoved around pretty good.

In my younger years I would be all about this, but I’m no spring chicken any more. I still stuck to my guns for a bit, but about the time I started snapping a couple pictures to the best of my abilities, I was doused with beer. Now folks,I don’t have an issue being around people drinking.

As a recovered alcoholic that enjoys live music, it’s just something you have to adjust to. I don’t like having it poured on my head and in my face. So to prevent any further issue(also my attempts at taking pictures was failing…horribly) I leaned towards John and said I was heading to the side where it would hopefully be safer. For the most part it was, and I was still close enough to snap a few good images, except of Mike. I had totally forgotten how much he moves around on stage, and tends to avoid the front area. Any pictures I did get of him were purely by luck!

Now for the actual music: despite the fact that I am a huge Rocky George fan and he’s now playing with Fishbone, and despite my misgivings from my prior time of seeing ST, I’m here to tell you, they were tight as amofo!!!

And if I’m not mistaken it wasn’t until about the third song that Mike spoke to the crowd at any great length, but most of his rants were kept short.The setlist was the highlight of the night for me. They played classic stuff,more recent songs, as well as a few from their new album. All era’s blended so well. T

he band he has assembled right now is insanely talented. The drummer in particular really caught my attention. He’s this hulk of a guy playing heavy,complex licks making it look like it’s nothing, and clearly enjoying every second of it.

The whole band seemed to love what they were doing. Muir hasn’t lost a beat either. I’m so glad it worked out for me to make it to this show.Of course the end was almost sullied by yet another alcoholic beverage being dumped on my head, but this time it was an accidental drop from the balcony.That person apologized profusely for it.

Once the show was over John and I hung out some more,chatting more with Karl from Nile as he and his girlfriend were looking for her lost camera. I’m not typically one to ask to have my picture taken with someone, but I felt compelled to ask him, which he was gracious to do. He was a super nice guy.

It’s a shame I had to miss their show in Charlotte a few weeks ago. After Karl left I happened to see that the drummer and bassist of Suicidal were out on the floor taking pic’s with the fans. I couldn’t resist so I went over and met them, thanking them for the awesome show and again they were very nice and gracious. John then asked if I wanted to accompany him to the Milestone, but I was pretty tired by this point and decided to head on back to the house. I hope to see him again before he moves away.

All in all this was a fantastic show. All three bands were a perfect fit together, and all three gave all they had on that stage. If this tour comes your way, do yourself a favor and check it out. It’s a fun, spirited show that’s sure to entertain fans of this genre. Just please try not to drop or throw your beverage.

You just never know what kind of negative impact such an act can have. I was also glad to run into old friends and meeting some cool musicians. Until next time my peep’s remember: You wouldn’t know what crazy was if Charles Manson was eating Fruit Loops on your front porch.

Review by Chris Martin


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: PETER GREEN SPLINTER GROUP – The Very Best Of

Snapper Music (double CD)

Peter Green was a founding member of Fleetwood Mac (having previously been in John Mayall’s Bluesbreakers) and he was a key driver in that band’s early blues rock sound. He left Fleetwood Mac in 1970 due to ill health and was not seen again fully until 1995 when the Splinter Group was formed by fellow guitarist and Peter Green fan Nigel Watson. The Splinter Group saw Peter Green back onstage and the band released a series of albums between 1995 and 2004 when Green left the band. This two CD covers the Splinter Group’s history nicely and goes in chronological order, although as many of the songs were reinterpreted blues classics the music has that classic blues backbeat and there a lot of songs from Robert Johnson, one of Peter Green’s big influences.

The early Splinter Group line-up has a distinctive rock feel as joining Green an Watson were drummer Cozy Powell, bassist Neil Murray and keyboards Spike Edney (later to find fame running the SAS Band and its admirable series of charity gigs and previously the live keyboards player for Queen). As a result the earlier blues classics like ‘Look On Yonder Wall’ have a real rocking feel to them. The band quickly changed into a more classic blues band when Roger Cotton replaced Spike Edney and they added sax and trumpet to the later albums, plus included more original material. Listen out to for the harmonica playing of Green, which is both powerful and a touch sorrowful at the same time.

Two definite highlights are the Fleetwood Mac covers ‘The Green Manalishi’ and ‘Man of the World’, which is played as a lovely instrumental version. Even if you don’t fancy the album do grab a listen to this song. ‘Sweet Home Chicago’ sees Green team-up with guest Paul Rodgers. Now that would have been some pairing back in the day had it happened. Other guests include Otis Rush, Buddy Guy and Snowy White.

A perfect overview of Peter Green’s comeback, aided by the Splinter Group. Hopefully this won’t be the last we see of his talented playing, even if he just comes back for the odd live appearance. A true British blues legend.

****

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ARTLANTICA – Across the Seven Seas

 

 

 

 

SPV www.spv.de (released 24th May)

New band in name, although they have morphed out of Angel of Eden who released a cracking album ‘The End Of Never’. That line-up featured former Royal Hunt vocalist John West, keyboards wizard Mistheria and guitarist Roger Stafflebach (Stafflebach and West were also members of Artension). This trio are joined by former TNT drummer John Macaluso and a couple of guests including Savatage’s Chris Caffery.

This is well played and highly catchy melodic metal with a progressive edge. There are no real epic songs although the instrumental ‘Return of the Pharaoh Pt. III’ allows Mistheria and Roger Staffelbach to trade solos. The speed at which Mistheria plays his keyboards means they sound almost like a second guitarist.

The title track and ‘Devout’ are instant hits on the ears, sounding not unlike say Royal Hunt with lashings of keys and backed by big guitar riffs. John West still has that vocal power required in a band like this, although he shows his softer side on the ballad ‘Ode To My Angel’. A lovely song that gives the listener a little breather!

Not as instant overall as the Angel of Eden album, although with more plays I am sure it will grow and grow in popularity for me. Strong songs and top draw musicianship make this another for you ever growing shopping list.

****
Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE JAN HOLBERG PROJECT – Sense Of Time, At Your Service

The Jan Holberg Project - Sense Of Time

Sense Of Time (2011)

Norwegian bassist Jan Holberg has a good philosophy outlined in his liner notes to 2011′s ‘Sense Of Time’: that with music there should be no boundaries.  So in his first ‘solo’ venture he explores AOR and funk/fusion and enlists the stellar vocal assistance of Joe Lynn Turner.

This project does suggest that decent singers will do anything for a pay cheque, because – critically – the album is lightweight and I am sure Turner struggled with some of the lyrical concepts.  It therefore doesn’t particularly enhance JLT’s  portfolio and listeners are advised to seek out his recent work under the Sunstorm moniker.

Stilted? Well, it is probably something to do with an American singing songs written in English by a Norwegian.   Something gets lost in translation, but a ballad like ‘Sorry’ never really lifts off and ditto the mid-tempo ‘Heart Of Summer’ even though this remains one of the stronger tracks.

Because there is absolutely no solo instrumentation (an angry guitar or swooping keyboard for instance), the focus is very much on the vocal and the lyrics.  ‘Vision Of Lust’ is a good example.  Holberg doesn’t seem to know about the middle-eight and the song is a bit rubbish.

It is unsurprising that Jan Holberg seems most comfortable on the jazz funk instrumentals ‘The Meadow’  and ‘Mother Nature’ which are outstanding.   Evidently a talented musician but, as with many similar projects, no light and shade and no strict producer – or a kindly friend – tapping the shoulder.  **1/2

The Jan Holberg Project - At Your Service

At Your Service (Nordic Records, 2013)

“Name” guest artists are no replacement for inadequate songwriting but it will always be a devious marketing method to get wider attention, not least among the guest artist’s own fans.  In the two years since Holberg’s solo debut has he moved on at all?

JLT is on board again (but only three tracks), along with Rainbow alumni Tony Carey (keys) on two tracks.

The opener ‘Waters Rising’ seems to have potential.  But in truth the production is far too polite and the song fails to lift off.  The funky undertow continues with ‘Battle Of Your Heart’ but again reveals the weakness of the lyrics.

And that’s pretty much the template, the album is only marginally stronger than its predecessor and has all the same faults.  Only the ballad ‘Jealousy And Pride’ is worthy of  repeated scrutiny while mid-tempo rockers ‘Outta My Face’ and ‘Shady Haze Of Grey’ (with Wig Wam’s Age Sten Nilsen on vocals)  are a bit naff.

The funk continues on ‘Sensuality’ and ’21 Red’ but both songs (the latter voiced by Carey) are distinctly average.

