Originally planned as an acoustic ‘retrospective’, the sessions for Panic Room’s fifth studio album metamorphosised with Dave Foster (Steve Rothery Band, Mr So & So) joining the band. An infectious spirit, it was never likely that he was going to be parted for long from his electric guitars.
In fact, Foster’s fresh infusion of blood results in Essence sounding more like evolution than reflection, with past songs deconstructed and their core elements re-engineered. And while it’s currently only available from the band’s website and at gigs, Essence shouldn’t be considered a ‘for fans’ only release (although it was sort of conceived that way).
It’s as relevant as any of Panic Room’s previous releases and, I suspect, is a strong signpost to their future direction.
Opening with ‘Promises’ – one on the strongest songs on Skin, the track is allowed to space to breathe with Jonathan Edwards’ piano and Anne-Marie Helder’s breathy vocals given prominence, moving through an understated acoustic guitar, flute, and percussion mid-section, before closing out with an eruption of exquisite lead guitar lines courtesy of Foster.
In many ways it sets a template for much of Essence – ‘I Am A Cat’ – one of the band’s more ‘characterful’ numbers off Satellite is given a more conventional outing, ‘Songs For Tomorrow’ gets a gentle bossa nova treatment with Spanish guitars,’ Rain & Tears & Burgundy’ – a new number – is a timeless ballad with some beautiful acoustic lines, and Helder is irresistible throughout.
‘Apocalypstick”s Eastern overtones are reinvented as mischievous piano and throbbing bass lines, climaxing in an explosive finale where the juxtaposition of Edwards dancing finger work and Foster’s incendiary lead guitar breaks equal the intensity of Marillion’s ‘Gaza’.
’5th Amendment’ – a Panic Room live staple – is given a tender work out, but it is the inventive re-workings of ‘Screens’ which catches the ear – starting with a funk bass line, it builds with some choppy acoustic and percussion lines, Helder’s diva vocals angelic and near perfection, and inclusion of some funked up piano and electric guitar work, inspired.
‘Moon On The Water’ gets a fairly ‘straight’ rendition with some nice acoustic and flute work, while ‘Denial’ – a new number – with its bluesy electric guitar lines, and Helder’s smouldering and swooping vocals – that build to something of a dreamy and ‘orgasmic’ finale – looks set to become an audience favourite.
‘Black Noise’ – one of the band’s heavier numbers is reinvented reggae style with a stupendous Stranglers ‘Peaches’ style bass line courtesy of Yatim Halimi. Having witnessed this played live it’s a monumental version, with Foster once again getting the opportunity to demonstrate his dexterity on lead guitar.
On ‘Firefly’, Edwards fingers dance across the ivory literally like fireflies in a quite gorgeous rendition – Kate Bush-style with Foster, for once, keeping his electric guitar under wraps in favour of some neat acoustic work. ‘Satellite’ too, is given a fairly straight run out, with the exception of Foster’s distinctive closing guitar lines which add a new dimension to the Panic Room sound.
It seems unfair that bassist Halimi, and drummer Gavin Griffiths don’t perhaps get the recognition they deserve. But when you’ve got a strike force to equal that of Neymar, Messi, and Suarez, (yes, Edwards, Helder and Foster are that good) it’s inevitable who’s going to get the most plaudits.
I can’t help but feel that when guitarist Paul Davies left unexpectedly in 2013, Panic Room stood at a crossroads and looked into the abyss. With Foster on board they look, frankly, unstoppable. An essential purchase for those who already appreciate the band, and for those yet to explore their many delights, Essence is the perfect starting point. *****
Review by Pete Whalley
Featured Artist: JOSH TAERK
Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.
Next session: Sunday 1 December
Check out videos here: https://www.facebook.com/getreadytorockradio
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 November 2024.
UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 29 October 2024.
How to Listen Live?
Click the programming image at the top of the page (top right of page if using desktop)
Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”
Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.
More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com
Power Plays w/c 11 November 2024
ARCANE MOON Hello Sun (indie)
S8NT ELEKTRIC XTC (Long Branch Records)
ARCANA KINGS Here We Go (Curtain Call Records)
KLOGR face The Unknown (Zeta Factory)
BEYOND UNBROKEN Dance With The Dead (FiXT)
REVENGIN Decadent Feeling (Wormholedeath)
Featured Albums w/c 11 November 2024
09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)
PDF - you can delete unwanted sections
