Sabucedo Records [Release date 18.09.20]

If Toronto has provided a creative backdrop to the recent renewed interest in all aspect of soul, Sandra Bouza takes things a step further with a cross genre, radio friendly album that is refreshingly lyrically driven.

She never wastes a word or phrase, as she strikes the perfect balance with her band to hover over quasi grooves and intricate funky lines and bring her narratives to life.

‘Falling Away From Me’ is a contemporary soulful r&b album with confessional style well-crafted songs, boosted by interesting arrangements that are sequenced into a cohesive whole.

She dives into relationship stories and draws on a mix of funk, soul and contemporary r&b to inject her songs with subtle phrasing that uncovers heartfelt moments.

The album title provides a strand of conceptual continuity, or perhaps a thematic linkage. The lead single ‘Almost Love’ for example, is about an unworkable relationship encapsulated in the simple but effective line: “It was almost but not quite love.”

Her insightful and evocative lyrics are delivered with restless r&b phrasing and a funky undertow.

It’s a lyrically strong self-empowerment song, on which her vocal cleverly evokes her emotional commitment with an uplifting musical accompaniment that suggests she’s emboldened by the experience.

This also true of the electro-tinged ‘Stone Junction’, which delivers the explanatory line: “I will never break your heart, ‘cos if I did, I know I’d be breaking mine.”

The beautifully paced sludgy dirge of ‘East Side Woman’, is another album highlight, which finds the narrator playing coy about a same gender relationship, while the more conventionally catchy funky pop song ‘Human Affection’ finds a middle ground somewhere between the contrasting songs above.

She sings about life experience real or those imagined, and has the confidence and inner voice to bring them to her public’s attention.

On ‘Wrong Songs’ she sings; “Maybe I’m destined for greatness, but I’m not destined for you.”

She further neatly summarises her style thus: “I don’t sing love songs; I sing my heart’s history.”

It’s the kind of line that would surely get an admiring glance from Joni Mitchell.

For a singer-songwriter driven album this is a very commercial record, as she fuses a funky lightness of touch with gospel edges, jazz textures and a consistent vocal style that will connect her to the contemporary pop market.

The sultry opening single ‘Almost Love’ is a clever exposition of her musical style, as her effortless vocal teases out every lyrical meaning. She extends this on the gentle intro and contrasting impassioned vocal attack at the heart of the soulful ballad ‘Losing You’. She positively revels in the task of finding the right pitch and tone to bring out the best of the lyrics.

The net result is a real inter-generational crossover appeal, that spans modern r&b and soul right across to old school Janis Joplin fans, who always search for emotional intensity.

There’s a neat quiet-to-loud dynamic on the stop-time funk of ‘Not Like Me’, with a sudden sweep into a choral wall of sound and an insistently repeated chorus.

The arrangement focuses on the backbone of the song in the manner of old Motown numbers which always emphasized the hook.

Things become more dance floor friendly on the understated funk of ‘Turn It Up’, the bridge of which provides welcome contrast.

Ultimately, it’s the attention to detail – from the meticulous production by sometime co-writer Hill Kourkoutis, to her band’s accompaniment and her own breathless phrasing and an ability to flutter on a vowel to great effect – that makes this album more interesting than simply the mainstream.

If ‘Almost Love’ alone, brings her commercial success, it will be a deserved breakthrough for a modern soulful songwriter with a lyrical bent to match. ****

Review by Pete Feenstra

Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

Next session: Sunday 19 January

Check out videos here: https://www.facebook.com/getreadytorockradio

David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 1 December 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 3 December 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com

Power Plays w/c 9 December 2024

In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections

Featured Albums w/c 9 December 2024

09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)