Gig review: CALL OF THE WILD FESTIVAL – Lincolnshire Showground, Lincoln – 24th to 26th May 2024

Upon arrival at the showground I was taken to get checked in and get my press pass. After a short wait I was greeted by “Tosh” who was one of the friendliest guys I’ve ever met and he introduced me to some of the other reviewers and radio folk. After some chatting it was onwards to the main stage. It was a great atmosphere, buzzing, with a nice chilled energy.

First impressions were a very well run festival and very well spaced and thought out. Having a variety of food and general stalls and separate merch tents was fantastic, but I was mostly impressed with the side by side stages meaning not much waiting between bands!  An absolutely genius idea!

Everyone I had spoken to so far had been absolutely lovely and welcoming.  I luckily managed to catch an absolute belter of a set from Lincoln based band LaVire showcasing songs from their newly released EP “Chasing Sunsets”. Their set brought an absolute burst of energy with a stunning guttural vocal from Chloe, it was just like you were listening to the studio recordings and, phenomenal musical talent from the rest of the band.

They brought in a very good crowd and I could see just how much this band loved to perform , the energy was maintained throughout the set, There was great crowd interaction throughout and the set ended with “North Star” an absolute belter of a closing song! The numbers played from the newly released EP got a rocking reception and I feel many new fans were made. The bass on the last track was battering through me!

After the set I set off to the beer tent seeking liquid refreshment. I did see they had one of my favourite beers ever on tap, namely, “Road Crew” beer. and at £5 a pint was incredibly reasonable too. I then managed  to catch a couple of songs from ‘Dobermans” set. It was giving me 80s hair metal vibes and they were certainly getting the crowd moving.

The same vibe was met at the trailblazer stage with Harsh and their hair raising set. The atmosphere was absolutely electric and everyone around me was having a great time. The cover of ‘Johnny Be Good’ as the closing number was a highlight and had everyone singing and dancing away.

Then after possibly the best toastie I’ve had from “The Rock and Roll Toastie Co” it was off to the main stage for She Burns Red. I thought their vocal harmony and overall set was absolutely fantastic and was made even better with a cameo from the amazingly talented Beth Blade (Beth Blade and the Beautiful Disasters)  for a rendition of the classic “Boys of Summer”. The cover choices from the band’s today was, I would say, a great  success.

Then for the main event, the mighty Quireboys, bringing their A game with energy, outstanding vocals, and seasoned musicality. Throwing in the classics such as “Tramps and Thieves” and “King of New York” it was a winning tonic for what was described by some die hard fans as possibly one of their best live shows yet. What a way to close the day!

Saturday saw me racing to the front of the trailblazer stage for King Voodoo I have seen this band perform several times previously and have watched them progress amazingly over the years. I was really looking forward this set and, as usual, they did not disappoint. The energy was off the chart and the wave of classic rock filled the trailblazer tent! “Drag Me To The Water” was my favourite of the entire set and they pulled in a very good crowd with their sheer enthusiasm and showmanship. It is awesome to see this band grow in confidence every time I see them.

“Star Circus” showcased their upcoming  new single (coming out in June) “Chained To You”  followed by “Love Is The Enemy”. Both were very catchy songs melodically, and I found my head was bobbing away. Great energy for a Saturday morning.

Had then had best caffeine kick from “Seven Districts Coffee” then went over to get tattooed by Josh from “Black Anvil Tattoo Company” who did an epic ‘Pick of Destiny’ design on my arm. I mean why not get tattooed at a festival!

The Welsh trio Haxan were on form, as always, with absolutely outstanding vocals and brought classic rock to the main stage. I managed to have a chat to them at the merch tent afterwards and my new inking was the main topic of conversation as we all were sharing our love for Jack Black.

The trailblazer tent had for me best band I had personally seen all day Moskito

Straight away it was all belting riffs and an almost chaotic energy, but in a good way! If I was to describe the music, it’s like mixing Oasis and the Sex Pistols together and it was just awesome! Self proclaimed “Shouty Boy Band” commanded the stage from the get go and had the crowd eating out of the palm of their hand (myself included). I loved how raw and gritty they sounded. A band to watch out for!

Hells Ditch brought it down just a notch with their almost indie rock feel. But they didn’t bring anything down when it came to musicality. With festival director Lee amongst the fold, the band brought in the big guns with riffs aplenty and the crowd were loving it. The trailblazer stage was well and truly on fire today!

Bad Touch was possibly the best band I’ve ever seen for crowd engagement. It was almost as if you were sat in their front room being offered a cup of tea. Lots of laughs and positivity spread during a belter of a set. They have a classic, yet almost bluesy, rock sound and the vocals heavily complimented the melody and slick musicality, very impressed! They seemed like a lovely, genuine bunch of guys who just loved to play, well it certainly came across that way on the stage.

After a much needed sit down all I heard was blasting bass, sickening riffs and commanding vocal. I wandered over to see possibly the most impressive staging I’ve ever seen on a smaller stage. Coffins lit up, fire, pyro! Yes ladies and gents! South of Salem have entered the showground!

My gosh what a set. I didn’t know where to look. Every single musician was expertly honing in on their craft whilst zipping round the stage using every inch and connecting with what felt like every single attendee. They were not messing around at all!

I had heard so much buzz about this band, but never had the pleasure of seeing them before. They were right up my alley with hard rock mixed with a good sprinkling of goth too. Seeing how comfortable these guys were on stage, it was as if they had been playing together for decades!

After their face melting set I was well and truly rocked out and headed home with some amazing pizza.

To say I was gutted I missed “Lost Society” would be an huge understatement. They were the talk of the showground when I came in on Sunday morning, and the videos I saw just made me want to crawl into a huge hole of regret. They sounded absolutely phenomenal and if I ever get the opportunity to see them again I sure as heck will make sure I don’t miss out.

Soldiering on to Sunday…

Slyder Smith and The Oblivion Kids were bringing an essence of country rock to the morning. A nice, relatively chilled start to the morning.

But it soon got ramped up with an outstanding performance from “Not Now Norman” bringing angst and a touch of grunge, complimented with outstanding vocals and riffs. It was a commanding performance from start to finish. With a father and daughter in the mix it’s clear to see talent definitely runs in the family!

“Hush Money” were bringing hard classic rock. So much so that the heavens opened and boy did it rain, I got absolutely drenched!

I have to really commend the technical crew at this point as there wasn’t much disruption and they were quickly on form, ensuring the equipment wasn’t damaged and all safety precautions were in place.

After the downpour the “Takeaway Thieves” took to the stage. Packed with charisma and a frontman giving me Rolling Stones energy, they certainly made me forget about being soaked. They were very likeable. There was a few spells of rain in between the set which the band made funny jokes about that we had a good giggle over. The technicality of the band was great. So much so the sun did indeed start shining.

Back over to the trailblazer stage saw Molly Karloff ripping the roof off with their rock/sleaze feel. Very cheeky and, although they joked about lowering the tone, the tone was definitely not lowered when it came to sound.

Next up were North Easts Crowley, delivering a spellbinding set with their classic yet almost goth rock sound and aesthetic, I have seen them perform before at Hard Rock Hell and once again they delivered. Slick guitar work and amazing vocals were present as always. The crowd got bigger and bigger as the set went on and there were definitely new fans made that evening.

Tonight’s eatery offering was courtesy of “Panda Express Catering” where I had a phenomenal chicken satay, rice and naan for a very reasonable £10! I couldn’t finish it all the portion size was that generous. Bargain!

Back over to the main stage just in time to catch some of the set from These Wicked Rivers, another band seen at Hard Rock Hell, but back in 2019. Well, all I can say is wow! These guys were still absolutely amazing. If anything they’ve gotten even better than they were the first time I had seen them. The crowd was electric and so was the musicality, showmanship and vocal ability.

Then onto The Hot Damn again a previously seen band. However, this was on another level! There were rainbows, inflatable beach balls thrown into the crowd, huge inflatable unicorns, an abundance of confetti and girl power at its finest. These ladies were on fire showcasing songs from the upcoming album “Dancing On The Milky Way” we also ended up being filmed for a music video for one of their songs which I thought was an awesome idea.

My highlight however was their cover of “Oh Lord Won’t You Buy Me a Mercedes Benz”, but the lyrics were altered to be about buying their merch, it was genius.

When their set finished there were many people at the merch tent. The set sent a big happy wave over the showground and it was like we were all being drawn into this huge rock family hug. Everyone smiling and dancing, light up foam batons were given to the kids in the crowd and they were waving them with glee: it was really nice to see.

Then for the cherry on top of an amazing weekend we’re the mighty Tyketto. Danny Vaughn’s vocals were stunning and the crowd were singing every chorus with arms waving and fists in the air. The band was tight and slick, it was an epic end to an epic weekend.

There is no doubt in my mind as to why this festival is as popular as it is. Some absolute legends gracing the stages and so much up and coming talent was showcased. It was awesome to see such a diverse group of bands on the bill.

What was also awesome was that it was so inclusive to everyone. Being one level means easily accessible, family friendly, dog friendly. Plenty of space to move around so you never felt too crowded. Ambulance crew on site, security. Every little detail had been thought of and it was executed to perfection.

Call of the Wild take a massive bow. To every single person involved to making the festival happen and every person who attended, you are all awesome and exactly what music represents. People coming together to discover and enjoy music.

See you all in 2025!

Review and Photos by Lucy Joyce Dennis


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE DAVE FOSTER BAND – Maybe They’ll Come Back For Us

THE DAVE FOSTER BAND - Maybe They'll Come Back For Us

English Electric Recordings [Release date 31.05.24]

Several years ago when I saw The Steve Rothery Band playing live Dave Foster provided support, and then reappeared in the Marillion guitarist’s band. Half way through Foster’s own set, an ethereally toned guitar cut through. But it wasn’t Foster, it was Rothery guesting. It did show the differences between the haves and the have nots when it comes to tone and feel. Foster’s former incarnation with the much-loved Panic Room was also revealing in the live situation.

Happily Foster’s latest album is focused more on songs and atmosphere, in partnership with his Dutch collaborator Dinet Poortman. Yes, he does solo but for the most part it is kept within the confines of the song’s calling, fleshing out and enhancing rather than dominating. These tasteful touches are in the Gilmour/Rothery space so a little derivative. But the songs win out.

The opener ‘Sleep Spindles’ is one of the album standouts, a nicely melancholic vibe well conveyed by Poortman and with an uplifting pop chorus. She puts a classy stamp on all these tracks.

‘Talent To Failure’ has a surprise appearance from Mark King (Level 42) and is best described as poppy prog with an eighties feel whilst Rothery guests on ‘These Tendencies’ which reminds a little of goth pop rockers All About Eve. The ELO/Beatlesque ‘Queen Of Maybe’ provides the perfect antidote (lyrically) to that opener (with ex-Big Big Train’s Carly Bryant on backing vocals). ‘Delicate Things’ and ‘Whirling Of Whales’ round out the album in some style with Foster grabbing the opportunity for some atypical fret mangling.

This is an intelligent and sonically sophisticated album and one that repays repeated attention. Those impressed should also seek out its predecessor ‘Glimmer’(2023) and the duo’s debut ‘Nocebo’ (2019) . ****

Review by David Randall

Album review (Glimmer, 2023)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: HUNGRYTOWN – Circus For Sale

Hungrytown - Circus For Sale

Big Stir Records [Release date 21.06.24]

Rebecca Hall and Ken Anderson are Hungrytown, who have released three albums since they formed in 2005. All three have won accolades and Year’s Best Of recognition from within the roots and folk community and beyond. Expectations will be high then for their fourth album ‘Circus For Sale’ (which is based on one of their audience members recalling how they had seen a whole circus for sale on a recent business trip).

