Album review: HEAVEN – Where Angels Fear To Tread

HEAVEN - Where Angels Fear To Tread

Rock Candy Records [Release date 09.10.20]

Australia’s tough as teak rock bands. There were four: AC/DC, The Angels, Cold Chisel and Rose Tattoo.

But there was also a fifth…Heaven.

They had formed in 1980′s Sydney. The band’s vocalist, Scottish born Allan Fryer, had been tipped to replace Bon Scott. Their manager, Michael Browning, once managed AC/DC. They couldn’t go wrong, except the breakthrough never happened.

In 1980, Browning had taken the band to the US to tour and to record this, their second album, “Where Angels Fear To Tread”. Glenn Hughes and Ronnie James Dio added to the backing vocals. And in the band’s menacing, stalking, hard rock rock songs, you can detect trace elements of Black Sabbath going back to their “Heaven And Hell’ album. Quite conceivably, that’s where Heaven got their name.

The songs are all so tight and punchy. Guitarists Kelly’s and Cocks’ remarkably lean yet eminently anthemic axework jointly soar above a piston pumping groove on track after track. ‘Madness’, ‘Rock School’ and ‘Hard Life’ leap off the page.

Fryer’s voice, somewhere between Feargal Sharkey’s tremulous tenor and Bon Scott’s gravelly edge, has the perfect hard rock heft and weight for sensory assaulting songs like ‘Where Angels Fear To Tread’, the track, and the muscular ‘Scream For Me’, but is equally effective on the the more considered tones of Supremes’ cover, ‘Love Child’ and the deliberately unconvincing sentiments of ‘Don’t Mean Nothin’.

The original album hit the US Rock charts a glancing blow. Then disappeared. A third album ‘Knocking On Heaven’s Door’ (1985) disappeared without trace, despite what is probably the pre eminent recording of the Dylan classic.

On this reissue, Rock Candy’s remastering techs have again excelled themselves, bringing up the dynamics that were just waiting in producer George (Kiss/Lita Ford/Mellencamp ) Tutko’s original mix for rediscovery.

And the beefed up artwork, an entertaining essay and some new interviews do the album the justice it deserves.

Review by Brian McGowan

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Power Plays w/c 9 December 2024

In this sequence we play ‘The Best of 2024′ GRTR! reviewer selections

Featured Albums w/c 9 December 2024

09:00-12:00 The Best of 2024 (Melodic Rock)
12:00-13:00 The Best of 2003-2024 (Melodic Hard Rock)
14:00-16:00 The Best of 2024 (Singer Songwriter)