Tag Archives: Leonard Cohen

Album review : DANA GILLESPIE – First Love

Posted on June 5, 2024 by brianmc
Dana Gillespie First Love album Sleeve 150

Fretsore Records [Release date : 31.05.24] Had it been published in the midst of today’s gender wars, the title of Dana Gillespie’s controversial autobiography, “Weren’t Born A Man” would have new resonance. As it is, celebrating 60 years in the … Continue reading →

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Album review: RICK ESTRIN AND THE NIGHTCATS – The Hits Keep Coming

Posted on May 31, 2024 by petefeenstra
Rick Estrin And The Nightcats

Alligator Records [Release date 08.03.24] It’s five years since Rick Estrin & the Nightcats cut an album signifantly called ‘Contemporary’.  And as if too illustate his almost unique standing as a conduit between old school blues and his current groundbreaking … Continue reading →

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Album review : AMIGO THE DEVIL – Yours Until The War Is Over

Posted on February 23, 2024 by brianmc
Amigo The Devil 150

Liars Club/Regime Music [Release date : 23.02.24] Interviewed by Rolling Stone magazine just prior to the release of his 2021 album, Born Against (a relevant and revealing play on words), Danny Kiranos explained his love of the music of Leonard Cohen … Continue reading →

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EP review: COLLATERAL – Acoustic Covers Lockdown

Posted on December 29, 2020 by jason
ANGELO TRISTAN – Acoustic Covers Lockdown EP

Website [Release date 25.12.20] 2020 should have been Collateral’s breakthrough year on the back of a well-received album from both fans and critics alike, and tour plans laid. That was before the pandemic laid waste to all of that. However, … Continue reading →

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Gig review: COLLATERAL – Leo’s, The Red Lion, Gravesend, Friday 4 September 2020

Posted on September 5, 2020 by petefeenstra
Collateral at Leo

After months of musical isolation, what could be better than stumbling on a gig when you least expect it and then re-discovering a stellar band on the rise. They say momentum is everything in rock music, and Collateral aren’t about … Continue reading →

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Album review: LAURA BRANIGAN – Self Control

Posted on May 30, 2020 by jason
LAURA BRANIGAN - Self Control

Cherry Red Records [Release date 05.06.20] In other circumstances, it would have been reported that Branigan’s untimely death in 2004, aged 52, brought a sparkling, hit filled career to a tragic end. But in fact, while that was true, she’d … Continue reading →

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Album review: SHOW OF HANDS – Battlefield Dance Floor

Posted on September 15, 2019 by jason
SHOW OF HANDS - Battlefield Dance Floor

Hands On Music [Release date 27.09.19] Show Of Hands – Steve Knightley and Phil Beer – have been making music since 1987, going on to become one of the biggest folk bands around today (they have sold out the Royal … Continue reading →

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Album review: KYLA BROX – Pain & Glory

Posted on April 24, 2019 by petefeenstra
Kyla Brox - Pain & Glory

Pigskin Records [Release date 29.03.19] Kyla Brox’s ‘Pain & Glory’ is the perfect showcase for one of the great blues singers of her generation. From the striking artwork to the the nascent songcraft of Kyla and her bass playing partner Danny … Continue reading →

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Album review: SEAN TAYLOR – The Only Good Addiction Is Love

Posted on June 7, 2015 by petefeenstra
SEAN TAYLOR – The Only Good Addiction Is Love

The Pete Feenstra Feature – Sean Taylor (14 June 2015) by Get Ready To Rock! Radio on Mixcloud Sean Taylor Songs [Release date 15.06.15] ‘The Only Good Addiction is Love’ is Londoner Sean Taylor’s seventh album and is another step … Continue reading →

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Interview with JOHN ILLSLEY (Dire Straits) – 1 June 2014

Posted on June 5, 2014 by petefeenstra
John Illsley - interview (June 2014)

John Illsley was a founder member, bass player and contributing vocalist to the 120 million album selling Dire Straits, until the group dissolved in 1995. Since then, he’s enjoyed a sporadic four album solo career, established himself as a painter … Continue reading →

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Album review: KINVER – The Stone House

Posted on August 6, 2013 by petefeenstra

Eye-Pea [Release date 19.03.13] The doomed romanticism and fragility of Nick Drake has a lot to answer for in term of contemporary folk music. His biographer Trevor Dann pointed to a foreboding and fatalism at the heart of his work … Continue reading →

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