Album review: CONNOR BRACKEN AND THE MOTHER LEEDS BAND – Nightbird Motel

CONNOR BRACKEN AND THE MOTHER LEEDS BAND - Nightbird Motel

[Release date 25.09.20]

Based in Astbury Park, New Jersey, Connor Brand (lead guitar and vocals) has a whiff of a look of a young Springsteen.  But hometown aside, that’s about where the similarities end – MLB being a blues rock band.

Having released a hi-octane debut In The Light Of Day in 2016, and following it up with a live album in 2019, the band’s sophomore studio release – Nightbird Motel – is something of a rarity in these modern times – an album that has a wonderfully unpolished rawness.

There’s some fantastic vocal and guitar work that you can just tell hasn’t been overly rehearsed, evoking memories of better days when bands just ‘plugged in’ and played and sounded all the better for it.

The set opens with a massive statement of intent in the form of ‘When The World Stops Turning’ (apt in current times) – a wonderful explosive number with an almost new wave punk ‘edge’, that comes across like Budgie’s Burke Shelley fronting an Americanised Arctic Monkeys.  It’s stacked with attitude, fresh and vibrant.

But the album is quite diverse – ‘Read On You’ is a Faces style feel good, party time number, ‘Darkness’ a driving rocker scored Tom Petty style with some fantastically loose lead guitar work.

‘Photographs Of Johnny Cash’ has a sixties Beatles rock ‘n’ roll groove, ‘Blame On Me’ is a Wille & The Bandits fully plugged in U2 ‘Bullet The Blue Sky’-style psychedelia wig out, and ‘Liquorstore’ is an unholy marriage of Quo and The Undertones.

‘Voice On The Radio’ has distant strains of AC/DC with yet more unrestrained guitar work, as does ‘Nightbird’ – another Petty style melodic rocker which, along with ‘Dream Of You And Me’, comes as close to The Boss as MLB get, while the delicate acoustic ‘Reprise’ instrumental that closes the set shows yet another side to the band in Rod The Faces Ooh La La style.

Fabulously unpolished, and like sticking a wet finger into a 240 volt socket.  Explore the band’s catalogue at Bandcamp.com.  ***1/2

Review by Pete Whalley


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: TIGER MOTH TALES – Still Alive (CD/DVD)

TIGER MOTH TALES - Still Alive (CD/DVD)

White Knight Records [Release date 01.08.20]

Not even lockdown can subdue Peter Jones.  It seems only 5 minutes since he released A Visit To Zoetermeer, making Still Alive his second CD/DVD release in 3 months, but he also popped up on Magenta’s excellent current album Masters Of Illusion, and makes a guest appearance that impressed fellow reviewer Jason Ritchie on the forthcoming Lee Abraham Harmony/Synchronicity release.

In short, the man is irrepressible, and in terms of talent, a ‘super spreader’ whether it be vocals, keys, wind instrument or guitars (and anything else he can get a tune out of, which in his case is, just about anything).

So what we have here is a 32 minute ‘mini’ album or EP (take note Shannon LaBrie) created during lockdown (the title track written for his village in these concerning times), reflecting his own alternating feelings of doom, madness, endurance and survival.

And to make it a rather nice package (and jolly good value for money) the release includes a bonus DVD featuring the Tiger Moth Tales band, filmed at Rockfield Studios in 2018 in front of an intimate audience as part of ‘The Quiet Room Sessions’ (a streaming subscription service offering high quality ‘unplugged’ sessions, and currently free during the covid crisis) and as a bonus, the Still Alive Promo video.

On the CD Jones deploys his full repertoire of styles, bookended by ‘Still Alive’ and a closing Reprise.  The Radio 2 friendly song is poignant, but at the same time uplifting – a song for these strange times if ever there was one, while ‘The Mighty Fallen’ opens in Genesis ‘when there were 3 style’ keys and drums before morphing into Camel/Andy Latimer in full flow.  Is there no end to this man’s talents?

The set is completed by ‘Golden’ – a typically wistful piano ballad, ‘Lean Into The Madness’ a short Floydian interstellar piece befitting of The River, and ‘Whistle Along’ is one of Jones’ madcap, jolly jaunts that lift the spirits.

As regards the DVD Quiet Room Sessions, while a large chunk of the set list overlaps with A Visit To Zoetermeer (the sets were recorded 2018/19), you get a good 1 hour 20 minutes content (including the Still Alive video), with two of the more extended pieces from Cocoon (‘The Mighty Fallen’) and The Depths Of Winter (‘The Tears Of Frigga’).  Add in the very different ‘venues’ and, here, the studio quality delivery and there’s sufficient contrast to make both an engaging watch.

And to cap it all, it there’s a nice gatefold sleeve with iconic artwork.  What more could you want?  ****

Review by Pete Whalley

Album review (A Visit To Zoetermeer, 2020)


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: SHANNON LaBRIE – Building

SHANNON LABRIE - Building

Moraine Records [Release date 25.09.20]

Since when did just 7 songs make an ‘album’?  And it’s not as if we’re talking prog – this is Americana.  And just 27 minutes of it.

But then we live in strange times.  And when your music is principally streamed (over 12m on Spotify and Apple Music) maybe it no longer matters?

A new one on me, but an artist whose previous works I’ll be exploring, Building is LaBrie’s 3rd album, following Just Be Honest (2013) and War & Peace (2016) – both 12 track efforts, incidentally.  Her songs have also featured in films, commercials and TV shows.

And it’s easy to see why, as she bridges the genres with her own brand of soulful, smoky, easy listening Americana.

The set opens with the single’ Firewalker’, a number that has an air of Larkin’ Poe’s current brand of retro pop (albeit here in a more refined style), ‘Raining Hallelujah’ adds a splash of modern day gospel, and ‘Angels Fall’ has subtle hints of Judie Tzuke – a tantalising, breathy acoustic number with a wonderfully barbed hook and sumptuous melody.

‘The Things We Say’ falls bang smack in Missy Higgins/Sarah McLachlan sparse piano balladry territory (in a similar way to mournful single ‘Alcohol’ on LaBrie’s last album), the title track is a piece of ‘smooth’ easy listening with a soulful jazz-lite vibe, ‘One In A Billion’ another dreamy, breathy, number imbued with mild country tones, and ‘It’s Good To Be King’ closes the set out contrastingly with a gently strummed electric guitar and contemplative vocals à la Susanne Vega or Joni Mitchell.

The excellent vocals, delightfully understated playing, and timeless song writing here mark Shannon LaBrie out as effortlessly cool, and Building a serious calling card.  ****

Review by Pete Whalley

The Best of 2020


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FORTUNE- The Gun’s Still Smoking Live (CD/DVD)

FORTUNE- The Gun's Still Smokin' Live

Frontiers Records (Release Date 07.08.20)

One of the most heart-warming and unexpected comebacks of the last few years has been that of cult eighties AOR sters Fortune. It’s fair to say their comeback in 2016 at Rockingham Festival stole the show and they were warmly welcomed back just a year later, while last year’s Fortune II was a very strong comeback album with all the band’s trademarks.

This live set, also from 2019- recorded, as so many Frontiers live releases, at the label’s own festival on Italian home soil- has the twin advantages of a setlist that covers both old and new, and coming in both CD and DVD format. As with many of these projects, the latter is probably the more rewarding form of enjoying it (though bassist’s Ricky Rat’s face pulling may divide opinion) and the mix, in which drums are unduly prominent at the expense of other instruments, except during the solos, somehow seems less noticeable.

The set opens in fine style with old favourite ‘Thrill Of it All’, building into the first but not the last of Richard Fortune’s impressively fluent guitar solos, then Mark Nilan’s keys introduce newie ‘Don’t Say You Love Me’ which stands comparison.

 The atmospheric vocals of Larry Greene (going by the rather public school sounding L.A.Greene on the credits) are then given full reign on his contribution to the Top Gun soundtrack ‘Through the Fire’, a classic eighties movie soundtrack in Survivor-type manner.

‘Deep in the Heart of the Night’ is classic AOR and the intro to ‘Heart is a Lonely Hunter’ in which Richard’s powerchords give way to keyboards cutting through gets the crowd clapping along in unison.

Though the similar tempo of many of the songs may struggle to hold the attention of more casual fans, as with most good live sets the best is saved to last. Their best known song ‘Dearborn Station’ is delivered in a stately, melodramatic fashion with smooth guitars and keyboards complementing each other, and though they end with a ‘Fortune II’ number  in ‘Freedom Road’ its anthemic qualities do not suffer in comparison, even with that classic.