The one other highlight ‘When Push Comes To Shove’ is sung by Nilsen and, although the penultimate track, has a bit more urgency although the guitar break is limp-wristed.  Once again, it’s the instrumental – ‘I Still Remember’ – that shows where Holberg’s strengths and appeal really lie:  a highly melodic and engaging piece with no words!  ***

Reviews by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: TRUCKER DIABLO – Songs Of Iron

Trucker Diablo - Songs Of Iron

Ripple Music [Release date – 13.05.13]

Back in December 2011 Trucker Diablo’s first album ‘The Devil Rhythm’ dropped onto my door mat ripe for review. After listening to said disc my one issue with the album was that it had arrived too late to make my ‘top five’ end of year selection. To put it bluntly it was an album that kicked some serious arse, big, ballsy, booze fuelled rock anthems that left a lasting impression. Fast forward to the here and now and the band are about to unleash their second album,’ Songs Of Iron’, can it reach the high standards set by ‘The Devil Rhythm’?

That question is emphatically answered within the first couple of tracks, ‘Red Light On’ and ‘Year Of The Truck’. Both tracks lead on from where ‘The Devil Rhythm’ left off, huge classic rock numbers with hooks so big you could use them to land Moby Dick!  The secret to the band’s success is their ability to write songs that are filled with hooks and riffs which get lodged in your brain and will have you singing along within a couple of listens, catchy doesn’t really cover it.

There are 14 tracks on the album which could be a bit of an ordeal, but each track here has you craving more and it comes as a disappointment when you reach the closing bars of the last track, ‘I Wanna Party With You’. Still, all you need to do is click back to track one and start all over again.

Picking any highlights from the album is hard as all tracks are top notch. There are, however, a few that do stand out, ‘Drive’ and ‘Rock Hallelujah’ would both make excellent single releases, the epic ‘Maybe You’re the One’ which dips a toe into ballad territory and the afore mentioned ‘ I Wanna Party With You’ which will be a monster track live.

Trucker Diablo have once again proved that they are one of the best up and coming bands on the circuit at the moment. Their songwriting and playing would put a lot of older, more established bands to shame, in fact most would sell their own Grandmothers to come up with an album this good.  If there is any justice in the world then 2013 should be ‘Year Of The Truck’, just go buy this, you won’t be disappointed, except when it ends!  *****

Review by David Wilson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JOHN NICKOLOFF – Get Out Of My Way

John Nickoloff

Independent/TSM [Release date: 02.05.13]

John Nickoloff opens his debut 5 track EP/CD ‘Get Out Of My Way’ with hard rock pretensions but gradually moves towards radio friendly MOR material. Either way he’s got a great rock voice that effortlessly brings presence to well crafted songs.

It’s no big surprise then, to discover that Nickoloff previously sang with theFloridabased harmony-led rockers Rain Lord and later led the classic rock outfit Naked Rachel. Given the similarity in styles it’s equally no surprise to find that ‘Get Out Of My Way’ is full of booming hooks and salient guitar breaks on an excellently produced 5 track CD full of commercial potential.

Both the hard rocking title track with its Sammy Hagar style vocal, infectious hook and rumbling bass line, and the sing-along ‘Movin’ On’ stand out in particular, as a vibrant production pushes Nickoloff vocals to the front of the mix.

The production is handled by the esteemed Bill Champlin (Backstreet Boys) and multi instrumentalist and co-producer Matt Mckeown, both of whom are well in step with Nickoloff’s style. The end result is 5 tracks that rock consistently with double tracked vocals on the hooks and blazing instrumentation, leaving Nickoloff to do what he does best and fill each track with his great phrasing and a powerful vocal range.

All 5 tracks are polished efforts with the fist pumping chorus of ‘Not Giving Up’ being the kind of song that would suit Bon Jovi, though you do wonder just how big the market is for what was a 90’s phenomenon.

Still, as we all know Classic Rock is an enduring brand of music that continues to fill radio stations around the globe. To that end the ballad ‘Forgive/Forget’ with its uplifting chorus and big guitar figure might open a few doors, though the MOR chorus does come perilously close to the kind of stuff pumped out by boy band nowadays.

And there it is, John had added all the names the folks who generously donated to the kick starter programme that made the CD possible and on the evidence of this 5 track outing they all stand a better than even chance to be part of a successful project. *** (3/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SWEETKENNY – Jennifer’s Box Of Junk

Sweet Kenny

Waterfall Records/TSM [Release date: 2013]

‘Jennifer’s Box of Junk’ is both a title and concept. As song writer/ guitarist Kenny Sutton explains: ‘each song had to be something you would put in a box of junk’. Make of that what you will, but apparently ‘Jennifer’ was both the name and starting point for an album that opens with a Satriani style note bending shred, but eventually moves away from the imposing whammy bar wall of sound to concentrate on some strange lyrics that suggest a troubled soul.

The best track is the instrumental drone of ‘Blackjack Moan’ which starts with a single guitar and drum machine and adds a white noise collage of sound and a soaring psychedelic buzz guitar over the closest Kenny gets to construct a groove.

The problem is that he sets himself a high musical standard early on that he fails to match on the rest of the album. ‘America Hottest Mum’ for example, is a Michael Katon style tub thumping slice of mid-west rock and roll and ‘Blackjack Moan’ is equally good, but the following ‘I Don’t’ Know’ sounds ponderous in comparison and is perhaps meant to reflect a tale of the previous night’s excesses.

SweetKenny’s best moments come when Ken Sutton and his partner his guitar playing partner Scott Schroen gives reign to their instrumental talents and build a drone like wall of sound. For the rest there’s an uneven blend of demo standard efforts such as the heartfelt but clumsy ‘But Only To Find Out’ – which lacks coherence and needs a better vocal – while the redneck slobber of ‘Little Girl’ is plain embarrassing and completely wastes an interesting guitar tone.

‘Used, Hurt, Payback!’, is a dark, diary recollection of a disappointed lover, delivered over a shimmering guitar line which uses a portentous chord change to reflects a creepy vocal.

The opening metal shred of ‘Jennifer’ is also curiously at odds with the gentle opening verse and troubled lyrics, before the guitars rescue the piece.

The album was recorded by long time buddies, the Michigan based Kenny Sutton and Berklee School of Music graduate Scott Schroen who is based inAtlanta, and though the pair have successfully exchanged music files and ideas, the album is missing real drums. There are some clever guitar parts and layered sounds, but the album cries out for a tighter production, better song structure, more consistent vocals and an organic feel

At least the plaintive ‘Makes Me Wanna Cry’ features Kenny best vocal over a hypnotic Eno influenced soundscape. At times you can feel the direction the duo is aiming for in those moment when the music evokes the lyrical meaning, though the song‘s emotional input is hindered by a deadening drum machine. The end-piece of the song cleverly slips into acoustic demo mode in a refreshingly organic finish to an otherwise claustrophobic effort. ** (2/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: GASTRIC BAND – Party Feel

Gastric Band

Armellodie Records [Release date: 03.06.13]

With a line up comprising two drummers and three guitarists with additional synths, loops, samples and percussion, Scotland’s awfully titled Gastric Band are clearly not your ordinary beat combo.

Party Feel is anything but an easy ride, but once you identify the grooves, the fast repeated motifs and grasped the quickly shifting musical landscapes and the essential interrelationship between several conflicting musical ideas, there is much to enjoy.

At times this album feels like one of those impenetrable works of modern art where the sheer density of the whole obscures the intricate beauty of the interwoven brush strokes, but Gastric band’s signature style is anchored by subliminal musical triggers. There’s lightning guitar lines,  insistent percussive patterns and jagged keyboard to shape shifting circular modulated sounds and a number of subtle resolutions to self imposed musical tensions.

But unlike such works of art and several cacophonous free form albums , Gastric Band never lose sight of the fact they are a band playing with a common purpose. This is especially so on the heavy arrangement, shifting dynamics and rich guitar interplay of ‘Dustin Binman’

Their canvas may be huge but they never totally abandon their discipline, overlapping one musical colour with another, and when they apparently exhaust a micro musical idea they dip their collective brushes into another musical palate and start afresh. The confusing thing is the stop-start nature of their approach often happens within the confines of the same song, but once you are locked into the percussive groove the music is not as obtuse as you might imagine.

The ironically titled ‘It’s Good But It’s Not Right’ is an edgy and challenging opening track. Propelled by a insistent shattered glass rhythmic pulse, it finds its sense of progression in the seismic interplay between the opaque densely woven guitar lines, bristling cymbal work and subtly shifting rhythms that pull the listener in confusingly different directions.

The dense wall of sounds and guitar and keyboard slashes are consistently underpinned by a tight rhythmic structure that suggest a linear progression. By the time of the bombastic finish you almost feel exhilarated.

The title of ‘Dustin Binman’ reflects its metal inspired cacophonous crunch but not perhaps the jaunty Fripp style fractured guitar parts or the Eno’s style modulated noodles that are closer to jazz/rock than anything else.

