Gig review: THE SWEET – Nells Jazz & Blues, London, 15 December 2017

After perhaps rather too many Christmas tours of provincial theatres in recent years and, ahem, a tour supporting the Bay City Rollers last year it was gratifying to have Sweet do a short tour of proper rock venues this year. And I was lucky enough to catch them not once but twice. The renowned Robin 2 venue in Bilston, where the tour culminated, has been something of an annual pilgrimage for hardcore Sweet fans, with people travelling in from all over Europe.

First, however, I caught the band a few nights earlier at Nell’s Jazz & Blues in London. This is a small venue with a tiny stage and it was absolutely rammed but the atmosphere was electric. It was evident that the band were also getting a huge buzz from playing to such a responsive audience, too. This was confirmed by Andy Scott when we chatted briefly after the gig and the Sweet legend is clearly humbled by the reservoir of affection for the band as the Sweet approaches its 50th anniversary in 2018.

With Brian Connolly and Mick Tucker no longer with us and Steve Priest in the States with his own version of the Sweet it’s been left to Andy Scott to fly the flag for the band’s legacy in the UK and Europe. Consistently exacting in his high standards Andy Scott has never been one to just go through the motions when he goes out under the Sweet name.

The current line-up of Pete Lincoln (lead vocals/bass), Tony O’Hora (keyboard/guitars/vocals) and Bruce Bisland (drums) have been together a good few years now (twenty-five in Bisland’s case) and it’s clear just seeing them on stage they work exceedingly well together as a unit. The unforgettable riffs and the trademark harmonies are delivered as powerfully now as they were when the band was at its commercial peak.

Set-wise, for this tour there was a nice mix between pumping versions of the glam-era singles like ‘Hellraiser’ and ‘Teenage Rampage’ and some of the classic harder-edged album tracks like ‘ACDC’ and ‘Set Me Free’ from the ‘Sweet Fanny Adams’ album.

In the middle of it all the stools came out for a nice little acoustic set – Andy Scott and Pete Lincoln delivering blinding versions of ‘Lady Starlight’ and ‘Lost Angels’. Tony O’Hora then joined the two for an acoustic run-through of some of the band’s very earliest (pre-glam) bubblegum hits.

It’s testimony to the guys’ creativity, not to mention sheer chutzpah, that they can somehow give added meaning to the lyrics of ‘Co-Co’ and ‘Funny Funny’ and get a packed-out rock crowd singing along to every word.

Throw in some majestically symphonic versions of ‘Love Is Like Oxygen’ and ‘Fox On The Run’ and add in a barnstorming encore of ‘Blockbuster’ and ‘Ballroom Blitz’ and on both nights I witnessed very memorable gigs and a very satisfied audiences. Here’s to The Sweet at 50 next year.

Review by Darren Johnson

Photo credits: live photos Eileen Handley, set-list photo Darren Johnson

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Power Plays w/c 9 December 2024

In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections

Featured Albums w/c 9 December 2024

09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)