Book review: No Off Switch by ANDY KERSHAW

Virgin Books

Andy Kershaw is best known by many for his time as a Radio 1 DJ, along with later in his career working on Radio’s 3 and 4. Then there is his work presenting ‘The Old Grey Whistle Test’ and being the co-host on Live Aid with fellow Mark Ellen. That’s before you even get into his documentaries for TV and radio from some of the world’s most dangerous places and eccentric leaders.

For me the highlights were his time at Radio 1 and demystifying some of the John Peel myths in particular. He also pays fitting tribute to Peels’ long time producer John Walters and mores the pity he never got to write a memoir. His days at Leeds Uni and running the live music are fascinating insights into how big gigs like the Who often ran on a wing and prayer. The theme running through the book is his love of music and introducing what may have been obscure artists at the time to a wider audience. For instance, the Bhundu Boys are a band I always associate with him and there is a sad tale to the band related sympathetically by Andy Kershaw.

There are in depth looks at his many trips to Haiti and a harrowing account of his visit to Rwanda and the carnage he witnessed firsthand. He is also one of the few Western journalists invited to North Korea. The scrapes he can sometimes get into add a thriller element to his memoir.

Andy Kershaw does touch upon his recent family issues and marriage breakdown, which are handled in a frank and fair way, doubtless to the disappointment of press hacks after some juicy insights.

I will forgive him for disliking ELO and giving metal fans backhanded compliments as like many of us rock fans he loves his music, no matter where it comes from or what form it takes. Three things come through reading his memoir, his obvious love of his children and music, but also humanity, particularly the friendships he has struck up through the years and how important these have been at various key points in his life to date.

Written in a highly readable (the travel and dodgy dictatorships chapters are real page turners) and self-depreciating style makes for a fascinating and at times, moving read. Highly recommended to any music lover, and readers who enjoy travel writing from unexpected parts of the world.

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: IAN DANTER – Prove You Wrong

www.iandanter.co.uk

Ian Danter is better known for his radio work as he presents a weekly show, ‘Football First’ on talkSPORT. This album is a collection of songs he has been working on for the past ten years or more and he has been spurred on to release them following the recent passing of some friends including Shy’s Steve Harris. In fact keeping the Shy theme going, the band’s vocalist Lee Small sings on all but three of the albums fifteen songs.

Ian Danter not content to play most of the instruments on the album also sings on three songs, including the title track and the album’s stand out tune. A nice up tempo modern rocker that is a highly addictive tune even after just one listen. Elsewhere the music has a more classic rock feel, a little Rainbow and Deep Purple influences can be heard on ‘Cloud 9’ and ‘Stronger Than That’, both aided greatly by Lee Small’s vocals sounding like Glenn Hughes a lot of the time, which is no bad thing!

An enjoyable listen and hopefully he has a few more songs lined up as it would be a shame to have to wait another ten years or so for more music from him.

***1/2

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: JOE BONAMASSA – Royal Albert Hall, London, 30 March 2013

Having spent the best part of a year planning this four-gig, four-set and four-band career retrospective, Joe Bonamassa was entitled to look a little weary after completing his London residency, performed to a grand total of 14,000 people.

Given tonight’s show was also being filmed, he wisely opted for an acoustic meets ‘world’ music opening set, before working his way up through a heavy duty rock-blues show of the highest order.


Before the end of the encore Joe commented, ‘I’ve learnt something about myself tonight’; and you suspect he could have been talking about his focus and staying power, as much as his ability to front two bands in one night.

Bonamassa is a barometer of just how far blues rock artists can go. He’s broken through the glass ceiling hampering the genre, while remaining fiercely independent. He’s set new standards with impeccable playing, carefully chosen material, a cast of top musicians and an intuitive producer. His audience has grown exponentially and internationally, and judging by tonight, he’s even copped some of Clapton’s Albert Hall crowd.

 Joe’s intrinsic link with Brit blues was further cemented by his use of a variety of axes  previously owned by Rory Gallagher, (‘Sloe Gin’ and ‘John Henry’), Peter Green and Gary Moore (‘Midnight Blues’), and Bernie Marsden (‘Just Got Paid’).

The two set show was a triumph of imagination and versatility over volume, with 50 songs being cut to 18 from 10 albums, as he started with his current acoustic album line-up.

Surrounded by six acoustic guitars and illuminated by six huge spotlights, he moved from a solo opening on ‘Palm Trees Helicopters and Gasoline’, to join his multi instrumental accompanists on a fine cover John Martyn’s ‘Jelly Roll’, complete with a Lenny Castro spoons solo.

He cleverly changed mood and instrumental emphasis on the eastern influenced ‘Black Lung Heartache’ and the wistful ‘Around The Bend’ on a lovely blend of fiddle harmonium, nyckelharpa (a Swedish keyed fiddle) and acoustic.

A heavy riff driven, steam train intro powered ‘Slow Train’ and the opening tremolo motif and uplifting groove of ‘Dust Bowl’ immediately connected with the crowd. But such was the surging power of the rhythm section that the resulting wall of sound nearly engulfed Joe’s vocals – the same happened later on the anthemic ‘Driving Towards The Daylight’ – though his vibrato eventually soared into the night and redressed the balance.

The show was so well paced and cleverly structured that in the blink of an eye and a Howlin’ Wolf sample, he’d got himself a new rhythm section. Michael Rhodes’ focussed, straight ahead bass style locked in with Anton Fig’s funky drumming to somehow reverse the roles of their predecessors.

The break-down section of ‘Who’s Been Talking’ unlocked the most delicate of dynamics, while Fig’s expansive kit work shaped ‘Happier Times’ as Joe added precise rich toned notes.

A sledge hammer version of ‘John Henry’ featuring Joe on Rory’s ’61 strat, provided the pivotal moment of the night. Joe added some atmospheric theremin soundscapes and a definitive solo, either side of an extended Hammond filled solo, with a harmonic filled finale that brought the crowd to its feet.

The delicate volume swells of ‘Django’ and the shimmering guitar of ‘Mountain Time’ – beautifully anchored by Carmine Rojas’ resonant bass notes – led to a thunderous crescendo, equally matched by the audience’s response.

A two song encore comprised a surprisingly muted ‘Sloe Gin’ and a contrastingly bombastic fusion of ZZ Top and Zeppelin on ‘Just Got Paid’. The fact he sat down at the end of the show confirmed he’d worked hard for his corn.

 

 

 

 

 

 

 

Review by Pete Feenstra
Photos by Christie Goodwin


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: DAVE GROHL & Others – Sound City Real To Reel

Sound City - Real To Reel

Sony Music

Hot-housing for 24 hours in a studio using a legendary Neve 8028 mixer sounds like musical nirvana.  And indeed it was during the making of Nirvana’s ‘Nevermind’ album that Dave Grohl was introduced to the desk.  He bought it in 2012 after the studio – Sound City in Los Angeles – had closed its doors.

Grohl then had the idea to make a documentary film about the studio which was witness to classic recordings from the likes of Fleetwood Mac and Tom Petty, and the soundtrack that resulted brought together some of those artists touched by their previous experience.

It has to be quite an achievement to get Macca to play on your album especially when he sounds decidedly heavier than usual and in the company of such post-Grunge luminaries as Grohl and members of Nirvana, Krist Novoselic and Pat Smear.  It’s one of the many highlights included here and is documented more fully in the film.

The Sound City album is full of great songs and either Grohl or perhaps the Neve has also brought out the best from the likes of Stevie Nicks (a wonderful ‘You Can’t Fix This’) and Rick Springfield (‘The Man That Never Was’).

More than anything, when consumed with the accompanying film, this is an affectionate and inspiring tribute to a former ‘golden’ age and a perfect antidote to digital ‘progress’.  ****

Review by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: RORY GALLAGHER – Live At The Montreux Festival 1975-94

RORY GALLAGHER - Live At The Montreux Festival 1975-94

Salvo Records [Release date 08.04.13]

Although these recordings are available separately (previously released in 2006 and 2008) this is the first time they are available as a dual-format release.  The compilers have brought together a single CD which spans a ten year period, 1975-85, and two DVDs including a complete 1994 gig.

If this charts a performer succumbing ultimately to the day’s musical taste and preference it is still a great opportunity.  From Rory’s earliest appearance – and the visceral ‘Laundromat’ and ‘I’m Torn Down’ – to the later more rock arena stylings of ‘Shadow Play’ and ‘Philby’ the Irish guitarist is both well recorded and filmed.

The most poignant aspect of this album is that complete 1994 gig recorded just less than 12 months before his death whilst there are seven bonus acoustic tracks further attesting his great musicality.

This is yet another great reminder of a wonderful performer and the deluxe presentation is further bolstered by a 16-page booklet. ****

Review by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.

Archive review (Live At Montreux, 2006)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE JEFF HEALEY BAND – House On Fire/As The Years Go Passing By

Jeff Healey  - As The Years Go Passing By

As The Years Go Passing By – Live In Germany 1989-1995-2000 (Inakustik)

Since his death in 2008 there have been a steady steam of releases featuring one of the modern blues greats.  This boxed set, recorded by German TV, brings together classic Healey from  1989 – 2000.  The 3 CDs mirror the 2 DVDs and whilst there is a little duplication the gigs chronicle the progress of Healey over a ten year period.

This includes, in 1995, the wonderful set piece ‘While My Guitar Gently Weeps’ whilst ‘Confidence Man’ and ‘See The Light’ (both present and correct in all sets) demonstrate Healey’s early commerciality melding blues and rock and influencing others at the time.

Liner note contributions from Healey’s bandmates (including Philip Sayce who appears on the 2000 gig) further enhance this  excellent package. ****

The Jeff Healey Band - House On Fire

House On Fire (Eagle Records)

‘House On Fire’ continues the archive theme, this time with outtakes from some of Healey’s studio work, notably the ‘Feel This’ sessions recorded in 1992.  Collectors will also appreciate the inclusion of two cuts that failed to make the ‘Cover To Cover’ album in 1994, ‘Adam Raised A Cain’ and ‘We’ve Got Tonight’.

This is genuinely a fresh-sounding album and occupies space between ‘The Arista Years’ which formed Healey’s most consistent output and his latter-day leanings when he ploughed a slightly more personal and singular furrow exploring jazz.

‘House On Fire’ and ‘Who’s Been Sleeping In My Bed’ (co-written with Bobby Whitlock) sound as good as anything from the band’s late eighties heyday, the latter capturing the rolling ‘Confidence Man’ vibe and ever-fluent guitar.  And there’s even a Will Jennings co-write, the splendid ‘Joined At The Heart’.