The focus is on fast time signatures, short sharp restless guitar runs and clashing musical opposites. The micro melodies, chiming guitars and tinkling percussion momentarily meshes into an eastern tinged wall of sound, anchored and shaped by some rock solid drumming.

Gastric Band shifts from deconstructed rock to electronic noodles, prepared noise distortion and keyboard led surges which give everything an edge. The frenzied climax to ‘Binman’ could have been King Crimson out take.

‘Brad Shitt’ moves the band closer to electro fusion and Zappa’s mid 80’s synclavier generated sampled sounds but with a warmer more uplifting feel. By the 2 minute mark the piece achieves a ringing cadence (check out Man’s ‘H Samuel Jam’) before reverting to the root riff and eventually gliding into a restrained keyboard figure before a final return to the theme.

This is essential instrumental music full of vitality, unfettered energy and real drive, realised by a shifting collage of sounds. ‘Sexy Grandad’ is a thinly disguised heavy piece of fractured prog rock with saw tooth guitar, distorted organ and even a fleeting drum solo before an edgy, trembling keyboard line leads into a refracted resolution. Take away the distortion and you have an accessible piece of Proggy jazz.

‘Under A Glass Table’ generates a feeling of grandeur and reaches back to the early 70’s European jazz-rock era, but being 2013 it comes as a shock to the system in a landscape dominated by accessible unchallenging music.

‘Party Feel’ is much more than old wine in new bottles as it unceasingly explores new territories, even if the imposing sonic layers are propped up by familiar building blocks.  ‘Under A Glass Table’ does after all work towards a very conventional finale, albeit with explosive thunderous percussion that eventually evaporates into electronic distortion. It’s almost as if the piece is gobbled up their own musical tail.

If you enjoy heavy King Crimson riffs, Eno electronic soundscapes, Zappa’s sound samples, and you have a jam band sensibility and like graphic art work then this album might just be for you. **** (4/5)

Review by Pete Feenstra

 

 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: VIRGIL & THE ACCELERATORS – Live at Marshall 31/8/12

Virgil & The Accelerators

Mystic Records [Release date: 29.04.13]

One of the hardest working and talented young kick ass rock-blues bands on the circuit, Virgil & The Accelerators are like a lightning bolt out of the starting block.

Having shown their raw ability in their teens with a 5 track EP/CD, VATA confirmed their potential with their full blown debut album ‘The Radium’. The quality of the songs, the sparkling solos and their fearlessness in the studio marked them out as special. And this live album finds them frequently pushing the songs beyond their original arrangements with real feel, intensity and an essential interconnectedness with their enthusiastic audience

‘Live at Marshall 31/8/12’ captures them at their vibrant best barely an hour after they were still mired in the logistics of stage construction (read the story in the liner notes).

VATA are fronted by the major guitar talent of Virgil McMahon whose incendiary note rushes and deep tones are the key to his solos. But they are a band of equal parts who all fully contribute to a passionate, fiery set with more inspiration than perspiration

You can dip into any part of this DVD to find a band consistently chasing a musical spark via focussed intensity and bristling vitality.  They say sometimes a band’s greatness is as much due to the time and place as raw talent and this live DVD confirms they have the ability to draw a cross generational audience back to music based on substantive songs and a collective musical ability in a way that might have been more difficult a decade ago.

‘Live at Marshall’ is all about an impassioned, young, road hardened power trio who launch themselves into a dazzling set based on a mutual understanding with their audience that enjoying yourself isn’t a crime. The resulting blistering rock, contrasting reflective bluesy moods and special dynamic moment captured by the multi camera shoot is everything you would want from a real live album

Virgil’s whirlwind solos are reliant on the powerhouse rhythm section of the redoubtable bass playing Jack Timmis and the explosive 18 year old drummer Gabe McMahon who provide the fuel for his fire.  Their combined energy and drive perfectly compliments Virgil’s indefatigable search for the kind of polished magical notes and ringing melodies to be found on impressive self penned songs like ‘Working Man’.

The band rock out on the subliminal Keith Richards riffs of ‘Refuse To Believe’ and the ZZ Top influenced ‘88’, on which Virgil growls out his vocals as the rhythm section again pushes him to greater heights.

It’s not all fire and brimstone though, as the band drop down a gear to explore the deep blues of The Hoax’s ‘Don’t Shake My Hand’. The sultry, meandering ‘Silver Giver’ – dedicated to Jim Marshall – is also special, built on gently swaying groove and topped by Virgil conversational solo with a glistening tone. You can hear a pin drop as his delicate notes cut through the hot sweaty atmosphere and float round the room like twinkling stars, before he launches into a meteoric attack with a slight change of tone, to soar magnificently into the melody.

The two well deserved encores mix fun with shred filled intensity, as they juxtapose Rage Against The Machine – complete with Jack’s funkiest bass line and Gabe’s primal energy – with a memorable version of Hendrix’s ‘Are You Experienced’.

‘Live At Marshall’ is an authentic live DVD and CD by Virgil & The Accelerators, one of the most exiting bands on the circuit and guaranteed to lighten up even the most jaded rock-blues palate. ****1/2

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FRANCESCO MARRAS – Black Sheep

Francesco Marras

Independent

Screaming Shadows guitarist Francesco Marras’s debut solo album has enough dazzling shredding and a sense of spontaneity to gives it crossover appeal to Vai, Malmsteen and Satriani fans. But you sense that the triumvirate’s collective musical palette has already moved on in search of more inventive ways to showcase their own thrilling talents.

Francesco’s speed, intensity and invention mark him out as a serious contender in the world of guitar heroes, but his incendiary style of guitar led instrumental rock comes perilously close to being one dimensional.

‘Black Sheep’ is a relentless album played by a driven musician who even in his quieter moments barely provides enough light and shade to draw attention to some of his breathtaking playing. Sure there are some stunning, jaw dropping moments as Marras shreds his way though 11 tracks but by the half way mark the listener is in danger of suffering fatigue syndrome.

This is an album full of kaleidoscopic tonal colours, swooping unison guitar lines, melodic arcs punctuated by spiralling solos and shaped by Raphael Saini’s thunderous drums. At times Francesco feels like he’s chasing his own tail. And yet the best moments are worth waiting for, such as the speed shredding, Purple style rocking of ‘Elvis’ and the contrasting melodic dual guitar lines of ‘Miriam’, on which he places more emphasis on tone than technique..

The wistful melody of ‘Hope For Tomorrow’ just manages to rise above the pulverising drums and whammy bar madness, as Francesco successfully evokes the thematic title.

He barely pauses for breath in between the flat out rocking and frenzied finish of  ‘Straight to Victory’, while ‘Here To Stay’ is possible a statement of his intent to explore more intense shredding  as he makes his guitar sound like a bagpipe.

At times it’s hard to tell who is pushing who. The restless guitar interplay pursues one direction after another and is pushed to the limit by a rumbling rhythm section. The band’s consistent focus and brusque attack is some times blunted by the bulldozer effect of an avalanche of notes.

The aptly titled ‘Running Round In Circles’ provides ‘Black Sheep’ with its most effective riff, while deep at the heart of the closing ‘Sardinia’, there’s a bluesy Gary Moore theme struggling to get out. A momentary pause in the middle of the song brings a rich sounding guitar break to the front of the mix as if to restate the theme.

‘Black Sheep’ is full of frisson inducing guitar playing with real passion and spontaneity.  The next step forward for Francesco might be to learn from his contemporaries who have stepped outside of the immediate metal/instrumental rock market to find a wider context for their sizzling playing. *** (3/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE BLACK MARBLES – Made In Concrete

The Black Marbles

TBM productions/New Music [Release date: 08.03.13]

Described as ‘a mix of swag, groove, energy, heart & soul with their own take on rock ‘n’ roll’,  70’s influenced Swedish rockers The Black Marbles wear their retro influences on their sleeve in a search for their own style.

The Gothenburg based outfit obviously have one eye on the German rock market and to that end they’ve penned several barn-burning songs that rely on familiar hooks, riffs and shreds with an array of musical influences that takes in Bon Jovi, several big hair 80’s bands and the Bad Company, Free and Zeppelin era for their inspiration.

At times they almost suffocate under the weight of their derivative influences, but in Kaj Paxeus they have a lung busting vocalist with a great range and a phrasing ability that brings gravitas to bear on even the most clichéd of outings. Guitarist Philip Karlsson also adds a mix of steely riffs, mellifluous shreds and climatic solos over a busy rhythm section that is powered by the tom toms and cymbal splashes of Tobbe Bovik.