Rebecca Hall’s vocals are melodious and at times brings to mind the likes of Joni Mitchell, Karen Carpenter and Sandy Denny. These vocals are a perfect match for the instrumental talents of Ken Anderson, whether it be a nice bit of vibraphone on ‘Trillium and Columbine’ or the crystal clear percussion on ‘Tuesday Sun’.

The whole album has that late 60s/early 70s psychedelic pop meets Laurel Canyon vibe. It really is a gloriously uplifting listen, be it the sublime ‘Little Bird’ or ‘Feel Like Falling’, where the strings of the Aliento Chamber Players add an extra bit of musical magic. Their version of Bert Jansch’s ‘Morning Brings Peace of Mind’ is also worthy of a special mention. The singing and acoustic guitar are things of beauty on the ears.

Jump back into those wonderful sounds of the Laurel Canyon and early 70′s folk music with Huntrytown as your musical guide. ‘Circus For Sale’ is a calming musical oasis, perfect for the current times. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: DEFECTS – Satans Hollow, Manchester, Friday 31 May 2024

To say I was looking forward to this would be a huge understatement.

After reviewing their album “Modern Error” before it’s release, I was eagerly awaiting this album release show.

I managed to get there not long before Defects started. But before we got on to the main event. I took in what an incredible venue it was. It was as if I was walking straight into a catacomb. Not to mention a huge statue of satan himself in the corner. What a way to add to the atmosphere.

The stage was smack bang in the middle of the venue and a circular one at that! My immediate thought was 360 angle so I can see every single musical technicality being displayed. Huge win!

After only a couple of minutes since purchasing my drinks, the roar of a bass pedal ripped through my chest along with the words “Manchester!!!” Defects were in the building!!

When I tell you every single song played  was incredible I’m not even joking. Down to the slick guitar work, the meticulous precision of the bass, the dynamite drumming and varying vocal range tore the absolute roof off Satans Hollow!

Whist the band was playing I took the opportunity to pay close attention to every single member of the band. The craftsmanship was on another level. Each member of the band having their own individual flair but combined was just an absolute transcendent musical experience . Tony’s vocals were as always guttural and from the heart.

The album is deep in emotion talking about personal experiences “Scapegoat” being one. There was small introductions to a couple of songs talking about how we go through experiences, and overcome them. Music and this album in particular being something that propelled through the dark periods. I can completely relate to this as music has always been my escape and safe space so I completely understood and took in the emotion displayed whilst the songs were being played.

Harry on the drums was on another level. Earthquake level drum pedalling. The guitar and bass work was so incredibly slick and clean.

Myself and other members of the crowd were not shy in singing our hearts out to songs such as “Dream Awake” and “Echo Chamber”

My personal favourite had to be “Recurring” which is my favourite track off the album and it was the closing track of the set. It was gritty, raw, powerful and I was completely and utterly immersed.

We all know that feeling when you discover a band and you know they are going to be huge? That is exactly what I felt that night. I felt extremely privileged to have seen these guys in such an intimate venue. As I have a feeling that’s not going to happen anymore.

After they grace the stage at Download shortly I can see them completely propelling forwards. Not only are these guys talented as hell, they are super nice! Had such a blast meeting them after.

Speaking to frontman Tony on his influences and Linkin Park being one of them. Reflecting back I can see that coming through with the vocal delivery.

Also speaking on how the band has similar musical tastes and that being why it was easy to find the bands overall sound is definitely reflected in the bands overall delivery. You really just had to be there.

This band is one to watch. Cannot big up this gig enough. Take a well deserved bow Defects well and truly deserved.

Merch was purchased and I wear my T-shirt with absolute pride!

Review & photos by Lucy Parr

 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: COLLATERAL- Should’ve Known Better

COLLATERAL- Should've Known Better

Cargo Records [Release date: 24.05.24]

After bursting on the scene five or six years ago,  Kent melodic rockers Collateral’s rise to the top has been a bumpy one – which has included the pandemic striking at the very moment they released their self-titled debut album and a number of line-up changes since. The other problem with the album was that the edge was taken off those songs that sounded so good live by an underpowered production- to the extent that the album was re-recorded with some added special guests as ‘Rewired’.

They could not afford to make a second false start so they enlisted one of the very best current producers in the business, Dan Weller, famous for work with Those Damn Crows among others, and taken their time releasing a sophomore album.

Opener ‘Glass Sky’ is one of those that has been road tested live for the last year or so and already become something of an anthem- it opens with the ‘out of the shadows, we’ll be coming home’ chorus’ chanted to a military-style drumbeat, Angelo Tristan’s vocals have a contemporary feel to them, yet the song combines rock guitar with almost danceable grooves like INXS, parts of Def Lep’s ‘Hysteria’ and Robin George’s ill-fated ‘Notorious’ project.

On ‘Original Criminal’ the guitars are heavier and Angelo sounds a little like Seb Bach in the verses.  However what has always made  Collateral unique among their contemporaries in the broad NWOCR movement is Angelo’s love for a sound that mixes melodic and even country influences –‘ Just One Of These Days’ is a worthy follow up to the likes of ‘Midnight Queen’, coming over as a cross between  Tyketto’s mellower moments, Nelson and even Keith Urban.

However the band have still struggled for consistency and I found ‘Teenage Dream’- despite an absolutely splendid guitar solo from Louis Malagodi – and ‘Elysium’, sporting an oddly twangy guitar solo, not especially memorable.

Fortunately what once again weighs in at a short album at only 35 minutes picks up with the remaining four tracks excellent. ‘On The Long Road’ is a country-ish ballad that surely would have been huge on American radio, yet sports a quite beautiful guitar solo and ‘No Place for Love’- another established live favourite- commercial melodic rock at its best with a huge-sounding bank of vocals.

To date the album has been mellower than I expected but the last two tracks represent the heavier direction of this incredibly diverse band. Though the Those Damn Crows-sounding  ‘Game Changer’ could perhaps have a stronger tune, it is enlivened by a slick guitar solo, and ‘Final Stand’ distinctively stands out as a modern rocker with a slightly more downtuned riff, yet still with a melodic approach.

It’s not a perfect album, but with at last the sound to match their attitude and song quality, this is the major step forward Collateral needed.    ****

Review by Andy Nathan

Get Ready to ROCK! - The Best of 2024


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

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Recent (last 30 days)


Album review : STATUS QUO – Official Archive Series Vol.3 (2CDs)

Ear Music/Edel [Release date : 12.07.24]

If ever a band knew how to mine a rich back catalogue it’s Status Quo. We’ve said that before and no doubt we’ll say it again, and again.

This third “Archive” release, Live at Westonbirt Arboretum, was recorded 16 years ago this month. The gig was part of the ‘Forest Live’ programme, initiated by The Forestry Commission (once a UK wide organisation), and you can’t get much more rock’n’roll than that.

The recording has been remixed and remastered by studio tech wizard, Eike Freese (sometime guitarist with Kai Hansen’s band) at his Hamburg studios. The result is a notable punch and clarity to all 21 tracks of Quo’s live sound here.

Like Archive Volumes 1 and 2, Volume 3 displays the the band’s unchanging MO . . . just a bunch of denim clad boogie warriors, rehearsed to perfection, sparking off each other, talking to and playing to the crowd like they’ve known them all their lives (and in some cases, they have).

There’s some variation, but the set list from one volume to another hasn’t changed much. Quo know how to work a crowd.

The 10 minute ‘Proposin Medley’ is the set’s centrepiece, and if your head’s not nodding and your feet’re not tapping by the time that ten minutes is up, then check yourself for a pulse.

We’re again treated to solid gold crowdpleasers, ‘Paper Plane’ and ‘Roll Over Lay Down’. ‘Whatever You Want’ and ‘Rockin All Over The World’ aren’t far behind.

We also get the opportunity to devote more of our attention to the perfect pop-boogie of ‘Caroline’ and of course to the late Rick Parfitt’s major songwriting contributions to the Quo cannon, ‘Living On An Island’ and ‘Rain’.

And we shouldn’t forget their UK No.1 hits, ‘Down Down’ and ‘In The Army Now’. They’re all here.

Roll on Volume 4. ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: GRAND SLAM – Wheel of Fortune

Grand Slam - Wheel of Fortune

Silver Lining Music [Release date 07.06.24]

Grand Slam co-founding member Laurence Archer, and front man Mike Dyer, make it extraordinarily clear that theirs has been a true journey of destiny, one where early unions ended up leaving unfinished business on the table, and one which sees Grand Slam releasing a brand-new album ‘Wheel Of Fortune’.

“I want everybody to see this as a new band… and anybody that hasn’t heard Grand Slam since 1984, I want them to see this as a fresh invigoration of the project moving into the modern times.” – Laurence Archer

Joined by Benjy Reid on drums and Rocky Newton on bass, some best laid plans for the band’s rebirth were set for take-off until Covid-19 brought the world to a standstill (it is one of the main reasons ‘Hit The Ground’ will also be enjoying a 2024 release alongside ‘Wheel Of Fortune’).

“We have a direction that is in my heart. It’s a tribal place. This band is something very special; I’m slightly biased I know, but God, I’m really proud of that.” – Mike Dyer

‘Wheel Of Fortune’ is a testimony to both Archer’s songwriting architecture and Dyer’s powerful love of language:

“The way I look at it is that from writing those songs with Phil in 1984 to now, my writing style and the way I write, haven’t really changed that much,” offers Archer. “I’m not a shredder, I prefer to write songs and build that way. So, there’s that timeless continuity in how I write, fusing with all the experiences we’ve had as people over the years.

I put the basis of the song together, I have a rough melody line, I might write the chorus line, and I give that to Mike who goes away and comes back with his thing: it’s not my thing, it’s his thing and it just works! His vocal tone – his ability – fits everything that I write.”

Wheel Of Fortune Track by track:

‘There Goes My Heart’
Opening intro is classic thin Lizzy riffs then the gravelly vocals kick in and you know it’s grand slam, sing along rock with sublime guitar work, if this sets the tone then we are in for classic accomplished rock

‘Starcrossed Lovers’ 
“You need me & I wanted you”
Upbeat feel good rock (first) love song, the chorus is catchy, lending itself to a singalong.
“Forever we will be starcrossed lovers”

‘Come Together (In Harlem)’

Heavier opening promises a harder track.

Good harmonisation adds further depth and the guitar solo balances it perfectly.

I like the vocal overlay on this track showcases Mike Dyer’s vocal abilities and demonstrates a different style and a band that are not afraid to blend old with new!
Now I feel this album is really getting going

‘Trail Of Tears’
“Now they came without shame or good intentions” the opening lyric sets the tone for a song with a message. The vocals compliment the clever story telling, tight, highly accomplished classic musicianship – a blinder of a track and one of my favourites on the album.

‘Feeling Is Strong (Jo’s Song)’

This ballad delivers a rock punch, whilst clearly an ode to a lost for love, the lyrics are crafted to deliver a tribute that many would envy.

Spitfire ’

This is fast paced heavy rock tribute to those fearless pilots – album launch comes just after the 80th anniversary of D-Day, I’m sure this song will resonate with many. Love it! “Living, breathing, Spitfire!”

Another highlight of the album.

‘I Wanna Know!’

From the opening vocal roar this fast paced, gutsy track showcases the new style of Grand Slam.

“Nothing come easy, love comes hard”

‘Pirate Bay Song’

Just when I think the album can’t get better, this starts & it’s fantastic, talk about lulling you into a false sense of security and then punching you firmly in the face!

‘Afterlife’

Another track demonstrating clearly the great partnership between Archer & Dyer. Perfect showcase of every element of the band. This new direction is simply put, brilliant and worthy of acknowledgment. Track of the album.