It does beg the question how these songs were allowed to remain vaulted for so long.  Now – 20 years or so  later – we are blessed with almost a ‘new’ Healey album and a chance for both fans and newbies to soak up something genuinely previously unreleased, unlike the shameless posthumous Hendrix offerings which are mostly variations on a theme. ****

Reviews by David Randall

David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig Review: STATUS QUO, Hammersmith Apollo, London, 15 March 2013

Status Quo, Hammersmith Apollo, 15 March 2013

It all began and ended in 1984. My very first gig was meant to be one of Status Quo’s last as they played two shows on what was called the ‘End of the Road’ tour. Already they were an institution, much ridiculed and parodied for their predictable three chord boogie, but virtually the only rock band to be a permanent fixture in the UK singles charts as I was growing up.

However, the Quo were showing signs of wear and tear – I remember friends at the time already bemoaning their decline since drummer John Coghlan left, while bassist Alan Lancaster seemed a marginalised and disillusioned figure – and this 17 year old had one last chance to see them before it was too late.

As it was, it was to be the first of hundreds of gigs for me and far from the ‘End of the Road’ for the Quo as within a couple of years Francis Rossi and Rick Parfitt ploughed on with a new line up. However, after the Georgia Satellites blew them away at Reading Festival in 1987 with their similarly influenced, supercharged rock n roll making the Quo look tired and stale, we parted company, at least as a live act.

Status Quo, Hammersmith Apollo, 15 March 2013

As they play to family audiences of grannies and kids, rock and roll and Christmas medleys and kitsch like Margarita Time and Burning Bridges sitting alongside the Quo classics, they have become all too cabaret for me. Only one thing might get me to change my mind and that was a return of the original Quo which would surely never happen…..

Well dreams do come true. Not only did the original ‘Frantic Four’ bury the hatchet and put together a short tour one more time, but rather than Butlins or an anonymous cavern like Wembley Arena, they were even playing a proper rock venue in the old Hammy O.

The atmosphere was very special, the crowd, at least downstairs, noticeably older and blokier than normal, with chants of ‘Quo-oh-oh oh’ ringing out and a backdrop of the ‘Hello’ album sleeve as there was a rare sense of expectation in the air.

Status Quo, Hammersmith Apollo, 15 March 2013

A set closely based on the ‘Live’ album from Glasgow Apollo, just before Rockin All Over the World heralded a watered down, poppier Quo had been promised,  and sure enough the same Jackie Lynton ‘is there anybody out there who wants to boogie ?’  intro was used, sadly a recording rather than in person, before the curtain fell to reveal the band opening with the souped up blues of Junior’s Wailing, with Alan Lancaster singing.

His voice was in good shape and considering his supposed poor health, he looked surprisingly sprightly, not to mention being alone in retaining his long hair. Indeed with Backwater, the Rory Gallagher-esque Just Take Me and Is There A Better Way, the early stages were the Lancaster show and it was bizarre to see the usual Rossi-Parfitt axis relatively marginal. Though Francis sang In My Chair and Most of the Time, this was a reminder to younger fans that his reedy voice was once just one of the many sounds of Quo, alongside Alan and Rick’s more rough and ready rock’n’roll style.

Status Quo, Hammersmith Apollo, 15 March 2013

Considering it was the first time back together, the band were admirably tight and any rustiness did not show, although it was noticeable that regularly they would play with backs to the audience and facing John, who was playing a key role in ensuring everything held together.

Rick, whose heads down, angled at 45 degrees, furious strumming pose remains unchanged,  even if his shorter barnet takes some getting used to, sang Little Lady but this was a real set for the Quo connoisseur with obscurities like Blue Eyed Lady, Railroad, with ‘5th member’ Bob Young popping on to add his harmonica playing, Oh Baby, and perhaps most surprisingly of all, April, Spring Summer and Wednesdays, complete with ‘na-na’na’ refrain,  from the Ma Kelly’s Greasy Spoon album that marked their transition from psychedelic popstrels to lank-haired boogie merchants.

4500 Times was the bedrock of the set, yet surprisingly curtailed to about half of the length of the ‘Live’ version, and by the time of Rain, Rick’s tour de force Big Fat Mama and Down Down- a UK No 1 single, lest we forget-  the crowd were well and truly stoked, before the band stretched out on their cover of Roadhouse Blues with Alan singing.

The encores were Don’t Waste My Time, ending with a typically crisp and clean solo from Francis on his Telecaster, and the old Chuck Berry live favourite Bye Bye Johnny with Alan singing again.

Not knowing the setlist, I girded my lions for a final encore of Caroline and Roll Over Lay Down, but must admit to a sense of anticlimax when after an hour and a half the curtain came up. While respecting the decision to avoid the ‘usual suspects’ in the set, as early examples of the relentless boogie that made  Quo so great in the seventies and prominent on the ‘Live ‘album, I did think an exception could be made for them.

Nevertheless this was a very special evening, worth waiting those nearly 30 years for and a ‘Still Crazy’-type story that would lend itself to the silver screen. At the same time, it both reawakened my dormant love of the Quo, yet made it even harder to go back to the Rossi- Parfitt band pantomime after such a night.

Review and photos by Andy Nathan
Photo Gallery by Steve Goudie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: GRACE POTTER & THE NOCTURNALS, Bush Hall, London, 13 March 2013

GRACE POTTER & THE NOCTURNALS, Bush Hall, London, 13 March 2013

It’s strange how some bands that have a big profile in the United States rarely cross the radar over this side of the pond. Vermont-based Grace Potter and the Nocturnals are one such and I admit to knowing little about them, other than seeing their name on the bill at various US festivals. However when one of my Stateside friends and a fellow music fanatic recommended them, and their London show was at one of my favourite venues, this intimate and lovingly restored ballroom round the corner from QPR FC, my curiosity got the better of me.

From the little I knew, I assumed their sound was country influenced, and then the way Grace, who cuts a stunning figure in fair hair and a lame cloak over a  black dress, opened with some Bonnie Raitt style slide guitar playing before taking to electric piano, added to my musical confusion. But as the set kicked off properly, the title track from the latest album The Lion, the Beast, the Beat rocked surprisingly hard.

GRACE POTTER & THE NOCTURNALS, Bush Hall, London, 13 March 2013

It was increasingly clear that while they cover a variety of styles- indeed Goodbye Kiss had a reggae feel to it-  GP&N are firmly in the tradition of classic American rock with the beguiling  Timekeeper, and an authentic cover of Springsteen Atlantic City both impressing.  Aside from Grace’s throaty voice in the tradition of Ann Wilson, Janis Joplin and Melissa Etheridge, their other trump card is a skilled set of musicians who instinctive ensemble playing reminded me of the Heartbreakers especially on rockier numbers like Mary, Runaway and Keepsake.

While Grace several times took to the keyboards for slower, more personal songs, it was when the band kicked into a groove that I enjoyed myself most, especially when big haired bassist Michael Libramento switched to keyboards and the songs had a more soulful feel.  Lead guitarist Scott Tournet at times stretched out in the manner of Lindsey Buckingham, adding to the Fleetwood Mac influences, notably on Nothing But the Water. The songs are perhaps not the most instant, so set closer Paris made a welcome change with its ‘ooh-la’la’ refrain after the chorus.

GRACE POTTER & THE NOCTURNALS, Bush Hall, London, 13 March 2013

After Stars came closest to the country rock I had mistakenly assumed them to be, a cover of Tom Petty’s American Girl showed the Heartbreakers comparisons were not misplaced, then a rocking jam to crowd favourite Medicine ended a set that was excellent value at an hour and three quarters.

Promising a swift return, on this evidence if you like the classic traditions of American rock, Grace Potter and the Nocturnals are not to be missed. I went to this gig merely curious and left acclaiming a favourite new band.

Review and photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: HALESTORM, Electric Ballroom, London, 8 March 2013

HALESTORM, Electric Ballroom, London, 8 March 2013

The rise and rise of Halestrom continues. Less than three years ago my first exposure to them was as the opening act on a three band bill with Theory Of A Deadman at this very venue, but the Pennsylvania rockers have since built such a following that after selling out the Islington Academy last autumn, they swiftly returned to headline the 1600 capacity Ballroom.  Not only that but their second album, The Strange Case Of, marked a quantum leap forward, its mixture of feisty aggression and choruses to die for making it one of my favourite albums of the past five years.

Musically and visually, Halestorm will always be about long-legged siren Lzzy Hale, but, with hair tied up and in a black dress, there were no airs and graces about her, just getting down to business as they opened with a trio of the heavier songs from ‘Strange Case’ in Freak Like Me, Love Bites and You Call Me A Bitch Like It’s A Bad Thing – where the reference to ‘see you next Tuesday’ always makes me chuckle.

One of the lesser featured tracks from their debut, Innocence was a fine, melodic ballad while there were also a couple of well chosen cover versions and not the obvious songs- indeed their cover of Dio’s Straight Through the Heart seemed to pass over the heads of much of the predominantly young audience.

HALESTORM, Electric Ballroom, London, 8 March 2013

Despite the feisty nature of her lyrics, Lzzy has a sunny disposition on stage in contrast to fellow feminists like Alanis Morrisette or Avril Lavigne,  regularly thanking their fans and leaving me wondering whether the snarling man-hating may be something of a marketing construction.

Moreover,  as she stood alone  at a keyboard, singing the haunting Breathe In, she came over as more of a Tori Amos or Kate Bush. Their stage act has been toned down from their rather gauche earlier days and the rest of the band can come over as being a bit faceless, but Lzzy’s brother and drummer Arejay, looking like a reject from Green Day in his dyed hair and school tie, produced his usual entertaining drum solo including swapping his drumsticks for what looked like a giant baseball bat.

Daughters of Darkness and Ms Hyde had big swathes of the crowd pogoing and shouting the huge choruses, before they ended with a cover of G n R’s Out Ta Get Me and two favourites from the debut, It’s Not You, another perfect blend of melody and heavy riffing, and I Get Off sent the crowd going crazy.

The encores ended a hour and 20 minute song on a high, with I Miss the Misery, which might just be my favourite of all the killer songs on the last album, and Here’s To Us a song made for singalongs.

With a magnetic singer, an increasingly polished act and a sound with big choruses that are made for filling stadia, there is no strange case about the inevitability that Halestorm, already big in the States, will continue their rise and be playing venues larger than this.

