Album review : TEMPLE BALLS – s/t

Frontiers Music [Release date : 13.02.26]

Some of us have lived a sheltered life. Apparently “temple balls” are “one of the oldest varieties of medical marijuana”. Not a lot of people know that.

And so a self titled release at this stage of the band’s career, normally something that indicates a re-appraisal of style, of content, of attitude, and so forth, made it all make sense.

If that’s the case here, the difference between this and previous albums is subtle. If churning out massive guitar crunch and tough but buoyant melodies, from the wham-bam-thankyou-mam opener, ‘Flashback Dynamite’ to the sinister, bass-heavy rhythms, of closer ‘Living In A Nightmare’ could be considered a re-assessment, then well done guys, you nailed it.

The song titles too are something of a giveaway as to where the the band is now, ‘Lethal Force’, ‘Hellbound’, ‘Chasing The Madness’, to name but three.

Album standout, ‘Tokyo Love’, a splendid slab of pumping, high octane music, comes early, with the band sounding like they’ve been mainlining an uninhibited mix of hard rock and heavy metal.

Close behind, there are several immediate, love-at-first-sight songs here – like ‘Soul Survivor’ and ‘There Will be Blood’. To the extent that in time, a heart thumping anticipation precedes each listen.

Yet, the ones that take time to insinuate their way into your subconscious – like ‘Stronger Than Fire’ and ‘We Are The Night’ – often turn out to be the ones that live on the longest.

The PR people will always tell us that this is the band’s “best album yet”, it’s their role in life.

This time the hype is right. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: MICK ROGERS – The Guitarist

Album review: MICK ROGERS – The Guitarist

Copo Events [Release date: 30.01.26]

Interesting stuff here from Mick Rogers on his third solo album. It is not quite what you might expect from the musician who has provided lead guitar and sometimes lead vocals for Manfred Mann’s Earth Band for the last few decades.

Except for a few references, this isn’t prog and it isn’t blues. It is long though (clocking in at 1hr 17 mins), it is eclectic and it is surprisingly ‘modern’.

The album kicks off with three tracks under the moniker ‘The Gasoline Suite’: two instrumentals and a song written for TV coverage of IndyCar racing in the USA. Drum loops and keyboard sequences dominate to give the pulsing, grinding energy befitting high octane petrol-head themes. ‘Pump It Up!’ is the best of the trio.

For an album titled ‘The Guitarist’, it is the keyboard and drum/bass patterns that immediately catch the ear, owing more to the genres of electronic and dance than anything we’ve seen from Rogers before. For instance, layered rhythms and vocal snippets create a soundscape for Mick’s synthesised guitar on ‘Slip Through My Fingers’ and ‘No More’ has a funky feel underneath some understated guitar riffs and fluid soloing.

‘Sitting On Top Of The World’ follows a similar pattern, though the track has more than a nod to blues rock. ‘Sheesh Ka Bab’ is an instrumental with eastern influences over another strong rhythm groove.

A change of mood comes with ‘The Airplay Suite’, three shorter tracks written some while ago, according to Rogers. The best of which, ‘Not Now’ stands out as a tight, sharp slice of pop/rock.

The final few tracks are a mixed bag of original material and covers. ‘Open It Up’ is another multi-layered track with some interesting vocal loops and a decent, distorted guitar break. However, ‘The Boys’ is a Shadows cover and it jars a little, sitting uncomfortably with everything else here.

Other covers include an upbeat but uninspiring cover of the John Lee Hooker’s ‘Big Legs, Tight Skirt’, (passing quickly over the lyrical content that the BBC might say ‘reflects the standards, language and attitudes of its time!); and a much better, imaginative reworking of ‘House of the Rising Sun’ which creates a dark mood and features one of Mick’s best solos on the album.

The traditional ‘I Am A Man of Constant Sorrow’ (offered here as a bonus track on the well-packaged CD), retains some of the gospel feel in an overall more funky, synthesised arrangement with a lovely Rogers solo heavy on the distortion.

In between the covers we find two contrasting tracks. ‘Human’ – the album’s lead track, carries a keyboard melody that welds itself to the inside of your brain, building with a with a lush production and a smooth vocal performance. Maybe the album’s standout piece.

Whereas ‘The Privateers’ is an instrumental track written by Mick’s son, George Sherrard, in which the Father quite rightly expresses considerable pride. George also plays the keyboards and gels very well with his old man on the extended spotlight lead passages. The track is probably the closest you might expect to hear from a talented guitarist who earns his daily crust in a prog rock band.

This is a diverse and unexpected album, by turns satisfying and sometimes rewardingly challenging. Massive respect to Rogers for doing something a little different. On the other hand, the collection lacks a bit of coherence and can feel disjointed. If a few of the weaker tracks were pruned, the album would hang together better. Overall though, it is a testament to a fine musician and very well worth an explore. ***½

Review by Dave Atkinson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : This Can’t Be Today – American Psychedelia and The Paisley Underground 1977-88

This Can’t Be Today – American Psychedelia and The Paisley Underground 1977-88

Cherry Red [Release date : 13.02.26]

In the sixties, the term “Underground Music” bubbled up to the surface. It became associated with the counterculture and psychedelia, as teens and twenties began to find their voice, in life and in music, especially in the USA.

Ten years after the Summer Of Love, a new musical era was beginning, and a new generation was finding its own voice. This compilation looks back on that time.

Content: 3 discs, 67 tracks…and almost as many artists.

Many of those artists still have a voice today, The Dream Syndicate, The Long Ryders (watch out for new album next month), The Rain Parade, Red Kross, The Bangles, The Meat Puppets, Husker Du, The Flaming Lips, Camper Van Beethoven, Drivin’N’Cryin, REM.

The Allmusic website describes The Rain Parade as “one of the key figures in the Paisley Underground movement”, which took its cue from many sources. Not least influential sixties pop giants like the Byrds and Love (and occasionally, The Beatles).

Many will know that this anthology gets its name from the band’s ‘This Can’t Be Today’, which is here along with ‘What She’s Done To Your Mind?’. Quite a coup getting this one too, the band’s self released debut single from 1982.

The Bangles, most famous of the Paisley Underground bands, who ultimately moved on into the pop mainstream, have their 1982 song ‘The Real World’ embedded in Disc 3.  Its Beatlish sound is a clear indication of their influences.

Talking of which, ‘I Am The Cosmos’ is the title track from Chris (Big Star) Bell’s one and only solo album. The track’s raga inflected psychedelia, underlined by Bell’s tangled guitar jangle, is vaguely reminiscent of John Lennon’s ‘Across The Universe’, in spirit as much as in content. It’s a fabulous track, one that today’s generation of music lovers seem to have missed out on.

Drivin’N’Cryin’s ‘Count The Flowers’ comes from their critically acclaimed, independently released debut, Scarred But Smarter (1986). This shouty, punky song with a southern rock foundation helped get them signed by the Island label. It’s a gem.

The Dream Syndicate’s ‘Sure Thing’ from their seminal 1982 album, The Days Of Wine And Roses is here (Pitchfork magazine: “60’s rock and 60’s avant-garde combine beautifully on their debut”), along with a rare live version of Neil Young’s ‘Mr.Soul’, a non album track, released in 1983 on an EP spin off.

Naturally, there are a number of lesser known bands here. The compilation is clearly designed to chronicle the early years of Underground Rock. Some achieved fame, some didn’t.

The Last are a prime example of an influential band (The Bangles and the Three O’Clock admit as much), who failed to breakout into the wider musical world.

In turn, The Three O’Clock were admired by The Bangles and Prince (who gifted them the song, ‘Neon Telephone’ for the band’s Vermillion album) was a fan. But the album stiffed and so they decided their time was up.

The Last’s ‘She Don’t Know Why I’m Here’ opens this anthology.

The boxset comes with informed liner notes from Pat (Absolute Grey) Thomas, and fascinating band biographies. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : AUSTEN STARR – I Am The Enemy

AUSTEN STARR - I Am The Enemy

Frontiers Music [Release date : 13.02.26]

The label have teamed new kid on the block, vocalist Austen Starr, with Joel (Revolution Saints/ Whitesnake) Hoekstra, and together they’ve written a bunch of edgy rock songs that allow both talents to shine.

The garagey ‘Remain Unseen’, brimming over with energy, and the immediate pop rush of ‘I Am The Enemy’ ensured that these two songs would be the first two teaser trailers.

‘Medusa’ is an important track. It was written by Starr in her teens, and proved to be her passport into the Frontiers’ Music organisation.  Joel Hoekstra’s hooky riff turns it into something more than just a good rock song.

There’s a vulnerability to her voice that has a certain appeal, most especially displayed on the nakedly beautiful ballad, ‘If I Could Read Your Mind’.

It’s a vulnerability with a steely spine, mind you. Witness the hi-speed symphonic rock ambitions of ‘Effigy’ where she nails some delinquent, would be suitor to the wall.

The bouncy ‘Running Out Of Time’ and ‘All Alone’ have one eye on Avril Lavigne’s punkpoptastic energy and the other on the label’s commercial imperative. With Hoekstra’s guidance, she’s clearly navigating the expectations with skill and confidence.

Credit to the band that the label put together. Hoekstra of course, plus Chris Collier on bass, Steve Ferlazzo on keyboards, and not least Chloe Lowery (TSO), whose backing vocals alternate between heft and sweetness as the songs see fit.

For Starr, the only way is up. ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : WILD HORSES – Standing Our Ground (6 CD Boxset)

WILD HORSES – Standing Our Ground (6 CD Boxset)

Cherry Red [Release date 13.02.26]

The two Wild Horses’ studio albums were arguably the last gasp of seventies’ hard rock before it went under.

Glaswegian forces of nature, Brian Robertson and Jimmy Bain, guitar and bass (and vocals), had jumped ship from Thin Lizzy and Rainbow respectively, after recent live album successes.

Their reputation went before them…hard drinking, hard living, hard rock. It came through in the music.

And they weren’t going down without a fight… the albums were a one-two punch that represented everything that was great about the genre musically, from a band that was over almost as soon as it began.

Trailing a decade of hard and heavy rock behind them, they founded Wild Horses in 1978, adding drummer Clive Edwards (Uli Jon Roth, UFO) and multi-instrumentalist Neil Carter (UFO, Gary Moore) to the line up.  They were soon snapped up by the EMI record label.

Once again, kudos to Cherry Red. This boxset again reveals another significant feat of research and logistics.

The songs written for those albums : The First Album (1980), produced by Trevor Rabin, and Stand Your Ground (1981), produced by Kit Woolven, present the base material from which this boxset is constructed.

CD1 : The First Album Original Mix, plus The First Album Remixed and Remastered (w/2 bonus tracks).
CD2 : Stand Your Ground Original Mix, plus Stand Your Ground Remixed and Remastered.
CD3 : The First Album Bonus Tracks (16).
CD4 : Stand Your Ground Bonus Tracks (13).
CD5 : Live At The Marquee
CD6 : Live In Tokyo 1980

Over less than a handful of years then, the band laid down around fifty studio tracks that we know about. Impressive. Worthy of applause.

