Independent (Release Date 16.08.24)

Brave Rival have become one of my favourite live bands over the past 18 months, with brilliant dual female vocals, excellent musicianship and a warm hearted stage show. 2022’s impressive debut album ‘Life’s Machine’ was a favourite among many colleagues at GRTR!, and fortunately with the help of a successful Kickstarter campaign which even saw pledgers add backing vocals, this sophomore effort is finally here. It feel a little strange to consider this as a new album as many of these songs have been in the live set since I started following them, with some already released as singles.

One of the established live tracks, ‘Bad Choices’ opens with fuzz guitar from Ed ‘The Shred’ Clarke and a most immediate chorus. Both that and the heavier ‘Seventeen’ have an unexpectedly modern rock feel, and the soaring chorus could be from the first (and best) couple of Halestorm albums.

One of the great myths, perpetuated by various awards they have won, is that Brave Rival are a blues act. They have a much broader canvas, though ‘Stand Up’ is certainly a little bluesier with the raunchy vocals of Lindsey Bonnick and Chloe Josephine and a bit of harmonica playing from guest Will Wilde.

Those opening three songs are very direct in their approach, but the rest of the album takes a more adventurous and less instant approach, beginning with ‘Insane’: the vocals and arrangements have some of the trippiness of 1970’s Heart allied to an incredible wah-wah infused solo from Ed.

On another of those established live favourites, ‘Fairytale’, Lindsey’s pure vocal intro leads into a heavier rock out combined with some dark lyrics. ‘Heavy’ actually is far from that in musical terms but a soulful ballad with more beautiful sounding lead vocals and harmonies, which cries out for exposure on stations like Radio 2. The mellow mood is continued on the folk-influenced ‘All I Can Think Of Is You’- with some great harmonies until half way through it kicks up a gear with Chloe’s soaring vocals and a short but very sweet guitar solo.

One of the singles, ‘Five Years On’ rocks hard with a little of a swampy southern groove and a feisty venom in the lyrics, and ‘Unravelling’ is a surprisingly straight ahead melodic rocker with a crunchy riff before a return to more adventurous sounds.

‘Sink or Swim’, from whose lyrics the album takes its title, again starts slowly with a bass intro from Billy Dedman and beautiful vocal harmonising, but boasts quite an angry sounding chorus and an unconventional arrangement. ‘Blame the Voices’, as its gentle opening gives way to some dark guitar tones and ferocious drumming from Donna Peters, is another surprise which by the end is verging on symphonic metal.

The album ends with the near seven minute ‘Stars Upon My Scars’ which is probably the bluesiest of all the songs, including lengthy solos from Ed and a emotion drenched vocal display, one of many inspired by band members own past mental health and relationship struggles.

It’s an album impossible to pigeonhole- with influences across musical genres everywhere from the late sixties to the present day. It rocks a lot heavier than expected in places, yet I also love the way many of the songs build into something not always obvious at their start. With the wheel already invented, it is particularly hard to be original in the classic and blues rock field. It is therefore a rare treat to come across something as refreshing and imaginative as this masterpiece of an album. *****

Review by Andy Nathan

Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Josh Taerk Sunday Sessions 2024

Latest session: Sunday 26 May

Next session: Sunday 29 September

Check out videos here: https://www.facebook.com/getreadytorockradio

David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 18 August 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 20 August 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com

Power Plays w/c 2 September 2024

ONE LAST DAY No Chemical Reimagined (indie)
RED SKY JULY Misty Morning (Shadowbirds)
BLACK LAKES Dark Glass (indie)
THE NEW ROSES Attracted To Danger (Napalm Records)
BEARDFISH In The Autumn (Inside Out)
ROBERT JON & THE WRECK Rager (indie)

Featured Albums w/c 2 September 2024

09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)