A packed out New Theatre were eagerly awaiting Squeeze, however before the main event we had Heaven 17, a band who had plenty of chart success in the early-mid 80’s. Still featuring two thirds of the original line-up in vocalist Glenn Gregory and Martyn Ware (synths, vocals), they played a lively hit filled set. Glenn Gregory was great at getting the crowd joining in on ‘Crushed By the Wheels of Industry’ and ‘(We Don’t Need This) Fascist Groove Thang’.

Martyn Ware, resplendent in a shiny suit and looking more like an insurance salesman than 80’s pop star, came from behind his synth to duet with Gregory on ‘You’ve Lost That Lovin’ Feelin’. As Gregory explained this was the Heaven 17 tribute to the Human League version of the Righteous Brothers classic. It worked well, with both Ware and Gregory seeming to be enjoying the moment, as were the audience.

Personally ‘Penthouse and Pavement’ was a bit too dance orientated, however set closer ‘Temptation’ is a show stopping tune if ever there was one, with Gregory again lively as a Duracell bunny and vying to be heard at times over the two enthusiastic female backing singers.

Very impressive set by Heaven 17 who I certainly wouldn’t mind seeing again performing live.

Squeeze are at the start of a large UK tour billed as ‘The Difford and Tilbrook Songbook Tour 2019’, with the band introduced on a big screen behind the stage. Each band member is handing out an ice cream from a Rossi ice cream van (possibly a nod towards Status Quo’s Francis Rossi whose dad ran an ice cream business).

Starting off with ‘Footprints’, the band hardly pause for breath throughout much of the evening as they cram in as many of the classic Difford and Tilbrook songs as they can. The setlist was chosen by Difford and Tilbrook and included one song from their collaboration outside of Squeeze, ‘Love’s Crashing Waves’.

It shows the strength and depth of their collective songbook that they can play crowd pleasers ‘Pulling Mussels (From the Shell)’ and ‘Up the Junction’ so early on in the set. The sound was a tad bass heavy at times and did drown out the singing and the pedal steel guitar playing of Melvin Duffy at times.

Mid set we get a few rarely played songs like ‘King George Street’, plus the title track from 2015’s album ‘Cradle to the Grave’. Good to see their last album, the rather good ‘The Knowledge’, represented by ‘Please Be Upstanding’, a song about erectile dysfunction, which despite its delicate subject matter for some, features another blissful pop chorus.

The final third of the set sees the band go into full classics mode with ‘Slap and Tickle’, ‘Labelled With Love’, ‘Tempted’ (stripped back somewhat to start with featuring just Difford and Tilbrook on the stage), ‘Cool for Cats’ (cue lots of dad dancing which was impeded by the seating in many cases), ‘Annie Get Your Gun’ and ‘Goodbye Girl’. Not many bands have such a fine canon of songs and all of them featuring memorable choruses and hooks. A rollicking ‘Another Nail in My Heart’ closed the set off as the band left the stage to rapturous applause.

For an encore we had ‘Take Me I’m Yours’ and an extended ‘Black Coffee in Bed’ which allowed Glenn Tilbrook to introduce the band and allow each band member a little solo spot. One definite plus for the band is drummer Simon Hanson who keeps a steady beat and seems to be having a great time behind his kit. Also mention to percussionist Steve Smith who played with a manic flair throughput the set and like Hanson, seemed to be having a good a time as the audience undoubtedly were.

Squeeze define what classic British pop rock is all about and live Difford and Tilbrook still give it their all playing their classic songbook. Legends gets overused a lot in the music world, however that applies to Difford and Tilbrook/Squeeze. Get along to one of the remaining dates of the tour for a fine night of live musical entertainment.

Review by Jason Ritchie

October

Sat 26 Brighton Centre

Sun 27 Southend Cliffs Pavilion

Tue 29 London Royal Albert Hall

Wed 30 Bath Forum

November

Fri 01 Hull City Hall

Sat 02 Liverpool Philharmonic

Sun 03 Salford The Lowry

Tue 05 Northampton Derngate

Wed 06 Guildford G Live

Fri 08 Indigo at The O2

Sat 09 Nottingham Royal Concert Hall

Mon 11 Bournemouth Pavilion

Tue 12 Cambridge Corn Exchange

Wed 13 Cardiff St David’s Hall

Fri 15 Llandudno Venue Cymru

Sat 16 Harrogate Convention Centre

Sun 17 Reading Hexagon

Tue 19 Folkestone Leas Cliff Hall

Wed 20 Ipswich Regent

Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Next session: Sunday 1 December

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David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 3 November 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 29 October 2024.

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Power Plays w/c 11 November 2024

ARCANE MOON Hello Sun (indie)
S8NT ELEKTRIC XTC (Long Branch Records)
ARCANA KINGS Here We Go (Curtain Call Records)
KLOGR face The Unknown (Zeta Factory)
BEYOND UNBROKEN Dance With The Dead (FiXT)
REVENGIN Decadent Feeling (Wormholedeath)

Featured Albums w/c 11 November 2024

09:00-12:00 The Best of 2003-2023 (Melodic Rock)
12:00-13:00 The Best of 2003-2023 (Melodic Hard Rock)
14:00-16:00 The Best of 2003-2023 (Singer Songwriter)