So far so good, but barely less than a minute into the opening track ‘Night & Day’ they dip into the hypnotic Stones ‘whoo hoo’ refrain from ‘Sympathy For The Devil’. It’s the first of several retro influences that threaten to obscure rather than clarify the band’s musical vision.

There’s also a familiar Faces electric piano line on the slide-led ‘Loveshine’, and a languid Pink Floyd intro to their best effort, the climactic rock ballad ‘Good Lovin’. Kaj in his element on a great hook as Philip Karlsson adds an imperious solo to a resolute finish that fades all too quickly.

Karlsson indulges himself with some Skynyrd meets Keith Richard riffing on ‘Lovin’ Kind’ and the band add a Zeppelin feel on ‘Don’t Fade Away’, as Kaj’s phrasing sounds like a cross between Robert Plant and Axl Rose.

It takes both musical ability and balls to pull it off and after several replays ‘Made In Concrete’ starts to take shape, though it’s not until the penultimate track ‘Poor Boy Blues’ that Tobbe Bovik’s production finally nails the band’s essential sound.  He beautifully melds the vocals and guitar within a wall of sound anchored by Krister Selander’s ripping bass lines as part of a muscular rhythm patterns.

If ‘Good Lovin’ provides them with an anthem, then ‘Poor Boy Blues’ is an archetypal rocker. Such is the power of the track that is makes the closing cover of ‘The Stealer’ no more than a Paul Rogers vocal exercise for Kaj.

As the title suggests, ‘Made In Concrete’ is a rock solid effort that could bring The Black Marbles wide spread appeal on the festival circuit.  It may be few original ideas short of being a great album, but it’s a fine debut by a band that surely has a lot more to offer.

*** (3/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BELIEVE – The Warmest Sun In Winter


Metal Mind Productions www.metalmind.com.pl

Poland is hotbed for progressive rock, being a lucrative touring circuit for overseas bands and then producing some fine bands of their own like Riverside, Satellite and Believe. This is the band’s fifth album and the first to feature new keyboards player Konrad Wantrych, who has certainly jumped in head first being involved heavily in the writing of the album.

Two things really set this album apart…the vocals and musical arrangements which at times recall the mighty Porcupine Tree (’Beginners’ really shows the PT vibe) and secondly, the guitar playing of Mirek Gil, who plays a variety of styles yet never steals the limelight at the expense of a song’s overall melody. Check out the glorious solos on the title track for proof. Love the vocal harmonies and arrangements on ‘Words’, particularly the clever way they ebb and flow throughout the song.

‘Heartless Land’ clocking in at ten minutes will satisfy those after extended instrumental passages and an epic feel to the music. Only the hidden bonus song, ‘The Bright Day’ fails to satisfy, too jazz influenced for my own personal tastes.

Like fellow Polish prog rockers Riverside, Believe have produced quite possibly their best album to date and one for any progressive rock fans collection.

****1/2

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MOON BIRD – Signs of Illusion

Moon Bird

 

 

 

Kwinch Music/TSM [Release date:04.13]

Moon Bird is a great name for a band that revels in layered sounds, sweeping melodies and David Gilmour style progressions. ‘Signs Of Illusion’ is probably too derivative to break new ground, but given its weighty pretensions, thematic lyrics, memorable melodies and soaring guitar, there’s plenty for Prog fans to enjoy.

For such a big sounding album, it’s surprising to discover that Moon Bird is just two multi instrumentalists – the Phoenix based Daryl Lynch and the New York based Jim Kwiecinski – who have intermittently spent the last 17 years developing their sound.

The band’s stop-start career was partly due to geographical constraints, before the duo’s creative spark was reignited by computers. Some of the epic sounds could have come from the Pink Floyd ‘Animals’ album, but the interwoven vocal and keyboard driven wall of sound is something all of their own

‘Over and Over’ was the apparently the album’s starting point and the song is cleverly placed at the three quarter mark of the album complete with its melodic reprise. Jim’s delicate vocal, with a tinkling acoustic, synth and a rich hook is evocative of mid-career Floyd.

The music and lyrics combine perfectly over some slowly evolving chords before an archetypal Dave Gilmour style guitar break. And yet the slowly bubbling textured sounds and uplifting melody manage to snatch the piece from the jaws of Floyd to make it a signature Moon Bird composition.

The duo is at its best when they explore the warm harmonies of ‘Over and Over’ and the Crosby Still and Nash feel of ‘Perfect Science’ which tops and tails the album perfectly. ‘Over and Over’ and its reprise would ordinarily have been perfect outro for any album full of rich dynamics and a gentle flow, but the band tag on an acoustic coda of the opening track.

‘Out of Time’ is another good example Moon Bird playing to their strengths, with potent chords, double harmony vocals, and an insistent percussive pulse. The duo’s compositional substance underpins the enveloping soundscape with only a clichéd radio voice collage detracting from a fully realised musical vision.

There’s a further Floydian reference on the funky wah-wah inflected rhythm guitar and echo reverb bathed ‘People’, which moves from a bubbling synth break and disco beat into a crunching guitar line. It’s an impressive slow building progressive groove that draws you in but ultimately finishes far too quickly.

‘Signs Of Illusion’ feels like a musical jigsaw puzzle with linked slabs of music. ‘What’s Going On’ for example, has a beautifully constructed funky undertow that propels the vocal sweep and sculpted guitar solo into the stratosphere. ‘Signs of Illusion’ has enough inspired moments for prog fans to share the duo’s lofty ambitions. ****(4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FLICKER – How Much Are You Willing To Forget?

Self-released – 28.1.2013

I wonder, historically, how many really good albums have never been given the chance to shine or be commercially successful due to an opening track being so naff that most reviewers Frisbee the disc to the wastebasket without listening any further.

Flicker’s debut album certainly runs the risk of this occurring as the lead-off track ‘Intro’, although only one and a half minutes long, certainly tests the patience with its ‘soundscaping’ squeals, squonks and general thrashing about.

But this would be a real shame, as once you’ve fought your way through the opener, ‘How Much Are You Willing To Forget’ evolves into a rather fine piece of work peppered with more than a few outstanding moments.

Contemporary progressive rock is what’s on the menu here and Flicker’s take on the genre is both respectful and innovative.

Ironically, the second track ‘Go’ is one of the aforementioned highlights of the album – with its insistent guitar figure and pounding bassline it belies the messy opening and confirms that the album is well worth a listen after all.

‘Out There’ seems to be the track getting most airplay and Facebook plaudits and it is easy to see why with its plaintive piano opening, pounding middle section and almost pastoral guitar coda.

But I would point you in the direction of the eight minute plus delight of ‘Breathless’, where an almost jazzy acoustic intro gives way to a myriad of mood changes ranging from angelic piano to blistering guitar wig-outs and all points in between – all underpinned by exceptional vocals and intelligent lyrics.

Elsewhere the good stuff comes thick and fast – from the arpeggio riff of ‘Counting Time’ and the nagging insistency of ‘Everywhere Face’, to the moody, brooding ‘Falling Down’ and the emotive piano figures of closer ‘Is This Real Life?’

This is British neo-progressive rock at its very best and it will be a real shame if that dire opener results in the album not getting the critical acclaim it richly deserves.

****

Review by Alan Jones 

Alan sequences “The Eclectic Mix” third Sunday of the month on Get Ready to ROCK! Radio


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JOE SATRIANI – Unstoppable Momentum

Interview edit: Joe Satriani, 24 May 2013
First broadcast on Get Ready to ROCK! Radio on 6 June 2013

Joe Satriani - Unstoppable Momentum

Epic [Release date 06.05.13]

With guitar instrumentals, in fact guitar rock per se, it nearly always comes back to Satch.  Well, nearly always.  How many times have you heard wannabes either cite Joe as an influence or try to emulate his style?  In recent years the man himself has experienced a revival of sorts with solid albums worthy of our attention.  And that’s not forgetting his success with Chickenfoot , his most successful outing ever with a vocalist.

‘Unstoppable Momentum’ could perhaps be a reference to Satch’s career and the fact he can still fill halls and make consistently good albums with instrumental guitar rock is a testament to his durability and enduring quality.

One of the secrets must be that in recent years he has had a steady hand in keyboard player Mike Keneally and co-producer Mike Fraser (AC/DC).  This time bolstered by Jeff Beck/Zappa alumni Vinnie Colauita and Chris Chaney (Jane’s Addiction).

This album follows the recent template and consists of 11 solid, almost familiar pieces.  There’s also the same quotient of quirk and mirth (not least in the song titles).

The title track gets the album off to the usual powerful start whilst ‘Can’t Go Back’ has that lyrical pull that places it alongside tracks like ‘One Robot’s Dream’ (Super Collosal).  ‘The Weight Of the World’ is another standout with Keneally’s fine orchestration  and a funky undertow.

