Atom Records [Release date 29.07.16]
One of the most extensive PR packs that I’ve seen accompanies this release – it looks more like an upmarket property purchase pack than a band/album synopsis. Although listings for the last three years of every gig the band have played, every interview they’ve done, and every airplay does seem a little OTT.
But then the 1980s were an OTT period, and Cornerstone – a female fronted four-piece from Austria – unashamedly model themselves on that golden era of adult orientated – FM radio friendly – rock.
They have the sound of the period – epitomised by Steve Wachelhofer’s crunchy Kenny Loggins’ Danger Zone style of guitar playing – absolutely ‘nailed’ on the opener ‘Nothing To Lose’ – and it’s nice to hear the era revitalised with such panache. Co-songwriter, brother Michael also has the bass sound deployed by Trevor Horn for bands like ABC, Frankie Goes To Hollywood and Spandau Ballet down to a tee on numbers like ‘True Confessions’.
From the opening strains you’re immediately transported back to the sound of bands like Quarterflash – who although never dominating the charts/airwaves – typified all that was good about the genre. There’s also the almost obligatory inclusion of some period sax on the dreamy ‘Last Night’.
Signed to the US-based Atom Records label, each of their two previous releases – Head Over Heels (2008) and Somewhere In America (2011) – has featured a different female vocalist. The latest holder of the role – Alina Peter – doesn’t wholly convince either – her diction, at times, making the lyrics of some great hooks, choruses, and pre-choruses, almost impenetrable without a lyric sheet at hand.
There’s some evidence that the band have found it difficult to break out in their own right, with their biggest audiences being when they’ve played support to some of the mainstays of the era. And with some of those classic acts finding it difficult to attract audiences outside of three or four-way package tours, I suspect Cornerstone – despite some great songwriting, playing, and production – are likely to remain a relatively well-kept secret. ***
Review by Pete Whalley
UK tour dates (Summer 2016)
Jul 28 Northampton, The King Billy
Jul 29 Boston, The Axe & Cleaver
[Support: I GOT SPIDERS]
Jul 30 Hull The Saltshouse Tavern
Jul 31 Newark-on-Trent, The Flying Circus
Aug 02 Wakefield, The Snooty Fox
Aug 03 Garforth, Lord Gascoigne
Aug 04 Grimsby, Yardbirds Rock Club
Aug 05 Barrow-in-Furness, The Derby Hotel & Music Bar
Aug 06 Hull, Sutton Fields
The latest Facebook Live session from Canadian singer-songwriter Josh Taerk was streamed on Sunday 22 November.
More about Josh: http://getreadytorock.me.uk/blog/?s=%22Josh+Taerk%22
David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 BST (GMT+1, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. This show was first broadcast on 15 November 2020.
UK Blues Broadcaster of the Year (2020) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 ( BST, GMT+1) as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 17 November 2020
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Featured Albums w/c 23 November (Mon-Fri)
09:00-12:00 JEFF SCOTT SOTO Wide Awake (In My Dreamland) (Frontiers)
12:00-13:00 LAZARUS DREAM Alive (Pride & Joy Music)
14:00-16:00 RONAN FURLONG The King Of Leaves (Thoroughbred Music)
Power Plays w/c 23 November (Mon-Fri)
L.A. GUNS All That You Are (Golden Robot Records)
THE DUST CODA Limbo Man (Earache)
EBBA BERGKVIST & THE FLAT TIRE BAND 68 Twin (indie)
IRON SAVIOR Souleater (AFM Records)
IVY GOLD This Is My Time (indie)
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