But it’s the songwriting, the production craft, and the songs’ gritty emotional honesty that make this work.

There are unmistakeable echoes of Thin Lizzy (Face Down / Blackmail). The music here is arguably leaner and tougher, but just as heavily melodic. The song titles reflect the mood and the life Robertson and Bain were living – ‘Dealer’, ‘Nights On The Town’, ‘Women’, to name but three from the debut.
This is the big city sound of the street, put to music.

And while the slicked up sound on the second half of CDs 1 and 2 emphasises the commercial appeal written into the music, Rabin and Woolven deserve credit for the strength of the original production.

Robertson’s lyrical axework and the beautiful descending chords of ‘Fly Away’, written by him with Phil Lynott, are uplifting. This is rock music with ambition and panache.

‘Street Girl’ has Rabin’s fingerprints all over it, recalling his Can’t Look Away solo album, while ‘Criminal Tendencies’, the second single, is a cool little pop song.

Nothing from the second album quite competes, but the soulful ‘Precious’ and the freewheeling blues rock of ‘I’ll Give You Love’ run it close.

Elsewhere, the basic ingredients are present and correct, but lack studio TLC.

But in fairness, it’s on Discs 3 and 4 that things start getting interesting, with 29 unreleased tracks from the band’s short but explosive lifespan.

The rough mixes of ‘Reservation’ just smoke. Robertson’s guitarwork bites and stings. The sparky, new wave-ish rough mix of ‘Top Mod’ (later to become ‘Face Down’) promised something different, not realised on the final version.

There’s so much more here to discover.

What they did was put it all on record as an example of how professional precision can successfully walk hand-in-hand with free falling indulgence.

Recent research, analysing the career trajectories of successful Hard Rock bands, determined that their average life expectancy is around seven years, Wild Horses lasted for two.

But the studio recordings and the live music they delivered in that short period were just brimming with brilliant performances, done with wonderfully rocking and occasionally funky, bluesy arrangements, and most of all, enough heart and soul to thrill any rock fan. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: DENNIS CHURCHILL-DRIES – Crazy Is This Life

DENNIS CHURCHILL-DRIES – Crazy Is This Life

AOR Blvd Records [Release date 30.01.26]

Former White Sister and Tattoo Rodeo vocalist Dennis Churchill-Dries is back with another album packed full of classy melodic rock. He’s joined by Steve Newman on guitar and keys, along with Newman drummer Rob McEwan.

Kicking off with ‘Angelyne’, a song that sounds like prime-time Paul Sabu, you know you are onto a good thing!

The obligatory looking back on the glory days song is present and correct in the shape of ‘Bring Back Yesterday’. Looking back is fine, however, Dennis Churchill-Dries vocals are just as good as they were back in the 80’s with White Sister and the early 90’s with Tattoo Rodeo.

The title track and ‘I’m Alright’ feature neat vocal effects and a little atmospheric wizardry, more than likely courtesy of Steve Newman.

Not forgetting that he does ballads and on ‘A Different Sun’ the listener is transported back to the likes of White Sister’s ‘A Place In The Heart’.

‘I Never Thought It Was Love’ fits neatly into the modern AOR/melodic rock groove of FM or Giant, whilst it goes a little bit pomp on ‘Before We All Fall Down’. The latter is very organ/keys heavy and all the better for it.

‘The Lucky Ones’ sees the album off in a gentle way, building into another White Sister approved ballad. Top notch production, music and vocals, everything you’d want on this song and indeed the previous twelve.

When summing up his 2015 album ‘I’, my review said – “If you liked his previous bands and like melodic rock, simply buy this album.” Same applies here, as Crazy Is This Life is a ‘must have’ for any melodic rock fan and an album you’ll keep coming back to again and again. ****

Review by Jason Ritchie

Album review (“I”, 2015)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


EP review: LEAVES’ EYES – Song of Darkness

le

Reigning Pheonix Music [Release date 06.03.26]

Leaves’ Eyes have been around since 2003 and still feature vocalist (growls), keyboards player and producer Alexander Krull, with Finnish soprano Elina Siirala fronting the band since 2016. The EP also marks the recording debut of guitarist Florian Ewert, and a new label as they move from AFM Records to Reigning Phoenix Music (home of Helloween, Orden Ogan, U.D.O. and more).

The title track has been released ahead of the EP and makes for a sound choice, as it is perfect to entice the listener into delving into the EP. Plenty of symphonic might to be heard on this song.

‘Hall Of The Brave’ is a classic Leaves’ Eyes song, full of choral and orchestral oomph, and the contrasting vocals of Siirala and Krull. ‘Until The Last Day’ continues the musical theme, and you’ve got to marvel and love the sheer pomp of the music and arrangements.

‘Roots Eternal’ brings the tempo down slightly and gives a rousing end to this enjoyable, but all too brief, EP.

Leaves’ Eyes fans will be more than satisfied with this EP which keeps them at the top of the symphonic metal tree. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: GOTTHARD – More Stereo Crush

GOTTHARD – More Stereo Crush

Reigning Pheonix Music [Release date 13.03.26]

Gotthard released ‘Stereo Crush’ last year and now have a follow on eight-track EP. Five songs are previously unreleased from the ‘Stereo Crush’ sessions, ‘Mayday’ had only been available as a video, and there is a radio edit of the ballad ‘Burning Bridges’.

Pick of the bunch is the brand-new duet of ‘Liverpool’ featuring Krokus vocalist Marc Storace, who toured with Gotthard last year. The original version of this song that featured on ‘Stereo Crush’ featured another Krokus mainstay, Chris von Rohr, and he appears again on this updated version. This is the sort of song Gotthard do so well – catchy, melodic hard rock. Nic Maeder and Marc Storace sing up a storm together on this version.

‘Smiling In The Pouring Rain’ fits nicely into Gotthard’s ballad canon and ranks amongst their best to date, whilst ‘Snafu’ is a solid rocker. Although ‘Don’t Miss the Call’ best missed…

‘Mayday’ is a welcome addition and maybe one for their future live sets with its insistent chorus.

‘Stereo Crush’ was a bit hit and miss for this fan, however, this mini album is step back onto the path of Gotthard greatness.

Gotthard, still one of the best things to come out of Switzerland along with Toblerone and cuckoo clocks… ***1/2

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: PREACHER STONE – Cart and Horses, London, 29 January 2026

Pete Feenstra chatted to Preacher Stone co-founder member Ronnie Riddle for Get Ready to ROCK! Radio.  With tracks from the band’s album ‘Preacher Stone V’.  First broadcast 29 September 2024.

PREACHER STONE- Cart and Horses, London, 29 January 2026

Many bands balk at the cost of making the trip across the Atlantic from the USA so (ten gallon) hats off to North Carolina’s Preacher Stone who flew over for an extensive winter tour of the UK. Previously they were only vaguely on my radar – I saw their name on the bill at Maid of Stone in 2024, but on the day I couldn’t make, and was then surprised to learn their first album came out as long ago as 2009.

As a long-time fan of southern rock I wasn’t going to miss the opportunity this time. In doing so I took advantage of how the Elizabeth Line has improved connections between West and East London to pay a long overdue visit to the Cart and Horses, where the original Iron Maiden cut their teeth. As well as celebrating Maiden’s heritage and stocking the ever expanding Trooper range of beers, it has a thriving programme of gigs in its small but well appointed basement.

REVENANT - Cart and Horses, London, 29 January 2026

There was a very well matched musical support, also from the South – albeit southern England – in Revenant. In a set of 45 minutes or so, they capitalised on the favourable impressions I’d gained on my only previous sighting, at Firevolt a couple years back where they were a battle of the bands winner.

Opening with ‘Public Service Announcement’ and ‘Best Medicine’, it was immediately clear that while they rock hard, they also have good songs and both singer Sugarman Sam and Matthew Hudson have a lovely melodic tone to their guitar solos.  ‘Waste My Time’ and ‘Something You’re Not’ both impressed.

REVENANT - Cart and Horses, London, 29 January 2026

Sam is also a good frontman with a ready sense of humour and managed to get people to keep their phone lights up during ‘Healer’ which was a change of pace and carried a serious mental health message. In musical contrast both ‘Black Dogs and Sad Men’ and ‘Masquerade’ had a bit of Black Stone Cherry-like heaviness to them.

My flabber was ghasted at hearing the opening riff to ‘When The Levee Breaks’, but the band and drummer Carl D in particular rose to the challenge superbly and it was refreshing to hear a Led Zeppelin cover beyond the over familiar. With Matthew by now playing a Flying V, they ended with ‘Coming Back To Life’, which Sam self deprecatingly said his ex would not like, and another new song in ‘I’ll Be There’. It was a set that made enough of an impact for me to buy a set of their EPs to date.

PREACHER STONE - Cart and Horses, London, 29 January 2026

There was a quick turnaround as Preacher Stone made their final preparations, looking in their leather cut offs like a bunch of seasoned bikers about to embark on the ride to Sturgis. However things did not get off to a good start as during ‘Hard Life PHD’ they had some technical troubles which forced a delay while they fixed them. Fortunately it was early enough in the set to allow the momentum to be swiftly brought back up with the title track of current album ‘By The Horns’ and ‘Old Joe’.

Many of the current crop of southern bands straddle the ever-decreasing divide between country and rock, but Preacher Stone sit squarely in the latter category, harking back to an older generation of southern rockers, Doc Holliday and even Molly Hatchet coming to mind. ‘The Devil You Know’ was a classic example with some great guitar work from the well matched pair of recent recruit Darell Whit and Ben ‘Danger’ Robinson, with his Les Paul slung low.

Tour manager John was brought on stage to celebrate his birthday before both ‘Old Fashioned Ass Whipping Sum Bitch’ (sic), which featured those twin guitars, and ‘Not Today’ had a lovely vintage Skynyrd-like groove to them. A brief solo from drummer Wyatt, who laid down a solid backbone with bassist Jim Bolt, preceded ‘Dance With The Devil’, ‘Saddled And Rode’ and one of the featured singles from the new album in ‘Writing On The Wall’.

PREACHER STONE - Cart and Horses, London, 29 January 2026

Singer Ronnie Riddle, sporting a Harley Davidson beanie, dark glasses and a western shirt, had a good voice and was a warm presence, regularly dispensing his homespun wisdom, not least when introducing ‘Think By Now’. ‘Horse To Water’ was a lengthy change of pace with its swampy, almost Little Feat-like feel, while in contrast after ‘Come What May’ from the current album, ‘Day Late’ (and a dollar short) rocked with a harder riff and Ben ventured through a surprised-looking crowd.