Review and photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig Review: ERIC MARTIN (Mr Big), Live Lounge, Cardiff, 19 March 2013

Eric Martin, Cardiff, 19 March 2013

Mr Big, made  a series of excellent hits dominating the 90s. Eventually they split up in 2002,  then after a long break and a reunion in 2009 they decided to stay together and produce  a new album in 2011.

The vocalist Eric Martin has  been in the game since 18, with his unique vocal talent. Working  with many successful artists and an illustrious solo career, he continues to perform solo acoustic sets. This time, flying in  from a gig in Rome late afternoon to Cardiff.

It’s worth noting the venue first, Live  Lounge is an independent club, with another one in Ayia Napa. One of Cardiff’s  hidden gems, serving food in the day, with feeling you are in restaurant. A  classy looking place with a great design and an upstairs bar, stage view balcony.  As well as a good standing or dance area, by the stage, with a large bar  downstairs. Luxury seating, all around the edges of it all. Friendly door staff,  efficient but fun bar staff and with a general cool vibe, that’s open until 4am.

The management decided to book Eric Martin and run the night for free. Obviously  on a first come first serve basis.

First up on stage to a packed house,  Smokin Aces – an up and  coming Cardiff original also covers band.  Playing whatever anyone asked for, an impressive approach to well performed acoustic takes on hits. They  definitely made an impact on a cheering crowd.

Eric Martin, Cardiff, 19 March 2013

The atmosphere in the club is buzzing, as  Eric Martin is announced and casually walks to the stage. Already charming the crowd while techs iron out a few teething set ups. Calmly saying, “Hey these things  happen, it won’t be long and we get down to the music folks”

This man’s voice is immense and with perfect acoustic guitar playing accompaniment. Performing a repertoire of rocking hits with an acoustic edge such as ‘Wind Me Up’, ‘Blame It On My Youth’ and ‘Colorado Dog’.

These contrasted with hits like ‘Green Tinted Sixties Mind’ and of course ‘To Be With You’.  Never missing a note or pitch, Eric Martin in the raw proves  to be a superb vocalist and performer.

Eric Martin, Cardiff, 19 March 2013

After Martin had left the stage another covers band appeared – Groovinators – and during their set Eric Martin reappeared.  Now with an electric  outfit behind him, Eric belted out some more hits ‘Take A Walk’ and ‘Daddy Brother  Lover Little Boy’.

How do you top that, well he stayed around  the club. Mixing with fans and partying with all the staff into the early hours.  A genuine character indeed and I was fortunate to have a drink and chat with him afterwards. Telling me about how he and Billy Sheehan got together with the  vision of forming Mr Big.   Stories of L.A. and record labels, Pat Torpey and Paul  Gilbert’s work with Robert Plant.

In conclusion, Eric Martin, is one of the  most talented and grounded rock stars around. Who seems to be living life, doing  what he loves and having fun. With more energy and enthusiasm at 52 years,  than most 18 year olds. He puts on a great show and definitely has a lust for  live and a good time. And if you are ever in Cardiff, get yourself over to Live  Lounge, a warm welcome awaits.

Review and photos by Jeff Oram


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SIDONY BOX – Rules

 

 

 

Sidony Box play what they call, ‘music of the moment’, revelling in free- form spontaneity which leaves the listener wondering just where they will go next.

Nothing is predictable, except perhaps the opening blast of cacophony and the meditative finish which tops and tails a challenging album. Just like their more accessible counterparts, Sidony Box still need an inner structure and a coherent finish.

It’s something of a surprise then that the evolving horn led groove of the jazzy ‘Girafe’ appears to be very structured, before drummer Arthur Narcy leads the trio into angular diversions followed by some inspired alto sax explorations by Elie Dalibert and an exhilarating finish.

Most of this album has as essential joie de vivre, as the intense triumvirate bravely let go and see where their unfettered interplay takes them. It’s a shape shifting, hard hitting album, but with different moods and textures that incorporate quiet to loud dynamics between some tracks. As is often case, when you’ve heard a whole album some of the contributing pieces make more sense.

The opening track ‘Rules’ is a contrary piece that appears to indulge in the exact opposite of its title, as the trio explodes into a cacophonous intro in which all the three instruments struggle to find space. But there’s a slight pause leading to a meandering sax led spiral over heavy metal thunder and an elongated outro

The breathless cacophony is revisited on the heavy King Crimson style ‘Dark Wizzard’, where manic guitar squalls and dissonant horn lines create an oblique wall of metallic intensity. Having established such an impenetrable wall of noise the trio have to work hard to try and maintain it. They do this through stop-start dynamics, and an up tempo guitar line that leads the horn into a completely new direction as the band really fly by the seat of their pants.

One way to approach the music is to interpret the interplay as speech patterns, but without conventional structure. But just when you think you’ve got a handle on their wide ranging explorations the band bring everything down on the gentle acoustic and flute intro of ‘Nocturnum’. This beautiful piece slowly unfolds in a wave of sonorous horn notes, chiming guitar lines, and thunderous cymbals in a free flowing progression that is one of the best tracks on the album.

‘Electric Love’ is a much more accessible melodic groove with a tension busting horn and guitar arc, as part of the most pronounced melodic sweep on the album.

‘Salsa’ is another free- form piece full of exploratory noises, an ascending horn line and all manner of delicate percussion. Its the kind of track you have to immerse yourself in rather than try to make sense of, while ‘Gotham’ is all guitar strings bathed in echo reverb and is a sister track to ‘Nocturnum’

The notes resonate around the studio to create an sense grandeur.  But the moment passes quickly, fractured by electronic noises as part of a nightmare storm, before gently subsiding to a quiet fade out.

‘Block Party’ is powered by some punk vibrancy and spirited jazzy sax lines, as the trio rock out with a real sense of urgency and spirit. Somewhere in the distant past Gong might have tackled a piece like this.

‘Ambre’ provides a fitting reflective ending, as a long piercing note leads us to quietude; the trio’s bluster apparently spent.

**** (4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SPOCK’S BEARD – Brief Nocturnes And Dreamless Sleep

Inside Out www.insideout.de

Spock’s Beard return after the well received ‘X’ album and a major line-up change as drummer/vocalist Nick D’Virgilio left in 2011. In his place come two new members, drummer Jimmy Keegan and Enchant vocalist Ted Leonard (do check out Enchant a fine band with a hint of Marillion amongst others in their sound). They have played live already with the band and now comes the big test…a new album!

Of definite interest to fans will be Neal Morse co-writing two songs on here, including the album’s epic song ‘Waiting For Me’  (co-written with his brother Alan). Apart from this epic number the band have gone for shorter numbers and ones with plenty of hook filled melodies. Highlights include ‘Afterthoughts’ with the keys of Ryo Okumoto melding into the guitar parts nicely and the song sees their trademark a Capella make an appearance. The way they nail those harmonies is simply wonderful to hear.

Ted Leonard fits the band like a glove and writes two songs on his own, including the wonderful melodies on ‘Submerged’, a song that recalls Enchant at their finest.

‘Something Very Strange’ is mainly instrumental and again features some neat interplay between Alan Morse and Ryo Okumoto. ‘I Know Your Secret’ could almost be a single, one of the most instantly accessible songs the band have done. Strangely Kansas in their later years came to mind after a few plays.

There is a second disc on the limited edition which I haven’t heard but – hey – this is Spock’s Beard and it’s bound to be good.

Spock’s Beard have produced another magnificent album and hopefully now this line-up can carry on for many years to come.

****1/2

Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BLUES TRAVELER – Suzie Cracks the Whip

 

 

 

Freeworld Records

Blues Traveler was always a blues based jam band at heart, but with an eye on the main chance, and not much has changed on ‘Suzie Cracks the Whip’.

There’s plenty of great playing, and short, sharp instrumental brilliance to match stirring melodies and decent hooks. The main difference is they have spread their song writing responsibilities outside of the band to co-write with Ron Sexsmith, and cover songs such as Chris Barron’s impressive ‘Saving Grace’.

And it all just about works because Popper’s vocal phrasing is never less than excellent. His stellar harp playing lights up the  middle of the Aaron Beaver’s ‘You Don’t Have To Love Me’, which is only marginally catchier than the poppy ‘Recognize My Friend’, while Popper also finds room to explode with a blistering solo on ‘Nobody Fall In Love With Me’.

So far so good, but you do wonder where the market is for Blues Traveler and their contemporaries like The Spin Doctors in an age of disposable dance beats. But they can always rely on their scintillating chops, which they subtly showcase on the tightly arranged ‘Devil in the Details’.

There can be very few contemporaries with the same essential bristling creativity after 25 years on the boards, even if it does sometimes lead them into a musical cul-de -sac such as the harp smothered reggae beat of ‘All Things Are Possible’. The title of the song would have suited the album as a whole, as the band stretches its parameters on the funky back beat of ‘Things Are Looking Up’.

Key to it all is Popper’s intuitive and expansive vocal phasing which is as eloquent and essential as his harp playing.

There’s another pitch at the mainstream with the Carrie Rodriguez penned ‘I Don’t Wanna Go’, on which Popper duets impressively with American Idol runner-up Crystal Bowersox. But what started off as an album full of refreshing ideas sags a little on the unfocused bluster of ‘Cover Me’, which despite a mesmerizing harp solo never really delivers what it sets out to achieve.

Far better is the sweeping melody of Chris Barron’s ‘Saving Grace’ which is well suited to the band’s melodic bent. It contrasts nicely with Popper’s poetic ‘Cara Let The Moon’ which is a stripped down piano and voice arrangement that would have suited Don Mclean and provides a poignant end-piece to a busy album.

**** (4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BARCLAY JAMES HARVEST – 25th Anniversary Concert

 

 

 

Voiceprint

Recorded back in 1992 at the Town & Country Club in London, this 25th anniversary concert isn’t quite ‘an absolute must for any Barclay James Harvest fan’ as suggested by the brief liner notes. The budget price album offers only a re-mastered audio of previously released material. Indeed the real die hard fans might still have the full 14 track concert on video. More likely they probably invested in the surround sound DVD which also contains the same set list.

The 8 tracks still have their moment though, as the opening Mockingbird beautifully distils the bands unique style, while the twin guitar lines save a synth dominated ‘Medicine Man’ from an overwrought dirgy arrangement.

The piano led ‘Play To The World’ comes from an era dominated by Supertramp, but it’s a welcome live version with a beautiful close to the mic performance by Les Holroyd.

