Album review: THORBJORN RISAGER & THE BLACK TORNADO – House of Sticks

Thorbjørn Risager & The Black Tornado – House of Sticks

Provogue [Release date 31.01.25]

Thorbjorn Risager & The Black Tornado is a soulful Danish blues-rock octet who rarely disappoint.

Known for their powerhouse and entertaining shows, what makes the band different is their eclecticism, which stretches the blues template to the limit.

They indulge themselves in a big screen style musical joruney which draws on every facet of the blues and ties it all together with a soulful heft that marks them out as special.

‘House of Sticks’ is their 9th studio album and 14th in all, and remarkably it still breaks new ground.

Sure there are familiar elemental grooves, powerful horns, flinty dynamics and Risager’s own double-shot of meaningful songs and a weathered expressive voice, but it’s the band’s evolving musical canvas – always in support of the song – which continues to impress.

It was back in 2007 when I first heard the sheer frisson of‘All I Want’.

7 years later, they seemed to have transformed that raw energy into their own art, on tracks like the red raw ‘Through The Tears’, the Americana husk of ‘Too Many Roads’ and the ethereal magnificence of ‘Long Forgotten Track’.

What a delight then, to discover that ‘House of Sticks’ sounds like a band still immersed in their craft and chipping away at the blues stone to carve out their own niche.

More than that, they now have the ability to pen radio friendly songs with an earthy undertow.  Risager’s precise phrasing always taps into the emotions of a song, frequently leaving the listener wanting more.

Listen to the funky groove of ‘Inner Light’ on which he hovers over a subtle groove, as if lazily pouring cream on a bowl of peaches.

He twists the song inside out to facilitate the seamless shift from the opening introspection to the more optimistic and uplifting horn-laden chorus.

In short, the band is a composite and not merely a support to the singer.

The title track acts as a confirmation of the above, on a perfect introduction to an album that has many musical styles to enjoy.

The brooding down-home Delta style opening is full of portentous piano chords and a contemporary layered electro sound, filled with with raspy horn stabs and lush cymbal splashes.

It’s almost as if the band slowly pulls back the curtain to reveal a glimpse of who they really are.

Additional piano embellishments add a sense of tension and restrained cool, which is finally ripped asunder by the following percussive groove of ‘Already Gone’.

The poised radio friendly ballad ‘Light Of Your Love’ features a polished horn arranagement, while the heartfelt ‘We’ll Get By’ could be 70’s Van Morrison.

By contrast, the urgent synth pulse, percussive handclaps and rhythmically strong ‘Long Time Ago’, is a signature song that anchors the rest of a delightful exploratory album.

The key to the success of ‘House of Sticks’ is the way it balances the electro production with the band’s natural vivacity, as evidenced by soulful ballad of ‘Said I Was Hurt’ and the more melodically expansive ‘Out Of The Rain’.

The latter builds a palpable tension, resolved by a tremulous guitar which rips into the finale of the track like water bursting through a dam.

The steam-train rhythm and vocal stacked ‘Climbed A Mountain’ is another outstanding track, on which Risager’s coal furnace phrasing bolsters the song, before an avalanche of harmony vocals, and tremolo guitar.

Everything flows mellifluously on 9 songs that explore bluster, reflective lyrics and intuive band interplay, on an album that warrants repeat listens.

The closing Hawaian sounding slide guitar of ‘Fine Summer Night’ gives the album a meditative Zen like finish, the perfect spiritual metaphor perhaps, for a band that is happiest when contemplating the possibilities of more great music. ****

Review by Pete Feenstra


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