An excellent introduction to this most cult of bands- though the studio albums are even better!  ****

Review by Andy Nathan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ELIAS T. HOTH – Metastatic Syndrome

Elias T. Hoth - Metastatic Syndrome

CD Baby [Release date 15.09.20]

Elias T. Hoth’s ‘Metastatic Syndrome’ is full of all the road-tested elements with which he’s made his name in the last few years. There’s the unsettling title to start with, then there’s the balanced mix of roadhouse rocking, good time-boogie tempered by reflective ballads.

What’s probably different from his previous albums is the increased attention to sonic details in the form of significant bv’s and lush harmonies, which provide the perfect context for both his gruff voice and his nascent songcraft.

And while hard rocking remains Elias T. Hoth’s business, he’s not averse to digging deep for some heartfelt balladry within cleverly worked arrangements that evoke his lyrics.

It’s an album that recycled classic rock themes, from rock and roll itself, though the devil, sex, death, love songs and sorcery, all interwoven with electronic effects, lashing of guitar and topped by his own fierce some growl, natch!

It’s an album that rocks and boogie’s hard and explores meditative songs to boot.

To that end he reigns in his excesses to explore restraint on a handful of ballads, of which the reflective opener ‘Another Lover Like You’ sets the template for equally good outings such as ‘Don’t Fear The Night’, complete with strings bv’s, and a defining ascending guitar.

And just when you think the song has run its course there a big choral finale full of feel and grandeur that completely transforms it into something epic.

He’s equally good on the country rock feel of ‘Home Is Where the Heart Is’, a radio friendly country rocker with supporting harmonies. It’s a catchy melody with a strong vocal, a great band and further backing vocal support.

Then there’s ‘Sweet Summer Desire’ which is a revelation and arguably the album highlight.  Built on a portentous bass drum pattern and intricate percussion, it neatly offsets Hoth’s measured vocal which is again bathed in warm bv’s.

It’s a beautiful arrangement in which the music evokes the summery lyrics, while the mid-number vocal swoop into the solo is simply majestic.

‘The Moment Of Sweet Surrender’ is another string-led ballad, on which he smooths out the edges to lean into a vocal that could almost be the late Jacky Leven (Doll By Doll).

He bookends the album with the acoustic ‘The Best Thing’, a kind of reflective southern tinged love song, complete with an Allman Brothers style, Chuck Leavell piano part and an uplifting hook on which his gruff persona gives way to a melting heart.

But before all the die-hard Hoth rockers head for the hills, there’s still plenty of hard rocking good stuff.

‘Dead On Arrival’ for example, opens with a voice collage announcing the assassinations of Martin Luther King and John Lennon before the band explodes into some Deep Purple riff driven rocking. Hoth applies his coarse growl to make the lyrics jump out of the track and into a catchy hook, flanked by an impressive guitar driven wall of sound.

‘The Devils Gonna Take Your Soul’ recycles some good old rock clichés to good effect. And while the tongue in cheek ‘Down Down Loaded’ is a Quo style boogie with a staccato, stop-time opening and a chanted hook about various sexual predilections, the following roadhouse rocker ‘Hell Or Highwater’ makes better use of Hoth’s growl.

‘Metastatic Syndrome’ is all about striking a balance between the Elias T. Hoth’s hard and occasional southern rock styles and his new found balladry.

His growing songwriting ability taps into some deep emotive recesses leading to several memorable melodies.

His additional use of bv’s and occasional duets with Nina Lanaghan brings a whole new dimension to his music.

This album shows his ability to step out the comfort zone and leap into the void with brand new meaningful songs with real feel.

Metastatic Syndrome successfully crosses that divide and deserves to expand his fan base. ****

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ADAM SWEET – Sink Or Swim

Adam Sweet - Sink Or Swim

Adam Sweet Music [Release date 11.09.20]

Although credited as an Adam Sweet solo album, the conceptually titled ‘Sink or Swim’ is very much a band effort.

Singer songwriter Adam Sweet has taken a step up by working with an A-team rhythm section comprising bassist Ian Jennings and drummer Garry Kroll. They bring a mix of heft and musical depth to the Sweet and Steve Black song catalogue.

The final piece in the audio jigsaw is that of producer Josiah J. Manning. Known for his work with Kris Barras, he captures the energy, sonic quality and resonance of Sweet’s expressive vocals.

The end result is the perfect framework for a singer songwriter who has the chops, the phrasing and evocative songs to make ‘Sink Or Swim’ a splendid example of contemporary roots rock.

It would be easy to tag this album as UK Americana, but that would be generalise Sweet’s own unique style.

For a start, there’s his immediately recognisable aching vocal and sincere story telling narratives. He digs deep inside his  songs for his own niche, without the need for cliché,

He’s a thoughtful songwriter who leads his band purposefully into a mellifluous musical journey that always leaves you wanting to hear the next track.

He moves from full band workouts to more stripped-down affairs, while striking the kind of musical equilibrium that will suit most rock and blues fans alike.

He opens with the slide-led, stop-time ‘Working On It’, which is a surprisingly relaxed mid-tempo affair, but he immediately counterweights that with the wailing harp intro to ‘You Or Me’ , a rock-blues shuffle with a perfunctory ending that reminds me of Storyville.

It’s a style he returns to on the organ layered lead track Trouble’, notable for the big production sound.

He’s in his element as his wah-wah inflected guitar rises above the funky B3 foundation of ‘Something From Nothing’. He also indulges himself with some hot picking and harmony guitars on the unexpected Southern rock style instrumental ‘Devil’s Lake’.

But it’s his ability to occupy different and sometimes contrasting musical styles that makes this album that bit more interesting.

‘Like It Or Not’ for example, is a heartfelt soulful ballad with carefully chosen notes, emotive phrasing and crisp percussion, while his lightness of touch serves him well on the gentle brush strokes of ‘Not A Moment Too Soon’ and the delicately toned ‘Miss You So’.

His mix of roots-rock, ballads and grooves with a soulful bent and a funky blues undertow, draws the listener into a set of songs with a real flow.

He rounds things off with a contrasting brace of songs, moving from the pop-into Jackson Brown style ‘Here To Nowhere’ – which benefits from ascending bv’s and a big guitar finish – to the perfect bookend of ‘Something‘ll Happen’.

His nuanced rhythm section provides the perfect swampy support to some original lyrics: “We’ve all had a bill we weren’t expecting, and wondered how the hell we’re gonna pay. You could do worse than adopt this saying, something’ll happen, it always will.”

If ‘Sink Or Swim’ sounds like an uncompromising title, it’s simply a statement of Adam Sweet’s ambition to do things in his own way.

The strong songs, vibrant music, and impassioned vocals are all perfectly framed by an organic feel which allows a rocking band to showcase the music of a fine singer- songwriter. You should really check him out. ****

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: VICIOUS RUMORS – Celebration Decay

VICIOUS RUMORS – Celebration Decay

SPV Records [Release date 21.08.20]

Vicious Rumors found a home at Germany’s SPV Records four albums ago. In fact, Europe’s always offered a warm welcome to the band, right from the start, back in 1985.

Now, everything has changed. But nothing has changed. Founder and guitarist, Geoff Thorpe is the only original. He took his newest lineup on the road earlier this year on a tour that was planned to be short but just kept getting extended. That’s how and where bands find their groove, using the sweaty clamour and clang of live performance to merge styles, ambitions, and personalities into one targetted, heavy metal weapon.

They took that into “Celebration Decay”s studio recording process, with celebrated producer, Juan Urteaga bringing the same levels of intensity as he has done to the music of Exodus, Machine Head, Testament and many others.

The ‘new’ band performs with such vigorous, animal intensity that you can‘t fail to be impressed, crafting armour plated metal that skilfully combines a raw, emotional urgency with a cold eyed resignation. Most notably here, ‘Pulse Of The Dead‘ and ‘Arrival Of Desolation’.

Many critics have written the band off as second division Power Metallers. And while it’s true that Vicious Rumors have never become front page headliners, those critics (as music critics often do) have confused class and artistic consistency with fame and celebrity. What the band have done is found their own sound, their own sub genre, if you like.

Thorpe, and recent (2018) recruits, Nick Courtney (vocals) and Gunnar (Rhythm guitar) Dugrey have written a bunch of well crafted songs here. Stories of twisted relationships and grim realism, which are, as usual, full of the blackest of monochrome colouring and alternately, thundering and razoring axework.

Sinuous hooks are buried deep, working their way to the surface on the gritty, menacing ‘Cold Blooded’, and on the pounding Neanderthal metal of ‘Darkness Divine’, a dark and downbeat tale of love and lust.

