Gig review: JOE BONAMASSA – Royal Albert Hall, London, 25 April 2019

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

It was ten years ago to the very week that Joe Bonamassa took the biggest chance yet of a promising career and played the Royal Albert Hall. As he recounted from the stage on this evening, it proved to be a career defining experience, and his regular returns there mean that one of his heroes Eric Clapton is no longer the only legendary guitarist associated with the venue.

This was the second of a three night residency and after an intro tape climaxed with an announcement of ‘tonight, Muddy Waters’, his ‘Tiger in Your Tank’ had a light, almost jazzy swing. The horn section and a pair of female backing singers were prominent until the guitarist – in his trademark look of smart suit and slicked back hair that made its debut at that 2009 show- took the song up to another level.

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

Photo: Andy Nathan

As he is well known for varying and theming his sets, I did wonder if this was to be a pure blues night. However things were rocked up a notch with ‘King Bee Shakedown’, and ‘Evil Mama’, the first in a series of four successive numbers  from most recent album ‘Redemption’.

The latter featured some great musicianship, notably a piano solo from keyboardist Reese Winans, a man with a CV as long as your arm, then there was an audible gasp of expectation as Joe stepped forward to unleash his solo, pulling those rather jagged  stage poses.

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

Photo: Andy Nathan

The biggest criticism of the blues from more casual fans (me included) is that it can sound a little samey but Joe sidestepped this danger by switching between a variety of styles with nearly every song, assisted by a new guitar for each. ‘Just Cause You Can Don’t Mean You Should’ had a BB King-type feel,  followed by ‘Self-Inflicted Wounds’, a slower blues with Jenny MacRae supplying some of the vocals.

This perfectionism and attention to detail shines through, and his band were equally well-drilled and precise. It is often overlooked that he is a fine vocalist and the songs are more than just an afterthought, but they take off into another dimension in his fingers.

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

The middle of the set saw him at his best- the lengthy ‘This Train’ had a southern  feel and included solos from Reese, sax player Paulie Serra and Joe;  ‘Blues of Desperation’ featured multiple changes of pace and a very fine slide guitar solo and ‘No Good Place for the Lonely’ featured perhaps his most jaw dropping solo of the whole set. The biggest cheer of the night greeted the hauntingly quiet intro from Joe and Reese into ‘Sloe Gin’, which has long been established as his signature epic.

The one thing that made me a little uneasy was the lack of interaction with the crowd. Other than shout outs for bandmates, it was a full hour and a quarter before he addressed us – though his speech was gracious and dryly humorous,  notably with a tale of serving instant coffee out of Royal Albert Hall mugs.

No-one expects Graham Norton-style repartee from him but greater engagement with an audience that pay some of the most premium prices in the business would not go amiss and personally I would have enjoyed hearing him explain the context and inspiration around his choice of songs.

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

Photo: Andy Nathan

After some great ensemble playing from his band on ‘Well Well’, Joe then  shared the stage with another guitarist, Kirk Fletcher, on a cover of BB King’s ‘Boogie Woogie Woman’, generously allowing him the first solo, but the British blues rock pioneers remain his biggest inspiration and so he finished the set by going back to basics and dispensing with the horn section, backing singers and even, for a period, Reese, leaving he, Michael Rhodes and Anton Fig to form a deluxe power trio.

‘I Can’t Quit You Baby’ turned into a sprawling epic at the end of which he motioned for the crowd (mainly older, but with a fair sprinkling of younger fans,  often lad with Dad) to take to their feet as it segued into the swaggering riff of ‘How Many More Times’. There was substantial improvisation and changes of pace, including a snatch of Free’s ‘The Hunter’  before returning to the main riff, and the pair of songs inextricably associated with Zeppelin clocked in at a full 25 minutes.

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

Photo: Andy Nathan

In contrast for the encore he came on stage solo, playing an acoustic for what I think was the only time in the evening. He whipped up quite a rocky storm on ‘Woke Up Dreaming’  though I did feel the instrumental coda outstayed its welcome. Completing a 2 ¼ hour set, the band then returned for another old favourite from earlier days in ‘Mountain Time’ which reminded me of the Allmans or Marshall Tucker Band, with a belated but extremely lyrical guitar solo.

Ten years on from his bow in this most august of venues, Joe Bonamassa is no longer the hotshot new kid but a musician at the very peak of his game. This gig bore his hallmark stamp of perfectionism and showed him to be master of his chosen craft.

JOE BONAMASSA- Royal Albert Hall, London, 25 April 2019

Review by Andy Nathan
Photos by John Hayhurst (except where indicated)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.

In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Josh Taerk Sunday Sessions 2024

Latest session: Sunday 25 February
Next session: Sunday 14 April

Check out videos here: https://www.facebook.com/getreadytorockradio



David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 25 February 2024.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 27 February 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 4 March 2024

COLLATERAL Glass Sky (Big Shot Records)
THE ZUTONS Pauline (ICEPOP)
THE GEORGIA THUNDERBOLTS Rise Above It All (Mascot)
MATT PEARCE & THE MUTINY From Here To The Moon (indie)
THE BLACK VULTURES Never Say (indie)

Featured Albums w/c 4 March 2024

09:00-12:00 LEE AARON Tattoo Me (Metalville)
12:00-13:00 THE END MACHINE The Quantum Phase (Frontiers)
14:00-16:00 The Best of 2003-2023


To see our Tweets you need to be logged in to a Twitter account



Popular (last 10 days)


This entry was posted in ALL POSTS, GIG REVIEWS and tagged , , , , , , , , . Bookmark the permalink.

Leave a Reply