Tigermoth Records [Release date 21.07.14]
I don’t get this. Robert Reed (erstwhile Magenta man and architect of the stupendous Kompendium last year) ploughing a furrow that was well tilled by Mike Oldfield forty years ago and even using his collaborators Tom Newman and Simon Heyworth.
Robert Reed makes no secret of his indebtedness to the great Mike, inspiring him as a child to take up music more seriously. And he says that whilst this album takes its cue from Tubular Bells (a similar feat of musical prowess but this time Reed plays all instruments) he has also used voices for emotional impact, the so-called “wordless choir”. But even that was a feature of Oldfield’s original.
However, the real feature (and weakness) is that Reed plays cod-Oldfield guitar, with that characteristic thin tone and folksy inflection throughout. Now if like me you were never that impressed with this guitar sound – which to his credit Oldfield modified over the years – you will find it all gets a little tedious.
The album is structured very much like Tubular Bells and the listener will almost certainly have a checklist of similarities ticking off in their head as they go along. All that appears to be missing is the familiar 15/8 time motif and Viv Stanshall coming in at the end of side one to shout “Plus… Mike Oldfield’s lawyers”.
This album is a significant personal achievement for Reed. He is a brilliant composer but surely his talents are better utilised in Magenta or another Kompendium or in something more original?
I am sure that the prog press will salivate all over this and we’re not even privy to the 5.1 surround mix. As a tribute to Oldfield’s masterwork it is certainly impressive and Reed seems to have mastered a variety of instruments with almost missionary zeal.
It seems to me that Oldfield, whilst trailblazing in 1973, has dined out on his Magnum Opus ever since. Reed’s album is a clever reinvention but I can’t see the same longevity, novelty or, indeed, the point of it all. ***
Review by David Randall
David Randall presents ‘Assume The Position’ on Get Ready to ROCK! Radio every Sunday at 22:00 GMT.
Featured Artist: JOSH TAERK
Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.
Next session: Sunday 1 December
Check out videos here: https://www.facebook.com/getreadytorockradio
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 20 October 2024.
UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 22 October 2024.
How to Listen Live?
Click the programming image at the top of the page (top right of page if using desktop)
Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”
Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.
More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com
Power Plays w/c 28 October 2024
THE RASMUS Rest In Pieces (Better Noise Music)
THE PLAGUE What Else Can I Do (FiXT)
STAR CIRCUS Turn The Tide (indie)
DEFENCES Breathe It In (Long Branch Records)
Featured Albums w/c 28 October 2024
09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)