‘Wheel Of Fortune’

This is the title track and it finishes off the album perfectly, acoustic and electric guitars deliver, with perfect rhythmic beat- what a treat this has been, classic, nostalgic and perfection rolled into one.

Initially I’ll confess I was underwhelmed by the opening track, it sounded classic Thin Lizzy and nothing new, but as the album goes on the tracks get better and better, the new different direction is showcased with nods to the past and rightly so, the legacy is legendary.

It’s an absolute belter and I’ll be playing this loud and proud, as should you! Unfinished business indeed, let’s hope this is the re-start of something truly great – I look forward to hearing more. ****

Review by Karen Clayton

Get Ready to ROCK! - The Best of 2024


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: STATUS QUO – Kelvingrove Bandstand, Glasgow – 30th May 2024

The last gig I attended at the Kelvingrove Bandstand must have been 40 years ago when Radio Clyde put on a free mini festival of local rock talent, ably hosted by the ‘Beard Of Doom’, Mr Tom Russell. Around the same time Quo were playing two sold out nights along the road at the Glasgow Apollo as part of their ‘End Of The Road’ tour, a gig I still regret not buying a ticket for when I had the chance!

Fast forward 40 years and a lot has changed (I had hair back then for one thing!), but the affinity that the Glasgow crowd has with Quo hasn’t diminished. The band were in town to play two nights with one completely sold out and the other well on the way as fans of all ages were ready to rock with Francis and co. one more time.

Support tonight was provided by up and coming blues maestro Laurence Jones. His driving, heavy blues went down well with the Glasgow crowd in the pleasant evening sunshine.

Kicking off with ‘What’s It Gonna Be’ Laurence’s fretboard dexterity was clear from the off. Ably support by a strong bass and drum rhythm section the band proved to be a real power trio. ‘In Too Deep’ kept up the pace and it was easy to see why Laurence has been hail as one of the best young bluesman of the age.

‘Bad Luck And The Blues’, the title track from the band’s last album, then slowed the pace a little with a chugging, heavy riff that had the crowd nodding along in appreciation. Things then got down and dirty with ‘Don’t You Leave Me This Way’, which, again, is built on a huge riff. The influence of Jones’s hero, Jimi Hendrix, is clear on this track, especially on the fuzzed up solo.

The only fitting way to follow that was to play a full-on homage to Jimi, and the band’s take on ‘Voodoo Child’ was superb. Jones didn’t play things note for note and instead added in a bit more melody to the mid-section which sounded great.

‘Stuck In The Night’ and a rousing version of ‘Women’ then rounded off a great set that went down a storm with the crowd. Winning over a Quo crowd can sometimes be difficult for a support band, but Laurence Jones took it in his stride and no doubt gained a few more Scottish fans into the bargain.

Tonight, though, was all about the mighty Quo. The age range across the arena took in everything from grandchildren attending their first show to Grandparents attending their 65th. I always viewed taking my children to a Quo gig as a rite of passage, a perfect introduction to what a rock show should be.

As the intro taped blared, the guys took to the stage with little fuss before Ritchie Malone cranked out the familiar riff to ‘Caroline’. Francis Rossi looked happy and relaxed as he took to the mic and hammed it up with the crowd down the front of the stage. ‘Rain’ followed, thankfully the weather gods were onside tonight, and it was the only rain to feature during the evening.

We were then transported back to the heyday of the Glasgow Apollo and bell bottom jeans with ‘Little Lady’ and ‘Softer Ride’. Ritchie took the lead vocal on ‘Little Lady’, he has really earned his place in the band, and whilst no one could fully replace Rick Parfitt, Ritchie does a great job stage right.

The ever present John ‘Rhino’ Edwards fills the stage left spot and looks like a man very happy in his work. Things were brought a bit more up to date (well if 2007 can be considered up to date!) with ‘The Beginning Of The End’ which had the crowd rocking along. The tempo was then upped for a real crowd pleaser, ‘Hold You Back’, which really brought Kelvingrove to life.

The pace continued unabated as the guys charged off into the ‘What Your Proposing’ medley. This blast through a number of big hitting Quo tunes never fails to get heads bobbing and hands clapping in equal measure.

‘The Oriental’ then started off with a melody full of Eastern promise before finishing of with one of the heaviest moments of the evening as Leon Cave gave his bass drum pedals a real workout.  The guys then had full crowd participation on ‘In The Army Now’ as a few thousand voices hollered ‘stand up and fight!’ with great gusto, not that unusual a call in a Glasgow bar of an evening to be fair!

‘Roll Over Lay Down’ then led us into a run of big hitters leading to the set finale. The intro to ‘Down Down’ found Francis left on stage by himself to tease the crowd with some tasty riffs before firing into the familiar, chugging opening section of the song. That just left ‘Whatever You Want’ and the ubiquitous ‘Rocking All Over The World’ to round off another classic Quo set.

The band hadn’t quite finished though and returned for one encore which was another crowd pleaser, ‘Burning Bridges (On and Off and On Again)’, that had the bandstand massive bouncing for all they were worth. A fitting end to a great show.

The day before this show Francis Rossi had celebrated his 75th birthday, but his performance tonight would shame some much younger rockers who could learn a lot from his stage presence and demeanour. Over the last few years Quo have put in some great live performances and I would urge anyone to get along to a show.

All present tonight from 6 to 60 plus left with huge smiles and a head full of top tunes, a job well done guys!

Review and Photos by Dave Wilson

Get Ready to ROCK! - The Best of 2024


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : DANA GILLESPIE – First Love

Fretsore Records [Release date : 31.05.24]

Had it been published in the midst of today’s gender wars, the title of Dana Gillespie’s controversial autobiography, “Weren’t Born A Man” would have new resonance.

As it is, celebrating 60 years in the musicbiz, it was largely her success in navigating a male dominated world in post war London, that brought her to where she is today.

With a choice of covers as eclectic as it is tasteful, paperboy made good, Dana Gillespie, shows us why she has become a living legend in the music world, mentioned in the same breath as other celebrated artists like Janis Ian and Laura Nyro.

How do you replicate the energetic vitality of your teen and twenty years? By picking the right songs, the right producer and the right studio musicians.

Along with Tris Penna, old friend Marc Almond produced. Her usual backing band, most notably with musical director, Matt Gest on piano and keyboards, did the rest.

The songs: First Love provides a unique collection of covers that spans multiple genres, from Top Forty Pop, Deep Dylan, US Westcoast ballads, and Cabaret drama.

Allegorical opener, ‘Boulevard Of Broken Dreams’, a Green Day song, is as much about the state of the world as it is about loneliness. Gillespie’s soothing tones smooth the edges, like an old fashioned crooner, working the crowd alongside a busy piano, set to a moody soundtrack.

The duet with Marc Almond on ‘Dance Me To The End Of Love’ is a peach. Written by Leonard Cohen, it’s rich in romantic imagery. A theatrical piece, with Gillespie playing the cabaret singer. It’s easy to picture her as a chanteuse in a dimly lit nightclub, and in tune with the melodrama, it verges on a spokenword performance. A real standout.

‘Not Dark Yet’ is a low key Dylan song, poignant, resigned, looking death in the face, spiritually, physically. The emotions stirred up are clearly echoed in the slow burning intensity of Gillespie’s studied delivery.

It’s only one step removed from the Python Lee Jackson ballad, ‘In A Broken Dream’. This is better even than Edwyn Collins’ 2009 version. It’s a tale of resilience and adaptability, effectively the essence of Gillespie’s career.

There’s more of course, but these songs stand out.

On all these cover versions, the passion that has marked out Gillespie’s artistry through the last 60 years burns as brightly as ever, and this is someone who has experienced the tough and frequently merciless side of the music industry on a number of occasions. And survived.

Her moving interpretation of these handpicked songs tells the story. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: ROBIN TROWER – Islington Assembly Hall, London, 28 May 2024

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

Very few of the greats of the classic era of British rock guitarists are still active- a fact  brought home by the loss of Jeff Beck and Bernie Marsden in the last couple of years while still at the peak of their powers. Peter Green, Alvin Lee and Kim Simmonds have left us, Richie Blackmore made just a brief return to rock from medieval music, Jimmy Page seems content to endlessly remaster his back catalogue, and Eric Clapton, while still touring, has been in pipe and slippers mode for some years. It makes it all the more important that we cherish those who are still around, which is where Robin Trower comes in.

The Catford born and Southend raised guitarist has now turned 79 and has had health challenges, hinting a few years ago that he may no longer tour. Additionally some of his recent songs appear to meditate on death and the passage of time. So the appearance back on home soil for a first tour in six years meant that the London show sold out well in advance, mainly to men of mature years paying homage. Indeed the Assembly Hall was an uncomfortably hot and sweaty as I’ve ever known it, even compared to the intimate shows contemporary acts Daughtry and Black Stone Cherry played here.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

There was a short support slot from a more youthful act in Connolly Hayes, specifically guitarist Frankie and singer Jess (plus a keyboard player). The latter was a contestant on ‘The Voice’ but I know her better as the daughter of Val Cowell and Richard Hayes, mainstays in enduring blues rockers Bad Influence.

Oddly though they not only opened with a cover in ‘Love The One You’re With’- always a mood improver admittedly- but Frankie did most of the vocals, a role reversed for most of the rest of the set. After their own ‘Tired Of This Love’ there were more covers in ‘What Do You Want The Girl To Do’ and Tedeschi Trucks’ ‘Midnight in Harlem’ featuring a guitar workout from Frankie.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

On closer ‘Frank’s Song’ the rolling piano was prominent and I was naggingly reminded of the Doobie Brothers ‘Neal’s Fandango’. Their sound blends rock and soul much in the style of Matt Pearce and The Mutiny and Jess has a striking voice. With their first album about to be released, they are a band to watch out for if they can get the right balance between originals and covers.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

Robin Trower made a typically understated entry- a big smile creased his face as he was handed his trusty Stratocaster by a roadie and he opened with ‘The Razor’s Edge’, before instantly familiar one in ‘Too Rolling Stoned’, inverting rock tropes with a first part that rocks hard before the second slower section where he played with great delicacy. The older songs were generally delivered note perfect to the originals with little improvisation, presumably on the basis they cannot be improved upon.

Although his last album with Sari Schorr went unrepresented, there was a lot of new material (mainly off the ‘No More Worlds to Conquer’ album) from someone who could otherwise be forgiven for coasting into nostalgia.  Though a minor gripe- with the occasional thanks to bandmates the extent of any between song chat, those of us not familiar with his whole oeuvre were left to work it out for ourselves.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

Most of it was quite mellow like ‘Wither On The Vine’ but ‘Cloud Across The Sun’ was closer to his seventies works. Though not a blues artist as such, Robin can certainly rank with the best in that style as ‘Ball of Fire’ proved, while those trademark face grimaces as he becomes totally absorbed in the music always delight.

The instrumental ‘Somebody Calling’ showed just what skilled and sensitive players drummer Chris Taggart and bassist Richard Watts are. The latter has also really grown in stature as a worthy vocal successor to Jimmy Dewar and Davey Pattison, with a solid and pleasant delivery, albeit not nearly as bluesy as them.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

A couple of times I thought his delivery was reminiscent of Jack Bruce, which was a compliment when I subsequently discovered they were Bruce and Trower collaborations (‘Distant Places of the Heart’ and ‘Its Too Late’).

