AUTOPSY – “MACABRE ETERNAL”
PEACEVILLE (2011)
When Californian Death Metal legends Autopsy disbanded back in 1995, following the release of their fourth studio album entitled “Shitfun”, the Metal world lost one of the most honest and purely aggressive bands of the genre. Actually, I don’t really think that Chris Reifert’s (drums/vocals) outfit has ever really received full credit for its contribution to the scene, even though numerous high-profile musicians have openly admitted being influenced by the works of this noisy Concord-based band over the years. Anyway, as I hope you are most probably aware, Reifert and Co finally re-united back in 2008 and last year released a pretty ‘delightful’ five track EP entitled “the Tomb Within”, however many people, myself included, believed that only by releasing a new full-length album will the band finally convince its fan base that they are really ‘back in business’. Well, the long wait is now over as Autopsy are finally ready to present us with their fifth studio album, namely Macabre Eternal”. So, let’s see what’s on offer here.
Autopsy’s music has always been fairly simple in its concept as everything pretty much revolves around the straight-forward ‘mighty riff’: one that is both slow enough to compete with the Doom Metal bands and fast enough to challenge the Thrash Metal outfits! Well, you will be happy to know that two and a half decades later, Autopsy are still capable of bringing together material that combines elements from both these genres, making them appealing to a pretty varied audience. What you are probably most interested in is whether this new album can compete with genre-defining releases such as “Severed Survival” (1989) and “Mental Funeral” (1991) right? Well, “Macabre Eternal” is a really good album, certainly a worthy addition to the band’s back catalogue”, but both sadly and strangely enough, the twelve compositions on offer are not equally balanced across the board. The first half of the album consists of solid head banging material, stuff that old school fans will certainly enjoy, however it is only in its second half that the album flourishes and reaches its true potential as it features truly mind-blowing tracks.
“Hand Of Darkness” is a very fitting song for opening as its rhythmical mid-tempo riff combined with Reifert’s brutal/screaming vocals come across as an invitation from a long lost friend. “Dirty Gore Whore” is based on a similar approach, however I never managed to establish a real connection with it as the melodies and riffs on offer are, by far, the weakest of the album. In “Always About to Die” the tempo becomes really slow and the riffs quite groovy while the same-title “Macabre Eternal” and the follow-up “Deliver Me From Sanity” are more energetic and full of short Slayer-influenced solos, with the vocal section on the second of these reminiscent of those in later-day Darkthrone albums. It is strange that I had to reach half-way through the album in order to be blown away by a composition, namely the rhythmical groovy opus “Seeds Of The Doomed”, but from this point onwards the levels of quality remain fairly high. “Bridge Of Bones” is another groovy track featuring a beautiful acoustic guitar atmospheric passage, “Born Undead” is a Thrash sounding belter and the duet “Sewn Into One”/ “Bludgeoned And Brained” contain riffs of true head banging quality. The song that really stands out for me is the twelve track opus “Sad*st*c Gratification” as I found it main mournful guitar melody, as well as its repetitive Doom riffs and extended final narrative to be truly exquisite – much different from the more straight forward “Spill My Blood” which is assigned the role of closing this album.
Having a band like Autopsy releasing a new album in the year 2011 is in itself a very remarkable achievement, however, it is even more pleasing to discover that these guys are still capable of recording some truly inspirational material. It is true that the quality offerings could have been more evenly distributed across the album, however the thing that they all have in common and that will eventually win you over is that they are all products of a pretty focused and much experienced band that is still passionate about playing Death Metal music. Ladies and gents, there are not many Death Metal bands out there who know what constitutes a proper groovy riff and who feature amongst their ranks one of the best vocalists of the genre… Don’t believe me? Get your hands on “Macabre Eternal” and you soon will!
John Stefanis
Rating: **** (4.0/5.0)
Featured Artist: JOSH TAERK
Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
Next session: Sunday 19 January
Check out videos here: https://www.facebook.com/getreadytorockradio
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 1 December 2024.
UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 3 December 2024.
How to Listen Live?
Click the programming image at the top of the page (top right of page if using desktop)
Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”
Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.
More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com
Power Plays w/c 9 December 2024
In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections
Featured Albums w/c 9 December 2024
09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)