‘Life Is For Living’ always sounded a little like Simon & Garfunkel to these ears. It  brings an uplifting feel to the set which extended by the guitar led ‘Rock n Roll Lady’ ,with echoes of Blue Oyster Cult, with impressive vocals and a pristine recording.

‘Poor Man’s Moody Blues’ lives up to its name and the Boland Brother’s single ‘Stand Up’ doesn’t quite make the successful techno transformation that they brought to Roger Chapman’s late 80’s career. The closing ‘Hymn’ overcomes some clichéd biblical lyrics to embrace the message of its title and more importantly connects with the fans.

Much like their late 60’s co-survivors The Moody Blues, BJH are an easy target for their earnest lyrics and proggy arrangements, but the good moments outweigh the bad. Then again, so they should, given that this CD could have gone the extra yard in terms of extra tracks.

*** (3/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: THE UNION Islington Academy, Thursday 28 March 2013

This was the rescheduled gig after the February one was postponed as vocalist Pete Shoulder was suffering badly from flu. Luckily he has since fully recovered and there was a decent turn out again. First up were Black Wolf, who had played at the February gig.

They are a young and exuberant five piece with a frontman who fair belts out the songs (and has a decent line in Coverdale/Plant approved rock star poses), plus one guitarist who thinks he is Angus Young right down to the Chuck Berry approved duckwalk.

The sound got a bit distorted at times and I am surprised the powerful drummer didn’t burrow his way through the stage! They have the enthusiasm, a good reception from the crowd and sounded tight, along with a couple of above par tunes making them a band to keep an eye on.

Next up we have American three piece Beware Of Darkness and their frontman certainly is no shy, retiring type leaping all the over the stage andbusting his guitar lead by the end of the second song. Musically they had a little Nirvana meets Smashing Pumpkins vibe about them and two songs in the set were good, but after awhile you started clock-watching and wondering when they would be wrapping up their set. They said they would be supporting the Smashing Pumpkins in July and perhaps that is a better audience for them.

The Union, Islington Academy, 28 March 2013

And so The Union and Pete Shoulder quipped at the start ‘now where were we?’ Kicking off with ‘Step Up To The Plate’ and ‘You’re My Jesus’ showed the band and in particular Pete Shoulder wanted to make up for the postponed gig.

Pete Shoulder sounds superb on CD and even more so live, like Myles Kennedy he effortlessly swoops and sores his vocals as the songs require it. He is not a bad guitarist either and he has a good onstage rapport with the crowd.

The other main driving force in the Union is of course Luke Morley, who as you’d expect played flawlessly and gave a heartfelt thanks to the fans for supporting them. Add in Thunder bassist Chris Childs and drummer Dave McCluskey and the Union are a real force to be reckoned with.

The Union, Islington Academy, 28 March 2013

 They may be only three albums into their career but they gave the excellent new album ‘The World Is Yours’ a fair airing. In fact the title track was one of the night’s highlights, along with a new song ‘Tonight I’m Alive’.

What I love about this band is that they have no set musical genre, as one minute you can have some hard rocking blues and then they hit you with some modern rock a la Alter Bridge. Bizarrely the postponed gig had seen both the band and more importantly the crowd really up for the night and neither would go home disappointed.

The Union, Islington Academy, 28 March 2013

Due to the joy of trains I had to leave early so missed the last couple of songs including the immense ‘Siren’s Song’ and the encores which included ‘Watch The River Flow’.

The Union have completed their most successful tour to date and they keep a consistently high standard on album and live. I’d highly recommend you get along to see them on their next tour and it can’t be long before they are playing even bigger sized venues.

Review by Jason Ritchie

The Union, Islington Academy, 28 March 2013

Little over two years since they made their live bow, The Union continue to work at a cracking pace. Already onto their third album, the Pledge Music-funded The World is Yours, as guitarist Luke Morley said, at each tour they are playing to an ever larger following , escaping the shadow that many feared his past (and occasional present) with Thunder would cast.

This though was a night with a difference – a show rescheduled from a month earlier when Peter Shoulder’s voice had given out just two songs in.  The crowd did seem a bit smaller second time round, though the first words in his rich Geordie brogue ‘now, where were we? instantly got everyone in a good mood.

The Union, Islington Academy, 28 March 2013

Traditional opener Step Up to the Plate and You’re My Jesus , with some tasty slide guitar work from Luke, are cast in the same honest bluesy rock stone that Thunder carved, but The Union are a different beast, Pete’s unique vocals enriching a variety of styles, all nodding to rock’s past yet sounding contemporary. The ever assured Chris Childs on bass and energetic curly haired drummer Dave McCluskey completed a very tight unit, with Luke and Chris’s harmony vocals completing the package.

While some of the new songs, like Tonight I’m Alive,  made an instant impact, others  such as the title track from the new album, are not obvious and take a while to reveal their charms. This however gives their live show a depth that perhaps Thunder’s cheeky chappie approach did not have. However the crowd did seem to have a rather disproportionate number of old curmudgeons and the response was appreciative rather than lively, even on more commercial numbers like Obsession where the band tried to get a clap along going alongside its glam rock riff.

The Union, Islington Academy, 28 March 2013

Pete’s rich, expressive voice also lends itself well to ballads and the way some of the country or Americana flavoured ones – like Saviour and Fading Out of Love –  offset the more swaggering blues rockers reminded me at times of the role of Ronnie Lane’s songs within the Faces.

Having taken a while to get the crowd going, they judged the set pace perfectly with the more familiar sounds as we entered the home straight of Blue Monday, with its sixties influences from the Doors and the Kinks, Black Gold which had the swagger of prime time seventies American rock, not to mention a searing guitar solo at the end from Pete, then Siren’s Song, which with its chanting and heavy riffing appears already to have become the Union’s signature tune.

Once again the encores showed their versatility with the country ish ballad Come Rain Come Shine leading into the muscular Bad Company esque riffery of Watch the River Flow, proving it was worth the wait for Pete’s voice to return. While they may never occupy the same place in rock fans hearts as Thunder have, The Union deserve to be taken seriously in their own right and this gig proved that  few bands are making music of this consistent quality at present.

Review by Andy Nathan

Photos by Mark Carne


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE NEW GROOVE – Quit Bitchin’

 

 

 

 

The New Groove Records [Released 10:12)

If passion and commitment equated money, The New Groove would be millionaires. ‘Quit Bitchin’ delivers 10 belting rhythm and blues related tracks that mix hot playing and meaningful lyrics with a stellar production.

Recorded at the famous Rockfield studios and produced by Grammy award-winning sound engineer Steve Orchard, The New Groove live up to their name with some rasping guitar and blistering harp led R&B.

The band is focused round vocalist and harp player Ben Curtis and Steve French on various guitars, and is powered by drummer Steve Rodford and bassist Henrik Irgens, with Carrie Haber adding bv’s to her piano and Hammondfills.

The album is a meeting of minds on both side of the mixing desk and captures a moment in time when Ben had to over come adverse health issues and French had decided to concentrate on his music.

The album is topped and tailed by the best two songs - the slide led title track which jumps out of the tracks and the whip crack rhythm of  ‘Give It Time’ which could have come from an early Dr. Feelgood album, but aims for something bigger with a layered sound and weighty hook

The white knuckle rocking would surely make stalwart pub rockers like Ducks Deluxe smile. Vocalist Ben Curtis has the same smoke tinged voice, energy and musical style as Sean Tyla and the ballad ‘It Aint Easy’ would easily have fitted a Ducks album.

‘Quit Bitchin’ uses the expansive Rockfield sound to its full potential, particularly on the big sounding ‘Shovellin' Dirt, complete with Steve French manic solo and Ben’s wailing harp and uncompromising lyrics - ‘They got me six feet down and I’m Shovelin' Dirt’.   Then there’s the old time rock & roll of ‘Rip It Up’ which might well have come from a George Thorogood album.

The band sound like they have waited a long time to nail their rip roaring style in a live in the studio setting, though the booming arrangements suggest with a little more thought. The catchy ‘Teen Street’, muscular ‘Injustice’, funky ‘You’re the Girl’ and harp led blues of ‘If I Have To Leave’ all carry the bands unique DNA.

In truth the songs many not be memorable enough to break through the glass ceiling that holds back many a rhythm & blues band, but Ben’s throaty vocals are coated in subtle bv’s and a big production that brings a sense of grandeur to even the most mundane of songs.

File under old school r&b played with vigor, verve and passion and only a few songs short of being essential.

*** (3/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to 'Assume The Position'. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon "Tuesday is Bluesday at GRTR!". The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for "Get Ready to ROCK!" and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 - 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 - 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 - 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you'd like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this - in addition or separately - please click or tap here - for more information - the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ALAN HEWITT – High Fidelity

 

 

 

 

Angel Song Records

With a playing and production background spanning Earth Wind & Fire, Warrant, and more recently The Moody Blues, as well as high profile TV and film soundtrack work, keyboard playing vocalist Alan Hewitt’s musical pedigree is not in doubt.

‘High Fidelity’ gives his instrumental prowess and gentle vocal style a melodic soft rock focus, which at its best offers potential radio plays, but at its most bland would land him a spot on a dinner jazz station. Happily there’s enough seriously good playing to satisfy a cross over palate, ranging from the intricately arranged ‘Save Me’, to the Latino funky feel of ‘The LA Song’. The latter is a gem that might easily fit into Todd Rundgren’s poppier moments.

It’s rare for an independent release to have such a sophisticated production, let alone such well thought out songs. The soft focus sax intro, tinkling ivories and expansive harmonies of ‘So In Love’ gently evoke the song title on a beautifully conceived piece of jazz fusion. ‘How Will I Know’ is no less impressive with its layered hymnal vocal sweep as part of an 80’s sounding keyboard piece.

The MOR quotient might test your patience but there’s no denying the classy arrangements and Alan’s mellifluous vocal style that draws you into the songs.

The only down side to a lushly produced and crisply recorded album is that by the three quarter mark you could really do with a little more rock and a little less sugar, with ‘After The Rain’ being one  ballad too much. But given Alan’s forte is what his PR calls a ‘musical tapestry’, he plays to his strengths, whether on the lush strings and backing harmony vocals of ‘Here After’ or on the techno, funky groove and exuberant piano lines of the instrumental title track.

You pays your money and you takes your choice, and if you dig soft rock melodies played with a nuanced jazzy feel, this is for you.