Those hoping for some classics from  ‘Bridge of Sighs’, not least to mark the release of a special remaster to mark its half century  got their wish with ‘Day of the Eagle’, by some distance the heaviest in the set with some urgent drumming and Robin’s wah-wah technique at its best. Then just as its Hendrix-inspired riffs slowed, with a single note it segued into the brooding eight minute title track. The tempo was increased with ‘Rise Up Like The Sun’, reminding me a little of ‘Crossroads’.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

His understated style means he is an artist you need to ‘get’, which I only have belatedly done in more recent years. Proof of this was the ethereal ‘Daydream’ whose 10 minutes might meander in other guitarist’s hands, but the emotion you can feel in each individual note had the fans enthralled. ’No More Worlds To Conquer’ was another to remind me a little of Cream then it was time for the usual closing number and another of those ‘Bridge…’ classics in ‘Little Bit Of Sympathy’.

Encore ‘Rescue Me’ was again bluesier then after pointing at his band mates that there was time for another, the choice of a new song in ‘Birdsong’ again proved  he is an artist living very much in the present rather than the past.

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

The set was a little on the short side at an hour and 20 minutes, but not a moment was wasted with guitar playing so immaculate and precise. He is certainly playing as well as ever and there was a sense of being privileged to see a master craftsman at work. Since the show concerning news has come through that his American tour in the autumn is postponed to allow for major surgery, adding in hindsight to the poignant nature of this show. We all wish him well as he is still at the peak of his musical powers.

Review  by Andy Nathan
Photos by Paul Clampin

Album review (Bridge Of Sighs, 50th Anniversary)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: COLLATERAL – Camden Underworld, London, 26 May 2024

COLLATERAL- Camden Underworld, London, 26 May 2024

The release of ‘Should’ve Known Better’, their excellent second album (third if you count the album of mainly remixed  songs with added special guests ‘Rewired’) is a pivotal moment in Collateral’s chequered career. So it was only fitting that, after a sell out at the Cart and Horses in Stratford earlier this year, the Kent rockers, on the weekend of the album release, played their biggest capital headline show yet at the Underworld.

There was a healthy crowd and even if not sold out, the front section ahead of the venue’s notorious pillar looked as packed as I’d seen it, proof that they have attracted a devoted following, young and older alike. It’s just a shame the lighting seemed more directed at the crowd than the band.

COLLATERAL- Camden Underworld, London, 26 May 2024

After an intro tape of ‘Wanted Dead or Alive’ (maybe not a wise move given their sensitivity to lazy comparisons that refer to their gestation playing Bon Jovi covers) they started in style with ‘Glass Sky’, one of their strongest new songs. It’s already found its way into the live set over the last year so the ‘out of the shadows, we’ll be coming home’ chorus which formed a taped intro chant had people singing along when the song proper started. Louis Malagodi impressed initially with a simple yet funky repeated guitar motif and then with his solo.

Another song that has been broken in over the last couple of years followed in the catchy ‘Sin In the City. Though on ‘Rewired’, it had me wondering if it should also have been on the new album which after all is on the short side.

COLLATERAL- Camden Underworld, London, 26 May 2024

Album launch it may have been but a number of tried and tested favourites were still in the set in ‘Promiseland’, ‘Lullaby’,and ‘Mr Big Shot’ which the band gave a big climax to. However newie ‘Final Stand’, very melodic despite its downtuned guitar intro, was more substantial.

However I found myself being hyper critical. There are a very diverse set of influences in the band, and I’m not sure they quite cohere to make the band as tight as some of their contemporaries are. Additionally, after initially expanding to a 5 (briefly 6) piece when Louis joined, since Todd Winger departed and he was promoted to lead guitarist, there are times there are big gaps in the sound that a second guitarist might help fill.

COLLATERAL- Camden Underworld, London, 26 May 2024

The melodic leanings that charismatic singer Angelo Tristan brings were well in evidence, both on a fine recent single ‘On The Long Road’ and an oldie in ‘About This Boy’, culminating as he waved his acoustic guitar from side to side and the crowd replied in kind.

‘No Place For Love’ was another excellent song with a big hook, while my thoughts on a pair of new and old in ‘Game Changer’ and ‘Merry Go Round’ were that the ever smiling rhythm section of drummer Ben Edwards (whose hair seems to be growing spectacularly) and bassist Jack Bentley-Smith are better suited to the heavier rocking side of their repertoire.

COLLATERAL- Camden Underworld, London, 26 May 2024

They closed with one of their earliest and best loved songs in the melodic rock with a country twinge of ‘Midnight Queen’ to have everyone joining in, and a set that was still on the short side at an hour and five minutes ended with a solitary encore in another impressive new song in ‘Just One Of Those Days’, with a strong Tyketto influence, in my eyes anyway.

My reservations aside, the evening proved that Collateral are moving forward and that with a devoted following and a new album that finally does them justice, their future is as bright as it has been.

COLLATERAL- Camden Underworld, London, 26 May 2024

Review by Andy Nathan

Photos by Zoran Veselinovic


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: YES – Talk

YES - Talk

Spirit Of Unicorn/Cherry Red Records [Release date: 24.05.24]

Originally released in 1994 and remastered here for its 30th anniversary, ‘Talk’ is very much the lost album of the Yes canon (not helped by the Victor record company going bust not long after its release) but is well worth a reappraisal.

Following the success of the Trevor Horn produced ‘90125’ in 1983 and the horribly gestated, but commercially successful ‘Big Generator’ album in 1987, Yes attempted to revive their ‘70s glory with the ‘Union’ album – generally considered to be underwhelming despite its high charting position.

Following the band’s umpteenth collapse, post-‘Union’, guitarist Trevor Rabin re-assembled the ‘90125’ Yes – but with himself in the producer’s chair.

The result is a kick-ass progressive / AOR album, criminally ignored by the Yes cognoscenti at the time, but revealing itself on this re-issue to be essential listening for lovers of great rock music – regardless of genre.

Released as a 4CD box set with alternative versions and a live concert from June 1994, a double, coloured vinyl LP and as a single CD. As we had only the single CD to review I can’t comment on the quality or otherwise of the extra material but I’m sure it will be of the usual high standard – these guys don’t mess about.

With Rabin producing there’s much more riffing and power-chording here alongside Alan White’s fiery drumming – which is well to the fore. Chris Squire’s bass is simply sublime (what a miss he is) and with Tony Kaye releasing his inner Wakeman and Jon Anderson’s vocals sounding as strong as they ever have, success was guaranteed.

With only one track clocking in at less than five minutes and album-closer ‘Endless Dream’ touching 16 minutes, the prog credentials of one of the genre’s finest exponents are firmly re-established.

Things get underway with the crackling rifferama of ‘The Calling’ – a real calling card that Yes were back – and the anthemic guitaring of ‘I Am Waiting’ soothed by the balladry of Anderson’s vocal.

The pounding bass intro of ‘Real Loves’ introduces a mysterious ear-worm of a keyboard riff from Kaye before drums and guitar up the volume.

There’s more light and dark on ‘State Of Play’ and wonderful chiming guitar with the chorus pedal in full effect on ‘Walls’ whereas ‘Where Will You Be’ is the antidote to the raging all around with some nice Rabin acoustic work.

But all this leads inevitably to ‘Talk’s crowning glory; ‘Endless Dream’, whose three parts feature a frenzied keyboard / power-chord instrumental intro, a piano-led middle section and a completely Yes closing segment featuring a great speaker-to-speaker wah-wah section that will fry your brain if listening on headphones. An epic up there with Yes’s finest work.

So, the great “lost album” returns and with it the opportunity to re-evaluate and compare to Yes’s exceptional output over the years – and it stands up well.

And to all you old Yes fans who reckon the music stopped with ‘Tales From Topographic Oceans’ and hit the depths of despair with ‘90125’ – get over yourselves and give ‘Talk’ the listening it deserves – a hidden gem if ever there was one.    *****

Review by Alan Jones

Get Ready to ROCK! - The Best of 2024

 


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : KURT FROHLICH – 1977

Golden Robot Records [Release Date : 07.06.24]

Kurt Frohlich, currently vocalist with Riley’s LA Guns, has already fronted Faster Pussycat and Mark Ramone’s band.

Limited as that pedigree might be, it lets us know where he’s coming from.

1977 is the title of his debut solo album.

Deep inside a decade of transformative music, it was the year that saw the raw energy of Punk takeover the airwaves. The Clash, Television and the Sex Pistols all released their debut albums in that year.

Frohlich is obviously a devotee, who shows awareness throughout his album of just how subsequent decades continued to shape and form the genre, and its spinoffs.

‘I Don’t Want It’ and ‘Another Heartbreak’ fuse power chords with anthemic lyrics, effectively creating original material by percolating his punk tendencies through eighties Glam Rock.

And, with a knowing nod to punk culture and attitude, Frohlich fills songs, like ‘Sick In The Head’ and ‘Who Do You Think You Are?’ with punchy tunes, spring loaded guitars and sneering vocals, a stripped down cultural response to semi permanent social concerns and anxieties.

Then, on other tracks, like ‘I Wanna Live In Space’ and ‘I Don’t Want It’, he has clearly taken the lessons learned by Weezer and Green Day in the nineties, when they preached melodic economy to any band trying to make a break through.

His zest for confrontational lyrics on the subversive, gonzo rock of ‘Fish Head’ sees the song’s infectious, poppy immediacy butting up against a much much deeper unease, bringing all of Frohlich’s musical and lyrical strengths together in a single track.

Album standout by a considerable distance. ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


EP review: MOON CITY MASTERS

Website  [Release date 31.05.24]

More new music from the Moon City Masters – namely twin brothers, Jordan (vocals, bass) and Talor Steinberg (vocals, guitars). Digital only at the moment, although you can buy and download it via iTunes and Amazon.

Five songs with one big summer song, the brass enhanced ‘Stuck On You’. This one deserves to be all over the radio and streaming playlists. The Moon City Masters are adept at tapping into that 70s West Coast vibe too, as the glorious ‘So Many People’ amply illustrates.

‘You’re Not Alone’ sounds like Boston jamming with Nelson – another set of twins who know what a good melody is. ‘Ride On’ is pretty decent, nothing special, however, ‘Keep Dreaming’ is a wonderful mix of 70s rock with a funky backbeat (with a hint of cowbell?!) and that guitar – loving it!

Surely the Moon City Masters will be due their big break soon? They keep on producing songs that last the test of time and leave the listener in an upbeat mood. A decent support slot or two in the US should see them, deservedly, become better known. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: NESTOR – Teenage Rebel

NESTOR - Teenage Rebel

Napalm Records [Release date 31.05.24]

Album number two from Nestor sees the band signed to a big label, namely Napalm Records, home to fellow lovers of a good 80′s melodic rock riff, the Night Flight Orchestra. According the band’s bio they have been around since 1989, falling into ‘slumbering hibernation for three decades’ before releasing their debut album in 2021.

The intro ‘The Law of Jante’, featuring actress Freya Miller, leads into the album’s first melodic rock delight, ‘We Come Alive’, although the riff of the album award goes to the single ‘Victorious’. An aural treat of big guitar riffs, swirling keys, catchy chorus and the melodious vocals of Tobias Gustavsson. Stonking guitar solo on this one too courtesy of Jonny Wemmenstedt.

The middle of the album brings out more treats in the shape of the rocky ‘Caroline’, the Chicago approved ballad ‘The One That Got Away’ (its the bombastic bits and piano/vocal mic that recalls 80′s Chicago) and the simple, but effect chorus on ‘Addicted To Love’. ‘Unchain My Heart’ sees the album’s quality dip a little, although the heartfelt ballad ‘Daughter’ sees the album out in style. The song builds nicely to a satisfying power ballad finale.

Nestor have now released two strong albums in three years and judging by this album they are not running short of musical ideas.