It’s the sound of Vicious Rumors doing what they do best. And if we’re honest, it’s better than most. ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Book review: The Development Of Large Rock Sound Systems – Chris Hewitt

The Development Of Large Rock Sound Systems – Chris Hewitt

A Dandelion Records Book [Publication date 14.08.20]

‘The Development Of Large Rock Sound Systems’ is a book with no beginning and no end, but it has plenty of substance in the middle.

Much like the other 7 books from the prolific Chris Hewitt, it has one of the longest subtitles, which for the record reads: “Including WEM At the Isle Of Wight, The Pink Floyd WEM System And Guitar Cabinets And Beyond.’

And while there’s quite a bit of “Beyond”, the main thrust of the book concerns Charlie Watkins WEM PA’s, which transformed the early 70’s festival scene,  the installation of Pink Floyd’s rig in Pompeii, and the way Dave Martin bought mid-range sophistication to PA stacks.

The book is ostensibly for audio geeks, but there’s enough of whiff of nostalgia surrounding The Isle Of Wight Festival, Floyd in Pompeii and glances back at The Weeley Festival and the Roundhouse etc, to translate old hippy curiosity into hard sales.

Presented as an A4 size paperback full of wonderful photos and insightful research, there’s still plenty here to interest the average rock fan.

The book evocatively drops the reader into the late 60’s, a time when change was afoot, specifically as: “bands changed from pop groups to rock groups.”

There is a mission statement of sorts in the opening paragraph, which quotes Charlie Watkins (from WEM – Watkins Audio Music) thus: “I was determined to solve the problem of instrument amps being louder than the PA.”

And in doing so he kick started a revolution in PA systems to overcome: “Problems of feedback, lack of presence, distortion and downright unreliability.”

Bands such as The Who, Zeppelin, Fleetwood Mac and Floyd embraced the new gear and the rest is the sort of history that this book examines.

Together with a Marquee Club employee John Thompson, Watkins set about building a PA that would overcome the limited range of the the relatively quiet jazz and blues festival set up.

The book approaches these events chronologically and later looks back at parallel PA development through subsequent innovators like Dave Martin and Tim Boyle.

But it doesn’t dwell on the extant late 60′s scene, which despite the jazz & blues festival moniker was significantly influenced by folk music, hence the low volume.

By the 1967 Windsor Festival however, Watkins had delivered 1000 watts and a nascent: “mixer-to-power-amp-to amplifier-to-spear arrangement that still figures in most contemporary PA systems.”

There are a few illuminating gems along the way, how for example Roger Chapman improvised by sticking a WEM 1×12 speaker on his towel and angling it towards him so he could hear himself.

Windsor we are told was the turning point for both WEM and the industry as a whole, as the company’s speakers were bought by the likes of Arthur Brown, Rod Stewart, The Faces and Colosseum’s John Hiseman etc.

WEM’s monitors were initially used by Cat Stevens, while the big rig set up was used by Johnny Winter at the Albert Hall and The Stones in Holland.

Watkins it turned out was a true music fan, and in the words of Fleetwood Mac soundman Dinky Dawson: “Was more interested in the music and how to reproduce the band’s sound than in selling me equipment.”

In the chapter of WEM’s parabolic reflectors, Hewitt traces the origins of the conal shaped PA gear as sexual fetish objects, the way roadies became sound engineers and the overall fact that “sound reinforcement” didn’t actually start until the early 70’s

The photos meld in to the text perfectly, albeit they aren’t always captioned. Isle of Wight pics include Blodwyn Pig, John Sebastian, 3 pages of Hendrix and The Pink Fairies and Hawkwind outside Canvas City.

There’s also a 1969 pic of Zeppelin on a tiny stage at the Bath festival. What’s really missing – with the exception of the recollections of American stage crew member Carey Chenoweth – is some first hand accounts from band or crew members about the actual events and the difference the gear made.

By ‘72 Watkins still provided sound for the Bickershaw and Grangemouth festivals, but he realized he was being overtaken by for example, Kelsey & Morris’s horn bins.

It’s a significant part of the book, as the whole PA industry took off soon after, along with monitors in the early 70’s.

A chunk of the book is given over to Pink Floyd, including the roles of Pete Watts and Alan Styles. Watts actually handed over the mixing of Hendrix to Dave Gilmour no less, but the real meat of the book comes in the highly evocative chapter of Floyd in Pompeii with a Q&A with film director Adrian Maben.

It fills the pages with the kind of presence, most of the audio geeks sought in their mixes.

There are inevitable mentions too of Dave Martin’s installed rigs and Jim Marshall at Weeley etc, but the book slightly fragments towards the end, possibly reflecting the change in an industry that was born in a naïve idealist era and became transformed  into a power/volume driven business.

There’s no index, meaning the photos take on an even bigger role in the book. The final pictures of the 1985 Dire Straits rig looks like something out of space station, something you suspect would have made the late Charlie Watkins quietly chuckle.  ****

Review by Pete Feenstra 

Vol.2
Vol.3
Vol.4


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ONSLAUGHT – Generation Antichrist

ONSLAUGHT – Generation Antichrist

AFM Records [Release date 07.08.20]

When, on the 29th of April this year, the British Thrash metallers Onslaught announced that singer Sy Keeler had decided to once more part ways with the band, I felt pretty sad indeed.

The band had been working on a new album for the last two years and the Motorhead-influenced anthem “A Perfect Day To Die”, which was first made available in digital format in early 2019, offered promises of a great album to come.

Those of you who live and breathe all things Oscar Wilde should excuse me then for paraphrasing the great author’s words here in order to express my thoughts at the time by stating that “to lose Sy Keeler once may be regarded as misfortune; to lose him twice looked like carelessness”!

Instead of the said departure chocking the creative wheels of this great band, however, it seems to have reignited the members’ passion for music. A worthy successor was quickly found in David Garnett (founder of Bull-Riff Stampede) and with a monster of a drummer sitting behind the band’s kit (see James Perry) for the last two years, the outfit which first came to life in beautiful Bristol thirty eight years ago, created eight new compositions (nine if you include the 2020 version of “A Perfect Day To Die” whose 2020 version is also made available) which I believe collectively constitute the best material presented by Onslaught since their reformation back in 2004!

There are so may good things to be said about “Generation Antichrist”, the band’s seventh studio album, that naming them alone is a herculean task in itself. James Perry has jelled really well with bassist Jeff Williams and their partnership has injected the new material with a massive dose of adrenaline, enough to keep the unsuspecting new listener pumped up for days.

Listening to David Garnett’s voice closely, you cannot help but notice the strong similarities in both style and sound to that of Sy Keeler’s, making him indeed the ideal replacement and as far as the guitar partnership of Nige Rockett and Wayne Dorman is concerned? These lads have managed to come up with a variety of powerful riffs & blistering lead melodies whose style and tempo are capable of keeping fans of both traditional & modern Thrash Metal equally satisfied.

Opening with a collection of radio & TV samples and featuring a classy Sodom-style mid-tempo riff “Rise To Power” paves the way for its more powerful & dynamic sibling “Strike Fast Strike Hard” – a four and a half minute belter which combines up-tempo Exodus-style riffs with flamboyant leads of Slayeric orientation.

More influences from Gary Holt’s legendary outfit can be found in the catchy tunes of the mid-tempo piece “Bow Down To The Clowns” while the same-titled composition “Generation Antichrist” adds a touch of darkness in the proceedings by combining “Seasons In The Abyss” (Slayer) era melodies with vocal lines normally found in the work of Destruction’s front man Marcel “Schmier” Schirmer.

While there are many top compositions to be found in this album, the one that stands out for me is the “All Seeing Eye” whose “Reign In Blood” sounding main vocal melody combines expertly with massive Exodus-style riffs courtesy of Mr. Nige Rockett.

In “Addicted To The Smell Of Death” we have another modern-era Destruction sounding composition while the follow-up “Empires Fall”, the second highlight of the album, provides the listener with a musical canvas where the likes of Sodom, Slayer & Destruction battle for supremacy.

Short but pretty to the point, “Religiousuicide” really puts the ‘pedal to the metal’ while the closing composition “A Perfect Day To Die” oozes with enough Rock n’Roll attitude & energy to constitute a fitting tribute to the band’s earliest influence – the mighty Motorhead.

With the likes of Testament, Annihilator, Sepultura & Warbringer having released some top notch material already this year and with a new Megadeth album on the way, most of you would be excused in assuming that the top positions on may people’s ‘Thrash album of the year’ lists have already been filled. Onslaught’s “Generation Antichrist” has come to shake things up and, most importantly, to remind you how powerful, fresh and exciting a Thrash Metal album ought to be. Well done lads – we’ve been mightily impressed indeed! ****1/2

Review by Ioannis (John) Stefanis


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: KATRINA – Hearts, Loves & Babys

KATRINA & THE WAVES – Hearts, Loves & Babys

Independent [Release date 28.08.20]

Now a solo artist, Katrina, ex of The Waves, will always be known for her monster, worldwide hit, ‘Walking On Sunshine’. It can be an albatross as much as it can be a permanent passport to fame. That said, ‘Going Down To Liverpool’ (made famous by The Bangles) was a useful, hip pocket back up, and winning Eurovision in 1997 with ‘Love Shine A Light’ may have been the success that’s never mentioned, but it put the band back into the public eye.