**** (4/5)

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig Review: LOVE/ HATE, KNOCK OUT KAINE – Bannermans, Edinburgh, 27 March 2013

Interesting venue Bannermans. It is in the Old Town part of Edinburgh and is a vaulted cellar which forms a compact little venue. At their peak Love/Hate would have been playing venues at least ten times the size of Bannermans, but it has been a while and this is emphasised by the fact that this tour is to celebrate the release of the ‘Black Out In The Red Room’ album 20 odd years ago.

The bill featured four bands tonight, but the first two had unfortunately come and gone by the time I arrived. However, I made sure I was down the front by the time Knock Out Kaine hit the stage.

There is a buzz around Knock Out Kaine at the moment following the release last year of their debut album,‘House Of Sins’, and dates including a support with Status Quo in Glasgow. The KOK name is starting to make waves. The band have also recently announced a tie in with the charity campaign to get a Vulcan bomber flying again, an interesting piece of PR ( read more here – http://www.vulcantothesky.org/).

Kicking off with ‘Set The Night On Fire’ the band were on top form. Frontman Dean is a born entertainer who engaged the crowd from the off and he soon had them on his side. The rest of the band were literally on fire with Lee and Danny providing a solid backline that allowed Jimmy the freedom to play up a storm on guitar.

The set was short but sweet with ‘Skin Star’ and ‘Backstreet Romeo’ being two personal highlights. The set was rounded off though with ‘Somebody Save Me’ which was turned into an enthusiastic singalong by Dean in which the crowd were more than happy to participate. The band left the stage to loud cheers and much applause, it would appear the rise of Knock Out Kaine may be as spectacular as that of Vulcan XH558.

Tonight though was all about the return of Love/Hate and although the crowd may have shrunk in the intervening 25 years, their enthusiasm certainly hasn’t. To get to the stage the band had to walk through the centre of the crowd which parted like the Red Sea to allow Jizzy and co free passage.

Jizzy Pearl is as lithe and lean as ever and as the band launched into opener ‘The Boozer’ he danced and bounced around like a man possessed. The beauty of Love/Hate has always been their ability to write short, sharp melodic rock songs with a twist, whether it be off kilter rhythms or unusual riffs there is always something to grab your interest. Unsurprisingly the bulk of tonight’s set was culled from the ‘Blackout…’ album and all songs were greeted like old friends by the masses.

Jizzy was in good form, joking with the crowd between songs, although he was having mic problems that took a while to rectify. The songs were delivered in a fast and furious fashion with the guitar work proving to be as electric as ever. With the crowd singing along with old favourites like ‘She’s an Angel’ and ‘Evil Twin’ there was a real celebratory atmosphere with both band and crowd loving every minute. Highlight for me was watching the cranking out of the slap bass riff on ‘Why Do You Think They Call It Dope’ at close quarters, stunning stuff!

This show proved that Jizzy and co are still a force to be reckoned with and that the ‘Blackout…’ album has stood the test of time and still sounds as vital as it did back in the day. The sound could have possibly been a bit sharper but this show was all about the energy and passion shown by both bands which was echoed by the crowd. A top night was had by all.

Review and photos by David Wilson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JIMMIE VAUGHAN – Reissues

 

 

 

Repertoire Records [Release date 05:2013]

Perhaps only Jimmy Vaughan could cut a trio of albums that started with a nomination for Best Contemporary Blues Album Award (‘Strange Pleasure’) , nearly won the Best Rock Instrumental Performance Award for ‘The Ironic Twist’ (‘Out There’)   and finished with ‘Do You Get The Blues?’ which actually won the Best Traditional Blues Album Award.

 As Jimmie said recently; ‘when you love music from a particular era you don’t have to search very hard’. And given that his passion is routed in the 50’s and early 60’s, he’s made a good job of bending various blues related genres to his own ends.

 ‘Strange Pleasure’ featured lots of new ideas with a retro twist, and then he penned three quarters of a cross section of blues styles on his second album, before turning his attention to the bluesier aspects of jazz. The net result is plenty of cool grooves, effortless shuffles, occasional spirited duets, and plenty of laid back but incisive guitar playing, over three albums within his chosen trio format.

 ‘Six Strings Down’, the moving ode to his brother Stevie Ray on ‘Strange Pleasure’ compasses several of those strands in a country, blues, gospel mélange and a role call of fallen guitar giants.

 Released 4 years after Stevie’s death, it was an album born of reticence and it took Clapton no less, to encourage Jimmie to step out in his own right. And if the result wasn’t quite the fired up album some might have expected, there’s still good rocking on the opening ‘Boom-Baya Boom’, economical playing on the ‘Flamenco Dancer’ – which is actually a hefty shuffle – and a lovely after hours feel to ‘Tilt-A Whirl’. It’s an impeccably played debut album with gospel tinged bv’s .

**** (4/5)

4 years later, ‘Out There’ consolidated Jimmy’s push towards American Heritage music, or the blues by any other name.  By now he was confident enough of his fans loyalty to effectively cut a blues showcase. It’s delivered with the touch of a master, though the best moments are fleeting rather than substantial and are tempered by an MOR feel that borders on the languid.

 Nothing touches the vigour and party feel of the opening Nile Rogers produced ‘Like A King’, though the Greg Piccalo’s horn blown party instrumental ‘The Ironic Twist’ tries hard.

 Jimmy aims for a mellow Robert Cray meets Al Green soul synthesis on the Dr. John co-write ‘Lost In You’, but the title track is possibly the best barometer of his laid back approach. For the rest, there’s an early Little Richard influenced ‘Positively Meant To Be’, Johnny Guitar Watson’s ‘Motor Head Baby’ and the clichéd ‘Kinky Woman’, which is still a signature shuffle on an album packed with good playing and style,  if not original ideas.

*** (3/5)

‘Do You Get The Blues?’ continues the retro blues feel of the previous album but within the jazzy spectrum of the genre. ‘Dirty Girl’ seems to be a musical and thematic cousin of the preceding album’s ‘Kinky Girl’, while two duets with former T-Bird vocalist Lou Ann Barton – the stinging Texas shuffle of  ‘Out Of The Shadows’ and the uplifting ‘Power Of Love’ – achieve what he calls that “’boy/girl duet thing.”

 The slide led ‘The Deep End’ is a fine down-home blues work out, with Jimmy flanked by James Cotton on harp and Greg Sain on accompanying vocals, and ‘Without You’ is full of delicate notes and Jimmy’s best soulful vocal. He leans into the funky percussive feel of ‘Let Me In’, mixes acoustic guitar and flute on the jazzy cool of ‘Don’t Let The Sun Set’ and up’s the tempo on the gospel tinged shuffle ‘Robbin’ Me Blind’.

 ‘Do You Get The Blues?’ subtly ebbs, flows, and finally smoulders, or as Jimmy simply puts it; “we just play. We’re old timers doing our stuff’.

**** (4/5)

 Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SIX FEET UNDER – Unborn

Metal Blade – Out Now.

Constant band line up changes are normally the stuff of nightmares for any devoted fan as they normally tend to affect both the style and character of a band. In the case of the Floridian Deathsters Six Feet Under, however, additions and removals have so far proven to be very beneficial, as suggested by the quality of the music presented by last year’s studio effort “Undead”.

Months after the release of that very same album, the band welcomed in its ranks guitarist Ola Englund and bassist Jeff Hughell and with their help began working on eleven new compositions, which now put together Six Feet Under’s tenth full length release entitled “Unborn”.

The first thing you will notice when looking at the album cover of “Unborn” is that it follows a concept not so alien to that of its predecessor, but similarities between the two albums do not stop there. Once again Chris Barnes and Co looked towards their glorious past for inspiration and their ‘blitzkrieg’ approach to song writing has been very successful as their newly-created short compositions are filled with massive-sounding groovy riffs and vocal harmonies which, though straight-forward, are dangerously infectious in their appeal.

Kevin Talley’s personal contribution has been integral in shaping the album’s character as not only has he come up with some pretty challenging fills but he has also provided the platform upon which Steve Swanson has built his massive riffs – Six Feet Under’s trademark feature since day one.

I really love the way “Neuro Osmosis” kicks off the proceedings as both the acoustic intro and the subsequent heavy laden riff are of the highest quality. Chris Barnes is fast in proving why he is considered amongst the most influential Death Metal singers of all time, with his varied vocals adding much character to the bombastic opus “Prophecy”.

Presenting your best song quite early in the album is not what most bands would opt for but Six Feet Under is not what you would describe as the average band, right? “Zombie Blood Curse” is the kind of song whose riff you will constantly want to head bang to and whose refrain you will sing-along to at any given opportunity and the same applies to the straight-forward “Incision”.

Sandwiched between them is “Decapitate”, a cleverly-crafted and bombastic belter which follows a path similar to “Fragment” – another rhythmically challenging piece. The latter part of the album showcases similar variety of material with “Alive To Kill You”, “Inferno” and “Psychosis” following more classic formulae, whereas songs like “The Sinister Craving” and “The Curse Of Ancients” clearly portray the band’s new-found maturity and inspiration.

I remember a time when I found myself thinking that perhaps I had heard all there was to hear from Six Feet Under, but albums like “Unborn” clearly suggest that there is still much life in this old ‘corpse’ (pun clearly intended!).

Clearly inspired, much energized and always under the protective wings of Metal Blade, Six Feet Under can attain their future with much faith and optimism; as long as they are releasing albums of the quality of “Unborn” then no extreme metal aficionado will refuse them their support.

John Stefanis

Rating: **** (4.0/5.0)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album Review: UFO At The BBC: On Air 1974 – 1985

UFO

Chrysalis

This is a lovely thing. Admitedly, it is likely to be of most interest to collectors and completists. Then again, at just over £12 at a well known on-line music retailer (other retailers are available), who wouldn’t want to get their covetous digits on this fine box set of 5 CDs, and 1 DVD covering the bands most creative period, captured live at the BBC.

Chrysalis/EMI have had a seriously good crack at remastering and reissuing their UFO’s back catalogue. The studio albums scrubbed up a treat and were relaunched a little while ago with rare material and live tracks. Then came the nicely researched and packaged collections with a bit more bonus material . Finally, last year came the excellent official bootleg live box set 75-82. So what can another collection of hidden gems really add to this burgeoning portfolio?

Plenty. Whether you want to hear the many shades of ‘Doctor Doctor’ or ‘Rock Bottom’ captured here, or want to explore bucket loads of other worthy stuff.

