Album review: METALITE – A Virtual World

AFM Records [release date 26.03.21]

Coming soon to a Melodic Metal dancefloor near you, Metalite and their third album, A Virtual World.

Afficionados will already know the band incorporate elements of trance and electronica into their streamlined melodic metal variant. The New Wave of Scandi Melodic Metal.

Produced by the ubiquitous Jacob Hansen, the band is tight as the proverbial drum, collusive almost, powerfully pumping out their sleek, fluid dancefloor fillers, full of slick rhythmic structures and infectious tunes, on track after track.

Mostly, it’s impossible to pin down. There are distant echoes on ‘Cloud Connected’ of Stuart Price’s work with Madonna on her ‘Confessions…’ album, and you’ll not get dancier or more in the moment than that.

At most other times, it’s grandiose pomprock, rubbing shoulders with Amaranthe and Within Temptation, but with no ideas above its station. It has a concept – mankind’s growing dependence on technology – one that’s reasonably down to earth, if overused.

Energetic, dramatic, standout tracks like ‘Beyond The Horizon’ and ‘Alone’ put a fresh spin on well explored sounds, adding a more contemporary edge to a well established stylistic template.

These tracks seem to go from a standing start to a breathless, headlong rush in a second. Along with a couple of other highpoints, like ‘Talisman’ and the title track itself, ‘A Virtual World’, they are never OTT, but are laced with heartlifting melodies delivered with a kind of tempered grandeur by vocalist, Erica Ohlsson, that when done right, makes a genuine emotional connection.

Elswhere, the album is built around those same principles. Majestic melodies and cascading choruses, all dance to the pulsating beats and shine in the flashing lights of your uptown, urban nightspot.

Except…the fabulously melodic last track ‘Synchronised’. This one cuts against the grain of the preceding material. It slows the pace (relatively speaking). Lyrically, it has a little more depth, as it accepts some hard truths about mankind and the progress of technology. Doesn’t stop it from having a massive chorus of course, and even given it’s the closer it’ll linger in your mind long after the other songs have faded. ***1/2

Review by Brian McGowan

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Power Plays w/c 9 December 2024

In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections

Featured Albums w/c 9 December 2024

09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)