Yes, it’s useful to be reminded of these things, but to be honest, you can learn all of the above by quickly scanning Wiki or Allmusic. Even that most recent “hit” was more than 20 years ago.

So, 2020 – they thought it was all over, but it isn’t. What now? To kick off with, no Kimberly Rew, the ex Soft Boys guitarist who wrote almost all the band’s memorable songs. Katrina (Leskanich) has written the bulk of the material here, and has clearly absorbed much of Rew’s pop sensibilities and cleary sharpened her songwriting tunesmithery skills over the years. And in common with all great musical artists, she’s picked carefully and well in her choice of covers.

Not so much a cover, but a co-write (with Nefertiti Jones), the hooky ballad, ‘Who We Are’ wanders satisfyingly into urban country territory. It’s the sound of Leskanich throwing off the weight of her band’s three-hit-wonder past, revealing a nuanced, emotive vocal style, tightly tailored and stretched further on a light as air cover of the jazz pop standard, ‘I Can’t Give You Anything But Love’. (Baby).

The first single from the album, released last month is ‘Drive’, very much a return to the totemic sound of early …Waves, catchy, pulse quickening, full of relentless pop optimism. The slower paced ‘Holiday” is struck from the same mould, but freighted with half hidden meanings, giving the song an altogether darker hue.

A couple of cowrites with new guitarist, Darren Loveday (a much sought after studio and film musician), ‘I Want To Love Again’ and ‘Every Step’ lead further down the path toward the risk-adjusted sophistication of contemporary country. They come a little more slowly to the boil, simmering sweetly underneath the sharp songwriting and newfound purpose. Signposts to the future, perhaps. ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: DEE SNIDER – For The Love Of Metal Live!

Napalm Records [Release date 31.07.20]

To front a rock band takes a few special ingredients. The candidate should be larger than life, outspoken, overblown, like the sound of their own voice, have massive self-confidence and not give a flying f**k for convention or negative opinion. Dee Snider has been a role model for would be rock starlets for the past 40 plus years and has lost none of his fire and belief and with good reason, put simply Dee is one of the best frontmen of all time.

This album and accompanying DVD captures Dee at his venom spitting best, recorded during various festival appearances worldwide in 2019. Featuring a great mix of tracks from Dee’s solo career and many Twisted Sister classics all delivered in Dee’s full on, fast rapping style.

Things kick off with a couple of new tracks from 2018’s ‘For The Love Of Metal’ album, namely ‘Lies Are A Business’ and ‘Tomorrow’s No Concern’ which are hard and heavy with almost thrash like overtones.

We are soon into the Twisted Sister back catalogue though and the hardest decision must have been which tracks to leave off the set list. ‘You Can’t Stop Rock N Roll’ is an anthem that never grows old and the message is still as true today as it was back in 1984. This is followed up by ‘The Beast’ which is probably not an obvious choice of TS classic but is excellent none the less.

The rest of the album is a great mix of the old and new. ‘Under The Blade’, the third song Dee ever wrote so he tells the crowd, is as potent as ever with its dark underlayer of malevolence bubbling to the surface after which we go on the  march with ‘The Kids Are Back.

‘I Am The Hurricane’ sums Dee up perfectly before ‘Burn In Hell’ takes us down into the depths with superb guitarwork throughout. Dee has managed to assemble a great band around him and the TS tracks are given a new lease of life here.

‘We’re Not Gonna Take It’ and ‘I Wanna Rock’ are both huge singalongs with Dee doing his full ringmaster act, leading the crowd who are mostly happy to scream along on demand and berating those who are too cool to participate, some things never change…

‘For The Love Of Metal’ brings things back up to date and features great twin guitar work and full on riffage. For a bit of fun the guys then throw in a cover of AC/DC’s ‘Highway To Hell’ which is a real crowd pleaser and is preceded by a bit of a dig at Gene Simmonds’ attempt to copyright the ‘devil horn’ hand gesture which is quite amusing.

Another left field Twisted Sister track to feature is ‘The Fire Still Burns’ which has always been one of my favourites and is great to hear here. The live portion of the album is rounded off by ‘Roll Over You’ which is another solo track with a huge riff and great melodies throughout. Things are then brought to a close with an unreleased studio track entitled ‘Prove Me Wrong’ which is another solid chunk of Snider infused metal.

This is a superb album and one which proves that Dee Snider is as commanding and powerful today as he was back in the early eighties when Twisted Sister were taking the world by the scruff of the neck and giving it a shake. Until their final farewell Twisted Sister proved themselves to be the ultimate festival band and this live set proves that Dee has carried on that legacy, the words of ‘You Can’t Stop Rock N Roll’ have never been so relevant.  *****

Review by Dave Wilson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: LEE ABRAHAM – Harmony/Synchronicity

LEE ABRAHAM - Harmony Synchronicity

F2 Music/Festival Music [Release date 04.09.20]

‘Harmony/Synchronicity’ was written and recorded during an intense 8 week period between April and early June 2020, and follows less than a year after Lee’s highly recommended ‘Comatose’ album.

Lee is joined Gerald Mulligan (Credo) on drums and a host of vocalists – Marc Atkinson (Riversea, Moon Halo), Simon Godfrey (Shineback, Tinyfish), Peter Jones (Tiger Moth Tales, Camel), along with Galahad bandmates Mark Spencer and Stu Nicholson.

As the album was written and recorded during the current pandemic the subject matter is timely. The album has an overall bleak feel, although there are shafts of musical light, such as ‘Never Say Never’ is the most instant song on the album. Possible single material, and it has a Marillion sound/feel to it. If that wasn’t enough, a lovely keyboard solo on the outro.

‘The World Is Falling Down’ is replete with heavy riffs and drums – verging into prog metal, even trad metal territory. The aggressive vocal delivery adds further menace to the song that is until you reach the chorus an uplifting, harmony filled delight. Then it is back to the heaviness. A marvellous piece of music, a proepr light and shade song.

Peter Jones puts in a sterling vocal performance on ‘Stay’, one of the stand outs on the album. Lee’s guitar playing is full of emotion on here.

The instrumental ‘Misguided Pt 2’ has a touch of the Pink Floyd in the guitar solo, nicely bookended by more heavy riffs.

Lee Abraham is currently producing some wonderfully enjoyable and challenging progressive music. ‘Harmony/Synchronicity’ continues his recent run of fine albums and comes highly recommended. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BLACK ROSE MAZE

BLACK ROSE MAZE

Frontiers Records [Release date 07.08.20]

Black Rose Maze is Quebecois singer, Rosa Larichiutta. She comes to us via a major Canadian song contest, by way of The Trans Siberian Orchestra. So if you’re immediately imagining rock opera, and you’d be close.

Frontier’s house producer, Alessandro Del Vecchio has a reputation for adopting a one size fits all production style. But here, his icily efficient arrangements, subtracting and adding elements as each song goes past, works very effectively. He has a good ear for fine textural detail.

Explosive opener, ‘In The Dark’ and the rather special ‘Only You’ are full of torqued up guitars, taut, wiry, purposeful, creating edgy melodic hard rock that snarls and clangs before reaching an upward gearshift into a piercing chorus.

It often sounds like Symphonic rock, but shorn of any hint of bombast, with all ballast jettisoned at the studio entrance. And you might like Larichiutta’s lack of ambition to sound new or different. She just wants to sound like a singer with a stunning voice who has something to say.

Dramatic, driving guitars and vaguely unusual song structures follow. On the moodily introspective ‘Let Me Be Me’, you can tell that Rosa’s been absorbing the dynamic vocals of fellow Canadians Ann Wilson and Lee Aaron. And on ‘Free’, a bluesy rock song with only a few metal embellishments, she switches from Rock diva to Nashville cat, undercutting the metal with sweet, soothing country pop artistry.

As you move through the album, you can’t help but notice that the surface of eack song is pockmarked by the scars of heartbreak and disappointment. She sometimes sings like a broken person trying to repel the outside world, or rather someone who’s rebuilt herself, and who is growing stronger by the hour.

