Kicking the night off in great humour, Pat Kane informs his attentive audience that tonight we are to be locked in a room 8 floors above the ground for a 20 minute jazz odyssey.

Luckily this was a joke.

Instead, they started this celebratory set with the old favourite ‘Looking For Linda’. The first thing I noticed is that the band sound fantastic, featuring eight of the top contemporary jazz and funk musicians in Scotland, they were a tight ensemble who meld together very naturally.

Pat Kane has completely surpassed his youth in terms of vocal prowess. He has a certain maturity now, something only obtainable with age and the famous Malcolm Gladwell 10,000 Hour Rule. His control and diction in every line is something many young pop singers could learn from.

The next few tracks of the set were pulled from the upcoming record ‘Pocketful Of Stones’, and showcased the Kane brothers longstanding ability to weave a venerable loom of contemporary balladry.

The heavily nostalgic crowd were absolutely enamoured however, when Pat bought out his daughter Eleanor to duet on the heart-wrenching number ‘Let Her Go’, detailing the pair’s emotional turmoil at Eleanor leaving home for college. Not a dry eye in the house, I assure you.

The mid-paced numbers from the new album were certainly met with an animated response, but when the new album’s opener ‘It Happened Her’ dropped in the middle of the set, a eureka moment fell upon the audience as Hue And Cry revealed they still have the supreme faculty to pen tension filled political numbers that absolutely permeate energy.

What Hue and Cry set would be complete without the classic ‘Labour Of Love’? The track was sizzling with fiery funk as the band took it in a more modern direction, opposing the classic 80s sound of the original recording.

If you can get out and see them on the upcoming tour for the new record, I advise you do so, even just to see how a band with an invested interest in evolving their sound can take vintage tracks from their repertoire to new, contemporary heights.

I’d also like to give honourable mention how great the PRS concert space is. Just a fantastic little venue to showcase bands of all sizes (8 musicians is not a small number keep in mind!).

Review by Sylvester Segal

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Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

Next session: Sunday 19 January

Check out videos here: https://www.facebook.com/getreadytorockradio

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David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 1 December 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 3 December 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com

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Power Plays w/c 9 December 2024

In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections

Featured Albums w/c 9 December 2024

09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)

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