As with all the best southern bands their lively stage moves were very entertaining, and by the latter stages the four at the front were all line astern in ‘guitar army’ style. And just when I was thinking the one difference from the aforementioned greats was the lack of a long epic, the set ended with the nearest to one in ‘Save My Soul’, which began gently but by the end had exploded into a quite brilliant guitar jam which I didn’t want to end.

PREACHER STONE - Cart and Horses, London, 29 January 2026

It was a thoroughly enjoyable set of southern rock in the classic tradition, and better still they extended their old-fashioned southern hospitality to talk to anyone and everyone. The only downside was a disappointingly thin attendance – I suggest you should rectify this for future dates if you possibly can.

Review and Photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: AYNSLEY LISTER – 100 Club, London, 27 January 2026

Gig review: AYNSLEY LISTER – 100 Club, London, 27 January 2026

Tonight’s gig was part of the 100 Club’s regular Tuesday Blues events and a decent crowd was already in situ by the time Albany Down took the stage.

I’ve been a quiet appreciator of this band for a while now and judged 2023’s ‘Born In The Ashes’ to be one of my favourite albums of that year.

Guitarist, vocalist and main writer, Paul Turley was soon in to his stride on opener ‘Always Want What You Can’t Have’, bringing a hard-rocking blues riff, huge drums and pumping bass.

Turley’s voice was in great shape and ‘Man Like Me’ from ‘Not Over Yet’  were well received.

‘Reflections’ showcased his exquisite playing with obvious Hendrix-infused vibes and a catchy vocal hook. The mid-track solo was an absolute belter, but the final solo was drowned out by too much of Ben Atkins’ five string bass in the mix and some of the harmonics were also lost to the night. I was on the move around the room to find a better sound balance.

‘South Of The City’ from the band’s debut album was a set highlight. The track built slowly with some tasteful slide guitar and dark lyrics into a quality piece of blues. Pete Hancock on drums keeping everything beautifully in check.

A couple off the ‘Born In The Ashes’ album emphasised the trio’s often Zep-inspired sounds. The title track, stripped of its studio keyboard lushness, was tough sounding and with a defiant narrative that Turley had to stretch for on some soaring notes. ‘Darkest Day’ also picked up a mix of riff-heavy energy interspersed with breakdowns and finely crafted solos.

Turley was very understated on stage and it took an interjection from Atkins to plug the band’s merch stall.

The band became slicker and tighter as the show progressed. ‘Let Your Love Shine’ and particularly ‘The Working Man’ were really muscular with the latter featuring the most satisfying solo of the night.

Albany Down don’t tour much and I think it showed in some areas. This was a good, well-received set that would have been even better with a bit more stage-craft and honing of the timings and vocal harmonies. I’d love to see them stretch out on some of their longer songs too.

Aynsley Lister and his band breezed into their headline slot. Lister has run up a string of high powered, well received, blues rock albums since his debut in 1999. So how come he still only looks 24?

He ripped in to ‘Everything I Need’ and immediately there was a better sound: clearer guitar, an even mix and no clicks and whizzes. I felt a pang of sympathy for Albany Down.

There was barely a break before the ballad ‘Home’ kicked in, bringing a lovely tone on the chorus and the quiet passage, followed by a ragged, dirty, pirouetting solo. The kind of dramatic set up that kills me every time.  Two tracks in and I’m thinking, ‘blimey, this lad is a talent’, begging the question why I haven’t seen him before.

‘Hyde 2612’ was a jazzy-bluesy instrumental that highlighted the skill of Craig Bacon on drums. The catchy rhythms were particularly enjoyed by a couple of chaps behind me, prompting joint hand-clapping that wasn’t even in time with each other, never mind the band! It mattered not.

The next one up was, quite literally, ‘as yet untitled’, a rocky effort with a powerful drive ‘that will probably find its way onto an album at some point’, we are told. Lister was comfortable on stage, possessing a relaxed patter with the crowd and also with his two sidemen, Bacon and Jono Martin on bass, regularly taking time to appreciate their contributions.

‘Hurricane’ was clearly a fan-favourite and the band took the chance to flex their muscles on a superb instrumental break that the drummer, again, was all over. Lister has a fluid style and makes everything look so easy.

The trio chucked in a couple of mid-set instrumentals. First up was a funky little number on semi-acoustic guitar to which my friends behind me added some, er, melodious whistling. Second up was ‘Hideaway’, the Clapton/Bluesbreakers version from 1966 that the guitarist says he learnt note for note when he was 14!

‘Running Out On Me’ had a gorgeous sleazy riff and was reminiscent of Stevie Ray Vaughan in his prime.

The set closer was ‘Purple Rain’, which by all accounts has become a staple at Aynsley Lister gigs. Obviously a brave choice, but the spin that the band put on the track made it a highly enjoyable offering. There was a changed emphasis and phrasing on the vocals and the solo very much carried his own stamp: the quiet picking ramping up to a screaming finish, with bucket-loads of audience participation on the ‘whoo-hoo’ sections along the way. Such a brilliant track, done so well and with respect to the original.

The encore was ‘Balls Of Steel’, the heaviest track on show. It was built around a re-purposing of Saxon’s ‘Wheels Of Steel’ riff with a blues-rock undertow on the chorus. This had the crowd bouncing and was an exhilarating way to end the show. My friends by the bar were clapping out-of-time and whistling tunelessly for all they were worth.

A top night. Aynsley Lister is touring extensively this year and I’d love to see some of this material with his band that also features keyboards and sometimes a horn section. I’ll be sure to catch him again.

Review by Dave Atkinson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: MIDNITE CITY – Black Heart, Camden, London, 24 January 2026

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

Midnite City continue to entertain with their feel good revival of the glammy melodic hard rock sounds of the late eighties (or hair metal as it was never called in the day). This show was originally scheduled for November but postponed when singer Rob Wylde broke his ribs. Every cloud has a silver lining, as a rescheduled date avoided the pre-Christmas rush and was at a time when gigs are fewer on the ground, and we are in greater need of the lift which they certainly provide. Plus, it gave me more time to allow their new album ‘Bite the Bullet’ to grow on me.

Their sound is made for arenas, but – at least in this country – is confined to small clubs. I enjoyed the gig in spite of, rather than because of, the venue, the music room in the Black Heart being the size of the average living room, with a cramped stage, poor lighting and poor sightlines further back. The one consolation is for the faithful at the front to be right up in the band’s face.

There was a support from Nasty Ratz (sic) who had come all the way from the Czech Republic. My expectations were modest for the sleaze rockers but enjoyed a surprising variety of songwriting. Frontman Jake Widow (sic) also looked and sounded the part and I was very impressed with his fingerless gloves doubling up as laser pointers!

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

After a very quick turnaround, Midnite City hit the crowded stage with new song ‘Live Like Ya Mean It’ just as effective an opening anthem as on the new album. ‘Someday’ was one of many where the keyboards of Shawn Charvette, rather hidden from view at the back, and fluent guitarist Miles Meakin traded off each other in melodic and very enjoyable fashion.

Blond hair held in place by a black headband, Rob Wylde is a masterful frontman, involving the crowd at the right moments and generous in his praise of crew, band and fans- notably a couple from Japan and the USA respectively.

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

It is also reassuring that he speaks in a broad Boltonian accent rather than be tempted to put on a faux American voice. I did notice however that Shawn was taking quite a few lines of lead vocals, particularly on the verses – whether this was something that passed me by before, or a measure to protect Rob’s return to full fitness, I am not quite sure.

The new album featured heavily including its first single ‘Heaven In This Hell’,  ‘Lethal Dose of Love’ with another irresistible chorus, and ‘No One Wins’  alongside older favourites across their five album career. Of the latter, ‘Hardest Heart To Break’ showed their more melodic side, ‘Girls Gone Wild’ had an irresistible chorus hook that Desmond Child might have written back in the day, and they went right back to their first album for ‘Summer of Our Lives’ which had long-term fans singing along.

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

There was a ‘name that tune’ to some familiar melodies with ‘Atomic’ reminding me of a cross between Loverboy’s  ‘Lovin Every Minute of it’ and Firehouse’s ‘Rock On The Radio’, while one of my own favourites in ‘They Only Come Out At Night’, where the crowd spontaneously sang the ‘na-na-nas’, boasted some Def Leppard gang style vocals in the verses.

I was particularly pleased ‘When The Summer Ends’ was in the set as my favourite from the new album, reminding me of cult heroes Blue Tears, while a couple of other newies in ‘Worth Fighting For’ and the mid-pocket ‘Seeing Is Believing’ seemed to take on a new strength live compared to their recorded versions.

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

They ended with what Rob referred to as Midnite City anthems in ‘Give Me Love’ and ‘We Belong’ and as a band now nearly ten years old they have stood the test of time. Sadly, with the atmosphere now really cooking, they marked the end of an 80 minute set that had flown by.

I still live in the fading hope that their combination of strong songs and a lively and colourful stage show will give Midnite City a big breakthrough, but in the meantime this was another entertaining and enjoyable gig from them.

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

Review and Photos by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Single review: JOANNE SHAW TAYLOR – Hell Or High Water

JOANNE SHAW TAYLOR – Hell or High Water

Website

“Can I help you sir?”

“Yes I’d like some gospel blues served up with a soupçon of acoustic guitar and banjo, with lashings and lashings of raunchy electric guitar and topped off with an economic but searing guitar solo”

“Certainly sir – I would recommend the Joanne Shaw Taylor Hell Or High Water Special, it has just come out and comes with vocal with attitude, and a meaningful message as sides.”

“Sounds perfect, could I have a little slide with that too”

“It comes with that too sir”

If you wrestle with doubt temptation and perseverance get yourself a helping of Joanne Shaw Taylor’s Hell Or Highwater available now on Journeyman Records. I can guarantee you’ll be back for seconds. *****

Review by Andy Sharrocks


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ROBERT REED – Sanctuary IV

ROBERT REED - Sanctuary IV

Tigermoth Records [Release date 16.04.25]

I can’t quite understand Robert Reed’s obsession with Mike Oldfield. ‘Tubular Bells’ was a landmark album but in some respects very much of its time. Yes, it made greater impact in 1973 because of Oldfield’s multi-instrumentalist prowess and compositional skills but not least it put Richard Branson’s Virgin label firmly on the map accompanied by a string of record stores (and bean bags). In that sense it will always be symbolic of a burgeoning age for rock music.

Given that Oldfield himself reinvented the motifs on subsequent albums (the latest being in 2003) do we really need any more re-invention?

Sanctuary is an extended love letter to an artist admired by Reed and Oldfield (who announced his retirement in 2023) would surely be flattered. As you might expect it’s all immaculately executed and with the authentic collaboration of original co-producer Tom Newman.

Reed has again enlisted ace session drummer Simon Phillips (Toto) and Les Penning (recorder) both of whom have worked with Oldfield. (Reed has also been working with one-time Oldfield vocalist Barry Palmer and released the single ‘Fly Away’ and a remake of ‘Crime Of Passion’).