The triumphant ‘Look At Me Now’ and ‘You Can’t Stop Me’ are all the proof we need. ***1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Single reviews: JORDAN RED, IZAKMAN, MICHAEL COLTON, JD SIMO

JORDAN RED - Hands That Built The World

JORDAN RED Hands The Built The World

The latest single from Jordan Red is another impressive piece of modern alt rock, with massive riffs and impassioned vocals. The song is mixed and mastered by Romesh Dodangoda, who has worked with Bring Me The Horizon and Bullet For My Valentine amongst others.

The song is about mental health and depression, as guitarist Dan Baker says about the song – ”We wrote this for everyone out there that feels beaten and broken down by the world. ‘Hands That Built The World’ was written during what seemed like an endless struggle with depression. Ultimately, this is a song about survival. It’s about acting with strength when you feel weak and finding power when you’re powerless. When the walls around you feel like they’re closing in, you need to have the belief that you can fight your way out.”

The band are working with mental health organisation called HeartSupport to help fundraise for them, and to help raise awareness of mental health issues.

A strong song with a timely message. Jordan Red are going places as the music they have released to date has all been of a very high standard.

IZAKMAN Cyber Love

Israeli solo artist Izakman (aka Itamar Isaak) has just released this, his first UK single. The psychedelic rock track “was born out of a sense of alienation from the online dating world” says Izakman. “The experience of miscommunication inspired me to explore means to overcoming obstacles in relationships.”

The theme is reflected in the music video, which includes elements of Sign language, Morse and Braille and is well worth a watch, a piece of art in its own right.

Musically the 70’s organ and guitar mix well with a more modern backing. It is certainly accessible, yet different at the same time. Izakman is an artist to keep an eye on.

MICHAEL COLTON Leave The Light On

Michael Colton has released a couple of EPs prior to this new song, which is lifted of a forthcoming EP due later in the year.

‘Leave The Light On’ illustrates the lifelong connection between a father and son that begins with the early rituals of childhood. A touching lyric, helped by Colton’s easy on the ear vocals. Bodes well for the EP and another artist to keep on your ‘listen out for’ list.

JD SIMO Love

‘Love’ is released ahead of his new album ‘JD Simo’ which is out via Crows Feet Records on 21 August.

JD Simo mixes his musical pot of blues, soul and 70s funk to make one heck of a tune. The song focuses on how divisive the US is, and indeed the world, right now and makes for another timely song with a strong message. The guitar on this song is something else, frantic one minute then into a 70’s groove, making for a beguiling listen from beginning to end.

Reviews by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Singles review: DREAMS OF AVALON – Under the Gun & Young Wild Hearts

DREAMS OF AVALON – Under the Gun

Two teaser tracks released over the last month by Joachim (Astral Doors) Nordlund’s Melodic Rock band, Dreams Of Avalon. The full album “Beyond The Dream” is due for release at the end of August, by the Metalville label.

It’s unadulterated Eighties’ Melodic Rock, highly derivative in construction and delivery. You’ll hear strong echoes of Bon Jovi and maybe even Blue Tears in the phrasing and melodies. Nothing wrong with that. If you’re going to ‘borrow’, borrow from the best. You can’t beat a bit of “running like the wind” or “hearts beating like a drum” to get you going. It’s the stuff that filled arenas and sold out lighter shops.

Both tracks have an unstoppable, rolling momentum, with ‘Young Wild Hearts’ evoking the FM Radio tones of Gregg Fulkerson’s ‘Rockin With The Radio’, and the punchier, more orchestrated ‘Under The Gun’ slowly and less deliberately revealing the sonic signature of Astral Doors. We should hope that the merged marriage of AOR and Symphonic Rock on the latter track is emblematic of the album as a whole.

It works, like…er, a dream.  ****

Review by Brian McGowan

Hear them both here and here


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: BLUE OYSTER CULT – 45th Anniversary Live In London

BLUE OYSTER CULT – 45th Anniversary Live In London

Frontiers Records [Release date 07.08.20]

In 2017, to celebrate the 45th anniversary of Blue Oyster Cult’s debut release, a string of dates across Europe – festivals, stand alone headline gigs – was put in place, culminating in this concert at the Stone Free Festival, London. It’s the band’s third live album to be released in 2020, after a 20 year wait since 2002′s “Long Days Night”.

The set has a clutch of the “hits” clamped on at the back end of course – not all fans have been tuned in since 1972 – though in fairness, the vast bulk of their following’s been with them since the album’s exposure on the fledgling MTV channel, in the year of release.

As you would expect nowadays, the gig was recorded and videotaped in 4K UHD. Some high tech recording’s been done on the Audio too. It’s clearly cutting edge stuff. No point in doing one without the other.

To anyone who claims the band are impervious to the evolution of rock culture, this album is the counter argument. The debut, the beginning of the band’s 3 album, black & white years, was jam packed with songs that are tough to decipher.

That inherent sense of mystery was emphasised by the murky, layered, psychedelic arrangements, which aren’t so prevalent tonight. The band went in a heavier direction on subsequent albums, and are now inclined to shift tempo when performing live, maintaining the music’s menacing momentum through the rock solid rhythm section and cranked up guitars.

Still, a great song is a great song, no matter. Fraught with regret, an elongated ‘Then Came The Last Days Of May’. Eric Bloom’s scorched voice allows for the song to sound as bruised and battered as a 45 year old rock song should, with Buck Darma’s solo axework, very detailed, very musical, very emotional, stretching the song to a satisfying ten and a half minutes. The Black Sabbath tribute, ‘Cities On Flame’ still carries an unqenchable, guitar fuelled torch for the liberating, anarchic effect of rock’n'roll, and of course ‘Godzilla’ and ‘…The Reaper’ are here too.

The DVD carrries with it ‘behind the scenes’ bonus video footage. Alway interesting, especially if you’re a card carrying fan. This one is no different.  ****

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: FLYING COLORS – Third Stage Live In London

FLYING COLORS - Third Stage Live In London

Music Theories Recordings [Release date 07.08.20]

Filmed during Flying Colors’ 2019 US and European tour on the 14 December at Shepherd’s Bush Empire on the final night of that tour. They had only played nine shows on the tour, which saw Mike Portnoy stand up mid-set and quip, “Welcome to the rarest of all sightings, rarer than a UFO sighting, rarer than a sasquatch sighting. A Flying Colors sighting, here on stage in London.”

Flying Colors are a prog rock supergroup consisting of guitarist Steve Morse (Deep Purple, Dixie Dregs, ex-Kansas), drummer Mike Portnoy (Winery Dogs, ex-Dream Theater, Transatlantic), keyboardist/vocalist Neal Morse (Transatlantic, ex-Spock’s Beard, and a prolific solo artist in his own right), bassist Dave LaRue (Dixie Dregs), and vocalist and songwriter Casey McPherson (Alpha Rev, The Sea Within).

This the band’s third official live album release, now matching the amount of studio albums they have so far released!

“Oldies” ‘Blue Ocean’ and ‘A Place In Your World’ start things off nicely, before two songs of the band’s 2019 release ‘Third Degree’, namely ‘The Loss Inside’ and ‘More’. The new songs fit seamlessly into the band’s sound and setlist.

The first crowd sing-a-long comes in for ‘Kayla’, one of those pop based tunes the band do so well. Little wonder this song receives such a warm response from the crowd. Similarly the newer song, ‘You Are Not Alone’ – written by Casey McPherson about Hurricane Harvey and the devastating effect it had on his home town of Austin, Texas – looks set to become another fan favourite and live set staple.

The band’s harmony vocals are something else, as Neal Morse and Mike Portnoy combine well with Casey McPherson on the Beatles meets Beach Boys ‘Love Letters’.

The band ‘prog out’ on a trio of epic tunes, ‘Crawl’, ‘Infinite Fire’ and ‘Cosmic Symphony’, allowing each of them to showcase their musical chops, including Steve Morse and Dave LaRue, who is a superlative bass player.

‘Mask Machine’ rounds the set off, a nice and heavy finish to a well-rounded set that featured plenty off the new album.

Available on a variety of formats pretty much essential for fans of the band (I can’t comment on the visuals having only listened to the audio for reviewing purposes), as again Flying Colors prove why they are one of the best live acts around. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: RAVEN – Metal City

RAVEN - Metal City

SPV/Steamhammer [Release date 18.09.20]

Athletic Rock legends Raven, long associated with the New Wave Of British Heavy Metal, issue their new album (their fourteenth) and what a blistering revelation it is too.

While 2015’s Extermination was universally well received, a classic speed metal album, Raven have taken it by the neck and put a firework up the proverbial bum on this one. Long time drummer Joe Hasselvander had been doing a excellent job until ill health forced him to give up the drum stool, and new drummer Mike Heller has helped inject a new fire.

