When the Please Remain Seated album and tour was announced, it brought a mixed response from myself: on the one hand, it was interesting to see Thunder doing something different from their usual electric shows. What I was fearful of: would the energy normally present go missing in this laid back setting, and hadn’t it been done 15 years previously by Bon Jovi, to a muted response?

Dan Reed was due to take 2019 off but you can’t refuse a tour support like this when it comes around, and this is right up his alley. Without the Network beside him it was down to Dan alone to deliver, and being one of the hardest working artists over the last few years – playing in small clubs, festivals, and even living rooms – he made it look like a stroll in the park.

The set was pulled from mainly his solo work, broken up with interesting anecdotes about his time teaching Tibetan monks, Queen’s ‘We Will Rock You’ nestling comfortably around a couple of Network songs in ‘Rainbow Child’ and ‘Get To You’.

Dan, along with a handful of singers from the 80s genre, has kept his voice in fine fettle – maybe even better than back in the heyday – he still knows how to inject passion and feel into his songs delivering a 40 minute set that truly connected with the audience.

One thing you can always be sure of with a Thunder show, is having a good time, filled with energy and laced with some fun, more often than not from that cheeky chappie Danny Bowes. I had doubts that would translate to an acoustic show. The first night of the tour and expectations were high…

The stage decked out in white Muslin sheets which would become more apparent at the end of the show, with a basic drum kit and six stools, it almost didn’t feel like a Thunder show having everyone seated.

When Danny and Luke ambled on stage they started the evening of with a total curveball by playing ‘Love Walked In’, a song that has been played or heard countless times, yet with just one voice, one guitar and total silence from the crowd. It became almost hymnal, you could have been forgiven for thinking you were at a Sunday service, but it was a stunning start to the evening.

The rest of the band were brought on for the next song ‘Stand Up’, along with two female backing singers, which definitely made for a fuller sound. The evening started to come alive when they played ‘River Of Pain’, which fits perfectly in an acoustic environment.

Without having the members of the band moving around the stage, the show seemed to lose a lot of energy, I never thought I would miss Danny Bowes doing his trademark moves on stage but I did. The diehard Thunder fans lapped it up, and he was on top form with his crowd banter.

The songs all had different arrangements to the normal renditions, for example ‘Girl Going Out Of Her Head’ was almost unrecognisable with the jazz intro from Chris Childs.

‘A Better Man’ gave the crowd a chance to open their lungs and sing back, even to the point of taking the song over before the last big chorus to the band’s amusement. And Luke Morley showed off his harmonica skill. There were some nice little touches, one being when Luke Morley fired off an electric guitar solo during ‘Loser’.

While the set comprised a lot of songs that haven’t been played in a long time – or at all – I kept wanting to hear ‘Backstreet Symphony’ or even ‘Dirty Love’ ( yep, not even in the set).

Taking a well-earned encore they returned for ‘She’s So Fine’, and ‘Resurrection Day’, then the use of the white Muslin screens behind the band became apparent, as did the 20 or so members of the choir that has been assembled from fans attending each show, lit up almost as ghostly apparitions to lend the backing vocals for the set closer ‘Low Life In High Places’. It was a really nice touch which finally brought the crowd to its feet to thunder-ous applause. They could remain seated no longer.

Thunder have done something different if not original – some of it works and some of it doesn’t – but what is always guaranteed is just how damn good they are at doing it.

Setlist: 1 Love Walked In 2 Stand Up 3 Miracle Man 4 River Of Pain 5 Future Train 6 Blown Away 7 Girl Going Out Of Her Head 8 Higher Ground 9 Empty City 10 A Better Man 11 Fly On The Wall 12 Just Another Suicide 13 Bigger Than Both Of Us 14 Loser 15 Serpentine Encores: Robert Johnstones Tombstone/ She’s So Fine/ Resurrection Day/ Low Life In High Places

Review and photos by Darren Griffiths

Album review

Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Next session: Sunday 1 December

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David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 November 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 29 October 2024.

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Power Plays w/c 11 November 2024

ARCANE MOON Hello Sun (indie)
S8NT ELEKTRIC XTC (Long Branch Records)
ARCANA KINGS Here We Go (Curtain Call Records)
KLOGR face The Unknown (Zeta Factory)
BEYOND UNBROKEN Dance With The Dead (FiXT)
REVENGIN Decadent Feeling (Wormholedeath)

Featured Albums w/c 11 November 2024

09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)