Those who wish to be reminded of the original Oldfield works – including Oldfield’s idiosyncratic guitaring – will find much to enjoy. Inveterate proggers may question why Reed isn’t more fully focused on his other great (and enduring) enterprise – Magenta – (or even Chimpan A)?

When I reviewed the first ‘Sanctuary’ album (in 2014) I didn’t hold out too much hope for this project’s longevity but here we are.  Sanctuary IV comes with the inevitable 5.1 surround mix and various promo videos. One for listening to on a bean bag. ****

Review by David Randall

Album review (Sanctuary, 2014)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Book review: WOODCUT – THE MAKING AND THE MEANING by Andy Stuart

WOODCUT – THE MAKING AND THE MEANING

Kingmaker Publishing [Publication date 06.02.26]

Written to accompany the new album from Big Big Train, ‘Woodcut – The Making And The Meaning’ follows the gestation of what would result in the Progressive Rock band’s first concept album, through to the early recording sessions at Sweetwater Studios, following the conclusion of their U.S. and Canadian tour, in April 2025.

From an idea born out of a visit to the Munch Museum in Oslo by Alberto Bravin and Gregory Spawton, Andy Stuart’s excellent book explains how that initial thought of, to quote Bravin, “there’s something here, isn’t there?” resonated with the rest of the cosmopolitan seven piece, resulting in a tale of darkness and light, hope and despair as we follow the main protagonist, a woodcut artist, on a journey through a tangled world of self doubt and fear.

The opening section provides a fascinating look at woodcut art itself, its use in Medieval book illustration through Japanese Ukiyo-e to Munch’s radical jigsaw prints; a history lesson that allows us to see how those traditions echo through Woodcut’s music and words.

Given unprecedented access to the band, Stuart is able to draw on a deep seam of candid and, at times, deeply personal interviews with all the members, to build the story of the making of the album.

Bravin’s inspired arrangement of the many musical elements presented to him, as producer, to create a seamless musical journey through the sixteen tracks on the album is examined in depth.  That the rest of the band had complete faith in their singer’s ability to deliver the goods is clear to see, even if at times it meant some of their compositional presentations were left on the cutting room floor.

Likewise, the development of the lyrics for each track is studied in forensic detail. The principal writers, Gregory Spawton and Clare Lindley are given free rein to explain the motivation behind their words; what inspired them, be it folklore or mysticism, historical facts or more personal moments.

Everyone worked painstakingly together to ensure the narrative flowed smoothly, with Bravin’s suggestions taken on board to ensure the vocal delivery matched the need for each track.

Over 80 photographs are included within the 200 plus pages, mostly taken at Shearwater studios during the recording of the backing tracks, along with images of handwritten lyric notes. The finished lyrics are included in full and there are detailed credit notes for each track.

If you are buying the album, you should really be adding this book to your basket. Andy Stuart has produced, to steal a phrase from ancient Prog history, an outstanding and, yes, essential, ‘young persons guide to Woodcut’. As he himself says, the combination of book and album hark back to those days that many fans of a certain age, this reviewer included remember fondly “…sleeve notes, gatefold art and the feeling that an album – and now a book – can still be an adventure, not just something you scroll past”.  ****

Review by Neil Pudney


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


News: AEROSMITH, SAVATAGE, CAMBRIDGE FOLK FESTIVAL (February 2026)

SUZI QUATRO-London Palladium, 15 November 2023

News - Album News

Acid Reign will release a new album ‘Daze Of The Week’ on May 15.

Aerosmith release ‘Aerosmith (Legendary Edition)’ on March 20 as a limited-edition deluxe 5LP box, a 4LP slipcase, black and colour vinyl, 3CD, CD, and digital. Steven Tyler and Joe Perry have newly mixed the original recordings and tapes with Zakk Cervini and Steve Berkowitz.

The Amity Affliction will release their new studio album, ‘House Of Cards’, on April 24 via Pure Noise Records.

Carmine Appice and Cactus will release ‘Temple of Blues II’ on April 3 via Cleopatra Records. Guests on the album include Steve Morse, Joe Lynn Turner, Dee Snider and Pat Travers.

Skid Row bassist Rachel Bolan will release his debut solo album, ‘Gargoyle Of The Garden State’, on June 12 via earMUSIC.

Chris Brain release his fourth studio album, Red Sun Rising’ on May 1 via Big Sun Records.

Corrosion of Conformity will release a new double album, ‘Good God/Baad Man’, on April 3 via Nuclear Blast.

Creye release their latest album ‘IV Aftermath’ on April 24 on Frontiers.

Degreed release a new album ‘Curtain Calls’ on April 10 via Frontiers.

Draconian release their new album, ‘In Somnolent Ruin’, on May 8 via Napalm Records.

Evergrey release their new album ‘Architects Of A New Weave’ on June 5 via Napalm Records.

Foo Fighters release their new album ‘Your Favorite Toy’ on April 24 via Roswell Records/RCA Records. The title track was released on February 19.

From Ashes To New release their new album ‘Reflections’ on April 17 via Better Noise Music.

Hardline release their new studio album, ‘Shout’, on April 17 via Steamhammer/SPV.

Holy Wars release their new album, ‘Shadow Work/Light Work’, on April 24 via Pale Chord/Rise Records BMG.

Bruce Hornsby will release ‘Indigo Park’ through his own Zappo Productions and Thirty Tigers on April 3.

Jayler release their debut album Voices Unheard’ via Silver Lining Music on May 29.

Long Distance Calling release their latest album ‘The Phantom Void’ on 10 April 2026 via earMUSIC.

Cherry Red Records release a box set from the Lovin’ Spoonful entitled ‘What a Day for a Daydream: The Complete Recordings 1965-1969′. It is released on March 27.

Magenta have released a new single, ‘The Lovers’, taken from their new album ‘Tarot’ which is out on April 10 through Tigermoth Records.

Marillion release a 25th anniversary edition of ‘marillion.com’ on June 19 via earMusic.

Casey Maunder releases his new album ‘Smash Down Jericho’ on March 20.

Metal Church release their 13th studio album, ‘Dead To Rights’, on April 10 via Rat Pak Records.

M.ILL.ION release their new album ‘Legend’ through Escape Music on April 24.

Jim Moray releases his new album ‘Gallants’ on April 3.

Nervosa will release their new album ‘Slave Machine’ on April 3 via Napalm Records.

Powerrage, featuring former Exciter guitarist John Ricci, release their debut album, ‘Beast’, on April 24 via High Roller Records.

Suzi Quatro (pictured) releases a new album ‘Freedom’ on March 27 and it includes a cover of MC5′s ‘Kick Out The Jams’ with Alice Cooper. The title track was released as a single on January 29.

Queen release a box set of ‘Queen II’ on March 27.

Record Store Day (April 18) releases include a ‘Live Wire – 45th Anniversary’ EP from Motley Crue; a new EP of songs ‘Saving Grace: All that Glitters’ by Robert Plant with Suzi Dann; ‘The Live Album’ by Neil Young & the Chrome Hearts; Bryan Adams releases ‘Tough Town’ and a five disc set from Bruce Springsteen entitled ‘Live from Asbury Park 2024′.

Savatage plan to release a triple live album recorded from the Palace in Los Angeles on the Gutter Ballet tour.

Chrysalis Records release a six CD box set by The Michael Schenker Group called ‘Live & Ready: 1980–1984’ on April 3.

Sepultura have titled their final EP ‘The Cloud of Unknowing’ with a release date yet to be announced.

Shinedown release their eighth studio album, ’Ei8ht’, on May 29 via Atlantic Records.

Accept guitarist Philip Shouse releases his debut EP ‘Side 1′ via Wild Kingdom Records on February 27.

Sleeze Beez will have their third studio album ‘Powertool’ reissued in April 2026 by Bad Reputation Records.

Metalville release Sweet’s ‘Reincarnation’ which was recorded in 1985 and featured Paul Mario Day on vocals, along with original members Andy Scott and Mick Tucker, plus Phil Lanzon (later to join Uriah Heep) and Mal McNulty.

Swim Deep release their latest album ‘Hum’ on June 19 via Submarine Cat Records.

They Might Be Giants release their new album ‘The World Is to Dig’ on April 17.

T’Pau release their first new album in eleven years called ‘Be Wonderful’ on April 10.

U2 released a six song EP entitled ‘Days of Ash’ on February 18.

Van Halen release an expanded edition of ’5150′ on March 27.

Hayley Williams of Paramore has teamed-up with Daniel James to form Power Snatch and they have already released ‘Assignment’.

Wolverine release their first studio album in a decade, ‘Anomalies’ on February 6 via Music Theories Recordings.

Youngblud releases his new album ‘Idols II’ on February 20 via Island Records/Locomotion.

In the studio…

Bruce Dickinson is putting the finishing touches to the vocals on his next album which is due sometime in 2027…In Flames are currently recording their next album…Roy Khan (Conception, ex-Kamelot) is working on his debut solo album with producer Sascha PaethSaxon have completed mixing their new album…William Shatner has been working on a metal album…John Waite is currently working on a new album…Steven Wilson is putting the finishing touches to his new album

Single life…

Arch Enemy have released ‘To the Last Breath’ which features their new vocalist Lauren Hart…Creye released ‘Left In Silence’ on January 29…Dead Reynolds release their latest single ‘Face Me’ on February 27…Degreed have released a new single ‘Broken Dreams’Peter Gabriel has released his second single of the year, ‘Put the Bucket Down’Lou Gramm released ‘Young Love’ on January 27 ahead of his album ’Released’ due on March 20…Heathen have signed with Napalm Records and released the single ‘Never A God’Little Lore released ‘Fair Weather’ on February 3 ahead of her new album, ‘Being Serafina’, which is based on the work of Tennessee Williams…Sevendust released ‘Is This The Real You?’ on January 29…Seventh Wonder released their version of John Norum’s ‘Eternal Flame’, which marks the debut of new vocalist Mattias OlofssonTwilight Force released a new song ‘Magic of a New Dawn’ as they announced they have signed with Napalm Records…Wille and the Bandits released Reina del Mar’ on January 30

News - Tours and Gigs

Upcoming (Gigs – UK)

Newly announced UK tours (2026 unless stated):

Jon Anderson & The Geeks (Sep), David Byrne (Jun, Jul), Deep Purple (Wed Nov 25 Royal Albert Hall), Thomas Dolby (May), Embrace (Nov), Enter Shakiri (Nov), Florence Black (Apr), Idlewild (Apr), Lzzy Hale & Joe Hottinger (Halestorm) (Jun), Jools Holland and his Rhythm & Blues Orchestra + Roachford (Oct-Dec), John 5 (May), Robert Jon & The Wreck (Jun, Oct), Lenny Kravitz (Sat Aug 15), Levellers (Oct), Little Angels (Nov), Anette Olson (London Fri Aug 23), The Orb + Ozric Tentacles (Nov, Dec), Papa Roach (Nov), Parker Barrow (Jul), Phoenix Lake (Mar-May), Leo Sayer (Oct, Nov), Shinedown + Those Damn Crows (Nov), Sparks (Jun), Voivod (Jun), The Wedding Present (Oct), Steven Wilson (Oct 28 & 29 Royal Albert Hall),