‘Lies And Truths’ is a compulsive amalgam of dark verse and lighter chorus topped off with immaculate shredding and driven throughout by a propulsive riff.  And of course there are the upbeat rockers like the early single ‘A Door Into Summer’ and ‘Shine On American Dreamer’.

But really Satriani is at his best when he devises a killer bridge section: it happens on ‘Jumpin’ Out’ but not enough elsewhere it seems to me.  This builds into a typically wonderful playout where the guitarist guides the song to an impressive climax and Keneally’s organ tones adding extra texture and colour.

‘Unstoppable Momentum’ describes a performer who is always moving forward both personally and in the music and this 14th studio album should please fans and wannabes alike.  ****

Review by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.

Gig review

Joe Satriani UK tour dates 2013

June 8th Manchester Apollo 9th Glasgow Royal Concert Hall 10th Newcastle City Hall 11th Liverpool Philharmonic Hall 13th Wolverhampton Civic Hall 15th Sheffield 16th Portsmouth Guildhall 17th Shepherd’s Bush Empire 18th O2 Inigo, London


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


News: THE BEACHBOYS – Live 50th Anniversary Tour CD

The Beach Boys are pleased to announce their new concert album, Live – The 50th Anniversary Tour, a 2CD and digital collection of 41 standout recordings from their acclaimed 2012 reunion tour.

Last year’s reunion of Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and David Marks for a new studio album, That’s Why God Made The Radio, and The Beach Boys’ 50th Anniversary Tour, the band’s first major outing to include Wilson in more than two decades, made headlines around the world as one of the year’s top entertainment stories.

The sold-out tour took the group to more than 70 cities around the world, including their first concert at the Hollywood Bowl since 1965, headlining performances at the New Orleans Jazz & Heritage Festival and Bonnaroo Music and Arts Festival, and tour-closing concerts at London’s O2 Arena and Royal Albert Hall.

For five decades, America’s first pop band to reach the 50 year milestone has recorded and performed the music that has become the world’s favorite soundtrack to summer. Founded in Hawthorne, California in 1961, The Beach Boys originally comprised the three Wilson brothers: Brian, Carl and Dennis, their cousin Mike Love, and school friend Al Jardine. In 1962, neighbor David Marks joined the group for their first wave of hits with Capitol Records, leaving in late 1963, and in 1965, Bruce Johnston joined the band when Brian Wilson retired from touring to focus on writing and producing for the group.

The Beach Boys signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The album spent 37 weeks on the Billboard chart, launching the young group known for its shimmering vocal harmonies and relaxed California style into international stardom. The Wilson/Love collaboration resulted in many huge international chart hits, and the band’s initial surf-rock focus was soon broadened to include other themes, making The Beach Boys America’s pre-eminent band of the 1960s.

Inducted into the Rock and Roll Hall of Fame in 1988 and recipients of The Recording Academy’s Lifetime Achievement GRAMMY Award, The Beach Boys are an American institution that is iconic around the world.

TRACK LISTING:

CD1:

1. Do It Again

2. Little Honda

3. Catch a Wave

4. Hawaii

5. Don’t Back Down

6. Surfin’ Safari

7. Surfer Girl

8. The Little Girl I Once Knew

9. Wendy

10. Getcha Back

11. Then I Kissed Her

12. Marcella

13. Isn’t It Time

14. Why Do Fools Fall In Love

15. When I Grow Up (To Be a Man)

16. Disney Girls

17. Be True To Your School

18. Little Deuce Coupe

19. 409

20. Shut Down

21. I Get Around

CD2

1. Pet Sounds

2. Add Some Music To Your Day

3. Heroes and Villains

4. Sail On, Sailor

5. California Saga: California

6. In My Room

7. All This is That

8. That’s Why God Made the Radio

9. Forever

10. God Only Knows

11. Sloop John B

12. Wouldn’t It Be Nice

13. Good Vibrations

14. California Girls

15. Help Me Rhonda

16. Rock and Roll Music

17. Surfin’ U.S.A.

18. Kokomo

19. Barbara Ann

20. Fun, Fun, Fun


THE BEACH BOYS

LIVE – THE 50TH ANNIVERSARY TOUR

2CD & DIGITAL

CAPITOL/UMe – UNIVERSAL MUSIC CATALOGUE

17TH JUNE 2013


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: FEARLESS VAMPIRE KILLERS + FORT HOPE + UGLY LOVE

The Underworld, London Wednesday 24th April 2013

The Underworld – a well known venue, famous for the many bands and artists that have performed there. And now, it seems there is a new addition to their ever growing list; Fearless Vampire Killers. After seeing them twice last year, I hoped they would live up to their high status of their previous gigs. They certainly did.

Ugly Love were the second support band. A quartet consisting of a drummer, bassist, vocalist and guitarist. Their sound was a sort of Fearless Vampire Killers meets Bring Me The Horizon, with heavy guitar riffs and powerful rhythms. By having only one guitarist I expected their material to sound a bit limited, but I was proven wrong by the furious fretboard sliding skills of Kit Hawes-Web…good job mate! Musically, Ugly Love had great potential. Vocalist Tom Adolph wasn’t too bad either – good at singing. Screaming? Not so much. He had the sort of voice you could compare to a young teenage boy who was trying to match the voices of those on his Slipknot CD while his voice was breaking. But then again after listening to their demos on their website, I think his not so great live screaming was purely down to nerves or a sore throat.

After a short interval came Fort Hope. From the first note played, it was obvious they were going to impress. Lead vocalist Jon Gaskin had a phenomenal voice that was nicely complimented by the harmonies of guitarist Ande D’Mello. Even if they did look as if they still belonged in secondary school, Fort Hope had brought new sounds to the world of music – I believe they’re ones to watch. You Me At Six with hints of Crown The Empire and a whole load of fresh talent; that’s the best way I can describe them. A proper good band!

Now, onto the main gig. Fearless Vampire Killers were greeted by screams and a loud chant of “FVK!” by the venue. Compared to the first time I saw them at Guilfest last July, the crowd was huge. It’s so nice to see how the FVK ‘fandom’ has expanded just under a year. As for the band themselves; they have come so far. The set kicked off with Concede, Repent, Destroy from their 2012 album ‘Militia of the Lost’, followed by ‘Bow Ties on Dead Guy’s. Both were very strong performances as always. ‘Bite Down On My Winchester’ really livened up the venue with its killer chorus and upbeat tempo.

Next up was ‘P-Train’ from their most recent release; ‘Exposition’. To my surprise and happiness, FVK played the whole 5 track EP within their gig. For many (including myself) had not heard the ‘Exposition’ tracks performed live and it was great to do so. ‘Death or Disgrace’ got a little mosh pit started, whereas Stargazer got the entire crowd pumping their fists and jumping around. Everything sounded absolutely flawless, but then again, what else would you expect from a band like Fearless Vampire Killers?

‘Palace in Flames’ followed; a typical fan favourite, that got the venue singing along. Afterwards was ‘Could We Burn Darling?’ It was amazing to see that FVK had remained energetic throughout, interacting with the crowd and being their normal, humorous old selves. To round off the evening was ‘At War With the Thirst’ – a great live song that got everyone singing and waving their hands around. And what better way to make a grand exit than an Elton John cover of ‘I’m Still Standing’, which was met by smiles and nods of approval by the parents that had been dragged to the gig by their eager sons and daughters.

To conclude, it was another perfect performance by the London rockers Fearless Vampire Killers. The Underworld today, but who knows what the future holds? Perhaps Hammersmith Apollo? Or Madison Square Garden? But whatever it is, their fans will be behind them every step of the way.

By Jasmine Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SHADOWQUEEN – Don’t Tell

SHADOWQUEEN - Don't Tell

Bad Reputation [Release date 13.05.13]

I realised recently – and unplanned – that the first half-hour of my weekly radio show was made up of several Aussie acts, including Tracer and original AC/DC vocalist Dave Evans.  Along with bands like a re-energized Airbourne there’s almost a rock renaissance going on down under.  And then of course there’s Adelaide-born Orianthi…

Shadowqueen were also part of that Antipodean radio action, a Melbourne-based trio centred around singer (and bass player) Robbi Zana and guitarist Si Hopman.  The Aussies certainly know a thing or two about riff rock and from the get-go this is an engaging and rollercoaster ride of fist-pumping attitude.

Robbi’s vocals are excellent throughout (It’s a she, by the way). Lovers of bands like Halestorm and Hydrogyn and even older stagers like Doro and Joan Jett via Girlschool will find much to like here.  Throughout, I was drawn back to the vibe on Alanis Morissette’s ‘You Oughta Know’: it’s here in spades.