Close run thing between Nestor and Remedy for Scandi flavoured melodic rock album of the year. Over to you Eclipse… Until then, this one will be on repeat play for many a melodic rock lover. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


EP review: RED VOODOO – Red Voodoo

Website [Release date 07.06.24]

Red Voodoo is a four piece from California, formed in 2019 the band has a sound that brings to mind all the great parts from 70’s and 80’s rock music that is missing today. The band are about to release their new self-titled EP, and very good it is too.

There is a great energy running through this 5 track EP and the guitarwork throughout is outstanding, “Mystery Girl” and “KSA” being fine examples of this. “Hourglass” in particular has echoes of Sammy Hagar to it, and it is no surprise to find that man himself champions the band (they have previously supported him live, his producer Jaimeson Durr also produced the EP and the band more than likely took their name from one of his solo albums).

People are worried that all the great bands will soon stop playing but with the likes of Red Voodoo coming through the ranks, I would say we have nothing to worry about. The band has already played shows with the likes of Sammy Hagar, Y&T and Slaughter and you can bet your last dollar that they picked up new fans at every stop. *****

Review by Nikk Gunns


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: RICK ESTRIN AND THE NIGHTCATS – The Hits Keep Coming

Rick Estrin And The Nightcats - The Hits Keep Coming

Alligator Records [Release date 08.03.24]

It’s five years since Rick Estrin & the Nightcats cut an album signifantly called ‘Contemporary’.  And as if too illustate his almost unique standing as a conduit between old school blues and his current groundbreaking band’s contemporary approach, ‘The Hits Keep Coming’ provides the perfect balance between hipshaking rhythms, gospel flourishes and Estrin’s sense of a groove.

Indeed ‘The Hits Keep Coming’ finds the blues harp veteran at the top of his game with arguably the best Nighcats line-up he’s ever had.

He revels in the art of blues songcraft – from the humorous to the sombre and back again – and expressive blues harp playing on a groove laden album.

And when he does indulge himself on 2 covers, his reading of Leonard Cohen’s darkly filtered ‘Everybody Knows’, serves to highlight his own lyrical abilties, as its sound as if it could have come from his own pen.

Estrin’s raspy baritone and cartoon character style phrasing has long been an acquired taste, but it has always facililated humour which remains an integral part of his oeuvre.

And such is his standing in the blues world that that he can sing the blues the way he feels them, with total conviction, integrity and real feel.

He frequently glides effortlessly from an emotive vocal phrase to a deep expressive harmonica break, which sounds like an extension of the same conversation.

The fact that his band matches him everystep of the way, complete with frequent gospel bv’s from Sons Of The Soul Revivers and an intuitive production by the celebrated Kid Anderson, makes this easily his best release.

The album opens with hip shaking ‘Somewhere Else’, which is powered by the relentless drive of drummer Derrick D’Mar Martin.

It’s topped by Estrin’s ironic vocal phrasing and killer harp and is framed by an intuitive production. The latter achieves that rare thing of capturing spark within a polished whole.

The title track packs a lyrical surprise, being about the vacillations of life rather than commerical success. Estrin is at his emotive best here, supported by emotive gospel bv’s , while his tension breaking harp both supports the song and gives it extra depth.

He adopts a tone of almost ironic bewlderment on the autobiogrphical “The Circus Is Still In Town (The Monkey Song)”, a tune about addiction with a sting in the tail. Though you’d hope having come this far,  blues would be his only consuming vice:

“The monkey’s off of my back, But the circus ain’t gone, Clowns and the side show freaks live on, The monkey is laying low as far as I can tell, But I know he’s out there waiting and he’s still alive and well.”

On ‘I Finally Hit The Bottom’, his titular lyrics work their way from the bottom up towards some sort of salvation, though given his ambivalent style of phrasing, you are never quite sure.

In fact it’s left to his own blast of earthy harp, Farrell’s sweeping organ break and Andersen’s stringing guitar to provide the musical confirmation.

The key to the album as a whole is the exilerating way Estrin attacks an array of blues styles, as he heads down different musical avenues while exploring his own versatile vocal and harp styles.

There’s dark humour to be found on the jump blues reading of a Muddy Waters outing called ‘Diamonds At Her Feet’.

He’s more upbeat on the harp led Lazy Lester style ‘I Ain’t Worried About Nothin’, while the Latino influecned  ‘Learn To Lose’, sounds almost perfunctory, until being offset by a clarity of diction and dirt toned harp that drips with feel. Lorenzo Farrell adds a telling organ sweep while Andersen provides the perfect sinewy guitar counterweight, to underpin Estrin’s observations.

“You gonna be in for a shock, When that other shoe drops, Everybody got to learn to lose.”

He’s at his most sombre on the beautifully crafted ‘It’s Time For Me To Go’, a co-write with Lorenzo Farrell. It’s a deep blues on which the band’s sparkling playing illuminates a dark place with heartfelt lyrics:

“And most of the folks I used to know, They split the scene a while ago, I guess I better pack my stuff, ‘Cause it’s time to wrap this show
But man, I sure don’t wanna go.”

And just when it feels as if he’s turning the pages of a blues diary, he steps out of character for a soulful intrumental ‘Sack O’ Kools’, on which his harp playing is closer to the country feel of Van McCoy on a Memphis Soul track.

Everything flows mellifuously right through to ‘Whatever Happened to Dobie Strange’, which provides a memorably surreal bookend.

The song references Dobie Strange an early 90’s Nightcats drummer, on another cartoon character outing with comic backing vocals, on which the narrator recalls a frequent case of mistaken identity between himself and the late band leader Charlie Baty.

It’s like Estrin is voicing some the kind of inane post gig questions, and working them Zappa style, into a completely unique song which finishes with a funny funky rap bathed in period vocoder.

Just like the album as a whole, it’s marvellous! ****

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: BRYAN ADAMS – Royal Albert Hall, London, 14 May 2024

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

Two years ago, I was present all three nights as Bryan Adams played a memorable residency at the Albert Hall, playing a classic album each night (subsequently released in less than satisfactory fashion on DVD).

I thought that was a glorious one off but last autumn he announced a further trio of dates,  again focusing on a specific album- ‘18 Till I Die’, the belated and patchy follow-up to multimillion selling ‘Waking Up the Neighbours’, his most recent release ‘So Happy It Hurts’ and, of course, ‘Reckless’.

This was the first album he ever played in full when touring its 30th anniversary in 2014, but as one of my favourite ever albums and the soundtrack to my life since I bought the cassette in WH Smith as a 17 year old, that was always going to be the night for me this time. Luckily after the shows originally sold out in minutes, tickets became available a week or two before the show, so it was time for a coda to that original memorable trio of gigs.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

Bryan Adams’ everyman nature has always been part of his appeal, so there was no big stage show as he and his band took the stage bathed in a purple light not unlike the passage of the Aurora Borealis which had so been exciting people in the days previous. As on record, he opened with ‘One Night Love Affair’: the strength of this song that was never a single a good indicator of what a special album this is, and it was encouraging to see people clapping along.

From then on the order was varied as ‘Somebody’ followed with a slightly different arrangement, the only complaint at this point being that the sound was initially too quiet. Indeed there was room for a couple of tracks that didn’t make the cut, including the title track that never was, ‘Reckless’, later retooled as ‘Dangerous’ by Loverboy, though I noticed a similarity to ‘Run To You’.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

Talking of which the track itself, with just a few tweaks from the original, was as rapturously received as you would expect the biggest UK hit from the album would be, and the band milked it with a big pause between the bridge and Keith Scott cranking out his riff that leads into the final chorus. ‘Heaven’ had a rather greater makeover with a keyboard rather than piano intro from Gary Breit and a more modern and stripped back feel,  but still with space late on for an emotive solo from Keith.

‘Kids Wanna Rock’ demonstrated that the album did exactly that, then in contrast Bryan recounted how another offcut in ‘Let Me Down Easy’ was donated to Roger Daltrey- indeed I remember buying the ‘Under the Raging Moon’ album in 1985  purely for its two Adams-Vallance songs, the other being ‘Rebel’. It was a solo acoustic version and yet that only highlighted what a strong song it is.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

‘She’s Only Happy When She’s Dancing’ featured more audience clapping and participation, while in days gone by Bryan would tease Tina Turner’s non appearance. This time ‘Its Only Love’ was preceded by a more sombre tribute to her, reflecting on how she had given him a big break as a young artist.

After Keith had gone to the ragged edge with his closing solo, it was followed by the bluesier ‘Long Gone’ with Bryan on harmonica and the least known and frankly weakest track ‘Ain’t Gonna Cry’ which turned into a garage-like, even almost punky jam with Keith writhing on the floor of the walkway into the standing area while the others turned towards drummer Pat Steward.

The ‘Reckless’ set ended, as it surely had to, with a joyous ‘Summer of 69’ and I noticed quite how cleverly the band made it even more of a live anthem with pregnant pauses for people to clap along or sections turned over to audience singing.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

After a half hour break, my love for Reckless meant the second set would invariably be an anti climax for me. It was a ‘best of the rest’, but having used up those songs was like opening up a packet of assorted biscuits to find the chocolate ones already taken.  However it started in impressively rocky fashion with ‘Kick Ass’ (minus the kitsch John Cleese introduction) and ‘Can’t Stop This Thing We Started’ which is always a fun live track with plenty of band movement. The excellent if rather telegraphed power ballad ‘Please Forgive Me’ was a slight surprise while the Ed Sheeran penned ‘Shine a Light’ had an impressive number of people waving their phone lights.

There was a preponderance of newer stuff: they were not all ballads by any means but I do find that his more up tempo recent material owes more to old fashioned fifties and sixties rock’ n’ roll than my preferred styles: examples were ‘On The Road’, ‘Go Down Rocking’ with its ‘Glad All Over’- like riff and the rockabilly of ‘You Belong to Me’ which had Bryan and Keith going down the walkway, accompanied by Sol Walker, surprisingly nimble given he was carrying a double bass.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

Cleese may have been absent, but now it was time ‘for something completely different’ as the London Community Gospel Choir, their white robes in stark contrast to the band’s all-black outfits, joined for a couple of songs in ‘Never Gonna Rain’, as R’n’B as Brian has ever got, and a touch of funk on ‘You Lift Me Up’.

His most recent album ‘So Happy It Hurts’ was getting the whole album treatment the following night, yet he obviously believes in it as several songs made it into this set as well, including ‘I’ve Been Looking For You’, ‘Always Have, Always Will’ and the title track which was an enjoyable romp with a big inflatable of the sports car from the album cover dangling from the ceiling.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

‘When You’re Gone’ worked surprisingly well as a solo acoustic (then again in my view most things sound better for the absence of a Spice Girl), while ‘Everything I Do (I Do It For You)’ was never my favourite- millions of record buyers disagree!- but always works better live especially when Keith has the space to stretch out for a melodic solo.

Having reluctantly had to miss ‘18 Till I Die’ night I rather hoped its best cuts might make this set – sadly the title track did not, but a fun ‘The Only Thing That Looks Good On Me Is You’ was some consolation while ‘Cuts Like a Knife’, as ever, featured   bad jamming and more   audience participation on the ‘na- na- na’s.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

At this point, as is the form at his gigs these days, the band took their leave to allow Bryan a solo spotlight for the encores, and I was braced for a lengthy one. Introduced by an anecdote about being written on a piano his mother had given the young songwriting hopeful, the simple but universal ‘Straight From the Heart’ gave way to the more personal sentiments of a poignant ‘These Are The Moments That Make Up My Life’ from his last album. I was fully expecting a climax of ‘All For Love’ to finish but instead he rather abruptly took his bow, this being the shortest of the three residency shows.