Upcoming (USA/ROW)

Newly announced US & European tours (2026 unless stated):

Accept + Dynazty + Tailgunner (EU), America (US), Jon Anderson & The Geeks (EU), Anvil (CA), Arch Enemy (EU), Audrey Horne (EU), The Black Crowes (US), Black Veil Brides (US), Breaking Benjamin (US), Buckcherry (US), Alice Cooper (US), Stewart Copeland (US), Earth, Wind & Fire + Lionel Richie (US), Enter Shakiri (EU, AU), Ben Folds (AU), Foo Fighters (AU, NZ), Godsmack + Stone Temple Pilots + Dorothy (US), Buddy Guy (US), Jefferson Starship (US), Jimmy Eat World (US), Loudness (US, EU), Dave Matthews Band (US), Motionless In White (US), Mumford & Sons (US),  Mushroomhead + Fear Factory (US), Napalm Death (US), Obituary (US), Of Mice & Men (AU), Anette Olson (EU), Stephen Pearcy (US), Phish (US), Poppy + Landmvrks (US), Bonnie Raitt (US), Sanatana + The Doobie Brothers (US), Scardust (EU), Scorpions + Buckcherry (Las Vegas, US), Shinedown (EU, US), Paul Simon (US), Skindred (AU), Spineshank + (Hed)P.E. (US), Spoon (US), Bruce Springsteen (US), Staind + Hoobastank + Seether  + Hinder (US), Voivod (EU), W.A.S.P. + KK’s Priest (US), Wilco (EU, US), Wolf Alice (AU),

Giant’s original line-up will reunite for the Frontiers Rock Festival 2026, May 1-3, the Live Club, Trezzo sull’Adda in Milan.

Ozzfest could be set to return next year.

Tour updates & postponed/cancelled gigs & tours:

Phil Campbell has cancelled upcoming Australian and European dates due to health issues.

Martin Carthy has cancelled plan festival dates this year with his daughter Eliza, after recently being diagnosed with late-onset Alzheimer’s Disease.

The Fratellis have now rescheduled their ‘Costello Music’ 20th anniversary UK tour to early 2027.

Loverboy have cancelled their upcoming Australian dates as vocalist Mike Reno undergoes medical treatment.

Sabaton have postponed their North American tour in order to allow bassist Pär Sundström time to heal from “inflammation in his arms”.

“With Regrets, Twisted Sister cancels 50th anniversary celebration performances
due to the sudden and unexpected resignation of Twisted Sister’s lead singer Dee Snider brought on by a series of health challenges, the band has been forced to cancel all shows scheduled, beginning April 25th in Sao Paulo Brazil and continuing through the summer.
The future of Twisted Sister will be determined in the next several weeks.”

Neil Young has cancelled all his planned UK and European dates for this year.

Other Stuff

Neil Young has gifted his entire music catalogue to the people of Greenland for free.

Megadeth’s final album topped the US Billboard charts and reached number three in the UK album charts.

Whispering Jack: The John Farnham Musical is set to debut on November 15 at Roslyn Packer Theatre in Sydney.

Jorn Lande has signed with Black Lodge Records.

Nevermore have signed with Reigning Phoenix Music and have added three new members to the band’s line-up - Jack Cattoi on guitar, Semir Özerkan on bass, and vocalist Berzan Önen.

Big Country have changed their name to Big Country Redux and announced an upcoming album will include songs written by Stuart Adamson, and Stuart co-writes with Bruce Watson and Tony Butler.

Ross ‘The Boss’ Friedman, founding guitarist of Manowar and The Dictators, has been diagnosed with motor neurone disease (MND).

Vicious Rumors have parted ways with longtime drummer Larry Howe.

Flemming C Lund has been confirmed as the permanent lead guitarist for Volbeat.

News - RIP

Parliament and Funkadelic bassist Billy Bass.

Drummer Sly Dunbar of Sly and Robbie.

Solo artist Parthenon Huxley who was also a member of ELO Part II and The Orchestra.

Television and Blondie bassist Fred Smith.

3 Doors Down frontman Brad Arnold.

Singer and songwriter Billy Steinberg, who wrote and had his songs recorded by the likes of Cheap Trick, REO Speedwagon, Heart, Roy Orbison and many more.

Drummer and founding member of The Pogues, Andrew ‘The Clobberer’ Ranken.

Chuck Negron, a founding singer of Three Dog Night.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: LAURENCE JONES – On My Own

LAURENCE JONES – On My Own

Ron Records [Release date: 23.01.26]

New music from Laurence Jones is always welcome. Jones has an impressive career that includes multiple British Blues Awards and more than 50,000 units shifted since his debut in 2012. His often incendiary and virtuoso blues rock playing mark him out as a guitarist of rare class.

However, this album is a serious shift in direction. As the album title might suggest, ‘On My Own’ is a solo outing. What we have here is a collection of 11 stripped-back tracks of acoustic guitar dominated by personal storytelling and an intimate sound.

Jones has been very clear that the album is a reaction to on-going health concerns. He has been a long-term sufferer of the debilitating Crohn’s disease, which over the last couple of years has led to exhaustion, pain and a lot of re-assessing career options. ‘On My Own’ is also the first release on his own record label and he has himself booked the acoustic tour in support of the album. Quite the independence reset.

In common with his full band material, there is a crossover feel to many of the compositions, alongside some explorations of deeper blues. But that’s where the comparisons end. With the absence of electricity and instrumentation, the autobiographical introspection comes sharply to the fore. The title track most obviously pulls on that vibe: ‘This is the right time/Leaving it all behind/I can feel it in my bones/I’ll be doing it on my own’, he sings. This is a slice of classic acoustic blues and the references to his inspirations, Robert Johnson and Lightin’ Hopkins, are respectfully made on this track especially, and ‘I’m Giving Up’ later on.

Lyrically, ‘One Life’ and ‘Get Back Up’ are in a similar vein, the latter has a lovely bit of  acappella at the close. There is much more emphasis on the vocals on this type of album and we see a different side to Jones’ voice throughout. Co-producer Wayne Proctor has elicited a mellow, rich, less harsh tone. It works well.

A simplicity to the structure and the spare lyrical content bring a refreshing change and a stark vulnerability to the songs. But there’s also enough here to head off a spiral into melancholic numbness.  ‘Ain’t Comin’ Back No More’ has shades of blues rock with plenty of body and ‘I Gave My Life To You’ finds some space to change up the vocals and bring a brighter guitar signature. That tone follows through on ‘Do You Feel the Same’, with some lovely  fretwork.

Penultimate track ‘Middle of the Night’ is musically the simplest and bleakest piece on view, and there’s a captivating quality to its frugality. Compare that with the album closer, ‘Beautiful’ – the only genuinely upbeat song on the album. It begins with a hint of country guitar twang before a big-hearted pop chorus lifts the track high, from where it looks over the shoulder at a gathering of moody blues behind.

This is a serious departure for Laurence Jones and if you are curious about how his new acoustic material blends with a fine back catalogue in the live environment, check out Andy Nathan’s excellent review here.

Health and heartiness must come first, and as much as a return to coruscating solos and fat old riffs would be wonderful, Jones has found a way to keep his music alive. More power to him. ***½  

Review by Dave Atkinson

Gig review (January, 2026)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: LAURENCE JONES – Pizza Express, Holborn, London, 23 January 2026

LAURENCE JONES- Pizza Express, Holborn, London, 23 January 2026

The past year has been a life changing one for top blues guitarist Laurence Jones who has really struggled with the inflammatory bowel condition Crohn’s Disease. It left him unable to stand the rigours of touring, and needing to focus on his health, but he has turned what could have been a devastating blow into a new musical opportunity.

He has just released his first ever solo acoustic album, ‘On My Own’ and a rather less rigorous, and seated, touring schedule began with this show to launch both the album and his own record label. The basement of Pizza Express lent itself to the intimacy and late night atmosphere needed to carry off acoustic music.

 LAURENCE JONES- Pizza Express, Holborn, London, 23 January 2026

As a warm up we had the bonus of a short set from Laurence’s partner Amy Eftekhari. She mixed originals from her new EP on which the two have worked together, such as ‘Your Eyes’ with covers of What’s Up and U2’s ‘With Or Without You’. She mixed a pleasant voice with an engaging personality and also gave us a little insight into managing his health struggles together.

Laurence Jones took the stage alone, armed only with an impressive arsenal of acoustic guitars. Prior to his illness, he had pivoted musical style somewhat to front a raw blues rock trio, and some of that rockiness was still present in openers ‘One Life’ and ‘Get Back Up’, particularly with the rasp in his vocals.

 LAURENCE JONES- Pizza Express, Holborn, London, 23 January 2026

I was reminded a little of the gusto with which Rory Gallagher approached some of his traditional acoustic blues, so it was fitting that he was one of the names Laurence namechecked alongside Status Quo as inspiration for a gutsy 12 bar stomp in ‘Ain’t Coming Back No More’. The album’s title track was a lot sparser, while the king of the Delta Blues Robert Johnson was, we heard, a regular on his YouTube playlist, so he covered ‘Come On In My Kitchen’.

In contrast he kept on ‘Voodoo Child’ from his band set with a couple of interpolations in ‘Whole Lotta Love’ and ‘Can’t Find My Way Home’, and giving his slide a good workout. The new songs often reflected his personal journey and struggles in ‘I’m Giving Up’, ‘Life I Made’- with a snatch of ‘Smoke on the Water’, ‘Change My Ways’ which was a bit of a toe-tapper and ‘Do You Feel the Same’? He was very personable in explaining those changed priorities, notably when he said his strict auto-immune diet was being put to the test playing in front of a crowd scoffing pizza!

 LAURENCE JONES- Pizza Express, Holborn, London, 23 January 2026

Though it was a night to launch the new album, he did not forget existing fans with versions in the new style of probably his two signature songs in ‘Thunder in the Sky’ (apparently never played acoustically in its 14 year history) and ‘What’s It Gonna Be’, the latter with a snatch of ‘Just Got Paid’ thrown in. The atmosphere was becoming somewhat looser, especially when he mashed up two very similar standards in ‘Before You Accuse Me’ and ‘Sweet Home Chicago’, the latter humorously retitled ‘Sweet Home Holborn’.

‘Beautiful’ was a straight love song rather than a bluesy lament, and as if to prove the point he invited Amy back on stage for a final song, the title track of her own EP ‘This Moment’. Their voices entwined with some wonderfully melodic harmonies, and though the least bluesy moment of the night, it was probably my favourite one.