CD 1- 1974: Possibly, the most interesting CD here. An In Concert set that features a rare pairing of Michael Schenker and Paul Chapman on lead guitar. ‘Tonka’ Chapman dipped in and out of UFO’s line up in the early days before taking over officially from Schenker in 1979. ‘Oh My’, ‘Built For Comfort’ and Space Child’ really benefit from the (ultimately doomed) twin lead guitar experiment. The second half is from a Bob Harris session later the same year, by which time Tonka had moved on. ‘Time On My Hands’ is a bluesy stretch only captured rarely the properly excellent, boogie driven ‘Give Her The Gun’ is a joy. This was the first single recorded by the Schenker-era line up in ’73, but didn’t make the album.

CD 2 – 1975 – 1977: The final disc featuring Schenker is an In Concert recording with the band in blistering form, rattling through six tracks from ‘Force It’ and ‘Phenomemon’’ that would be live staples for years. The final three tracks are from a John Peel session where ‘Try Me’ stands out as an introspective and tender track, stripped down from the album version and with Schenker at his mercurial best.

CD 3 – 1980: a full In Concert set from the band’s ‘No Place To Run’ tour. Despite Schenker’s departure, the band were riding the crest of a wave and confidence oozes from every track.  Beyond the classic tracks, ‘Mystery Train’ just smokes and ‘Cherry’ shows off UFO’s knack of changing pace and mood without dropping the intensity.

CD 4 – 1982: Another In Concert set from the ‘Mechanix’ tour. Neil Carter had replaced Paul Raymond on keys and rhythm guitar by now, and had introduced sax on the previous year’s studio platter.

Much to the chagrin of founder member, Pete Way who left shortly after this tour, citing  (amongst other things) unease with the ballads and the use of sax. So it is ironic that this set captures some of the band’s harder, heavier material in full force. ‘We belong To The Night’, ‘Long Gone’, ‘Doing It All For You’ and ‘Makin’ Moves’ are UFO at their powerful best.

CD 5 – 1985: Recorded at Knebworth, supporting their (first) comeback album ‘Misdemeanor’. The strength of the songs on that album was totally undermined by a synth-heavy, pop-influenced production. A massive disappointment.

This set is valuable because it captures the band in their natural arena playing some rarely heard good tracks like ‘Blinded By A Lie’ and ‘Night Run’. It hints at what might have been with a decent sound and a proper guitarist! (Apologies to Atomik Tommy M.)

DVD 1 – 1979 – 1982: Here’s a collector’s item! UFO’s BBC TV appearances – and there are more than you might think. The TOTP content is amusing for the posing and poncing around, but the priceless material for the purist is the bevy of excellent live tracks from the Old Grey Whistle Test and the (long forgotten) Oxford Road Show.

This collection is an absolute treat. Go on indulge yourself.

 *****

Dave Atkinson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: VREID – Welcome Farewell

Indie Recordings – Out Now.

London has always been a desired destination for Rock bands since the inception of the genre. One band which has consistently made an effort with visiting the capital of the United Kingdom, mainly as an opening/support act, is the Songdal-based, Black/Rock n’Roll quartet Vreid.

It was during one of these shows that my interest in them began to flourish but it is only now, with the release of their sixth full-length release entitled “Welcome Farewell”, that I can finally claim to have had a truly great musical experience with their music, courtesy of these fine Norwegians.

Don’t get me wrong; albums like “Milorg” (2009) and “V” (2011) have had their fair share of crunchy riffs and catchy melodies – important weapons in the band’s musical arsenal – but this is the first time that I find Vreid to have utilised their unquestionable skills to the maximum, creating in the process an album that is both memorable and, at times, technically challenging.

Guitarists Sture and Strom are pretty much responsible for the majority of the catchy tunes on offer, and the times when they have decided to work together on twin guitar melodies the end result is simply stunning. Much higher up in the mix than usual, bassist Hvall often acquires a leading role and together with the powerhouse of a drummer Steingrim, they have ensured that each of the eight compositions of the album is infused with much energy and passion.

The five minute piece “The Rambler” is a clever choice for an opening act as it pretty much incorporates the variety of different elements that can be found in this release: bombastic drumming, crunching heavy riffs, harsh old-school Black Metal vocals and simple guitar lead melodies that will stick with you for days on end.

In “Way Of he Serpent” the band betrays its early 90s Black Metal pedigree, with galloping riffs that would make bands like Destroyer 666 envious, while “The Devil’s Hand” finds them move into Rock n’Roll territories, just like Satyricon during the “Now Diabolical” era. The same-titled composition “Welcome Farewell” finds the guitar duet Stue/Storm deliver their high quality riffs and melodies with much conviction and skill, while the groovy 70s riffs of “The Reap” is definitely recommended for head banging.

It is, however, towards the end of the album that Vreid really decide to go ‘all guns blazing’ and the result can be heard in the duet “Sights Of Old”/”Black Waves” – the former featuring clever atmospheric leads and a twin guitar melody reminiscent of Flotsam And Jetsam “No Place For Disgrace” era, while the latter offers up the meanest and meatiest mid-tempo riffs ever recorded by the band.

Though not a Prog Metal band, Vreid show such inclinations in the moody and cleverly-crafted “At The Brook”, offering in the process not only a unique ending to this dead impressive album but also perhaps a promise of many interesting things to come in their future releases.

“Welcome Farewell” is one of those albums that sounds relevant and appropriate wherever you are, whether it is driving to work (mind your speed!), doing your shopping or working out.

Furthermore, and providing that the Gods of Metal do not hold any grudges against them, this should be the release that should solidify their reputation as a unique-sounding extreme Metal band that deserves the attention and loyalty of fans of all things extreme. Get a copy of this album without any hesitation – you will thank me later!

John Stefanis

Rating: ****1/2 (4.5/5.0)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SODOM – Epitome Of Torture

SPV – Release Date 29/4/2013.

Coming up with a decent introduction to a new Sodom album has always been a difficult task for me. I mean, what is there to say that hasn’t already been stated about Tom Angelripper and his band – a band which, throughout its thirty two years, has created many classics, has helped shape a scene and has influenced myriads of bands whose range varies from classic 80s Thrash to extreme Death and Black Metal?

Maybe perhaps the fact that Gelsenkirchen’s finest are not the kind of band which chooses to rest in their laurels but rather aim towards new goals and achievements with every new release. As a long term fan, this is exactly what I am reminded of every time I listen to the ten compositions that are “Epitome Of Torture” – the band’s fourteenth studio album.

It may be true that, especially in the mid 90s, these merchants of Teutonic Metal have found themselves indulging in styles and sounds that are not very compatible with what one would consider “classic” Thrash Metal, but the addition of guitarist Bernd “Bernemann” Kost to the band’s line up back in 1996 resulted in a series of albums that were closer to the spirit of the band’s classic era.

Though following the same ‘trend’, “Epitome Of Torture” is the kind of album that holds quite a few pleasant surprises both in terms of the guitar work and the vocal performances on offer and thus stands out as an album of individual character rather than just another product of an already tried and tested formula. The olds school fans will get their fair share of solid, head banging riffs while the younger ones will enjoy a variety of vocal performances, flamboyant solos and harmonic leads of the highest quality.

The album kicks off in a truly inspired fashion as the opening harmonies of “My Final Bullet” are of the highest quality and together with its massive up-tempo riff and Blind Guardian-esque lead guitar melodies, they elevate the composition to unimaginable heights.

Much simpler and straight-forward in its appeal, “S.O.D.O.M.” nevertheless incorporates some skilful lead guitar work while the same-titled “Epitome Of Torture” features some massive mid-tempo head banging riffs and more sing-along tunes. If you like your Thrash to be fast and furious then you should definitely check out the old-school belter “Stigmatized” – a song which finds Herr Angelripper showing off some fitting growls.

Closer to the spirit of 2001’s “M16”, “Cannibal” will bring much joy to the groove-lovers amongst you while both “Shoot Today Kill Tomorrow” and “Invokating The Demon” have bombastic drums as integral to the composition. A touch of the ‘exotic’ and perhaps also the humorous comes in the shape  of “Katjuschka”, a song whose opening them is based on the well-known wartime Russian classic love song while “Into The Skies Of War” wins the title of the stand out track of the album as a result of the amazing main guitar melody provided by Bernemann.

How does one end such an impressive album? With “Tracing The Victim” – another five minute belter filled with bombastic drums and skull-crushing riffs: those that made Sodom famous around the world back in the mid 80s and which continue to keep them relevant thirty two years later!

Back in the early 80s, three young lads from an industrial city in North Rhine-Westphalia formed a band, not so much with the hope of one day conquering the world and becoming Rock stars, but rather as a means to mentally escape the hardships of their daily lives.

It is perhaps due to this ‘down to earth’ approach, still evident in the band’s work and attitude to this day, that an album such as “Epitome Of Torture” sounds so fresh and relevant – an album that gets better with every new spin. Here’s to many more years of top quality Thrash Metal…and if anyone can lead such a quest that will almost certainly be Sodom!

John Stefanis

Rating: ****1/2 (4.5/5.0)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


HAMMERFEST V, Pwllheli,Wales,14-16 March 2013

Hammerfest V, March 2013

Another year, another venue but Hammerfest V goes on with the same spirit that it has done for the previous years. Yes there may have been a number of people complaining about the new venue, the line up etc but these are the ones that forget that Hammerfest has grown bigger than just a gig, it is now a community, a gathering of like-minded metalheads who come together to enjoy a weekend of excellent music, beer, wandering giants, meeting friends and fun.

This is the first event in the year from the Hammerfest clan. The others being Hard Rock Hell AOR, HRH Prog both in April, HRH Road Trip, HRH Ibiza and HardRockHell in Nov/Dec and all being run by the tireless crew at Chic Festivals of Fleur, Terri, Clair and Jenny to name but a few. Keep up the great work guys.

The lineup this year did have a few changes at the last minute and one in particular was that Texas Hippie Coalition were not to appear, I was really looking forward to seeing them play, also not there were Huntress. However this meant that another favorite of mine was included in Savage Messiah.

We arrived on Thursday and checking was issue free both at the VIP area and the Media suite. Finding the Caravan was a bit more awkward as the numbering system was a bit askew but we finally get settled and unpacked all the beer.

A note on the accommodation: those who have been to Prestatyn will know the quality of the chalets was OK, but these caravans were a good few levels above. Comfy, warm well equipped and a good fridge. So beers cracked heavenwards we headed over to stage 2 for the evening entertainment.

The Goddamn Electric, Hammerfest V, March 2013

Thursday 14 March

Opening up the Samurai Stage  Manchester based THE GODDAMN ELECTRIC. Not the easiest slot of the weekend to work with but they hit the stage running with their brand of Hard Rock blues groove music. The set based mainly around the release of their new album “Snakebite” certainly hit the right chords and the crowd started filling in and getting into them.