The ‘Reckless’ segment had naturally been the highlight, but this was still a memorable night, proving how the apparently ageless 64 year old and his band have a catalogue full of great songs and the stage craft to keep an audience enthused without the aid of gimmicks.

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

Review and Photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FOCUS – Focus 12

David Randall chatted to Thijs van Leer for his weekly show on Get Ready to ROCK! Radio playing tracks from the new album.  First broadcast 9 June 2024 and featured in the second hour.

FOCUS - Focus 12

Spirit Of Unicorn Music [Release date 04.07.24]

Back in 1972/4 Focus almost burned themselves out, constantly touring on the back of major international success. Most importantly they had cracked the U.S. market. This was particularly unique for an all-instrumental band. After 1978’s Focus Con Proby, when the band had become somewhat directionless using a session drummer and weird choice of vocalist, they split.

It wasn’t until the late 1990s that word was getting out that Thijs van Leer was reconvening the band, this time with his stepson Bobby Jacobs on bass and Jan Dumee on guitar. It wasn’t until 2004 that “classic line-up” drummer Pierre van der Linden returned to the fold and by 2016 the new line-up was settled with Menno Gootjes firmly holding the coveted guitar position.

Since that time the band have released eight albums and toured fairly constantly. They are now a mainstay on the UK classic rock festival circuit and we should be really grateful for their regular sorties. We could even take them for granted.

In truth the millennium albums can be patchy but they are usually injected with humour and style. The opening title ‘Fjord Focus’ is a good example. This suggests that Van Leer has lost none of his prowess on flute and indeed when he comes in for the first time there is a feeling of “I can relax now, the master is here”. The track is also a great vehicle for Gootjes.

In summary, thankfully the band have moved on. They are not trying to ape their original sound and whilst there are stylistic comparisons to their later jazzier offerings, if not already the ghost of Akkerman is firmly laid to rest. They do persist, though, with the latest iteration of the self-titled piece, this time ‘Focus 13′.

Overall, the album is actually a mix of jazz rock and more classically inclined pieces such as ‘Born To Be You’ or a mixture of the two in ‘Nura’. This has the phrases that remind me of Van Leer’s wonderful magnum opus ’Dona Nobis Pacem’ with Pedal Point in 1981.

Focus 12 is a really good listen if not perhaps as rocky as some would like.

When Focus were recording ‘Focus III’ in 1972 in the next studio was Bowie working on ‘The Rise And Fall Of Ziggy Stardust…’. Focus recorded their album in four days. It took Bowie many months.  ‘Bowie’ is actually one of Van Leer’s grandchildren who also get a mention in ‘Bela’ and ‘Gaia’.

Akkerman always praised Van der Linden as the greatest ever rock drummer and he excels on this – he’s 78 dammit! – together with Van Leer’s fluid Hammonding and bassist Udo Pennekeet’s solid rhythm.

I’ve recently been listening back to a 1990 interview I did with Van Leer prior to the publication of a Focus feature in ‘Record Collector’. He is a real gentleman, a great raconteur, and I reminded myself also that his tenacity and perseverance over 50 years has ensured the continuation of the Focus “brand” of musical excellence. ****

Review by David Randall

Feature: Introduction to Focus (2020, including interview feature)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: PSYCH! British Prog, Rock, Folk & Blues 1966-1973 (3-CD)

PSYCH! British Prog, Rock, Folk & Blues 1966-1973 (3-CD)

Decca/Universal [Release date 21.06.24]

This 64-song 3-CD/2LP collection highlights a halcyon period for British psych rock and folk stretching from the mid sixties to the early 1970s. During that time Deram was the leading purveyor of the genre and this release will bring back many memories of collecting obscure bands and vinyl during this period.  And not least of flamboyant shirts and loon pants.

With an informative liner note from author Mike Barnes, the 3 albums start with the folky/pop roots of psych (Disc 1) and progress to progressive and beyond (Discs 2 & 3). If Disc 1 is a bit primeval for most, unless you are tracing musical lineage for bands like Yes (presaged by The Syn) and The Faces (Small Faces) or The Moody Blues the second and third discs will be of most interest.

Thankfully not the most obvious tracks have been selected. And where else would you get bands called Crocheted Doughnut Ring or Tinkerbell’s Fairydust, or titles like ‘Treacle Toffee World’?

Barnes’ sleeve note reflects that bands developed from playing R&B and soul covers in the sixties to more original material but there is no doubt that much psych of the period was influenced by the U.S. West Coast albeit with an English whimsical twist.

The collection of proto prog is a veritable pot-pourri of the good, the great and the not easily remembered. It is good hearing again bands like Egg which featured Clive Brooks on drums (later with Groundhogs) and Dave Stewart (subsequently with Hatfield And The North).

Jan Dukes de Grey and Aardvark bring back memories of fusty smelling record shops, distinctive album covers and a realisation if the originals were in your collection you’d be sitting on £500.

All the tracks will have some listeners seeking out the original albums, an inevitably expensive hobby, but here at GRTR! we would recommend Mellow Candle and Khan for starters.  Or maybe Room, a short-lived jazz rock band whose 1970 album now sells for over £1000.

This collection is available as a 3-CD or 2-LP highlights. It’s a shame the full set couldn’t have been released as perhaps a limited edition vinyl for collectors.  The real constraint is truly illustrating prog rock over a 3-CD selection; each track barely reaches four minutes so the connoisseur may feel short-changed.

Psych! is a veritable time-capsule of a creative era in music history, propelled by a great label who were prepared to invest in the weird and the wonderful. Only a handful of artists are still plying their trade now, so hats off to Darryl Way and Caravan. Best enjoyed with an incense stick, bean bag and bong. ****

Review by David Randall

Get Ready to ROCK! - The Best of 2024


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


News: AL ATKINS, NEONFLY, HEART (June 2024)

SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS- Wembley Arena, London, 5 April 2024

News - Album News

The Angels have announced their first album in a decade. Entitled ‘Ninety Nine’ it will be released via Bloodlines on June 28.

Former Judas Priest vocalist Al Atkins has revealed a 50th anniversary edition of Judas Priest’s ‘Rocka Rolla’, as well as a reissue of his solo album ‘Victim Of Changes’, is being planned for the autumn. The reissues will be handled by Sleasy Rider Records, with producer Tom Allom remastering ‘Rocka Rolla’.

Blur release Live At Wembley Stadium’ on July 26 via Parlophone, as well as a documentary film, ‘Blur: To The End’, released in cinemas in the UK and Ireland on September 6.

Coldplay release their new album ‘Moon Music’ on October 4, which is rumoured to be the band’s final studio album.

Crimson Glory have signed with BraveWords Records.

Crobot release their latest album ‘Obsidian’ on September 13 via Megaforce Records.

The Damned release ‘AD 2022 – Live In Manchester’ on September 13.

Destruction have released a new song, ‘No Kings – No Masters’, with an album due next year.

Dim Gray plan to release a live EP in the autumn.

Niji Entertainment and BMG will release ‘Dio – The Complete Donington Collection’ as a limited-edition five-LP box set on July 19.

Electric Temple will release a five track EP on 24 August. The band’s line-up consists of guitarist Tony Childs, W.A.S.P. bassist Mike Duda, drummer Matt Starr (Mr. Big, Ace Frehley) and vocalist Andrew Freeman (Last In Line).

Ensiferum release their new studio album, ‘Winter Storm’, on October 18 through Metal Blade Records.

Fire Action have signed with SPV/Steamhammer who will release the band’s debut album later this year.

Fish has announced that he will reissue his first two solo albums, 1990′s Vigil In A Wilderness Of Mirrors and 1991′s ‘Internal Exile’, through his Chocolate Frog Record Company label on July 22.

Frost* are set to release their new album ‘Life in the Wires’ in October. It will be a double album and a concept one.

Steve Hackett is to have his first two classical albums reissued on vinyl. Bay Of Kings’ (1983) and ‘Momentum’ (1988) will be reissued on both black and limited coloured vinyl editions through InsideOut Music on August 2.

Intense plan to start work on their fifth studio album this year for a planned 2025 release.

Tony Iommi has confirmed he is working on his first ever solo album.

Jimi Jamison’s previously unreleased country album, ‘Jimmy Wayne Jamison’, gets a full released on August 23. Fellow former Survivor member Jim Peterik also features on the album.

Myles Kennedy (pictured) releases his third solo album ‘The Art of Letting Go’ through Napalm Records on October 11.

L.A. Guns have signed with Cleopatra Records.

Nick Lowe has announced his first new album in over a decade. Indoor Safari will be released on September 13.

Massive Wagons, release their seventh studio album, Earth To Grace’, on November 8 via Earache Records. They have released the first single of the album ‘Missing On TV’ on June 19.

MC5′s first new album in 53 years, ‘Heavy Lifting’, is released on October 18 via earMusic.

Mercury Rev release their new album ‘Born Horses’ through Bella Union on September 6.

Metal Church will release ‘The Final Sermon (Live In Japan 2019)’ via Rat Pak Records (US) and Reaper Entertainment (EU).

Neonfly release a live EP, ‘Master Tapes – 10 Years Live at Masters of Rock’, on June 19 via Noble Demon.

Nighthawk release their new album ‘Vampire Blues’ on August 30 through Pride & Glory Music.

Nile releases their tenth album ‘The Underworld Awaits Us All’ on August 23 via Napalm Records.

The Offspring will release  their eleventh album, ‘Supercharged’, on October 11 via Concord Records.

A new super deluxe, seven-disc box set of The Alan Parson’s Project ‘Pyramid’ album will be released through Cooking Vinyl Records on August 23.

The Police release a six CD set of their 1983 album ‘Synchronicity’ on July 26.

Primal Fear have signed with Reigning Phoenix Music.

Pure Reason Revolution have announced that they will release their latest album, Coming Up To Consciousness’, through InsideOut Music on September 6.

Dream Theater’s Jordan Rudess releases his new album ‘Permission To Fly’ through InsideOut Music on September 6.

Michael Schenker releases ‘My Years With UFO’ on September 20 via earMUSIC. Guests include Slash, Axl Rose, Dee Snider, John Norum, Joey Tempest and Joe Lynn Turner.

Shed Seven are continuing their 30th anniversary celebrations with the release of a newly recorded, orchestral greatest hits album ‘Liquid Gold’ on September 27.

Skid Row release ‘Live In London’ on September 20.

Snow Patrol release their new album ‘The Forest Is The Path’ through Polydor Records on September 13.

Testament will release remastered versions of their albums ‘The Legacy’ and ‘The New Order’ both digitally and on vinyl via Nuclear Blast Records on July 12.

Pete Townsend is packaging nine solo shows into a 14CD set titled ‘Live in Concert 1985-2001′ which is due on July 26.

The Tragically Hip release a commemorative boxset of their debut album, ‘Up To Here’, on November 8 via UMe.

Former White Lion vocalist Mike Tramp releases ‘Songs of White Lion – Vol. II’ via Frontiers on August 23.

‘Van Stephenson – Same Pen, Different Voices’, a 2CD set will be released by MelodicRock Classics on July 26.

Vola have announced a new studio album, ‘Friend Of A Phantom’, will be released on November 1 via Mascot Records.