 LAURENCE JONES- Pizza Express, Holborn, London, 23 January 2026

He also patiently gave his time afterwards with a meet and greet. After such a difficult time it was great to see Laurence Jones on stage again and launching an alternative musical path, one which on this evidence he is adapting to very easily and which promises much. May he have the success and health that he deserves.

Review and Photos by Andy Nathan

Album review (On My Own, 2026)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : FREDDIE AND THE DREAMERS – You Were Made For Me, The Complete Recordings, 1963-70

FREDDIE AND THE DREAMERS – You Were Made For Me, The Complete Recordings, 1963-70

Cherry Red [Release date: 30.01.26]

The Complete Recordings’ Boxset is a feat of logistics and research in itself, for which it deserves 5 stars, never mind the music.  136 tracks, 5 CDs.

In the “Swinging Sixties” Manchester band Freddie And the Dreamers hitched a ride on the Merseybeat bandwagon, notching up hit singles in the UK and the USA.

Anyone who was remotely interested in the unstoppable rise of Pop Music in the Sixties will recognise the “singalong” singles, ‘If You Gotta Make A Fool Of Somebody’ (no.3 in UK Charts, 1963). ‘I’m Telling You Now’ (no.2 UK, no.1 USA in same year). ‘You Were Made For Me’ (no.3 UK, no.20 USA, again in 1963).

More hits ensued of course, ‘Over You’, ‘I Love You Baby’, ‘Just For You’ and the Christmas Classic ‘I Understand’ all made the UK charts. These are all here.

Like every band who made it, there were limits, initially, to their songwriting skills. And so they looked for material written by proven Tin Pan Alley hit writers like Roger Greenaway and Roger Cook (who’d together written hits for The Hollies, The Fortunes, Gene Pitney and Scott Walker): similarly John Carter and Geoff Stephens (hit songwriters for Herman Hermits, Brenda Lee and Mary Hopkin) and Gordon Mills, another successful writer (penning hits for Tom Jones, Cliff Richard and Gilbert O’Sullivan).

These names and others are sprinkled liberally across the credits on the boxset’s 5 CD liner notes.

Freddie and his band were effectively leading two lives. One, as hitmakers all over the world, and two, through their wacky dance routines and zany children’s talent shows. As a result they widened their fan demographic and lengthened their career considerably.

That in turn led to them going big on Disney creations, like ‘Whistle While You Work’, ‘Zip-a-de-doodah’ and ‘When You Wish Upon A Star’ to name but three. As well as standards that include ‘I Wonder Who’s Kissing Her Now’, previously recorded by Danny Kaye; An old Connie Francis hit, ‘Who’s Sorry Now’, and the much covered ‘I Only Have Eyes For You’, which became a no.1 hit For Art Garfunkel in 1975.

The band dabbled in madcap movies too, along with contemporaries, variously with John Leyton, Mike Sarne and Joe Brown.

Theirs was a career summarised in his usual dry prose by Lester Bangs, “Freddie and the Dreamers had no masterpiece, but a plenitude of idiocy and enough persistence to get four albums released …. and as such should be not only respected, but given their place in history.” ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: PHIL THORNALLEY – Stacked

Phil Thornalley - Stacked

Facebook  [Release date 23.01.26]

Here at GRTR! Towers we love the work of Phil Thornalley, be it his solo pop/power rock delights or with Astral Drive, a band whose albums should be in any self-respecting music lover’s collection. On his latest album he takes an affectionate aim at early 2000′s pop punk bands, think the likes of Blink-182, Bowling Four Soup and Fountains of Wayne. He’s joined by vocalist Casey Shea, who has his own impressive musical CV, and is a perfect fit for the songs on this album.

‘Chorus Goes Here’ is the only single to be released off the album and it is a stonking pop punk tune. Lyrically it may bemoan the cookie cutter approach to bands, however, the chorus is so darn catchy and if this was around back in the early ’00s it would have been a shoe-in hit. Same goes for ‘Four Letter Word’, another instant piece of ear candy.

Phil Thornalley’s love of the Beatles makes an appearance on the psychedelic ‘Arnold’, complete with a nifty piece of guitar playing.

‘Sweet Believer Medley’, which bizarrely, yet with great success, mixes the Monkees ‘I am a Believer’ with a touch of Neil Diamond’s ‘Sweet Caroline’. Musical magic right there. The album closes with another cover, ‘Hold Me’, which has been a hit for PJ Proby and BA Roberston amongst others. On Phil’s version he goes full on 60′s wall of sound and the vocals of Casey Shea add a further touch of class.

Other highlights include ‘Summer Looks Good On You’ (not a Cheap Trick cover!), the groovy ‘Girls Are Drugs’ and the gentle ‘It’s You That I Want’.

Will say it again how Phil Thornalley is not a household name (as opposed to his big name co-writes with the likes of Bryan Adams, Pixie Lot and Natalie Imbruglia) is beyond a musical crime. His latest album is packed full of power pop and US flavoured punk pop anthems and is a perfect dose of musical endorphins. ****

Review by Jason Ritchie

Album review (Holly Would, 2024)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


.Album review: AMY HOPWOOD – Gone to Flowers

AMY HOPWOOD – Gone to Flowers

Website [Release date 19,02.26]

When I first put this album on I thought you’ve got to be joking, its just a bunch of nursery rhymes sung by a little girl.

But then I thought of Ivor Cutler, a strange old man in the 70’s with a euphonium who wrote funny ditties about all sorts of things in a nursery rhyme kind of way. He was championed by John Peel, and I bet if he were still alive he would champion Amy Hopwood, who is releasing her fourth album Gone To The Flowers.

So let’s start again, any album which starts with a tuba going ooompph oooomph has got me on board. And then look at the lyrics, (and the lyrics all the way through) – a song about what object you want to be left to remember you by when you are dead, whether a headstone, a mausoleum,, thrown to the sea as ashes, or in Amy’s case a wooden bench overlooking the sea.

Amy uses a lot of field recordings on her songs, and on track two uses her fans voices to whisper sayings they had heard their family saying, and on track three she got people to write in to her with their thoughts on getting older which she turned into the song I’d Rather Be Older Than Dead.

On It Doesn’t Matter Now she borrows the melody from Hank Thompson’s Wild Side Of Life, whether intentionally or not I don’t know. But it’s got some great fiddle on it and is song of love gone wrong, when you thought it was all going right.

A more traditional English folk melody inhabits All Shall Be Well. A Capella song accompanied by bodhran I would say, it features 21 layered vocal parts. Track eight finds some of her field recordings – somebody walking on gravel and her cat purring, to illustrate Igor Potemkin Meets Bayum The Cat.

Hopwood does all the vocals and they are really quite complex harmony parts, and on Like A Leaf she demonstrates this to great effect. Again sparsely backed, a ukulele possibly and a couple of percussion bits, but it’s clever stuff, even crossing into Tom Waits territories, but without one eyed drunken dwarfs and sung with an angelic voice.

Never Said, features children playing in a playground with a simple recorder playing a melody over a single guitar note, with a song about hearing things which were not said and believing them, leading to detrimental consequences, and then she incorporates a babbling brook and bird calls into River And Fish, with just vocals.

The Closest Thing To Holding Hands, a song about hoarding things from your dead relatives which others might throw away, to keep their memory going. Meaning nothing to anybody else, but treasure to the person holding on. I know what she means, I have an old yellow chipped cullender which used belong to my mum, just so every time I take it out and use it I think of her.

Of course she features some wind and some wind chimes on In The Whistling Of The Wind, and an owl on East Of The Sun And West Of The Moon. And I’m sure I can hear a euphonium on this and other tracks but it’s maybe wishful thinking.

Amy plays most of the instruments on the album including tenor guitar, accordion, fiddle, banjo and percussion, and her words do make you think of things you may not always think of. Some deep and unusual subjects are covered on this album, and if you like your folk served up with quirk and charm then look no further.

I’m not sure I’ll listen to it many times, but who knows, I’m already thinking about it now it has finished, some things just get under your skin. I didn’t listen to Ivor Cutler many times but I still remember him forty years later. Here’s one for you John Peel wherever you may be. ***1/2

Review by Andy Sharrocks


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


EP review: SAM CARTER – Oakham Poachers

SAM CARTER - Oakham Poachers

Website [Release date 05.12.26]

Sam Carter is a BBC Folk Award winning finger picking singer songwriter, who has travelled the world playing his narrative rich songs.

He carries on this fifteen year tradition with five songs on this EP. He has delved deep into folk history and adapted these songs from songs lyrics and melodies stretching back over two hundred years.

He grew up in Rutland, and went to school half a mile from Oakham Castle so the tale of the Oakham Poachers has always resonated with him. Unfortunately the poachers weren’t as successful as Sam in their chosen career, one of them died in chains in prison, one was deported to Australia and the other was hanged in Oakham woods. “The poacher is often cast a folk hero” says Sam, “there is something shared between the folk singer and the poacher – both acts reclaim what was ours to begin with”

Track one is credited to Jean Ritchie, a one woman treasure trove of American folk songs, a lot of which would have come over from England.

Track two and five are traditional English folk songs arranged by Sam.

Track three has taken its lyrics from Charles Mackay, a Scottish songwriter, poet journalist and novelist

Track four credits the melody to Edmund Dumas a Primitive Baptist minister politician and songwriter from the late 1800’s , with the words attributed to Farwell from New Selection of 1806.

So a deep dive down the rabbit hole of traditional English and American folksongs, with all the arrangements by Sam. Any fan of this genre will welcome this collection of songs, and any fans of Fairport Convention, Richard Thompson, Fotheringay and Steeleye Span should also check this boy out. Everything about Sam Carter is right to be playing songs like this, – his outstanding guitar work, his voice, his delivery, he does everything a folk fan would want. ****

Review by Andy Sharrocks


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: ELLES BAILEY – Wax and Beans, Bury, 19 January 2026

ELLES BAILEY – Wax and Beans, Bury, 19 January 2026

This is my first time attending one of these intimate record shop gigs, and what a delight it was.

Elles Bailey, with her acoustic guitarist and best friend Demi Marriner in front of an audience of around fifty people. It was like walking into a kitchen at a party and finding somebody playing a few songs to a captive audience in a very relaxed atmosphere.

Elles has a new album out, ‘Can’t Take My Story Away’. An album ten years in the writing and honing of the personal and intimate songs contained therein. The set was started with the very confessional title song, and she was immediately in top gear. Her voice has been described as gritty, earthy, and smoky, but there is also a vulnerability to it which isn’t often reported,

Before the second song Elles and Demi got quite giddy over the fact that it, ‘Growing Roots’, is the most played song on Radio 2 at the moment, and that they had eventually heard it just before the gig. She managed to get some audience participation, which for a second song of an acoustic gig is pretty dammed good, and testament to her fanbase.