The band really get into their stride on tracks like ‘Any Other Day’, ‘What You Want’ and ‘Bruised’.  Robbi’s evidently a talented lady, playing piano on the short riff-respite – ‘Prelude To Silence’ – showing that there is light and shade in them there hills.  And this is further evidenced on ‘Karma’.

I’ve no doubt this band will gain a younger following and are mining a popular niche at the moment (female-fronted hard rock).  It’s an increasingly crowded space, but on the basis of their debut Shadowqueen could become one of the main contenders.  ****

Review by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JULIAN SAS – Bound To Roll

Julian Sas

Cavalier Recordings

Voted best blues-rock guitarist in the Benelux countries by the influential Dutch Guitarist magazine, the key to any Julian SAS CD is his tasteful, fluid soling, an array of wholesome tones and his ability to transform any given arrangement to his own end. ‘Bound To Roll’ fits the template perfectly as Julian plays to his strengths, as a tasteful, consummate guitarist with a delicate touch and a deep tone.

It’s ironic then, that in spite of the locker full of licks the most telling moment on the album comes in between the intense solo work, on the stripped down acoustic /harp arrangement of ‘I Ain’t Backing Down’. It’s a poignant song that could be interpreted as a metaphor for a flourishing career in his home territory, but one that has yet to crack either the UK or America. The song casts him as a focussed person with a bigger vision and to that end he’s trying to making something even better than his last chart album ‘Wandering Between Worlds’.

The songs on ‘Bound To Roll’ are mostly vehicles for his guitar playing, but the album impresses simply because of the Julian’s ability to find enough interesting ways to showcase his talent.

He dives straight into the organ layered, radio friendly opener ‘Life On The Line’. The Peter Green style wistful groove envelops you with its warmth and emotional presence. It’s also an emotional trigger that unlocks best moments of an album full of a rich seam of solos. Julian also speaks to us through his tonal variety as on the slide-led, low down boogie of ‘Swamplands’, which cleverly contrasts his growled vocals with his shrill slide work.

‘Bound To Roll’ explores every facet of contemporary rock-blues and gives long time Sas fans exactly what they want to hear, while new fans can’t help but be impressed by his playing.  In many respects he’s a conduit for a genre that he was born to play.

He revels in core power trio interplay and additional keyboards to deliver controlled clipped wah-wah phrasing on ‘Mercy’, some high octane Michael Katon style boogie on the title track and a slide and six string combination underpinned by delicate percussion on the failed relationship song ‘How Could I Have Been So Blind’. These four songs alone showcase Julian’s innate ability to feel and evoke different moods as well as being able to rock out.

He knows just when to inject a shot of adrenalin as on Rory’s ‘Shadow Play’ and when to rock out as on the blistering solo of ‘Tear It Up’. Less successful is the lumbering version of Marriott’s ‘30 days In A Hole’, complete with buzzing bass, but enlivened by some deft wah-wah soloing. He completes a triumvirate of covers with a blistering slide led ‘Highway 61 Revisited’, which nails his rock blues style to mid-70’s era Johnny Winter.

There’s room enough for the slow fuse blues of ‘Burning Bridges’ with its double tracked guitar parts at the 2.20 minute mark over a tic-toc rhythm, before building an impressive emotive vibrato drenched solo.

The quality of the band’s interplay and Julian’s intense fretwork continue to mark out the Dutch guitar hero as special. Older fans will recognise the trademark fretwork and will relate to his narratives, whereas newbie’s will delight in discovering a classy rock-blues veteran who still has plenty to say and lots of licks to play. **** (4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: DEEP PURPLE: Now What?!

Deep Purple - Now What?!

earMUSIC [Release date: 29.04.13]

I remember seeing Purple on their 2009 tour and, between albums, it all seemed a bit lack-lustre with a perfunctory trawl through the familiar golden nuggets.

Fast forward to their 19th studio album and the band are firing on all six cylinders, confirmed by the opener ‘A Simple Song’ which after a deceptive and unassuming opening kicks in with some wonderful  keyboard extemporising in time-honoured Purple fashion.

Gillan’s vocals are full of confidence and Roger Glover’s stabbing bass propels ‘Weirdistan’ with an excellent  Hammond-driven chorus.

‘Out Of Hand’ starts with an orchestral flourish but has a wonderful, dramatic,  riff with Steve Morse and Don Airey playing off against each other, the former developing the theme with an inventive solo.  This is ‘Kashmir’ but not as we know it.

‘Hell To Pay’ (released in edited format as a single) is back to classic Purple with an almost ‘Speed King’-like vibe and a great Don Airey solo whilst ‘Bodyline’ has a great groove – again gloriously punctuated by Airey’s Hammond.

A lot is being made that this album looks back to ‘Perfect Strangers’ in terms of inspiration and it certainly impresses more than ‘Rapture Of The Deep’, eight years ago.  If anything, the keyboard quotient has been ramped up which, in these days of less than organic music making, is frankly a tonic.  Sadly, this means that while Steve Morse plays immaculately and provides muscular riffs, he only very occasionally lets rip.

So for example ‘Above And Beyond’ starts with a wonderful and absorbing keyboard flourish which pretty much remains throughout and  ‘Blood From A Stone’ has a ‘Riders From The Storm’ vibe in the verse.  ‘Apres Vous’ has another wonderful organ-grinding riff and a spectacular piece of guitar-keys play-off.

‘Uncommon Man’ starts with a superbly fluid Morse solo against Airey’s lush synth orchestration.  This develops into a piece of almost ELP-epic proportions.

Strangely, the weakest track on the album might be the lead single.  ‘All The Time In The World’ plods along in risk-free Radio 2-friendly style but the verse is far too close to ‘You’re So Vain’ and seems to be awaiting some ‘Hush’ style psychedelic harmonies.

The closer ‘Vincent Price’ doesn’t seem to sit well with the rest of the album, and I can’t help thinking producer Bob Ezrin has purposefully evoked the spirit of previous shock-rock charges.  But bless him, Steve Morse does evoke the spirit of Ritchie.   This track would probably be rather good live.

The album is unsurprisingly dedicated to Jon Lord and the band  have commented that his spirit was omnipresent during the recordings.  I think he would have been very proud of his former consorts.  If both Lord and Blackmore still cast long shadows over one of our most enduring and influential rock bands, the present Purple have produced an album that is both deferential and still hugely relevant.  ****

Review by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.

UK Tour Dates 2013

12 October – Manchester Apollo
13 October – Glasgow Clyde Auditorium
15 October – Birmingham NIA
16/17 October London Roundhouse


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig Review: SAXON, QUIREBOYS – ABC, Glasgow, 21 April 2013

Saxon, Glasgow ABC, 21 April 2013

It’s been a long time since I have seen Saxon, too long in fact. I should have caught them at Download last year but a combination of heavy traffic and mud ensured that Biff and the guys had been and gone by the time we made it into the arena. When this latest tour was announced it was a ‘must see’ and the addition of the Quireboys came as an added bonus.

Anticipation of a good night was such that on arrival the queue to get in stretched around the block. Once inside we didn’t have long to wait before Redline tooRedline, Glasgow ABC, 21 April 2013k to the stage to kick things off in fine rocking fashion. The guys play unashamed hard rock that went down well with the growing crowd. The set was culled from their album ‘Vice’ and it sounds like a bit of a cracker. Songs like ‘Black Sky’ and ‘Edge Of Falling’ showed the band can write a mean tune and with some great dual guitar work from A.D and Steve success was ensured. Rounding off with their Isle Of Man TT anthem, ‘King Of The Mountain’, the band left the stage to a huge cheer, a good start to the evening.

 

With the ABC now rammed and very warm, the Quireboys took to the stage in style before kicking into ‘Tramps And Thieves’. Spike, with glass in hand, was the genial host once more, joking with the crowd and clearly loving every minute. ‘There She Goes Again’ followed with much singing from the crowd. As on their last tour the guys also aired a couple of new songs during the set from their forthcoming album. Judging by the quality of the two numbers ‘Too Much Of A Good Thing’ and ‘Mother Mary’ it should be a cracker.

The Quireboys, Glasgow ABC, 21 April 2013

It was though the two ‘hits’ that got the biggest reception, namely ‘Hey You’ and the party anthem ‘7 o’clock’ which rounded off another highly entertaining set. Sandwiched between the hard rock of Redline and the metal of Saxon the rock ‘n roll swagger of the Quireboys may have seemed a bit out of place, but it’s hard not to love Spike and the guys and they had the assembled crowd calling for more at the end of another great set.