News - Tours and Gigs

Newly announced UK tours (2024 unless stated):

Frank Black (London Palladium, Thu 6 Feb 2025), Black Stone Cherry + Skillet + Ayron Jones (Nov), Joe Bonamassa (Apr 2025), Bowling For Soup + Wheatus (Feb 2025), Crowded House (Oct), Dropkick Murphys (Feb 2025), Enter Shikari (Nov, Dec), Craig Finn (Sep), the Flaming Lips (2025), Go West (2025), Myles Kennedy (Nov, Dec), Cyndi Lauper (Feb 2025 farewell tour), Paul McArtney (Dec), Pantera (Feb 2025), Francis Rossi (Apr-Jun 2025), Snow Patrol (Feb 2025), the Struts (Sep, Oct), Sum 41 (Oct, Nov farewell tour), Tangerine Dream (London Barbican Oct 7), the Waterboys (2025), While She Sleeps (Dec), Steven Wilson (Apr 2025),

Upcoming (Gigs – UK)

Newly announced US & European tours (2024 unless stated):

Airbourne (EU 2025), Apocalyptica + Nina Strauss (US 2025), Asking Alexandria (US), Baby Metal (US),  Black Stone Cherry + Skillet + Ayron Jones (EU), Cold Chisel (AU), the Cult (AU), Delain (US 2025), Dogstar (US), Dropkick Murphys + Alkaline Trio (AU), Exodus (US), Craig Finn (US, EU), Peter Frampton (US), Jane’s Addiction + Love and Rockets (US), Judas Priest + Sabaton (US), Myles Kennedy (EU), Cyndi Lauper (farewell tour – US 2024, EU 2025), Yngwie Malmsteen (US), Duff McKagan (US), Megadeth (US), Pantera (EU 2025), Pure Reason Revolution (EU), Queens of the Stone Age (US), Riot V (EU), Sepultura (farewell tour) + Obituary + Agnostic Front (US), Slipknot (EU 2025), Snow Patrol (EU), Soulfly + Eyehategod (US), Sum 41 (EU farewell tour), the Used (US), W.A.S.P. (US), Thom Yorke (JP, AU, NZ, SG),

Upcoming (USA/ROW)

Postponed/cancelled gigs & tours

Bruce Springsteen has cancelled a number of shows on his current European tour due to vocal issues. The tour will resume on June 12 in Madrid, with dates in Marseille, Prague and Milan all being postponed.

Operators for Towersey Festival – the UK’s longest-running independent music festival – have confirmed that this year’s festival will be its last due to spiralling costs.

Heart have cancelled their upcoming UK & European tour as Ann Wilson will undergo a medical procedure and needs six weeks recovery time.

Dan Patlansky’s August UK shows have been cancelled.

Robin Trower has cancelled his US dates set for September and October over health concerns.

Willie Nelson will sit out the first part of the Outlaws US tour (which also features Bob Dylan and Robert Plant) due to illness.

Dokken have postponed their upcoming European dates as Don Dokken continues to recover from physical issues.

Other Stuff

Peter Frampton has been named as the next recipient of the Annual Les Paul Spirit Award.

Sabaton will release ‘The Tour To End All Tours’ concert film in selected cinemas on October 11.

Cross-sector lobbying group UK Music has written to the leaders of the UK’s political parties urging them to pledge support for the music industry in the run up to the General Election on Jul 4. The letter calls for specific action on AI, touring and tax credits, as well as new investment in music education and a ban on for-profit ticket resale.

The HMV owned Fopp opened a new store in Nottingham this month.
Spotify has now formally added a new music-only subscription tier in the UK, which it’s calling Basic Individual. It will cost £10.99 a month, a pound less than Premium Individual, which includes fifteen hours of audiobook listening.

Queen have sold their recording and publishing rights to Sony Music in a deal worth over $1bn. The band still own the name for live purposes.

Scorpions biopic ‘Winds of Change’ is set for release next year.

Guitarist Dave Foster will leave Big Big Train after making his final appearance with the band at this year’s final Night Of The Prog Festival in Germany in July.

Guitarist Diego Cavallotti has left Lacuna Coil.

Vixen have recruited Rosa Laricchiuta (Trans-Siberian Orchestra, Headpins) as their new vocalist.

News - RIP

Jonathan Perkins, first keyboards player with XTC and later a member of Stadium Dogs

Ed Mann, Frank Zappa’s long-time percussionist

Arthur ‘Gaps’ Hendrickson, co-vocalist of the Selector


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : NIGHTMARE – Encrypted

AFM Records [Release date: 06.06.24]

Formed in 1979, French Power Metal band, Nightmare have been worshipping the mighty riff for 11 albums now.
Their 12th album, Encrypted, sees ex Songbird songbird, Barbara Mogore (a smart bit of recruitment by Yves Campion), fronting the band for the first time.

With this new album, Encrypted, the band hit the road to hell running, and they do so with a refreshing commitment to a powerful, timeless style of Power Metal, liberally mixed in with other strains of the Heavy Metal genre.

Opener, ‘Nexus Inferus’ mainlines us into a world of muscular Metal, where a towering cliff face of pounding rhythms constantly threatens to overwhelm the guitars, the keyboards and the vocals. It never does, but that’s the plan of course. Mostly thanks to Mogore, who rises above this metal maelstrom to deliver a considered, carefully calibrated vocal.

The band like to take their up-market Power Metal on a daring journey to the extremes at times.
Producer, Simone (DGM) Mularoni is a slick genre craftsman whose mix and match choices – as on ‘The Blossom Of My Hate’, where the harsh male vocals link death metal hands with Mogore’s beseeching counterpoint – feel more organic than mechanical.

And again with this reprogrammed version of ‘Eternal Winter’, the classic Nightmare song (from 2009), released last month as one in an advance guard of trailer tracks.
Its verse has been roughened up with harsh vocals, bleeding straight into Magore’s  smoothly vocalised responses. That calculated light and shade forms the perfect intro to the haunting, hymn like chorus.

Sinister marching metal song, ‘Voices From The Other side’ slows the pace. A welcome variation. The bell tolls as the guitars paint a darkly colourful soundscape in strong, sure, strident brushstrokes. Cool melody too.

There’s more, and the quality just doesn’t dip. Fine album. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: McCOY – The Sound Of Thunder (3 CD set)

Cherry Red [Release date : 31/05/24]

CD1: 1985: McCoy : Hard Thinking (incorporates 1982 EP)
CD2: 1998: McCoy : Brainstorm
CD3: 1977: McCoy : Live 1977

The real (John) McCoy, bass player extraordinaire, was as much known for his fearsome, bald headed, bearded appearance (not forgetting the dark glasses) as he was for his skill as a musician/writer/producer.

He’s probably best known for forming Gillan, the band, with ex Deep Purple front man, Ian Gillan.
And perhaps least known for his work behind the scenes, in writing and producing music that appeared on TV programmes like “The Bill”, “Band Of Gold” and “Space 1999”.

Gillan broke up acrimoniously after 4 years, with McCoy going on to form McCoy the band (and ultimately, Mammoth), dedicating one of the songs from their debut, ‘Because You Lied’, to Gillan. Say no more.

An EP and two albums followed, with studio musicians ranging from Paul Samson and Bernie Torme, to Al (Belladonna) Romano and Mike (From The Fire) Sciotto.

The 1982 EP has been packaged with 1985’s Hard Thinking album as one CD, with the McCoy name.

The second studio album, Brainstorm, forms CD2. It began life as a Mammoth recording, but became a McCoy release. As is the way in the music industry, it didn’t see the light of day until the nineties.

Cranking the machine back to the seventies, between bands, McCoy made a connection with Paul Samson and drummer, Roger Hunt. This like minded power trio created an impressive set of live material, most of which was cowritten by McCoy and Samson. It’s captured onstage at the Target, Reading - Live 1977 - with the songs ultimately forming the foundation of of Samson’s debut album, Survivors, produced by McCoy.
This rare live set is preserved on CD3.
It’s fleshed out by fiery covers of Jimmy Reed’s ‘Big Boss Man’ and ZZ Top’s ‘Nasty Dogs…’ which were an indicator of where this trio got their inspiration.

The Hard Thinking collection is kicked off by a seven and half minute cover version of Fleetwood Mac’s ‘Oh Well’, lit up by blasts of awesome Torme axework. It’s condensed to a powerfully compact two and a half minute single edit later on the CD.
The commercial hard rock sound of ‘Night Lights’ and ‘Temporary Threshold Shift’ would have seen the band go toe to toe with UFO, but didn’t get the push or the airtime.

Brainstorm’s standouts, the rousing, tongue in cheek, cattle driving ‘Heavy Metal Cowboys’ and the US AOR influenced hard rock of ‘On And On’ both witness the band’s versatility, it’s ability to switch roles in the blink of an eye.

But yet again, it was a familiar story.

McCoy the band’s lack of recognition once again proved the arbitrary nature of the music biz. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: YES – Royal Concert Hall, Glasgow, 24 May 2024

Tonight’s show was another date in the current ‘Classic Tales Of Yes’ tour, a celebration of 50 plus years of Yessong with an emphasis on the band’s ‘Tales From Topographic Oceans’ opus which turn 50 in 2023.  You could argue that some of the current Yes line up have been in the band for 50 minutes, relatively speaking, rather than 50 years. However, what we had on stage tonight was 5 consummate musicians with a passion for all things prog recreating some of the best Yes classics. Better that than no Yes at all surely?

The mainstay and anchor of the current line up is guitarist Steve Howe. At the ripe old age of 77 you could forgive him for taking the easy route and hanging up his guitar. Tonight, however, he proved he is far from a spent force and his playing throughout the set was spot on.

The stage setting was minimal, and the band chose to let the music do the talking. Taking to the stage to rousing cheers and the ‘Young Person’s Guide To The Orchestra’ blasting from the PA the guys kicked things off with ‘Machine Messiah’ from the band’s ‘Drama’ album. This 10 minute epic twists and turns with a very heavy edge in parts. ‘It Will Be A Good Day (The River)’ followed and kept the pace up, and things bubbling along nicely.

A pedal steel guitar being rolled on stage signaled a bit of a country music vibe with the classic ‘Going For The One’. At one point Steve Howe, mid solo, rolled the pedal steel to the side of the stage which gave the impression he was walking with a zimmer frame which made me laugh. Don’t think Steve is quite there yet!

Another crowd favourite was up next with ‘Seen All Good People’ which had the crowd singing along with frontman Jon Davison. He has been filling the Jon Anderson role for many years now and has made the centre spot his own. He then took a bit of a back seat as the band played an instrumental, rocked up, version of Simon and Garfunkel’s ‘America’. The rhythm section of Billy Sherwood on bass and Jay Schellen on drums really showed their talents on this track.

‘Time And A Word’ took us back to 1970 and proved to be a timeless classic before Steve gave a bit of lecture on conservation which led into ‘Don’t Kill The Whale’. The first half was then rounded out with the acoustic led ‘Turn Of The Century’ which started with just Howe and Davison on stage before building to a rocking climax. A good end to an enjoyable first set then.

During the interval I went to stretch my legs in the foyer and bumped into a work colleague. Turned out his views on the first set were less complimentary than my own, just goes to show you can’t please everyone!

Settling back in for the second half, the lights dimmed and the sounds of thunder and lightening filled the air as the band started off with ‘South Side Of The Sky’. ‘Cut From The Stars’ followed before we got to the main part of the evening…

Condensing a two hour long album into a twenty minute piece was never going to be easy, however, the ‘Tales Of Topographic Oceans’ medley proved to be the highlight of the night. From ‘The Revealing Science Of God’ to ‘Ritual (Nous Sommes Du Soleil)’ the playing was superb and Geoff Downes did a great job of recreating the pomp keyboard sections of Rick Wakeman. This set went down a storm with the crowd and they left the stage to huge cheers.

The guys returned for two crowd pleasing encores starting with ‘Roundabout’ which then led into ‘Starship Trooper’ which finished off a great night of Yessong.

Tonight proved to be an excellent trip through the Yes back catalogue with a group of top notch musicians. Steve Howe looked in his element throughout proving there are no age barriers in rock, only the will to keep rocking! The hall may not have been filled to capacity tonight, but those in attendance witnessed something special.