‘Constant Need To Keep Going’ was a favourite of mine, with it’s alt.country melody and feel. As she is always put forward as a blues artist, I didn’t realise she had this side to her songwriting and I loved it.

It was a delight for me that she played ‘Better Days’ next. If any of you have read the review I did for ‘With A Little Help From My Friends, A Tribute to Matt Long’, you will have read that she did this song with The Cinelli Brothers for the album, with full brass section. So to hear it stripped back to vocal and acoustic guitar was so special. During the introduction it became clear how close she was to Matt Long, both honing their craft on the same festival and gig circuit and being lauded by the UK Blues fraternity

‘Tightrope’ was up next, a song about mental illness, which apparently Elles has had her fair share, and really brave of her to confess this to the crowd, and also really helpful I would have thought, to anybody going through mental anguish which they feel they can’t talk about.

She also advertised a bit of merch she had on sale, which was a device attached to lanyard, which when tapped on your phone immediately downloaded the album plus bonus tracks, with all the proceeds going to Musicians Minds Matter charity. She was saying she always picks a charity to donate to when doing a tour. What a girl.

A little sort rockabilly poppy number was up next with ‘You Best Believe’, which again invoked some audience participation. At this point it wasn’t hard as she had the audience eating out of her hand, and if you didn’t love her by then, you were never going to.

To round the night off, they finished with ‘Take A Step Back’, although with this set of songs and her enthusiastic personality I rather think she is taking a giant step forward.

Thanks Elles Bailey and Demi Marriner for an unforgettable up close and personal, nights entertainment.

Review by Andy Sharrocks

Album review (Can’t Take My Story Away, 2026)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Gig review: PAULIE BOY BLUES – The Eagle Inn, Manchester, 23 January 2026

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Coincidentally, I have been thinking recently, where are all the up and coming guitar heroes? Starting in the late 60’s, early 70’s your favourite band would always have a guitar hero wouldn’t it, Ritchie Blackmore, Tony Iommi, Jimi Hendrix, Eric Clapton, Paul Kossof, Peter Green, to name but a few, then came along the 80’s with Stevie Ray Vaughn and mega shredders like Eddie Van Halen, Steve Vai, Slash, etc. But today there is a distinct lack of new guitar heroes isn’t there? Well there is a new kid on the block, he’s young and given the right set of circumstances could be up there with the aforementioned.. His name? Paulie Boy Blues.

I saw him last night at The Eagle Inn in Manchester, and I’m hoping that in six/twelve months time this gig will become legendary, like The Sex Pistols at the Lesser Free Trade Hall, when everybody and their grandmother claim to have been there.

I mentioned Hendrix for a reason – this boy is channelling Hendrix. He is the real deal. And he is turning young people on to Hendrix, after his (Hendrix) estate have done a great job of hiding Hendrix away in their efforts to have total control of his material.

Hailing from Maryland USA, Paulie was greatly influenced by two special teachers in his life, Mr Booth taught music history and Mr Fisher taught English and both taught a young Paulie Boy the blues, and in particular Hendrix and his live recordings. Paulie Boy has gone on to say Mr Booth changed his whole perspective and outlook on life. Lucky for us. Gentlemen we thank you.

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Struggling in school he found the blues beacon of truth for his life and just ran with it. Obsessing from the age of 19, and teaching himself often right through the night into the sunrise, guitar licks which he proudly takes to the stage today. He plays like his life is on the line, because it is, he can see no other way of making sense of the crazy world we live in.

Playing with Harry Stalker on bass, and Adam Crookes on drums, both from the UK, he started the set with ‘Can’t Nothing Hurt Me Now/Killing Floor’, followed by his own ‘Chasing The Dragon’.

‘Who Knows’ from Band Of Gypsys, and ‘Red House’ cemented his Hendrix connection, but let’s be clear, any of these songs could have been Hendrix songs or any of them could have been Paulie Boy songs, he plays them with the flair, spontaneity and dexterity which Hendrix did, including playing behind his back, with his teeth and between his legs, and he never drops a note. The two support bands were in the crowd and they were mesmerised by his musicianship and showmanship.

Memphis Minnie’s ‘When The Levee Breaks’, was followed by Robert Johnson’s ‘When You Got A Good Friend’, and then his current self-penned single ‘Early One Morning’. Which is available on all good streaming platforms.

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He finished the night with Come On (Let The Good Times Roll), which was the first song he learnt to play, and still plays it every night, to remind himself of those times.

Paulie Boy really does know his blues, and feels like it’s his mission to take the blues to a new generation who may be missing out on this wonderful genre of music. He may be doing this with some over the top stage antics, but so what, this is 2026, and we need an entertainer like this in our lives. We need some light in an ever darkening narrative.

If you liked Hendrix, if you liked Stevie Ray Vaughn you are going to love Paulie Boy Blues.

Review by Andy Sharrocks


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SEAN TAYLOR – First Light

SEAN TAYLOR – First Light

Website [Release date 06.02.26]

Multi instrumentalist and prolific songwriter Sean Taylor releases his fourteenth album First Light, full of eclecticity and surprises.

His voice, reminiscent of JJ Cale is a pleasing toned whisper, blending well with the mostly acoustic backing of guitars, piano, double bass, a little sax and minimalist drums.

His song subjects are varied, taking in topics of love , nature, ecology and social commentary. On this last subject I have to say that whilst I am totally with him on his anti Trump, Musk, Farage, axis of evil stance, I personally think when you name names in a political song, the song soon becomes dated, for example Little Stevens Sun City, The Specials Free Nelson Mandela. Once time has moved on then the song becomes irrelevant. But for now the wordplay is clever and relevant.

The whole delivery of the songs is understated but engaging, and I could listen to this album on heavy rotation easily without tiring of it. Its overall vibe is like John Martyn meets early Tom Waits, dropping in on JJ Cale for a cup of tea.

11 tracks in all including a Dylan cover, All Along The Watchtower, it is prompting me to check out his earlier output. Its not yet the end of January, and I have discovered a new musical companion. It doesn’t get much better than that.

Check him out at www.seantaylorsongs.com

Buy his albums and see him live on an extensive UK and European tour. ****

Review by Andy Sharrocks


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: THE HARA – The Fallout

THE HARA - The Fallout

Mascot Records [Release date 23.01.26]

This album from The Hara tackles mental health struggles and subjects of toxicity and self-doubt along with the pitfalls of the industry on their journey. Channelling this into their livewire performances has seen them pick up shows with Sum 41, Escape the Fate, Nothing More, Ice Nine Kills and festival slots at Reading and Leeds, Download, Slam Dunk, 2000 Trees and more.

I decided to dive into the album with a track by track review then place my overall thoughts on the album as a whole.

Let’s get stuck in!

Trophy: this opening track was ferocious.

The vocals were an exceptional example of range. There was a melodic outpouring growing into metal screams in key words and sentences such as “so they give a f**k about me” it was truly powerful and very clever.

There was a particular guitar lick in the closing section of the song that goes on an upper trajectory at a lightning pace but yet was just so effortless it immediately caught my attention from a musical standpoint.

Easier to Die: Lyrically I thought the line “Red bricks for cages, But you can personalise and paint it” was so incredibly clever. I mostly thought of my home as a sanctuary but there have been times where it has actually been like a cage, many may feel imprisoned for various reasons. But when I thought that was the best lyric of the track they come out with “Too much time inside my head, time inside my head,

Where flowers used to grow, Bullets fly instead” holy moly! This resonated with me so hard! This needs to be on a T-shirt immediately!

The feel musically was heavier and for good reason. The melody really complimented the lyrics with dropped down bass giving it a darker tone.

Monsters and Demons: up tempo with added electronic elements. This was fast paced and punchy. Showcasing variation and ability to change it up in sound.

“More a devil than a saint but we’re all the same” absolutely! Nobody is perfect and we all indeed have monsters and demons that will rear their heads once in a while.

Twist The Arrows: ok so I took away from this lyrically a hell of a lot of recent life experience.

So my take on this is that you try and talk about how you’re feeling, and you have friends who you think you can talk to, and every time you try they just back off. So you mask it to try and make them stay. But they don’t seem to care. But you want them there. So you just bury your feelings. It’s draining you. But you soon realise it’s no good for you so you let go “it’s the end of an era”

I have experienced this recently. But you realise that sometimes an end of an era is what’s needed to heal and become much stronger than that friendship ever was. This was truly lyrical poetry in motion for me.

Stay: the drumming on this was at the forefront. It was stunning!! So many tempo switches and tricks. Little nuances to pop punk in there as well.

The vocal guttural scream on the line “you’re suffocating me” hit me like a bullet in the chest.

The System: Techno metal pop punk was exactly the vibe I got in from this.

There was an almost acoustic breakdown on the guitar before belting back into full throttle mode that just gave me this little shiver and I thought it was a nice detail that added to the tracks overall depth. The metal breakdown was everything I love about modern rock and metal music. It made my hairs stand up on end.

Saying a massive F.U to I’m assuming the music industry and how it can make you lose yourself and your authenticity. But it can also be about the world today and how corrupt some aspects of it are and how the media can sometimes portray this “perfect” image and standard. I’m with you there! Absolutely not! Be authentically you and a massive F.U to those who try and dim your shine.

Psycho Killer: oh my god!!!

This was presenting a goth rock /dark tone. It was giving me a nod rob zombie and Marilyn mason musically.

The vocals were low and guttural and such a switch up from previous tracks that I was actually stunned. I wasn’t expecting the switch up, but I was here for it!

Kings: I got from this the feeling that when you’re with someone and they are literally dragging you down, but no matter how hard they try and make you fall it won’t bring them any higher.

Bury me: this took me back to 16/17 year old me, and If I’m honest. I would go and give that girl a hug, and tell her she matters, and she always mattered.

I cried so many tears at this track. I can’t actually write any more about this as it brought back many painful memories for me. But all I will say is that if you listen to it and was like me at 16/17, you’ll understand.

Violence: this track lyrically depicts pretty much exactly how it was for me when I had a big relationship break down. The added vocal from as December falls front-woman “ Becky “showcases perfectly both sides of the coin in the breakdown of a relationship. The vocals blended together were complementary and neither outshined the other.

Intergalactic Sabotage: “hand cuffed by creation, musical castration, anything for monetisation” fantastic emphasis on how some music labels and companies are more about profits than welfare of the band and focus on “what sells” and not much more. I loved the switch up in the breakdown of this. It was gritty, heavy and raw. The riffs were very prominent.

Enemy: this ending track was a true anthem of angst and pain amidst a high energy musical arrangement. I love listening to tracks that engage on every level. And “enemy” did just that.

Musically this album is amazing. It’s up there in sound with bring me the horizon as I got many nods to their overall style , however The Hara are very much in their own lane and whilst there may be influence, it’s definitive they’re very much in their own league. With many changes in tone and pace that I was taken back with how the whole album flowed so effortlessly, within the high to low and dark to light.