Fronted by Tommy whose powerful and gritty vocals cut through the steady backline of bass (Justin) and drums (Gavin) and complements the riff ripping guitar (Al) their sound is very precise and gritty.

Tommy is a very visual and upfront singer and gets upclose with the audience to bring them into the whole show that is The Goddamn Electric. Having listened to the album before the show and then seen the live performance I know I want to see more of these guys and a full set at one of their upcoming gigs, look out for the album launch gig in Manchester and London.

Black And Souls, Hammerfest V, March 2013

BLACK ACID SOULS played to a now pretty full 2nd stage, Their Rock Metal sound forces its way out of the speakers and smacks you round the head and says “listen to me”. The band, formed in 2008, are touring now after the release of their Deadly Sins album with its combination of driving rhythm section and dual guitar riffs.  Their powerful, razor sharp metallic sound  was received by the crowd with the intensity that it was delivered.

Next up VICIOUS NATURE, a four piece that has members from Cloven Hoof, Marshall Law and Cerebral Fix and between them have numerous albums behind them. Their current band – while not being long formed – are building up a good following in the Midlands Metal Scene and now have a set at Hammerfest, playing tracks off their current EP “Fight For Your Life”. A balls out set ensures they have gained alot of new followers.

Savage Messiah, Hammerfest V, March 2013

Following next was SAVAGE MESSIAH, a late addition to the bill but one that was gladly received by the masses. After a late night set last year where they finished the festival they get a midday slot this year and have already drawn in a full crowd. Another blistering set by them goes to show that the quality of the acts this year are second to none and this was still only the first day.

The rest of the day was a bit broken up as beers and food in the form of beer were sought and gladly found at the stage bars and also the outdoor Jagermeister bar. Beer prices were pretty reasonable as was the selection. The staff at all the bars were excellent all weekend and queuing, if any, was down to a couple of minutes.

Other bands on this stage were DYSCARNATE, SACRED MOTHER TONGUE and SISTER SIN; the night was finished off by KRUSHER. Stage 2 had given a damm good day of music and an insight into what were going to expect for the rest of the weekend.

Attica Rage, Hammerfest V, March 2013

Friday 15 March

We were woken by the lovely sound of rain on the roof and squawking seagulls, not the best thing for a hangover. Today was going to be a busy day of music with over 25 bands performing on 3 stages. The 3rd stage was The Barrell pub which unfortunately we didn’t make it over to which was a pity really as there were 4 very good bands on performing acoustic sets.

Friday Dragon Stage

While the day kicked off with THE IDOL DEAD, CHEMICALS OF DEMOCRACY and ARTHEMIS.

My first band on this stage today was ATTICA RAGE, a Glasgow based band formed back in 2005 who have been building up a loyal clan of followers are now touring on the back of  their album 88MPH. Their stage show and sound was one of the highlights of the weekend for me.  IRON SAVIOUR and ENSLAVED continue on the afternoons metal feast.

Hatebreed, Hammerfest V, March 2013

The crowd had been getting wilder all day and when HATEBREED hit the stage the full on moshpit took shape and the crowd surfers were out in force giving security some catching to do in the pit. Hatebreed gave us a full on onslaught of their thrash metal punk sound that was as good as ever and Jamie Jasta gave an awesome set.

Killing Joke, Hammerfest V, March 2013

KILLING JOKE did what you would expect from a band with their heritage, a well laid out set covering all their work. Led by Jaz Coleman who paraded round the stage giving a polished performance, while it was a great set it didn’t seem to get the crowd fully ignited, Maybe they were all still fazed by Hatebreed.

The final slot on Stage 1 for the evening – or by now early morning – was SCIFI MAFIA. As the stages were running late and this was billed as the aftershow party it seemed that most of the arena had headed off for the night so by the time Scifi Mafia took to the stage their was only a skeleton crowd left.

Compared to last year’s mid afternoon show when there must have been 2000+ this year there was no more than a few hundred. This did not detract from the show that we witnessed. Once the gremlins of a dead guitar amp had been sorted out all our senses were hit by the band.

Sci Fi Mafia, Hammerfest V, March 2013

Musically there style of psycho mind bending rhythms and metal ripping guitar sends you mind to a place that brings back memories of Hawkwind and Lemmy with a touch of Steve Hillage just for fun.

This linked with the visuals of the scantily clad maidens of the AREA 51 crew of fire who toy with the flames and contort themselves for your visual pleasure.   You actually feel part of the show and can’t help but get involved with it. This was received full on by the lucky ones that had stayed to the finish and what an end to an excellent day of fun and frolics.

Friday Jagermeister Stage

TRIAXIS were one of the crowd favorites of the day on this stage and they did what they do best and delivered a great set of classic metal sounds.  The rest of the day on this stage was furious and we only caught a song or two from the bands but the crowd as always on stage 2 was giving it all and enjoying the music and experience that is Hammerfest.

Bands on were ANCIENT ASCENDANT, IRON KNIGHTS who were awesome, RSJ, CAYNE, CHIMP SPANNER, BLOODSHOT DAWN, ABSOLVA (featuring Chris Appleton and Martin McNee from FURY UK) and WINTERFYLETH.

LIFER, all I can say is WOW, as hard and as heavy as you want, these guys were great. The moshpIt was in full flow and from the sidelines looked pretty goddam brutal but no one seemed hurt too bad.

These guys were staying in two vans down from us and when they arrive a blow up sheep appeared in the window but was noted for its absence the following morning, I reckon the guys must have been celebrating and the poor sheep was the worse for wear.

One of my best new bands of the weekend for me was VIZA, never seen them before but when a metal band includes an Oud as one of their instruments you know you are in for something special.

There sound is reminiscent of System of a Down and indeed they have recently toured with Serj Tankian. Led by a charismatic frontman they produce a great live and clean sound, I’ve gotta get to see these guys again.

Last band here was EVIL SCARECROW who I missed due to being on the other stage, we’ve seen them a few times previously and know how good their set is.

Saturday 16 March

Jagermeister Stage

With so much good music on today it was always going tobe a toss up between stages. Stage 1 won out for a lot of todays music for me but there was some real gems here on stage 2. OAF, FLAYED DISCIPLE, DRIVE and MONUMENT openend up the stage and the snippets I heard from them wereall  great and the full crowds supported this brief assessment.

Bull Riff Stampede, Hammerfest V, March 2013

BULL RIFF STAMPEDE were an in-your-face  thrash metal band only formed a few years ago and hailing from the south west/midlands.  They show that thrash is still king and play a balls out set that is dutifully moshed and headbanged to by the assembled crowd.  A storming set that sets them in good stead for their upcoming summer of gigs and festivals.

Def Con One, Hammerfest V, March 2013

DEF CON ONE are groove metal and punk rolled into one. Another first for me, Davey Meikle blasts out ripping vocals and covers every inch of the stage trying to whip up as many of the moshers as he can. The set included 10Bullets, Warface and Give Me Strength.

Awesome set and sound from these geordies and certainly one of the best on this stage today.  Although the last music of the weekend was on this stage in the form of M:PIRE OF EVIL who I heard great accounts of, our battered and bruised bodies had given up on us for the weekend.

Rising Sun Stage

The day kicked off with COMMANDER IN CHIEF, SHEER and 4ARM.

Then followed by HEIDEVOLK, a Dutch folk metal outfit. A strange mix of Folk and Viking metal and they delivered an interesting set, followed by SENSOR and SODOM.

Angel Witch, Hammerfest V, March 2013

ANGEL WITCH were next to take the stage, a UK band back from the days of NWOBMH. Kicking off with Atlantic, Confused and Dead Sea Scrolls they played an awesome set, and finishing off with the classic Angel Witch.

ST VITUS were a totally unknown band to me.  After seeing the show and then doing a bit of research about them I can see where the doom stoner label comes from (or as I heard it mentioned they sound like a Saxon 45 single played on 33, of course only those of a certain era will even know what those numbers mean).

St Vitus, Hammerfest V, March 2013

Scott “Wino” Weinrich, Wino for short commanded center stage and while a mover he isn’t he manages to intimidate the crowd with his unfaltering stare and this in itself would make the show if it wasn’t for the activities of guitarist Dave Chandler who as well as being all over the stage also went into the pit and toyed with the crowd.

Wino at one point had a go at the security who were stepping in and stopping someone from smoking in the audience. While this would have been a noble thing to do in the past, in the unfortunate clinical times of today it is frowned upon and indeed as Wino tried to get more to light up they all soon ceased when security swiftly ejected someone for taking up the dare. Neither the less a great set and I’m damm glad we saw them.

Napalm Death, Hammerfest V, March 2013

NAPALM DEATH were without doubt the wildest band of the weekend and ended up with the biggest moshpit and wildest crowd, their Grindcore whipped up the crowd who were after finishing off the weekend in style. They kicked off with Circumspect which went straight into Error In The Signals.

The set itself was as brutal as it gets and songs from the entire catalogue were pounded out for our pleasure, if you call ear deafening a pleasure. My favourites of the night were Mass Appeal Madness and Suffer the Children. I only got kicked in the head once during the set but hey that’s all part of the gig, isn’t it?!

After another farewell beer this was the end of the weekend for us and what a damm good weekend it was. I must take time to mention the staff; all the staff be it bar staff, security, stewards, shop staff, camp personnel, Chic festival and any others working there, all did a great job and hopefully emjoyed the event as much as we did.

A great lineup, great accommodation, great people but above all the spirit of Hammerfest lives on and will continue to as long as we all make it. Roll on Hammerfest 6 Book of the Dead.

Review and photos by Simon Dunkerley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: THE TEMPERANCE MOVEMENT – NQ Live,Manchester, 8 March 2013

The Temperance Movement, NQ Live,Manchester 13 March 2013

Planet Rock Presents was always going to be a great night and that was evident before we arrived at the venue as it was already sold out. This was due to the quality of the bands on tonight and that Planet Rock DJ Paul Anthony had been plugging the gig for weeks.

We met up with Paul before the show and while I know how much he does push live music
and gigs it was evident in his conversation just how pasionate he was about supporting live music.

Slam Cartel, NQ Live,Manchester 13 March 2013

First to hit the stage were Slam Cartel, I didnt know a lot about the them but their style of hard rock was a wake up call for the crowd tonight.