And in front of him there are the two founder members, bassist and vocalist John Gallagher and brother Mark on guitar. They originally formed the band in the mid 70s, and were a major influence on the thrash and speed metal scenes. Anyone who knows their early Neat label material can testify to that.

As loud as ever, the album kicks of with ‘The Power’, which not only features some explosive drumming (think machine gun drumming with rolls and fills, it’s all there) and riffs, moments of bass and guitar interplay, a chromatic scale or two, and high octane feel that gets the heart

‘Top Of The Mountain’ features one of the best guitar solos I’ve heard out of Raven (which is pretty bloody good), and some good vocal harmonies. This song is proof that Raven are a fine tuned racing car running at full throttle, that can and will run on any combination of petrol or diesel.

‘Human Race’ features a couple of pace changes and a key change too, some touches of pure finesse before the raw speed metal come back in at 100MPH. Much of the album is unrelenting, continuing the 40 year lesson in speed metal, but some clever guitar and bass touches (‘Not So Easy’ an example) and some turbo charged energy mean that they are still as good and relevant as ever. ****1/2

Review by Joe Geesin

Joe chatted to John Gallagher about the new album and the band’s future plans…

Good morning John, how are you?

Hey! Doing fine! Over here in Geordieland for the lockdown shenanigans… not much of a party lol

The last album was wonderful, how did you achieve the step up on this one?

The usual way…. hard work and elbow grease! We actually learned a lot from writing the last album as far as … making things count. Sometimes when you write you either have stylistic quirks you may have used before or parts that are placeholders at best… that stuff got eliminated. I wrote maybe 30-40 songs for this project…Mark also had a boatload of great material …. we knew we had a killer album from the get go.

Once Mike came on board the bar was lifted even higher! this is possibly THE best album we have ever done. I mean, for a band that started 46 years ago … to come up with an album like this? It just doesn’t happen. There’s “legacy” bands putting out “ok” albums..trading on past glories… but this is a fucking GREAT album! It’s our “throwing down the gauntlet “ moment…..” this is what WE got…… what have YOU got “?? and really… this is us just getting started!!!

Joe Hasselvander’s health scare must have been a shock to everyone? And how is he now?

He’d had some Heath issues on the last dates we’d played back in Colombia 2016 … but yeah it was a shock…. we had tour dates starting 2 days after his heart attack.. the thought of him having the attack on the road.. ugh.

Luckily he was near a hospital. He’d really wanted to stop touring anyway so in a strange way it’s all worked out well. We had to quickly get a number of guys to fill in…and this guy Mike Heller did 3 shows with us and just.. clicked!

Your new drummer’s fitted in rather well hasn’t he? And added a bit of fire?

Yes indeed! That 1st show, we all talked for maybe 30 min.. no rehearsal..then did the gig – and he NAILED it! ( here we are 3 years later… still not one rehearsal Lol). He’s a younger guy, different influences for sure but that just brings more to the table. His technique is… frightening! He’s really enjoying playing with us as it’s a creative environment and we all love to improvise and it’s a big part of what we do. His enthusiasm and energy are inspiring.

What’s the lyrical inspiration been for the album?

Oh there’s no shortage of topics.. often something close to home like adversity etc. can get dressed up in a different outfit lol… “ The Power” is pretty much that topic meets “ game of thrones”! “ Motorheadin’ is… a Lemmy tribute surprisingly(!) and “ when worlds collide” is planetary armageddon!

The deal with SPV’s been working well hasn’t it?

We’ve known and worked with Olly Hahn at SPV for many, many years and he’s the real deal & loves the band too… a good man to have in our corner.

How have you been coping with the lockdown?

Just working on videos & approving the edits.. writing… doing daily bass videos on Facebook… and now doing lots of press for the album!

Last year’s live album Screaming Murder Death from Above proved that Raven are still a popular live draw and still as energetic Would you agree? Where do you find the energy?

Of course it does! That’s our forte.. playing live. This album was a freak in that we had no idea it was even being recorded until the sound man gave us the files after the show… it captures us in full flight and was the perfect way to introduce Mike to our fans… it’s a great segue into “ Metal City”. The energy? It’s always there! We just live what we do and to us… that’s the way a live rock show HAS to be… full on .. 110%!!!! Every damn show!

What are your plans once Lockdown eases?

We have a European tour booked for February 2021 .. and working on festivals and other tours too!

Your regular Facebook videos seem popular. Is that the future of fan engagement?

Well, it will never replace a live show.. but it’s fun to do and I think, fun for the fans too! I get to stretch out a bit, show people what the bass can really do… from chordal pieces/ cover tunes to full blown freak out solos!

Raven originally formed in 1974; who or what were your influences back then? What covers did you play?

Yes.. back when dinosaurs ruled the earth! Our initial influences were Slade, Status Quo, Sweet.. the heavy end of TOTP ! Then we got into Sabbath, Zep, Purple, Budgie etc and got to see basically every band there was when they played our hometown of Newcastle Upon Tyne.

We gravitated to the faster, heavier stuff… so we’d play “highway star” instead of “ smoke on the water” for example… and that rubbed off into our our original songs.. which we always slipped into the sets from the very start. We cut our teeth playing the pubs and workingmens clubs in the North East.. and that turned us into the rabble rousing entertainers we are!

You were a 4 piece for a while, what changed?

Paul Bowden who was our other guitarist quit.. we tried another guy and it just didn’t work…so we looked at each other and said “ let’s try as just the 3 of us” and never looked back! Each guy has more responsibility… and there’s no safety net.. a lot more real estate sonically to cover… but it’s so much more fun and the creative possibilities are endless .

You seemed to get through a Spinal Tap-esque number of drummers in the early days didn’t you?

Lol not that bad but we had maybe 4 guys from 1974 to 1979…. then Rob Hunter from 1979 to 1987… and Joe Hasselvander from 1987 to 2017…. so the odd case of “ spontaneous combustion” here & there!

Do you prefer playing studio or live?

That would be live…. it’s what we are all about. We do love the studio, the creative process and taking an idea and turning it into a song.. but then playing it live and seeing the reaction from the crowd is just the icing on the cake.

Have you got any funny (and/or disaster) stories from the road?

Too many unprintable ones… and since I never partook in the drugs and drink thing I unfortunately remember most of them! From Lemmy stealing pita bread…. our motor home blowing up on the tour where Metallica opened for us… waking up in time to wake the asleep at the wheel tour manager who was driving across the highway into the woods… being surrounded by Italian paramilitary cops with machine guns…. “don’t shoot!! we are musicians!!! Here! Look in the truck!”… “ oh? You are… musica???? You are … Genesis???….. “ YES! WE ARE GENESIS! LOOK… HE’S PHIL COLLINS!!!!” It’s usually the school trip from hell!

Has Mark made a full recovery from the collapsed wall accident a few years ago?

He still has some knee issues .. he took a bad tumble in Melbourne Australia last year and had to finish the last few dates with a leg brace… but his recovery was truly astounding. At first “ he may not make it”…. the “ he’ll need his legs removed”( to which he said … fuck off!) to “ he will ever walk again”…. 4 years later we were onstage at the Keep It True Festival in Germany! He’s a stubborn Geordie bastard for sure!

Is there much unreleased Raven material in the vaults?

There are a few things here and there… a few things I’d love to track down as we are finally getting our rights to the early stuff back and eventually would love to do the comprehensive “ box set” thing. I found a treasure trove of cassette stuff recently that we are transferring to digital.. and stuff pops up all the time as regards bootlegs, photos and even video!

Who would you most like to play with?

Well Metallica were nice enough to let us open for them a few years ago in São Paulo Brazil in front of 70,000…. and we warmed those buggers up for sure! So more of that please!!! But at this point we just want to be doing what we do best and be playing ..period!

Any message for your fans?

Thank you all for your support over the years… you are going to FLIP when you hear the new album “ Metal City”… and see you in 2021!!!!

After the interview John also confirmed that there is a book in the pipeline.


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: DUKES OF THE ORIENT – Freakshow

DUKES OF THE ORIENT - Freakshow

Frontiers [Release date 07.08.20]

Dukes Of The Orient – vocalist John Payne (ex-Asia, GPS) and keyboardist Erik Norlander (Last In Line, Lana Lane, Rocket Scientists) – return with their second album. Dukes Of The Orient has more of a band feel as Payne and Norlander are joined by guitarist Andy Garcia, Frank Klepacki on drums, and saxophonist, Eric Tewalt.

The album starts off with ‘The Dukes Return’ that mixes in some pomp keyboards and Queen like harmonies. A suitably grandiose start to the album. Next up ‘The Ice Is Thin’ has a real Supertramp feel to it, from the 70’s groove laden keys through to the sax breaks. There is even a vocoder solo!