Nuances to pop punk, new metal, electro, goth rock truly shows that the band are indeed just writing music from the heart and not sticking to one particular sound, they aren’t afraid to switch it up and go against the grain.

By staying true to their creative vision and pushing the boundaries of genre, music has been created that is both unique and engaging. This only allowing them to not just evolve as artists but also to connect with listeners on a deeper level.

I personally feel that this album came to me at exactly the right time. There is so much lyrically I can resonate with so I can see the passion and soul that’s behind every single lyric written. The pain and life experience faced and overcome.

I am in absolute awe that I have personally never been able to express those feelings the way that The Hara have exquisitely done. It’s exposing the very things that most wouldn’t dare to speak about. It about coming into your truth and facing it head on. I genuinely couldn’t be prouder. I have been moved to tears.

This album is perfectly crafted with passion, pain and truth. Everything is laid bare and there are no holds barred. ****1/2

Review by Lucy Parr


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio

Upcoming sessions:

April 12




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 8 March 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 10 March 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 30 March 2026

EVA UNDER FIRE Villainous (Better Noise Music)
HOKKA Blackbird (Nuclear Blast Records)
CELLDWELLER Elaleth (FiXT)
DAEDRIC Iridescent Wings (FiXT)
ARKADO Phoenix And Stardust (Pride & Joy Music)
THE DAVIDSON TRIO Disillusion (indie)
S8NT ELEKTRIC Catacombs (Long Branch Records)

Featured Albums w/c 16 March 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review : MICHAEL SWEET – The Masterplan

TEMPLE BALLS

Frontiers Music [Release date : 03.04.26] The Masterplan is Michael Sweet’s tenth solo album. He’s yet to surpass his largely ignored Truth album from year 2000 (4 stars from Allmusic, Cross Rhythms, and Hard Roxx), but this one might just … Continue reading

Album review : TEMPLE BALLS – s/t

TEMPLE BALLS

Frontiers Music [Release date : 13.02.26] Some of us have lived a sheltered life. Apparently “temple balls” are “one of the oldest varieties of medical marijuana”. Not a lot of people know that. And so a self titled release at … Continue reading

Album review: MICK ROGERS – The Guitarist

MICK ROGERS – The Guitarist

Copo Events [Release date: 30.01.26] Interesting stuff here from Mick Rogers on his third solo album. It is not quite what you might expect from the musician who has provided lead guitar and sometimes lead vocals for Manfred Mann’s Earth … Continue reading

Album review : This Can’t Be Today – American Psychedelia and The Paisley Underground 1977-88

This Can’t Be Today – American Psychedelia and The Paisley Underground 1977-88

Cherry Red [Release date : 13.02.26] In the sixties, the term “Underground Music” bubbled up to the surface. It became associated with the counterculture and psychedelia, as teens and twenties began to find their voice, in life and in music, … Continue reading

Album review : AUSTEN STARR – I Am The Enemy

AUSTEN STARR - I Am The Enemy

Frontiers Music [Release date : 13.02.26] The label have teamed new kid on the block, vocalist Austen Starr, with Joel (Revolution Saints/ Whitesnake) Hoekstra, and together they’ve written a bunch of edgy rock songs that allow both talents to shine. … Continue reading

Album review : WILD HORSES – Standing Our Ground (6 CD Boxset)

WILD HORSES

Cherry Red [Release date 13.02.26] The two Wild Horses’ studio albums were arguably the last gasp of seventies’ hard rock before it went under. Glaswegian forces of nature, Brian Robertson and Jimmy Bain, guitar and bass (and vocals), had jumped … Continue reading

Album review: DENNIS CHURCHILL-DRIES – Crazy Is This Life

DENNIS CHURCHILL-DRIES – Crazy Is This Life

AOR Blvd Records [Release date 30.01.26] Former White Sister and Tattoo Rodeo vocalist Dennis Churchill-Dries is back with another album packed full of classy melodic rock. He’s joined by Steve Newman on guitar and keys, along with Newman drummer Rob … Continue reading

EP review: LEAVES’ EYES – Song of Darkness

LEAVES' EYES - Songs Of Darkness

Reigning Pheonix Music [Release date 06.03.26] Leaves’ Eyes have been around since 2003 and still feature vocalist (growls), keyboards player and producer Alexander Krull, with Finnish soprano Elina Siirala fronting the band since 2016. The EP also marks the recording … Continue reading

Album review: GOTTHARD – More Stereo Crush

GOTTHARD – More Stereo Crush

Reigning Pheonix Music [Release date 13.03.26] Gotthard released ‘Stereo Crush’ last year and now have a follow on eight-track EP. Five songs are previously unreleased from the ‘Stereo Crush’ sessions, ‘Mayday’ had only been available as a video, and there … Continue reading

Gig review: PREACHER STONE – Cart and Horses, London, 29 January 2026

PREACHER STONE- Cart and Horses, London, 29 January 2026

Pete Feenstra chatted to Preacher Stone co-founder member Ronnie Riddle for Get Ready to ROCK! Radio.  With tracks from the band’s album ‘Preacher Stone V’.  First broadcast 29 September 2024. Many bands balk at the cost of making the trip … Continue reading

Gig review: AYNSLEY LISTER – 100 Club, London, 27 January 2026

Gig review: AYNSLEY LISTER – 100 Club, London, 27 January 2026

Tonight’s gig was part of the 100 Club’s regular Tuesday Blues events and a decent crowd was already in situ by the time Albany Down took the stage. I’ve been a quiet appreciator of this band for a while now … Continue reading

Gig review: MIDNITE CITY – Black Heart, Camden, London, 24 January 2026

MIDNITE CITY- Black Heart, Camden, London, 24 January 2026

Midnite City continue to entertain with their feel good revival of the glammy melodic hard rock sounds of the late eighties (or hair metal as it was never called in the day). This show was originally scheduled for November but … Continue reading

Single review: JOANNE SHAW TAYLOR – Hell Or High Water

JOANNE SHAW TAYLOR – Hell or High Water

Website “Can I help you sir?” “Yes I’d like some gospel blues served up with a soupçon of acoustic guitar and banjo, with lashings and lashings of raunchy electric guitar and topped off with an economic but searing guitar solo” … Continue reading

Album review: ROBERT REED – Sanctuary IV

ROBERT REED - Sanctuary IV

Tigermoth Records [Release date 16.04.25] I can’t quite understand Robert Reed’s obsession with Mike Oldfield. ‘Tubular Bells’ was a landmark album but in some respects very much of its time. Yes, it made greater impact in 1973 because of Oldfield’s … Continue reading

Book review: WOODCUT – THE MAKING AND THE MEANING by Andy Stuart

WOODCUT – THE MAKING AND THE MEANING

Kingmaker Publishing [Publication date 06.02.26] Written to accompany the new album from Big Big Train, ‘Woodcut – The Making And The Meaning’ follows the gestation of what would result in the Progressive Rock band’s first concept album, through to the early … Continue reading

News: AEROSMITH, SAVATAGE, CAMBRIDGE FOLK FESTIVAL (February 2026)

SUZI QUATRO-London Palladium, 15 November 2023

Acid Reign will release a new album ‘Daze Of The Week’ on May 15. Aerosmith release ‘Aerosmith (Legendary Edition)’ on March 20 as a limited-edition deluxe 5LP box, a 4LP slipcase, black and colour vinyl, 3CD, CD, and digital. Steven Tyler and Joe … Continue reading

Album review: LAURENCE JONES – On My Own

LAURENCE JONES – On My Own

Ron Records [Release date: 23.01.26] New music from Laurence Jones is always welcome. Jones has an impressive career that includes multiple British Blues Awards and more than 50,000 units shifted since his debut in 2012. His often incendiary and virtuoso … Continue reading

Gig review: LAURENCE JONES – Pizza Express, Holborn, London, 23 January 2026

LAURENCE JONES- Pizza Express, Holborn, London, 23 January 2026

The past year has been a life changing one for top blues guitarist Laurence Jones who has really struggled with the inflammatory bowel condition Crohn’s Disease. It left him unable to stand the rigours of touring, and needing to focus … Continue reading

Album review : FREDDIE AND THE DREAMERS – You Were Made For Me, The Complete Recordings, 1963-70

freddie 150 dreamers cover

Cherry Red [Release date: 30.01.26] The Complete Recordings’ Boxset is a feat of logistics and research in itself, for which it deserves 5 stars, never mind the music.  136 tracks, 5 CDs. In the “Swinging Sixties” Manchester band Freddie And … Continue reading

Album review: PHIL THORNALLEY – Stacked

Phil Thornalley - Stacked

Facebook  [Release date 23.01.26] Here at GRTR! Towers we love the work of Phil Thornalley, be it his solo pop/power rock delights or with Astral Drive, a band whose albums should be in any self-respecting music lover’s collection. On his … Continue reading

.Album review: AMY HOPWOOD – Gone to Flowers

AMY HOPWOOD – Gone to Flowers

Website [Release date 19,02.26] When I first put this album on I thought you’ve got to be joking, its just a bunch of nursery rhymes sung by a little girl. But then I thought of Ivor Cutler, a strange old … Continue reading

EP review: SAM CARTER – Oakham Poachers

SAM CARTER - Oakham Poachers

Website [Release date 05.12.26] Sam Carter is a BBC Folk Award winning finger picking singer songwriter, who has travelled the world playing his narrative rich songs. He carries on this fifteen year tradition with five songs on this EP. He … Continue reading

Gig review: ELLES BAILEY – Wax and Beans, Bury, 19 January 2026

Elles Bailey - March 2026 UK Tour

This is my first time attending one of these intimate record shop gigs, and what a delight it was. Elles Bailey, with her acoustic guitarist and best friend Demi Marriner in front of an audience of around fifty people. It … Continue reading

Gig review: PAULIE BOY BLUES – The Eagle Inn, Manchester, 23 January 2026

pbb3

Coincidentally, I have been thinking recently, where are all the up and coming guitar heroes? Starting in the late 60’s, early 70’s your favourite band would always have a guitar hero wouldn’t it, Ritchie Blackmore, Tony Iommi, Jimi Hendrix, Eric … Continue reading

Album review: SEAN TAYLOR – First Light

SEAN TAYLOR – First Light

Website [Release date 06.02.26] Multi instrumentalist and prolific songwriter Sean Taylor releases his fourteenth album First Light, full of eclecticity and surprises. His voice, reminiscent of JJ Cale is a pleasing toned whisper, blending well with the mostly acoustic backing … Continue reading

Album review: THE HARA – The Fallout

THE HARA - The Fallout

Mascot Records [Release date 23.01.26] This album from The Hara tackles mental health struggles and subjects of toxicity and self-doubt along with the pitfalls of the industry on their journey. Channelling this into their livewire performances has seen them pick up … Continue reading