Giles Van Lane(vocals), Marc Neudeck(bass), Tommy Hendriksen (guitar), Steve Campkin (drums), Adam Lee(keyboards,guitars), Terence Warville (guitar), have been together three years and have been touring on the back of their “Handful of Dreams” album released in 2011. With festival slots at Sonisphere 2011 and Hammerfest 2012 these guys are pushing to get it big and with a sound like there’s its only a matter of time.

Fighting Wolves, NQ Live,Manchester 13 March 2013

Fighting Wolves were next up. We had seen these guys a few times before at Cambridge Rock Festival and support to St Jude in 2011. The set tonight was by far the best we have heard them play. They are Paul Blue (Guitar,Vocals), Danny Martin, Jake Leigh and Andy Duke. Their sound is Rock and in a similar vein to Foo Fighters with big punchy riffs and lyrics. The single “One Minute More” released 2011 had good air play on Planet Rock and a set at Download in the same year. Another talented band that maybe, off the back of upcoming dates, will get more of the recognition they deserve.

The Temperance Movement, NQ Live,Manchester 13 March 2013

We had waited over six months to see The Temperance Movement play, they had been playing in London and getting great reviews but seemed not to want to break the ties and get some more dates until finally this date was announced.

The Temperance Movement are Phil Campbell (Vocals), Nick Fyffe (Bass), Luke Potashnick (Guitar) , Paul Sayer (Guitar) and Damon Wilson (Drums) and together produce some of the best sounding blues/rock music out there at present.

As individuals they have played with, and been part of, some great bands but when they came together to form The Temperance Movement with the blistering vocals of Phil as a focal point they are bound for higher places. Some liken their sound to The Black Crowes but to my ears it’s distinctively their own and it seems the audience tonight agree.

The Temperance Movement,NQ Live,Manchester,13 March 2013

The place is sold out and the crowd having already had the pleasure of listening to two damm fine bands already tonight are up and waiting to be blown away.

With songs like “Aint No Telling” a slower bluesy track that balances the rough gravelly
vocals with the blistering guitar licks to the slower “Pride” which is heading towards the blues country sound and again shows the fine balancing between the vocals and the delicately phrased instruments.

“Only Friend” is another rocky blues riff driven song, I swear that during this song the roughness of the vocals was peeling the paint off the walls. The show tonight was all that I could have expected and the band definitely lived up to expectations.

To top it all they had time for all those who stayed round to get the EP signed and wanted photos. They have just announced a series of live dates that take them round the country and have bagged a support slot with The Rivals Sons in Cambridge show. If you want tickets I would get in there quick as they will be sold out.

It was an amazing evening of music and, as I said, it’s great to see a venue sold out and three excellent bands wowing the crowd.  Keeping it live and keeping it real.

Review and photos by Simon Dunkerley

 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: CHEZ KANE- Fighting Cocks, Kingston upon Thames, 2 April 2026

No one can accuse Welsh songstress Chez Kane of not putting in the hard yards. This show in Kingston’s rock pub, in my South West London heartland, marked the last of a remarkable ten ‘in-store’ acoustic appearances in seven days … Continue reading

Book review: No Off Switch by ANDY KERSHAW

Virgin Books Andy Kershaw is best known by many for his time as a Radio 1 DJ, along with later in his career working on Radio’s 3 and 4. Then there is his work presenting ‘The Old Grey Whistle Test’ … Continue reading

Album review: IAN DANTER – Prove You Wrong

www.iandanter.co.uk Ian Danter is better known for his radio work as he presents a weekly show, ‘Football First’ on talkSPORT. This album is a collection of songs he has been working on for the past ten years or more and … Continue reading

Gig review: JOE BONAMASSA – Royal Albert Hall, London, 30 March 2013

Having spent the best part of a year planning this four-gig, four-set and four-band career retrospective, Joe Bonamassa was entitled to look a little weary after completing his London residency, performed to a grand total of 14,000 people. Given tonight’s … Continue reading

Album review: DAVE GROHL & Others – Sound City Real To Reel

Sound City - Real To Reel

Sony Music Hot-housing for 24 hours in a studio using a legendary Neve 8028 mixer sounds like musical nirvana.  And indeed it was during the making of Nirvana’s ‘Nevermind’ album that Dave Grohl was introduced to the desk.  He bought … Continue reading

Album review: RORY GALLAGHER – Live At The Montreux Festival 1975-94

RORY GALLAGHER - Live At The Montreux Festival 1975-94

Salvo Records [Release date 08.04.13] Although these recordings are available separately (previously released in 2006 and 2008) this is the first time they are available as a dual-format release.  The compilers have brought together a single CD which spans a … Continue reading

Album review: THE JEFF HEALEY BAND – House On Fire/As The Years Go Passing By

Jeff Healey  - As The Years Go Passing By

As The Years Go Passing By – Live In Germany 1989-1995-2000 (Inakustik) Since his death in 2008 there have been a steady steam of releases featuring one of the modern blues greats.  This boxed set, recorded by German TV, brings … Continue reading

Gig Review: STATUS QUO, Hammersmith Apollo, London, 15 March 2013

Status Quo, Hammersmith Apollo, 15 March 2013

It all began and ended in 1984. My very first gig was meant to be one of Status Quo’s last as they played two shows on what was called the ‘End of the Road’ tour. Already they were an institution, … Continue reading

Gig review: GRACE POTTER & THE NOCTURNALS, Bush Hall, London, 13 March 2013

GRACE POTTER & THE NOCTURNALS, Bush Hall, London, 13 March 2013

It’s strange how some bands that have a big profile in the United States rarely cross the radar over this side of the pond. Vermont-based Grace Potter and the Nocturnals are one such and I admit to knowing little about … Continue reading

Gig review: HALESTORM, Electric Ballroom, London, 8 March 2013

HALESTORM, Electric Ballroom, London, 8 March 2013

The rise and rise of Halestrom continues. Less than three years ago my first exposure to them was as the opening act on a three band bill with Theory Of A Deadman at this very venue, but the Pennsylvania rockers … Continue reading

Gig Review: ERIC MARTIN (Mr Big), Live Lounge, Cardiff, 19 March 2013

Eric Martin, Cardiff, 19 March 2013

Mr Big, made  a series of excellent hits dominating the 90s. Eventually they split up in 2002,  then after a long break and a reunion in 2009 they decided to stay together and produce  a new album in 2011. The … Continue reading

Album review: SIDONY BOX – Rules

      Sidony Box play what they call, ‘music of the moment’, revelling in free- form spontaneity which leaves the listener wondering just where they will go next. Nothing is predictable, except perhaps the opening blast of cacophony and … Continue reading

Album review: SPOCK’S BEARD – Brief Nocturnes And Dreamless Sleep

Inside Out www.insideout.de Spock’s Beard return after the well received ‘X’ album and a major line-up change as drummer/vocalist Nick D’Virgilio left in 2011. In his place come two new members, drummer Jimmy Keegan and Enchant vocalist Ted Leonard (do … Continue reading

Album review: BLUES TRAVELER – Suzie Cracks the Whip

      Freeworld Records Blues Traveler was always a blues based jam band at heart, but with an eye on the main chance, and not much has changed on ‘Suzie Cracks the Whip’. There’s plenty of great playing, and … Continue reading

Album review: BARCLAY JAMES HARVEST – 25th Anniversary Concert

      Voiceprint Recorded back in 1992 at the Town & Country Club in London, this 25th anniversary concert isn’t quite ‘an absolute must for any Barclay James Harvest fan’ as suggested by the brief liner notes. The budget … Continue reading

Gig review: THE UNION Islington Academy, Thursday 28 March 2013

This was the rescheduled gig after the February one was postponed as vocalist Pete Shoulder was suffering badly from flu. Luckily he has since fully recovered and there was a decent turn out again. First up were Black Wolf, who … Continue reading

Album review: THE NEW GROOVE – Quit Bitchin’

        The New Groove Records [Released 10:12) If passion and commitment equated money, The New Groove would be millionaires. ‘Quit Bitchin’ delivers 10 belting rhythm and blues related tracks that mix hot playing and meaningful lyrics with … Continue reading

Album review: ALAN HEWITT – High Fidelity

        Angel Song Records With a playing and production background spanning Earth Wind & Fire, Warrant, and more recently The Moody Blues, as well as high profile TV and film soundtrack work, keyboard playing vocalist Alan Hewitt’s … Continue reading

Gig Review: LOVE/ HATE, KNOCK OUT KAINE – Bannermans, Edinburgh, 27 March 2013

Interesting venue Bannermans. It is in the Old Town part of Edinburgh and is a vaulted cellar which forms a compact little venue. At their peak Love/Hate would have been playing venues at least ten times the size of Bannermans, … Continue reading

Album review: JIMMIE VAUGHAN – Reissues

      Repertoire Records [Release date 05:2013] Perhaps only Jimmy Vaughan could cut a trio of albums that started with a nomination for Best Contemporary Blues Album Award (‘Strange Pleasure’) , nearly won the Best Rock Instrumental Performance Award for … Continue reading

Album review: SIX FEET UNDER – Unborn

Metal Blade – Out Now. Constant band line up changes are normally the stuff of nightmares for any devoted fan as they normally tend to affect both the style and character of a band. In the case of the Floridian … Continue reading

Album Review: UFO At The BBC: On Air 1974 – 1985

UFO

Chrysalis This is a lovely thing. Admitedly, it is likely to be of most interest to collectors and completists. Then again, at just over £12 at a well known on-line music retailer (other retailers are available), who wouldn’t want to … Continue reading

Album review: VREID – Welcome Farewell

Indie Recordings – Out Now. London has always been a desired destination for Rock bands since the inception of the genre. One band which has consistently made an effort with visiting the capital of the United Kingdom, mainly as an … Continue reading

Album review: SODOM – Epitome Of Torture

SPV – Release Date 29/4/2013. Coming up with a decent introduction to a new Sodom album has always been a difficult task for me. I mean, what is there to say that hasn’t already been stated about Tom Angelripper and … Continue reading

HAMMERFEST V, Pwllheli,Wales,14-16 March 2013

Hammerfest V, March 2013

Another year, another venue but Hammerfest V goes on with the same spirit that it has done for the previous years. Yes there may have been a number of people complaining about the new venue, the line up etc but … Continue reading

Gig review: THE TEMPERANCE MOVEMENT – NQ Live,Manchester, 8 March 2013

The Temperance Movement, NQ Live,Manchester 13 March 2013

Planet Rock Presents was always going to be a great night and that was evident before we arrived at the venue as it was already sold out. This was due to the quality of the bands on tonight and that … Continue reading