One thing noticeable is the slightly gruffer vocals from John Payne at times, none more so than on the title track. Quite a heavy track compared to the rest of the album.

‘The Monitors’ is the only song that recalls Asia in sound, Norlander’s keyboards playing (plenty of parping to be had on this song) is impressive on this one, as indeed it is throughout the whole album. The instrumental ‘The Great Brass Steam Engine’ allows Norlander to highlight his keyboards wizardry.

Only ‘The Last Time Traveller’ fails to impress. Neat idea to add spoken word to tale of possible Victorian/steam punk time travel, but the cod Cockney accent grates after a couple of listens. The song seems to seem to be the weakest link on an otherwise strong album.

‘When Ravens Cry’ and ‘Until Then’ are a fine pomp fuelled duo to end the album on. The former features lush harmony vocals, whilst the latter features laid back guitar playing from Andy Garcia, gloriously uplifting.

Norlander and Payne make a strong song writing combo, no second album flop for the Dukes Of Orent, as they serve up an enjoyable mix of prog, pomp and melodic rock. ****

Review by Jason Ritchie


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ARCTIC RAIN – The One

ARCTIC RAIN - The One

Frontiers [Release date 07.08.20]

Arctic Rain’s music is gloriously reminiscent of the melodic rock genre’s more hypnotic moments. On most tracks, you can tell that they have been thumbing through a dog eared copy of the Eighties’ AOR Blueprint. Doesn’t make them bad people of course.

Many, many bands have since got into bed with the same successful formula, but “The One” is a triumph of pastiche over parody, of passion over plagiarism. It’s all down to the calibre of the songwriting and the band’s studio execution of course. And that’s where Arctic Rain is head and shoulders above most of its melodic rock contemporaries.

You can hear clear echoes of Treat and HEAT running through highly derivative AOR of ‘Lift Me Up’ and ‘Love Of My Life’ which opens the “The One”. But the album unquestionably pivots around the second track, ‘Lost’.

It’s full throated stuff, given real weight by an upwardly mobile chorus that races to crescendo, like a pumped up Survivor, (main songwriter Alpenborg worked with Jim Peterik collaborator, Toby Hitchcock, as well as Kee Marcello and Denis Ward).

Vocalist Tobias Jonsson projects the same vocal magnetism, fuelled by the same relentless energy as that of the late Jimi Jamison. It’s a quality you can hear on other AOR gems that adorn the album’s coat of many melodic rock colours…’Friends’ and ‘Free My Mind’ are particularly notable for their vertiginous, heartlifting hooks, and the fact that they mix a variety of influences while still sounding fresh and new.

Elsewhere, the picks would be the polished, big sounding ‘Night After Night’, a finely filigreed ballad, and ‘The One’, where the compact drama opens out onto a huge musical landscape, in the manner of Unruly Child.

No question, Arctic Rain’s debut is a truly magnificent listen. ****1/2

Review by Brian McGowan


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ALAN HULL – Alright On The Night (Live At Clifton Poly 1975)

ALAN HULL - Alright On The Night (Live At Clifton Poly 1975)

Singsong Music [Release date 18.05.20]

This digital reissue from Singsong Music features an Alan Hull solo concert, originally recorded for Radio Trent at Nottingham’s Clifton Poly on 17th November 1975. It has been mastered from the original tapes and sounds as fresh as the day it was recorded. Hully is in fine form and entertains the appreciative crowd with a mixture of Lindisfarne and solo material. It’s an intimate show and there’s plenty of interaction with the audience.

At the time, Alan was without a record deal following the demise of the Mk II line-up of Lindisfarne. He took to the road for a number of solo shows and this particular one finds him playing a mixture of acoustic guitar and piano. From 1973′s debut solo album “Pipedream” came ‘Breakfast’ and ‘Money Game’, while the more recent “Squire” was represented by the title track, ‘Dan The Plan’ and ‘One More Bottle Of Wine’.

The only song from the Mk II album “Happy Daze” was ‘Gin & Tonix All Round’, while Lindisfarne Mk I was revisited with ‘Alright On The Night’, ‘City Song’, ‘Fog On The Tyne’, ‘January Song’, ‘Lady Eleanor’, ‘We Can Swing Together’ and ‘Winter Song’.

There’s also a short, hitherto unknown instrumental piano piece about, in Alan’s words, “a very cheeky mouse that used to steal cheese”!

This superb recording is highly recommended to any fans of Alan Hull and Lindisfarne – easily the best Hully live recording (in terms of both performance and sound quality) that has been released to date. ****

Review by Jim Henderson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JOE BONAMASSA – A New Day Now (20th Anniversary Edition)

Joe Bonamassa - A New Day Now

Provogue [Release date 07.08.20]

While it’s hard not to be sceptical about a project like this –  Joe Bonamassa’s relentless marketing campaign has now come full circle with this special 20th anniversary release – this remixed and re-recorded version of his milestone breakthrough album still sounds a fresh and vibrant rock-blues album, though not so the 3 bonus tracks which are out of sync with the project as a whole.

Given the original album was released about 6 times – the European breakthrough didn’t actually happen until 2005 – plus a supporting live album, there’s clearly a feeling that it’s still got some legs to warrant further exploration.

The remixed album comes with an honourable mention of the late original producer Tom Dowd, except of course with the exception of the bonus tracks, this is now a Kevin Shirley baby.

Hence the focused aggression that originally facilitated Bonamassa’s career ascent from being a high energy player – evidenced here by the frenetic cover of Rory Gallagher’s ‘Cradle Rock’ – to a more considered approach which pays attention to the arrangements, the tonal quality of his solos and the breath control of his vocals.

This is particularly so on the tough rocking ‘Headache to Heartbreak’, on which his vocals benefit from a clarity of diction and fluency.

But there’s the rub, you could argue that JB made his initial impact through the very restless, boisterous rocking style that he now seeks to smooth out.

That’s not to say the new project doesn’t pay dividends. Listen for example, to the funky fusion feel of ‘I Know Where I Belong’ on which his quavering guitar tone is underpinned by the original muscular rhythm section of Tony Cintron on drums and bassist Creamo Liss who rumble, groove and bliss out as the song demands.

No, the thing that originally made this album special in the first place was the way Bonamassa infused Brit rock blues staples such as the Ian Anderson penned Jethro Tull title track and Free’s ‘Walk In My Shadow’ with a fresh vitality and energy. Years later, he’s refined his original approach without losing the raison d’etre for the album’s original success.

Everything is viewed through more experienced eyes and maybe with a little more feel, in which he pays attention to detail, rather than simply leaning into solo after solo.

That said, he applies a sledgehammer approach to the title track, and dare I say it, his vocal isn’t quite up to the job, as he has to work hard to rise above a heavy-duty rhythm section.

My problem with this version, is that it sidelines the tension and focus of the original song, which derived its musical value from the exclamatory title, and the notion of moving on.

But what are we to make of an artist 20 years the wiser and with unparalleled success behind him, as he revisits his breakthrough album?

Well they say you should never go back, but Bonamassa has the vision, the chops and in Kevin Shirley, a producer who always brings out the best out of him.

Along with the bluster and frisson of his version of Al Cooper’s ‘Nuthin’ I Wouldn’t Do (For a Woman Like You)’ and the emotional weight he brings to bear on Warren Haynes’ “If Heartaches Were Nickels”, it’s the fact his own songs fit the album so well, and still sound strong 2 decades on,  that gives this album its enduring break though status.

Years later we hear the germs of some of the ideas that would later define the artist.

If ‘I Know Where I Belong’ sets things up nicely, then the soulful ‘Miss You, Hate You’ still has that subliminal southern rock feel, and ‘Colour and Shape’ is the perfect title to evoke his lightness of touch, underpinned by a treacle like bass line and crisp percussion.

Everything comes together on the riff heavy ‘Current Situation’, into which he pours everything into his playing.

And for the die-hard fans who have already ordered the album, there’s 3 Steven Van Zant co-writes and co-produced bonus tracks.

In truth, it’s a curious way to end a retro project like this, in as much as the production is completely different to the rest of the album, as are the vocals.

There’s the dirgy opening and faux Zeppelin feel of ‘Hey Mona’ leading to a sinewy guitar break.

Then there’s a left field reading of Dylan’s ‘I Want You,’ which sounds like a homage to the CBGB New Wave era and doesn’t really work, while the closing ‘Line Of Denial, could almost be Black County Communion and you could imagine Glenn Hughes singing this.

However, it’s a bit ponderous, highlighted by the sudden tempo change and eventually overstays its welcome before a perfunctory ending.

