Album review: KEE MARCELLO – Scaling Up


Frontiers [Release Date 14.10.16]

Guitarist with Europe in their commercial heyday first time round, Kee Marcello’s solo career to date has been an unspectacular one, and even his otherwise enjoyable live shows made me inclined to check out his own material more thoroughly.

However this latest effort is a revelation, and I would not mind betting his brief from his new record label, Frontiers, was to rediscover some of the spirit of Europe albums from his time such as ‘Prisoners in Paradise’, not least since present-day Europe have left that sound behind.

Indeed some songs appear almost to be a redux of that album, with opener ‘Black Hole Star’ very similar to ‘Seventh Sign’, and the blissfully melodic ‘I Don’t Miss You Much’ cut from the same cloth as ‘I’ll Cry for You’. The sassy grooves  of  ‘Wild Child’ take things a stage further as it was a Europe song that never made an album (though I do remember hearing it as Milton Keynes Bowl in 1989) and indeed there is another Joey Tempest co-write in ‘Don’t Know How to Love No More’.

While there has never been any doubt as to his guitar prowess, his vocals are also much improved, other than the odd cringeworthy moment where he slips back into a throat-clearing guttural growl. The sound is satisfyingly full, underpinned  by the rhythm section of Ken Sandin and Darby Todd while keyboards add splashes of colour to the likes of ‘Fix You’.

Most impressive is the diversity of the songs: ‘Radio’ is an upbeat song of with a Van Halen-esque sense of fun, albeit the lyrical nostalgia is rather close to Bon Jovi’s ‘Blood on Blood’, but in contrast ‘Finger on the Trigger’ has a slow and brooding feel.

While the emphasis is on the songs, ‘Soldier Down’ has the classic sound of Deep Purple or Rainbow (or indeed Europe’s first two albums for that matter) with Kee given full reign to show off his guitar style with a flurry of notes, and the title track and ‘Good Men Go Bad’, where he goes off on one mid-song to the backdrop of a seventies sounding riff, are in a similar vein.

‘Scandinavia’ has what appear to be autobiographical lyrics, but the best is saved to last with ‘Blow by Blow’ which combines a sleazy riff that I found lodged in my brain for days, then when the song appears to be fading out he reminds us of his guitar hero prowess by soloing away for a good two and a half minutes.

I would never have expected to say this but Kee Marcello has lovingly crafted a quality piece of melodic hard rock that ranks as one of my favourite albums of the year.  **** ½

Review by Andy Nathan

On Sunday 28 July 2019, David Randall celebrated his 600th show. “Assume The Position” started in June 2007 on UK City Radio before transferring a year later to Get Ready to ROCK! Radio. The show includes tracks played on the first show plus Upton Blues Festival highlights, new music and the regular features “Live Legends” and “Anniversary Rock” which this week celebrates the Island Records label 60th anniversary.

Listen in to Get Ready to ROCK! Radio…
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Power Plays w/c 19 August (Mon-Fri)

BEFORE FIRE Dead Eyes (indie)
SCOTT & MARIA Never Give Up (indie)
CORELEONI Queen Of Hearts (AFM Records)
BERLIN Transcendance (Cleopatra Records)
PHIL CAMPBELL These Old Boots (Nuclear Blast)
PHIL LANZON Blue Mountain (Phil Lanzon Ditties/Cargo Records UK)

Featured Albums w/c 19 August (Mon-Fri)

09:00-12:00 SOLEIL MOON Warrior (Frontiers)
12:00-13:00 ROXY BLUE Roxy Blue (Frontiers)
14:00-16:00 DREW HOLCOMB & THE NEIGHBORS Dragons (Magnolia Music/Thirty Tigers)

Albums That Time Forgot (Mon-Fri)

JAMES STEVENSON Everything’s Getting Closer To Being Over (2013)

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