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Pete Feenstra chatted to Manou and Sebastian from Ivy Gold for Get Ready to ROCK! Radio. First broadcast 9 January 2022.
Golden Ivy Records [Release date: 12.03.21]
Ivy Gold is a muscular international rock-blues band featuring the dynamic duo of Austrian vocalist Manou and German guitarist Sebastian Eder, formerly of power metal outfit Avalon.
They work hard on their songs and fill their expansive arrangements with plenty of gusto and enough room for spontaneity.
The band is powered by the punchy rhythm section of drummer Tal Bergman, (Terence Trent Darby, Rod Stewart, Joe Zawinul, BB King and Joe Bonamassa etc) and German based American bassist Kevin Moore.
The lineup is completed by keyboard player Anders Olinder who was last seen with Sari Schorr and Glenn Hughes.
The band’s hard rocking style is based round Eder’s soaring guitar work, Olinder’s keyboard noodles and Manou’s wiry vocals, which on the opening cut ‘Face Of Deceit’ and the later ‘Suspicion’ reminds me of Amon Düül II’s Renate Knaup.
The impressive thing about this album is the way that the band grows exponentially over 10 tracks that give everyone room to breathe, stretch out and shape their collective identity.
‘Believe’ for example, bubbles up from a funky groove into a dazzling organ and guitar solo to give the song its defining touches.
‘We Are One’ also draws on a similar funky feel with an animated vocal and a big hair era chanted hook which unfortunately gives it a slightly dated feel.
‘This Is My Time’ is a similar guitar driven funky groove with a notably uplifting anthemic chorus.
The dirge filled title track asks some questions of Manou’s vocals, which she answers favourably when she soars rather than growls.
‘Suspicion’ is a guitar tour de force, opening in a bluesy vein, but then becomes more funkier over a cool organ line. It also marks the point in the musical journey when the project seems to be more relaxed and grooves nicely, especially on the very cool slow fade out.
For the most part, Ivy Gold straddle hard rock bluster, funk and blues, while the slow burning ‘Retribution’ strikes a neat balance between a subtle arrangement, Manou’s hard rock phrasing and a gospel influenced chanted hook which neatly resolves the piece.
Eder again comes into his own with a fluid solo on the melodic radio friendly ‘Shine On’, while ‘Without You’ finds Manou almost over singing on an otherwise laid back track full Eder’s delicate notes, Linder’s cool organ flourishes and Bergman’s subtle shuffle percussive work.
‘Born Again’ rounds things off impressively in hard rocking style, as Eder’s opening guitar burst cuts through a mid-tempo track that borders on the ponderous, but is rescued by the uplifting lyric: “My soul is rising higher.” The song is finally transformed by the big chorus and Eder’s defining solo that leaves you wanting more.
There’s plenty of good hard rocking vitality here, making ‘Six Dusty Winds’ a solid enough debut. It’s an album forged by an impressive collective musical ability that is only a few good songs short of a being completely convincing.
File under promising. ***½
Review by Pete Feenstra
Featured Artist: JOSH TAERK
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Power Plays w/c 9 December 2024
In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections
Featured Albums w/c 9 December 2024
09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)
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