But hey, you’ve got to speculate to accumulate and 20 years on from his breakthough album, Joe Bonamassa is still trying new things, amen to that. ***½ 

Review by Pete Feenstra


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: ROD CLEMENTS – Stamping Ground

ROD CLEMENTS – Stamping Ground

Singsong Music [Release date 28.08.20]

To mark the 20th anniversary of Lindisfarne founder member Rod Clements’s solo album “Stamping Ground”, Singsong Music are making it available again on digital platforms.

The album is entirely self-penned (or co-written) and begins with the laidback mellow vibe of the title track, on which Rod Clements plays dobro and sings in a hushed and relaxed tone.

‘Whisky Highway’ starts in a similar vein with just vocal & acoustic guitar, but grows into a blistering tour de force rocker when the electric guitars (Rod, Dave Hull-Denholm and Nigel Stonier) kick in, backed by a solid rhythm section. This track really packs a punch as does the rollicking ‘Whole Lifestyle Thing’, a real feature of which is Rod’s exuberant electric slide guitar playing.

He picks the dobro back up for the slow blues groove of ‘Blue Interior’ which is perfectly suited to his voice. There’s an impressive coupling in the middle of the album; the haunting and evocative acoustic number ‘Charity Main’, and the equally atmospheric ‘Roads Of East Northumberland’ which features Kathryn Tickell on Northumbrian pipes.

Ian Thomson’s bass is high in the mix and drives along the funky blues of ‘Black Rain’, which has Rod on electric guitar, harmonica from Fraser Spiers, the Hammond organ of Steve Millington and Paul Burgess on drums. Rod is accompanied on vocals in an effective way by Thea Gilmore, who also duets on the gentle ballad ‘We Have To Talk’.

The melodic ‘One More Night With You’ has a Bob Dylan feel and is notable for an assured vocal and more lovely dobro from Rod, some great vocal harmonies, Nigel on harmonium, and inventive acoustic picking and strumming by Rod and Dave.

The acoustic ‘Cowboy In The Rain’ was written about Gene Clark of The Byrds, so it’s quite apt that noted Byrds freak Sid Griffin (Long Ryders / Coal Porters) appears on autoharp & shaker. The bluesy closer ‘Old Blue Goose’ celebrates the life & times of Oscar Woods and contains more terrific slide.

“Stamping Ground” is varied in style, nicely sequenced, and a fine effort well worthy of investigation. ****

Review by Jim Henderson


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


Recent (last 30 days)


Album review: JOSH TURNER – Country State Of Mind

JOSH TURNER - Country State Of Mind

Snakefarm Records [Release date 21.08.20]

In the world of country music, an album of duets is definitely not a lonesome trail! Nor in fact is an album of country standards – in fact they are well worn trails. However, that’s not to say they’re not good. They can even sometimes be great – for example Willie Nelson’s famous IRS “tax” album ‘Across the Borderline” ranks among his greatest ever work! This one really hits the spot. I like Josh Turner, but have always felt his work is a little “mainstream country” for my tastes, but I have to say – yes this one hits the spot!

Josh Turner is an artist with a multi-platinum background. His first two albums spawned four Country Number One singles, propelling him to immediate success. He is the winner of several CMA Awards and won both the song of the year and the single of the year for “Would You Go With Me?”

However, here his choice of “hero’s” and duet partners is exemplary, for example trading licks with Florida legend John Anderson on the latter’s hit “I’ve Got it Made”. Even the songs he sings as solo standards, without a duet partner are dripping in good taste, and include Hank Williams’ “Alone and Forsaken”, Johnny Cash’s “Caretaker” and Hank Junior’s “Country State of Mind”. Alan Jackson’s classic “Midnight in Montgomery”, itself a tribute to Hank Williams is also given a very credible workout. Oh, and the title song to the “Dukes of Hazard” – we’ll forgive that !

Actually, “Midnight in Montgomery” suits Josh Turner down to the ground and is a great cut – a very good showcase for the album

Special mention, though should go to another true legend, Randy Travis – with a rendition here of his classic hit “For Ever and Ever, Amen” which actually marks his first recording session since a debilitating stroke in 2013.

If all this were not enough, Turner combines with 2019 newcomers and superstars in the making “Runaway June”, and likewise “Maddie and Tae”.

Excellent taste and choice not to mention execution throughout, from the best newcomers on the country scene to bona fide legends – a very good album. ****

Review by Iain McGonigal


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

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Recent (last 30 days)


Book review: On track…THE WHO (Every album, every song) – Geoffrey Feakes

On track...THE WHO (Every album, every song) - Geoffrey Feakes

Sonicbond Publishing [Publication date 17.08.20]

One of the good things about any book like this, it encourages you to either dig out old vinyl or notice that you’ve missed something.

In the case of The Who they released their latest album as recently as 2019 and it was well received.  We don’t get sent everything at GRTR! and evidently are not in Universal’s good books.

Geoffrey Feakes is well positioned to wax lyrical on a band he grew up with, fantasising that he could have been pushed in a pram alongside Roger Daltrey as they lived in the same area of London and are the same ages.

He follows the band’s progress from the sixties when they changed their name from Johnny Devlin and The Detours and provides a brief biography of each original band member before the usual album/song breakdown.

The Who summed up the more rebellious nature of the “swinging sixties” and were adopted by The Mods with a lineage that has stretched to contemporary artists like Paul Weller via The Jam and Eddie & The Hot Rods.

The only Who album I ever bought was The Who Sell Out (1967).  As someone interested in radio I liked the segues featuring the pirate Radio London jingles and commercials.  But the music summed up that year in terms of airplay, not least ‘I Can See For Miles’ which Feakes confirms is one of his own favourites.

And one of my own favourite tracks, ‘Eminence Front’ (from the 1982 album It’s Hard), has remained regularly in their setlist more recently.  It’s a little bit uncharacteristic maybe but one helluva groove.

It’s this diversity that has kept the band fresh for over 50 years.  And, returning to the latest release, as Feakes confirms “There was general consensus that this was the best Who album since the 1970s”.

But let’s remember also that the band didn’t make an album for nearly 25 years, from 1982 to 2006.

What you do reflect on, reading a book like this, it’s unlikely we’ll see their likes again in the sense that they had 16 Top 50 singles before 1971 and many are still familiar.  This was a great way of establishing the band.

Any new rock band would find that record difficult if not impossible with today’s fragmented media and streaming. And, sadly, with the current pandemic.  The Who grew up at a time when there was national radio exposure (including the pirate radio stations) and TV (Top of the Pops).

An appearance at Woodstock (1969), the Isle of Wight Festival (1970) and the success of their early “rock opera” Tommy (more specifically a “concept album”) consolidated their reputation and provided breakthrough.

Feakes adds the soundtracks, live albums and a useful video survey to his narrative.

The band had already amassed a couple of hundred hours of live recording when they decided to play Leeds Uni and Hull City Hall specifically for a live album in 1970.

The original release (generally regarded as a classic) was affected by an electrical crackling noise which was later removed on subsequent reissues.  Feakes doesn’t mention the digital cleansing and you are more likely to get the full story by trawling around the web.

The 40th anniversary edition of ‘Live At Leeds’ featured the full unedited versions of both gigs, restoring Entwistle’s bass which due to another technical fault was partially missing from the Hull recording.

Navel-gazing aside, a good introduction to an enduring band.  ***1/2

Review by David Randall


Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions,

Check out videos here: https://www.facebook.com/getreadytorockradio




David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast 26 April 2026.


UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). First broadcast on 21 April 2026

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen live or listen again to shows via the presenter pages: getreadytorockradio.com


Power Plays w/c 25 May 2026

BABY JANE Midnight Highway (Sped Up) (indie)
ASTRAL ROCKS The Flame In Me (Astral Rocks Prodns.)
INDIGO SYNDICATE dwn4smr (indie)
THE SKBS The Prying Eye (indie)
AGAINST THE CURRENT Dead Man Walking (indie)
ICONIC Tears Keep On Falling (Frontiers)

Featured Albums w/c 25 May 2026

09:00-12:00 The Best of 2003 – 2025 (Melodic Rock)
12:00-13:00 The Best of 2003 – 2025 (Melodic Hard Rock)
14:00-16:00 The Best of 2003 – 2025 (Singer Songwriter)


Our occasional Newsletter signposts latest additions to the website(s). We also include a selection of recent top albums, based on GRTR! reviewer ratings.  The newsletter is sent out a few times a year.

If you’d like to register to receive this occasional mailing please complete the form:

If using a smartphone/tablet please tap here or re-orientate your device

(Note that this registration is separate from site registration which allows you to leave comments and receive daily emails about new content. If you wish to register for this – in addition or separately – please click or tap here – for more information – the form is at the foot of each page. Please read our privacy policy when opting-in to receive emails.


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