Album review: ANNEKE VAN GIERSBERGEN – Drive

Inside Out – Out Now

I have always been a strong supporter of the idea that the boundaries which separate the average musician from the real artist are strict and always clearly defined. Those who belong in the former category often restrict their artistic urges in the hope of commercial success and/or the ongoing acceptance and support from their loyal fans.

Others follow their musical vision, regardless of the consequences. Apart from being possibly the most influential singer of her generation, mainly through her work with the Dutch atmospheric metallers The Gathering, Anneke Van Giersbergen has also, in recent years, become the personification of artistic freedom and no album showcases this better than her ten-track offering “Drive”.

Pop and Rock have been equally prominent and influential on Anneke’s musical output throughout her career, but this interesting musical symbiosis acquires a brand new meaning in “Drive” – an album whose quality, variety and passion will surprise and shock the unsuspecting listener in equal terms.

As always, Anneke’s ethereal and emotionally-charged vocals are the focal point, but where this album’s real success lies is in blurring the line between Pop and Rock to such an extent that even the most hardened Rock fan might just be drawn towards a melodic interlude or a catchy chorus you might find on a Tori Amos album. Something for everybody then? That definitely is the case here, and it is all performed with both passion and gusto.

I am sure that most old-school fans will agree with me in saying how reminiscent the guitar harmonies in the opener “We Live On” are to those used by Progressive/Atmospheric metallers in the mid to late 90s and how amazing Anneke’s high register vocals still sound in 2013.

Far more commercial in its appeal and structure, “Treat Me Like A Lady” is a four minute Pop Rock anthem that features a highly addictive refrain while “She” is a simply-crafted melodic piece with a Rock edge. The second Pop anthem to truly impress me was “Drive” as I found its groovy bass lines and…dance beat(!) impossible to resist.

Having said that, it was the piano-led acoustic guitar ballad “My Mother Said”, with the possibly autobiographical lyrics, which truly stole my heart – one of the most heartfelt songs ever recorded by the Dutch singer.

The second part of the album portrays a similar approach to song-writing, with melodic little gems such as “Forgive Me” and “You Will Never Change” paving the way for the oriental-themed “Mental Jungle” – a three and a half minute composition whose main feature is an interplay between Anneke’s soulful vocals and those of a male singer.

More The Gathering influences can be found in the guitar harmonies of “Shooting For The Starts”, while the groovy drum beats of “The Best Is Yet To Come” conclude this album in celebratory and party-style fashion.

Pop is far from my chosen style of music, but there are a handful of Rock artists who can pull it off, in my opinion. Anneke Van Giersbergen is one such artist and “Drive” is the perfect example of how successful this unholy union can really become in the right hands.

With an average duration of three and a half minutes, these ten compositions will impress both with their immediacy and the quality of their melodies– all you have to do is stop any unnecessary preconceptions from clouding your judgement and what you will gain in return is a delightful musical ride.

John Stefanis

Rating: **** (4.0/5.0)

Interview (October 2013)

Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

Next session: Sunday 19 January

Check out videos here: https://www.facebook.com/getreadytorockradio

David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 1 December 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 3 December 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com

Power Plays w/c 9 December 2024

In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections

Featured Albums w/c 9 December 2024

09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)