The cries of ‘Saxon, Saxon’ filled the air as the lights dimmed and as the band launched into a furious version of ‘Sacrifice’ you could tell it was going to be an amazing show. As I said, it has been a while since I have caught Saxon live and if anything they are in better form now than they were on my last encounter. Biff was in great voice and was running around the stage like a man half his age, whilst the rest of the band played up a storm.

Saxon, Glasgow ABC, 21 April 2013

Another new track ‘Wheels Of Terror’ was up next before the first classic of the night in the shape of ‘Power And The Glory’. The set was a good mix of new and old with a few tracks that hadn’t been on the setlist for a while getting an airing, like ‘Rock n Roll Gypsy’ and ‘ Ride Like The Wind’. The guys chose to play the latter as it had the most hits on ‘You Tube’ of any Saxon song, I am sure Christopher Cross is a happy man!

Paul Quinn was clearly loving his work and played guitar like a demon throughout the set and Nigel Glockler was a real powerhouse behind the kit which was impressive as the ABC had become a sauna by the time Saxon were in mid-flight! It was the classic tracks though that got the biggest roar of the night, ‘Never Surrender’, ‘Dallas 1pm’, ‘747 Strangers In The Night’, ‘Wheels Of Steel’, all are heavy metal tracks of the finest calibre and all were played with a passion.

Saxon, Glasgow ABC, 21 April 2013

‘Wheels Of Steel’ rounded off the set proper with the usual call and response singalong, but it wasn’t long before the band were back for more with Nibs Carter pumping out the opening bassline to ‘Strong Arm Of The Law’. An epic ‘Crusader’ followed with ‘Denim And Leather’ close behind. For me though the band saved the best until last with Paul Quinn cranking out one of the best riffs in rock on the opening of ‘Princess Of The Night’, what a way to round off a fantastic two hours in the company of one of metal’s most enduring and entertaining bands.

Overall this was a great bill and fantastic value for money. It will also be a gig which will no doubt feature in many end of year lists as one of the best in 2013.

Review by David Wilson
Photos and Gallery By Iain Scott

More from the Sacrifice tour:

Gig review (Oxford Academy, 5 May 2013)
Gig review (Nottingham Rock City, 20 April 2013)
Gig review (Leamington Assembly, 18 April 2013)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Quick plays: CRAIG JOHN DAVIDSON, ERICA NOCKALLS, KRIS KRISTOFFERSON,DERRIN NAUENDORF

Craig John Davidson - The Last Laugh

Craig John Davidson – The Last Laugh (Fat Hippy Records) [Release date: 29.04.13]

Being on Fat Hippy Records is somewhat appropriate in the case of this 4th solo album from acoustic troubadour Craig John Davidson.  Not because he’s fat, because he isn’t.  But because the album has a real psychedelic era feel to it.

With a unique acoustic style that’s been deployed supporting the like of The Pines, Thomas Traux, Terry Reid and I Am Kloot, The Last Laugh has a warm ambience with Davidson’s layered guitar work providing a real depth of sound.  And while, perhaps not the most gifted of vocalists, plenty of double tracking adds another several more layers to the overall effect.

It’s quite easy to be transported back to the late sixties with the trippy sound, one that in those days would almost certainly have been acid induced.  With nods to Barret, Bolan and Donovan and beyond to the American West Coast, it’s a far cry from the grunge bands Davidson started out playing in.

Impossible to dislike, but equally lacking in anything that really stirs the soul, The Last Laugh is a very pleasant adventure but ultimately one track tends to blur into the next.  Some might politely describe it as café society music.  **1/2

Kris Kristofferson – For The Good Times / The Best Of (Salvo)

Not the first and almost certainly not the last ‘best of’ collection we’ll see from the iconic songwriter, singer and movie star that is Kris Kristofferson.  Whatever you may think of the man and his music, it’s a lavishly packaged deluxe 2-CD set containing 38 tracks culled from his Monument Records recordings between 1970 and 1981 and  beefed up by an extensive 24 page booklet.

Of course, the 1970s was an era when the words ‘and western’ were firmly appended to the word ‘country’, and we were a long way away from the bluegrass roots revolution that would see country find mainstream appreciation with the rock audience.

But there’s no denying that Kristofferson wrote some classics – such as ‘Me & Bobby McGee’, ‘For The Good Times’, ‘Sunday Morning Coming Down’ and ‘Help Me Make It Through The Night’.  All are included here, but those more familiar with the worldwide hit covers by the likes of Janis Joplin and Gladys Knight may be a little underwhelmed simplistic weathered charm of the originals.

In all honesty it’s unlikely to appeal to those recently converted to ‘modern’ country.  It’s more of the country that many will recall featuring on the likes of the Andy Williams Show.  Nice package, though – for those who like that sort of thing.  **1/2

Derrin Nauendorf – Distant Empires

A new name to me, but one whose two previous releases – ‘Rattling Wheel’ (2006) and ‘Skin Of The Earth’ (2008) – were both awarded 4 star or better reviews in the likes of The Sunday Express, Classic Rock and the like, backed up by live sessions on Radio 2 with Bob Harris and Paul Jones.

‘Distant Empires’ is the native Australian’s first release in 5 years and unless something has changed, I’m struggling to see what the fuss is about.  To my ear it’s a distinctly lo-fi collection of what sounds like, admittedly polished, demos.  And from the pics on the accompanying artwork it would appear that ‘Distant Empires’ – recorded with Rick Foot on bass and Christian Bohm on drums  – was recorded in his lounge (or possibly someone else’s).

The result is a loose collection of mid-paced blues based rockers predominantly featuring Nauendorf’s distinctive acoustic playing with his soulful Paul Rodgers style vocals adding a soulful rasp to proceedings.

There’s occasional, but too infrequent, electric guitar breaks, and on the whole the set seems to wander without much focus. It was the urgency of ‘One Night In Jerusalem’ and the wah-wah infused outro of ‘History Repeating’ that made me pin my ears back and take serious notice.

There’s no denying the playing’s intelligent, and the laid back approach adds a neat retro authenticity to the overall ambience, but ultimately the material falls a long way short of any mark that’s going to set pulses racing.  **1/2

Erica Nockalls – Imminent Room (IRL) [Release date: 13.05.13]

Sometimes, you just have to ask ‘why?’  And bargain bin destined British musician Erica Nockalls’ debut release is just such an occasion.  ‘What the f*k?’ would be an equally appropriate response.

Acknowledged by the artist as the result of an aural diet of Pet Shop Boys, Vivaldi and Marilyn Manson, an angular, melodic and savage album is promised.  And on that level Imminent Room lives up to its billing.  Perhaps a little surprising from a professional violinist who’s worked with The Wonder Stuff, The Proclaimers and The Ting Tings.

But there’s no doubt about it, Imminent Room is barking.  When I first played it I wasn’t sure whether my ears or my CD player was broken.  There are moments of cohesion and pop playfulness, but for the most part the personal frustrations that gave rise to the album are all too evident as synths mash out of tune, Lena Lovich style vocals are squeezed between bizarre rhythms and everything including the kitchen sink is thrown into the mix.  And violin, naturally.

There’s dark and disturbing undertones at play throughout and it could just be that Imminent Rooms achieves some alt-Bat For Lashes cult status.  But for most it will simply be too discordant.  Scary stuff.  **

Review by Pete Whalley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE BEAUTIFUL OLD – Turn Of The Century Songs

THE BEAUTIFUL OLD - Turn Of The Century Songs

Doubloon Records [Release date 03.06.13)

Who of those baby boomers amongst us can't immediately recall the strains of the [the man on] ‘The Flying Trapeze’ – a staple on Children’s Favourites?

This loving re-visiting of parlour songs from the 1823 to 1918, many of which subsequently went on to become music hall and then radio favourites, brings back many childhood memories.  And it’s surprising just how many lines strike a chord across the 19 tracks that include contributions from the likes of Richard Thompson, Graham Parker, Dave Davies, Garth Hudson (The Band) and many more.

Perhaps not surprising when you learn that ‘After The Ball’ (1892) was the first song in history to sell a million sheet music copies (and went on to sell 5 million).  These were the multi-platinum selling songs of their day.

More than a year in the making, the era has been affectionately recreated with arrangements using only instrumentation that would have been available and used in the period.  From the elegant folk songs of the 1800s, to the more elaborate songs of the early 1900s there’s plenty that will stir forgotten memories.  The same is clearly true of the cast who turn in a spellbinding performance.

Admittedly something of a curio, it’s hard not to be sucked in by the charm of simpler days and a set that would sit particularly well next to Natalie Merchant’s Leave Your Sleep collection of children’s stories.  Or, for that matter Dave Rotheray’s quirky Life Of Birds.  It just goes to show – you can’t keep a good song down.

