Gig review: SHAKURA S’AIDA, The Howlin Blues Trio – Relache Festival, Bordeaux, 20 July 2016
Share the post "Gig review: SHAKURA S’AIDA, The Howlin Blues Trio – Relache Festival, Bordeaux, 20 July 2016"
In an age of instant celebrity where the mundane too often passes for the exceptional, the Canadian double Maple Blues award winner Shakura S’Aida (pronounced Shack-oora Sigh-ee-da), is here to remind us of the true merits of a soulful blues singer with a genuine magnetism.
She’s blessed with a natural exuberance, sensuality, charisma and one of the great blues voices of our time. There’s echoes of Nina Simone in the way she envelops us with her low register and how she explores a rich husk when phrasing eloquently.
Above all, she seems to love what she’s does. She’s engaging, vivacious, exciting and has the ability to touch your soul. Her soaring voice is both effortless and graceful as it comes to bear on a set of essential contemporary blues that explores soul, funk, gospel with a stripped down rocky edge.
She got a real depth to her vocal range and a rich timbre with which she phrases eloquently. She occasionally attacks a song with aggression to emphasize a line, while her bristling self confidence is counter-balanced by a sense of humour that connects with the crowd.
Apart from her natural range, her sense of timing allows her to get inside a song and work her way round an arrangement before hitting the note and soaring.
Tonight she’s in duo mode with sinewy guitarist Paige Armstrong, though she’s belatedly joined by her band on bv’s and a shared mic. She moulds a sizeable crowd to her own ends with real stage craft and a voice that can melt ice cream.
She’s a good communicator who uses a mix of English and French, as well as gesticulation to encourage the responsive crowd to join in. Her audience warms to her approach and she achieves that rare moment when an outdoor gig is transformed into an intimate setting.
By the end of the set she’s got the whole square dancing, clapping and sharing a call and response sequence before they ultimately roar her on to a deserved encore.
She coaxes the crowd to dance at the front of the stage on her self penned and aptly titled ‘Blues Dancing’. She also gets them to sing-along on ‘Geechee Woman’ and she revels in tackling the ascending hook of ‘Time’.
There’s also room for a handful of well chosen covers that bring an extra dynamic to the set. She sounds like Tina Turner on ‘(Don’t Try To Lay No Boogie Woogie on the) Queen of Rock ‘N’ Soul’. It’s a song penned by Jeff Thomas and popularised by a fellow honorary Canadian, the late, great, Long John Baldry, but it could have been written for her!
She emphasises the protest feel of The Doobie Brothers’ ‘Taking It To The Streets’ – which she dedicates to her mum – and rounds things off with a Keb Mo gospel as members of her band join her for bv’s, as she nails a wonderful set with a crowd pleasing finale.
If Shakura is a towering presence, then the opening band The Howlin Blues Trio take the hard working route.
The swing-led trio of vocal/harp, double bass and guitar explore all that is good about swing-blues to make light of the absence of a drummer.
Harp playing vocalist Jean-Noël Hereve is an excellent player and colourful performer who explores an array of deep tones.
He leads his band into some gritty Chicago Blues and then moves on to the more free flowing West Coast swing with a rockabilly undertow, as he works the crowd with a performance that exudes professionalism.
The double bass player nails the bottom end, while the guitarist offers a tasteful melange of stinging notes and propulsive rhythms.
The Howlin Blues Trio groove, boogie and swing their way to a generous reception.
Review by Pete Feenstra
Photos by Anne Pioton
Featured Artist: JOSH TAERK
Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
Next session: Sunday 19 January
Check out videos here: https://www.facebook.com/getreadytorockradio
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 1 December 2024.
UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 3 December 2024.
How to Listen Live?
Click the programming image at the top of the page (top right of page if using desktop)
Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”
Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.
More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com
Power Plays w/c 9 December 2024
In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections
Featured Albums w/c 9 December 2024
09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)
Popular (last 10 days)
Share the post "Gig review: SHAKURA S’AIDA, The Howlin Blues Trio – Relache Festival, Bordeaux, 20 July 2016"
PDF - you can delete unwanted sections