Not too sure how much life there is left in Yes as a band, but they will leave one hell of a musical legacy as masterfully proved here tonight.

Review and photos by Dave Wilson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : RHAPSODY OF FIRE – Challenge The Wind

AFM Records [Release date : 31.05.24]

Fans of the Symphonic Metal genre will know ROF is a band big on concept. This new album, Challenge The Wind, is the third in their “Nephilim Empire Saga”. The second, Glory For Salvation, was enthusiastically reviewed by Joe Geesin on the site in 2021.

Challenge The Wind closes this song cycle.

Well up in the vanguard of symphonic metal, ROF have gone some way to codify the genre… the spine tingling orchestration, the sleek arrangements, the choirs and the hi-speed, hi-energy rhythms. And of course a talented vocalist, Giacomo Voli, who can bring a lyric to life.

The genre has such narrow bandwith that even now, arguably at its peak, it shows no sign of breaking out into the mainstream.

Surprisingly, 30 years on, ROF might be the band to change that.

Band leader, keyboard player, producer, Alex Staropoli isn’t called the ‘Film Score Composer’ for nothing. His production approach doesn’t depend on primal power any longer – those elements have been cleanly excised, giving way to a more evolved, richly melodic sound.

This has allowed the buffed up, epic musical sweep of songs like ‘Whispers of Doom’ and ‘Black Wizard’ to provide the dramatic intensity they were aiming for.

We reviewed the teaser / trailer single, ‘Brave New Hope’ last month, saying that it packed a considerable melodic punch, with Staropoli maintaining a strong producer’s grip on the soaring chorus. That can be said equally of ‘Bloody Pariah’, ‘Kreels Magic Staff’ and the title track. Each is urgent and anthemic, borrowing from Magnum’s and Bro Firetribe’s ability to match solid pomp rock melodies to galloping, quasi symphonic arrangements.

Centrepiece, ‘Vanquished By Shadows” is the fulcrum around which the album spins. It’s a 16 minute, gear shifting adrenaline rush. Roby DeMicheli’s fiery axework and Staropoli’s authoritative keyboards are the conductors, leading an exciting mix of harsh vocals and breathless, darkly lit symphonic metal to the finishing line.

The fact that the music is unrelentingly on fast forward might be a problem for some, but genre fans will love it. ***1/2

Review by Brian McGowan

Get Ready to ROCK! - The Best of 2024


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 11 May 2026

BREITLER Sentinel (El Puerto Records)
FIRE IN HER EYES Too Late To Change (indie)
KING FALCON Wait (indie)
BEAUTIFUL SKELETONS Come What May (indie)
KARIN PARK Shadow (Size Records)
HARSH Don’t Mess With Me (indie)

Featured Albums w/c 11 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: CHRISTOPHER CROSS – Bristol Beacon, 20 May 2026

Messenger_creation_2cc18282-10b8-4b66-8481-521a47ca43e4

For some Christopher Cross represents a moment in time, basically 1980, when his debut solo album was a major success.  He went on to win five Grammys a year later and his career was established. Of course, since that time, … Continue reading

Gig review: CALL OF THE WILD FESTIVAL – Lincolnshire Showground, Lincoln – 24th to 26th May 2024

Messenger_creation_2cc18282-10b8-4b66-8481-521a47ca43e4

Upon arrival at the showground I was taken to get checked in and get my press pass. After a short wait I was greeted by “Tosh” who was one of the friendliest guys I’ve ever met and he introduced me … Continue reading

Album review: THE DAVE FOSTER BAND – Maybe They’ll Come Back For Us

THE DAVE FOSTER BAND - Maybe They'll Come Back For Us

English Electric Recordings [Release date 31.05.24] Several years ago when I saw The Steve Rothery Band playing live Dave Foster provided support, and then reappeared in the Marillion guitarist’s band. Half way through Foster’s own set, an ethereally toned guitar … Continue reading

Album review: HUNGRYTOWN – Circus For Sale

Hungrytown - Circus For Sale

Big Stir Records [Release date 21.06.24] Rebecca Hall and Ken Anderson are Hungrytown, who have released three albums since they formed in 2005. All three have won accolades and Year’s Best Of recognition from within the roots and folk community and beyond. Expectations … Continue reading

Gig review: DEFECTS – Satans Hollow, Manchester, Friday 31 May 2024

defects 5

To say I was looking forward to this would be a huge understatement. After reviewing their album “Modern Error” before it’s release, I was eagerly awaiting this album release show. I managed to get there not long before Defects started. … Continue reading

Album review: COLLATERAL- Should’ve Known Better

COLLATERAL- Should've Known Better

Cargo Records [Release date: 24.05.24] After bursting on the scene five or six years ago,  Kent melodic rockers Collateral’s rise to the top has been a bumpy one – which has included the pandemic striking at the very moment they … Continue reading

Album review : STATUS QUO – Official Archive Series Vol.3 (2CDs)

STATUS QUO Live Archive vol 3 150

Ear Music/Edel [Release date : 12.07.24] If ever a band knew how to mine a rich back catalogue it’s Status Quo. We’ve said that before and no doubt we’ll say it again, and again. This third “Archive” release, Live at … Continue reading

Album review: GRAND SLAM – Wheel of Fortune

Grand Slam - Wheel of Fortune

Silver Lining Music [Release date 07.06.24] Grand Slam co-founding member Laurence Archer, and front man Mike Dyer, make it extraordinarily clear that theirs has been a true journey of destiny, one where early unions ended up leaving unfinished business on … Continue reading

Gig review: STATUS QUO – Kelvingrove Bandstand, Glasgow – 30th May 2024

mini_SAM_0391

The last gig I attended at the Kelvingrove Bandstand must have been 40 years ago when Radio Clyde put on a free mini festival of local rock talent, ably hosted by the ‘Beard Of Doom’, Mr Tom Russell. Around the … Continue reading

Album review : DANA GILLESPIE – First Love

Dana Gillespie First Love album Sleeve 150

Fretsore Records [Release date : 31.05.24] Had it been published in the midst of today’s gender wars, the title of Dana Gillespie’s controversial autobiography, “Weren’t Born A Man” would have new resonance. As it is, celebrating 60 years in the … Continue reading

Gig review: ROBIN TROWER – Islington Assembly Hall, London, 28 May 2024

ROBIN TROWER- Islington Assembly Hall, London, 28 May 2024

Very few of the greats of the classic era of British rock guitarists are still active- a fact  brought home by the loss of Jeff Beck and Bernie Marsden in the last couple of years while still at the peak … Continue reading

Gig review: COLLATERAL – Camden Underworld, London, 26 May 2024

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The release of ‘Should’ve Known Better’, their excellent second album (third if you count the album of mainly remixed  songs with added special guests ‘Rewired’) is a pivotal moment in Collateral’s chequered career. So it was only fitting that, after … Continue reading

Album review: YES – Talk

YES

Spirit Of Unicorn/Cherry Red Records [Release date: 24.05.24] Originally released in 1994 and remastered here for its 30th anniversary, ‘Talk’ is very much the lost album of the Yes canon (not helped by the Victor record company going bust not … Continue reading

Album review : KURT FROHLICH – 1977

Kurt Frohlich image 150

Golden Robot Records [Release Date : 07.06.24] Kurt Frohlich, currently vocalist with Riley’s LA Guns, has already fronted Faster Pussycat and Mark Ramone’s band. Limited as that pedigree might be, it lets us know where he’s coming from. 1977 is … Continue reading

EP review: MOON CITY MASTERS

Moon City Masters

Website  [Release date 31.05.24] More new music from the Moon City Masters – namely twin brothers, Jordan (vocals, bass) and Talor Steinberg (vocals, guitars). Digital only at the moment, although you can buy and download it via iTunes and Amazon. … Continue reading

Album review: NESTOR – Teenage Rebel

NESTOR - Teenage Rebel

Napalm Records [Release date 31.05.24] Album number two from Nestor sees the band signed to a big label, namely Napalm Records, home to fellow lovers of a good 80′s melodic rock riff, the Night Flight Orchestra. According the band’s bio … Continue reading

EP review: RED VOODOO – Red Voodoo

Red Voodoo

Website [Release date 07.06.24] Red Voodoo is a four piece from California, formed in 2019 the band has a sound that brings to mind all the great parts from 70’s and 80’s rock music that is missing today. The band are … Continue reading

Album review: RICK ESTRIN AND THE NIGHTCATS – The Hits Keep Coming

Rick Estrin And The Nightcats

Alligator Records [Release date 08.03.24] It’s five years since Rick Estrin & the Nightcats cut an album signifantly called ‘Contemporary’.  And as if too illustate his almost unique standing as a conduit between old school blues and his current groundbreaking … Continue reading

Gig review: BRYAN ADAMS – Royal Albert Hall, London, 14 May 2024

BRYAN ADAMS- Royal Albert Hall, London, 14 May 2024

Two years ago, I was present all three nights as Bryan Adams played a memorable residency at the Albert Hall, playing a classic album each night (subsequently released in less than satisfactory fashion on DVD). I thought that was a … Continue reading

Album review: FOCUS – Focus 12

FOCUS - Focus 12

David Randall chatted to Thijs van Leer for his weekly show on Get Ready to ROCK! Radio playing tracks from the new album.  First broadcast 9 June 2024 and featured in the second hour. Spirit Of Unicorn Music [Release date … Continue reading

Album review: PSYCH! British Prog, Rock, Folk & Blues 1966-1973 (3-CD)

PSYCH! British Prog, Rock, Folk & Blues 1966-1973 (3-CD)

Decca/Universal [Release date 21.06.24] This 64-song 3-CD/2LP collection highlights a halcyon period for British psych rock and folk stretching from the mid sixties to the early 1970s. During that time Deram was the leading purveyor of the genre and this … Continue reading

News: AL ATKINS, NEONFLY, HEART (June 2024)

SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS- Wembley Arena, London, 5 April 2024

The Angels have announced their first album in a decade. Entitled ‘Ninety Nine’ it will be released via Bloodlines on June 28. Former Judas Priest vocalist Al Atkins has revealed a 50th anniversary edition of Judas Priest’s ‘Rocka Rolla’, as well … Continue reading

Album review : NIGHTMARE – Encrypted

NIGHTMARE Encrypted 150

AFM Records [Release date: 06.06.24] Formed in 1979, French Power Metal band, Nightmare have been worshipping the mighty riff for 11 albums now. Their 12th album, Encrypted, sees ex Songbird songbird, Barbara Mogore (a smart bit of recruitment by Yves … Continue reading

Album review: McCOY – The Sound Of Thunder (3 CD set)

McCoy thunder 150

Cherry Red [Release date : 31/05/24] CD1: 1985: McCoy : Hard Thinking (incorporates 1982 EP) CD2: 1998: McCoy : Brainstorm CD3: 1977: McCoy : Live 1977 The real (John) McCoy, bass player extraordinaire, was as much known for his fearsome, … Continue reading

Gig review: YES – Royal Concert Hall, Glasgow, 24 May 2024

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Tonight’s show was another date in the current ‘Classic Tales Of Yes’ tour, a celebration of 50 plus years of Yessong with an emphasis on the band’s ‘Tales From Topographic Oceans’ opus which turn 50 in 2023.  You could argue … Continue reading

Album review : RHAPSODY OF FIRE – Challenge The Wind

RHAPSODY - Challenge The Wind

AFM Records [Release date : 31.05.24] Fans of the Symphonic Metal genre will know ROF is a band big on concept. This new album, Challenge The Wind, is the third in their “Nephilim Empire Saga”. The second, Glory For Salvation, … Continue reading