Mesmerising -  just like winding up and listening to your grandparent’s musical box for the first time in 50 years.  ****

Review by Pete Whalley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: CHEZ KANE- Fighting Cocks, Kingston upon Thames, 2 April 2026

No one can accuse Welsh songstress Chez Kane of not putting in the hard yards. This show in Kingston’s rock pub, in my South West London heartland, marked the last of a remarkable ten ‘in-store’ acoustic appearances in seven days … Continue reading

Album review: SNOWFALL – Cold Silence

      Escape Music www.escape-music.com Norwegian band formed from the ashes of Winter Parade and they feature Tore Meli (guitars/keys), ‘PB’ Riise (bass/keys) and Coldspell’s drummer Perra Johnson, who has also recently appeared on the Love Under Fire album. … Continue reading

Album review: JAMES COTTON – Cotton Mouth Man

James Cotton

Alligator records [Release date: 06.05.13] Grammy award winning Chicago blues-harp legend James Cotton is back! Well he’s never really been away, but ill health robbed him of his vocals making it all the more remarkable that ‘Cotton Mouth Man’ is … Continue reading

Gig review: SUICIDAL TENDENCIES,DRI,Waking the Dead – Amos’ Southend,Charlotte,NC,26 April 2013

They say the sun shines on a dead dog’s ass from time to time. Can’t think of a more accurate cliché that fits my life. After a long ofrun of seeing some awesome shows it seemed that the well had … Continue reading

Album review: PETER GREEN SPLINTER GROUP – The Very Best Of

Snapper Music (double CD) Peter Green was a founding member of Fleetwood Mac (having previously been in John Mayall’s Bluesbreakers) and he was a key driver in that band’s early blues rock sound. He left Fleetwood Mac in 1970 due … Continue reading

Album review: ARTLANTICA – Across the Seven Seas

        SPV www.spv.de (released 24th May) New band in name, although they have morphed out of Angel of Eden who released a cracking album ‘The End Of Never’. That line-up featured former Royal Hunt vocalist John West, … Continue reading

Album review: THE JAN HOLBERG PROJECT – Sense Of Time, At Your Service

The Jan Holberg Project - Sense Of Time

Sense Of Time (2011) Norwegian bassist Jan Holberg has a good philosophy outlined in his liner notes to 2011′s ‘Sense Of Time’: that with music there should be no boundaries.  So in his first ‘solo’ venture he explores AOR and … Continue reading

Album review: TRUCKER DIABLO – Songs Of Iron

Trucker Diablo - Songs Of Iron

Ripple Music [Release date – 13.05.13] Back in December 2011 Trucker Diablo’s first album ‘The Devil Rhythm’ dropped onto my door mat ripe for review. After listening to said disc my one issue with the album was that it had … Continue reading

Album review: JOHN NICKOLOFF – Get Out Of My Way

John Nickoloff

Independent/TSM [Release date: 02.05.13] John Nickoloff opens his debut 5 track EP/CD ‘Get Out Of My Way’ with hard rock pretensions but gradually moves towards radio friendly MOR material. Either way he’s got a great rock voice that effortlessly brings … Continue reading

Album review: SWEETKENNY – Jennifer’s Box Of Junk

Sweet Kenny

Waterfall Records/TSM [Release date: 2013] ‘Jennifer’s Box of Junk’ is both a title and concept. As song writer/ guitarist Kenny Sutton explains: ‘each song had to be something you would put in a box of junk’. Make of that what … Continue reading

Album review: GASTRIC BAND – Party Feel

Gastric Band

Armellodie Records [Release date: 03.06.13] With a line up comprising two drummers and three guitarists with additional synths, loops, samples and percussion, Scotland’s awfully titled Gastric Band are clearly not your ordinary beat combo. Party Feel is anything but an … Continue reading

Album review: VIRGIL & THE ACCELERATORS – Live at Marshall 31/8/12

Virgil & The Accelerators

Mystic Records [Release date: 29.04.13] One of the hardest working and talented young kick ass rock-blues bands on the circuit, Virgil & The Accelerators are like a lightning bolt out of the starting block. Having shown their raw ability in … Continue reading

Album review: FRANCESCO MARRAS – Black Sheep

Francesco Marras

Independent Screaming Shadows guitarist Francesco Marras’s debut solo album has enough dazzling shredding and a sense of spontaneity to gives it crossover appeal to Vai, Malmsteen and Satriani fans. But you sense that the triumvirate’s collective musical palette has already … Continue reading

Album review: THE BLACK MARBLES – Made In Concrete

The Black Marbles

TBM productions/New Music [Release date: 08.03.13] Described as ‘a mix of swag, groove, energy, heart & soul with their own take on rock ‘n’ roll’,  70’s influenced Swedish rockers The Black Marbles wear their retro influences on their sleeve in a … Continue reading

Album review: BELIEVE – The Warmest Sun In Winter

Metal Mind Productions www.metalmind.com.pl Poland is hotbed for progressive rock, being a lucrative touring circuit for overseas bands and then producing some fine bands of their own like Riverside, Satellite and Believe. This is the band’s fifth album and the … Continue reading

Album review: MOON BIRD – Signs of Illusion

Moon Bird

      Kwinch Music/TSM [Release date:04.13] Moon Bird is a great name for a band that revels in layered sounds, sweeping melodies and David Gilmour style progressions. ‘Signs Of Illusion’ is probably too derivative to break new ground, but given … Continue reading

Album review: FLICKER – How Much Are You Willing To Forget?

Self-released – 28.1.2013 I wonder, historically, how many really good albums have never been given the chance to shine or be commercially successful due to an opening track being so naff that most reviewers Frisbee the disc to the wastebasket … Continue reading

Album review: JOE SATRIANI – Unstoppable Momentum

Joe Satriani - Unstoppable Momentum

Interview edit: Joe Satriani, 24 May 2013 First broadcast on Get Ready to ROCK! Radio on 6 June 2013 Epic [Release date 06.05.13] With guitar instrumentals, in fact guitar rock per se, it nearly always comes back to Satch.  Well, nearly always.  How … Continue reading

News: THE BEACHBOYS – Live 50th Anniversary Tour CD

The Beach Boys are pleased to announce their new concert album, Live – The 50th Anniversary Tour, a 2CD and digital collection of 41 standout recordings from their acclaimed 2012 reunion tour. Last year’s reunion of Brian Wilson, Mike Love, … Continue reading

Gig review: FEARLESS VAMPIRE KILLERS + FORT HOPE + UGLY LOVE

The Underworld, London Wednesday 24th April 2013 The Underworld – a well known venue, famous for the many bands and artists that have performed there. And now, it seems there is a new addition to their ever growing list; Fearless … Continue reading

Album review: SHADOWQUEEN – Don’t Tell

SHADOWQUEEN - Don

Bad Reputation [Release date 13.05.13] I realised recently – and unplanned – that the first half-hour of my weekly radio show was made up of several Aussie acts, including Tracer and original AC/DC vocalist Dave Evans.  Along with bands like … Continue reading

Album review: JULIAN SAS – Bound To Roll

Julian Sas

Cavalier Recordings Voted best blues-rock guitarist in the Benelux countries by the influential Dutch Guitarist magazine, the key to any Julian SAS CD is his tasteful, fluid soling, an array of wholesome tones and his ability to transform any given … Continue reading

Album review: DEEP PURPLE: Now What?!

Deep Purple - Now What?!

earMUSIC [Release date: 29.04.13] I remember seeing Purple on their 2009 tour and, between albums, it all seemed a bit lack-lustre with a perfunctory trawl through the familiar golden nuggets. Fast forward to their 19th studio album and the band … Continue reading

Gig Review: SAXON, QUIREBOYS – ABC, Glasgow, 21 April 2013

Saxon, Glasgow ABC, 21 April 2013

It’s been a long time since I have seen Saxon, too long in fact. I should have caught them at Download last year but a combination of heavy traffic and mud ensured that Biff and the guys had been and … Continue reading

Quick plays: CRAIG JOHN DAVIDSON, ERICA NOCKALLS, KRIS KRISTOFFERSON,DERRIN NAUENDORF

Craig John Davidson - The Last Laugh

Craig John Davidson – The Last Laugh (Fat Hippy Records) [Release date: 29.04.13] Being on Fat Hippy Records is somewhat appropriate in the case of this 4th solo album from acoustic troubadour Craig John Davidson.  Not because he’s fat, because … Continue reading

Album review: THE BEAUTIFUL OLD – Turn Of The Century Songs

THE BEAUTIFUL OLD - Turn Of The Century Songs

Doubloon Records [Release date 03.06.13) Who of those baby boomers amongst us can't immediately recall the strains of the [the man on] ‘The Flying Trapeze’ – a staple on Children’s Favourites? This loving re-visiting of parlour songs from the 1823 … Continue reading