Eagle Records [Release date 09.06.17]
You may wonder why – after the release last year of the German gigs – we have yet another version of Ritchie’s hard rock comeback? As we commented in our original review, it is a shame that the compilers didn’t include the additional two tracks performed in the UK as a bonus. But here they are now, and – what d’ya know – the latest UK tour is imminent…
Rather than be considered a cynical marketing exercise, you could argue that this is for completists only and the anally retentive who want to compare and contrast with the German recording. And of course if you attended the Birmingham gig, it is a useful keepsake to line up alongside the already purchased “first take”. With a fair amount of crowd singalong – as with the German gigs – this is more of a celebration than a serious rendition of former glories.
But, read the small print: “This is a soundboard recording. Every effort has been made to achieve optimum and uniform sound quality.” The “soundboard” tag is really the clue to all of this, as the album has a much cleaner and less atmospheric sound than the previous release and indeed most live recordings.
As with many soundboard recordings it all sounds a bit flat and a tad lethargic – even if superior quality than most – and probably approximates more to what the band were hearing in their in-ear monitors. Even with a “clean” live recording it is possible to process the sound to approximate “what was heard on the night” by the audience but it seems no effort has been made in this direction. It also begs the question: why wasn’t this historic UK gig recorded properly in the first place?
Is this worth it for the additional tracks? Well, in truth, we’ve all heard better, more frenetic versions of ‘Burn’ not least from latter-day Glenn Hughes and Coverdale. And ‘Soldier Of Fortune’ is again spoilt by crowd noise which presumably couldn’t be mixed out.
On this version, does Ronnie Romero compromise the start of ‘Smoke On The Water’ as he did in Germany? Yes, as he leads a crowd singalong of verse/chorus, and – furthermore – it’s compounded by Blackmore’s somewhat perfunctory picking and a convoluted intro. Oh dear, no doubt “Live In Birmingham 2017″ awaits… ***
Review by David Randall
David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.
Album review (Memories In Rock – Live In Germany)
On Sunday 28 July 2019, David Randall celebrated his 600th show. “Assume The Position” started in June 2007 on UK City Radio before transferring a year later to Get Ready to ROCK! Radio. The show includes tracks played on the first show plus Upton Blues Festival highlights, new music and the regular features “Live Legends” and “Anniversary Rock” which this week celebrates the Island Records label 60th anniversary.
Listen in to Get Ready to ROCK! Radio…
Click the appropriate icons at the top of the page.
Power Plays w/c 19 August (Mon-Fri)
BEFORE FIRE Dead Eyes (indie)
SCOTT & MARIA Never Give Up (indie)
CORELEONI Queen Of Hearts (AFM Records)
BERLIN Transcendance (Cleopatra Records)
PHIL CAMPBELL These Old Boots (Nuclear Blast)
PHIL LANZON Blue Mountain (Phil Lanzon Ditties/Cargo Records UK)
Featured Albums w/c 19 August (Mon-Fri)
09:00-12:00 SOLEIL MOON Warrior (Frontiers)
12:00-13:00 ROXY BLUE Roxy Blue (Frontiers)
14:00-16:00 DREW HOLCOMB & THE NEIGHBORS Dragons (Magnolia Music/Thirty Tigers)
Albums That Time Forgot (Mon-Fri)
JAMES STEVENSON Everything’s Getting Closer To Being Over (2013)
Tweets by Get Ready to ROCK!