Gig review: ERIC JOHNSON – Shepherd’s Bush Empire, London, 3 April 2013

An Eric Johnson gig is a bit like stumbling on a secret society. He surreptitiously slunk on to the Empire stage to fill the venue with a rush of notes and an array of magical tones to restore the faith of his disciples, before leaving almost as quietly as he’d arrived.

The demographics of his crowd encouragingly suggested that he’s got a new generation of fans drawn in by his intricately woven guitar shapes. And much like Eric, they seemed impervious to the cavernous surroundings curiously at odds with music that demands intimacy.

Indeed, from the moment the sound crew missed half of Johnson’s brief introduction, to his subsequent hurried announcements, it was obvious this was going to be an evening when the guitarist was going to let this axe do the talking. And so it proved, as Eric delighted us with beautiful ascending woven solos and a velvet touch and tone over some tightly compressed interplay with his road hardened trio.

On several occasions he suckered us in with an aching tone and an understated dynamic, before suddenly taking off with an angular solo and a change of tempo, with little regard for what had gone before.

Johnson is a guitarist who immerses himself in the moment. His spider web noodling on ‘Battles We Have Won’ was a mixture of staggering technique and focus, but rather than break the tension and connect with his crowd, he was happy to let the fusiony piece float rather than evolve. At times he almost teetered on the brink of being crushed by the weight of expectation. Perhaps he was just lost in the moment, fleetingly detached from the arrangement, as his unfettered and exhilarating solos incrementally sought out new levels of intensity.

‘Zenland’ was full of restless dynamics and sudden spirals of notes, played with a weepy tone and carved with cut-glass precision over a rock solid rhythmic support. The autobiographical ‘Austin’ and the welcome balledic space of ‘FourMileTown’ provided his most accessible, melodic and meditative moments.

At this point, the show could have done with an anecdote or anything to break the tension, but as ever Eric let his guitar do the talking on the fluid fusion of ‘Fat Daddy’, full of stop-start dynamics, lightning runs and a vaguely eastern tone. Better still, was the jammed out version of ‘Last House On The Block,’ which opened with a heavier riff and featured some spacey phrasing, delicate harmonics, and a Hawaiian tone. Eric seemed truly in his element, mixing exciting improvisation and a dazzling technique with a Technicolor flash of guitar tones.

We could probably have done without the drum solo on the bebop feel of ‘Mr. JC’, and though the band did swing, the way they clustered together had the curious effect of almost shrinking their stage presence.

‘Manhattan’ provided a more relaxed jazzy arrangement with a Wes Montgomery meets Lee Ritenour feel, on a number well suited to Eric’s instinctive explorations.

‘When The Sun Meets The Sky’ was a plateau of rippling tones and sudden ascending bursts of notes, while he opted to crouch down in front of his giant speaker stacks to squeeze every last tonal possibility from Hendrix’s ‘Are You Experienced’.

He reprised the Celtic feel of his best known ‘Cliffs of Dover’ and all too soon it was over, except that he turned to throw a handful of plectrums into the crowd in probably his most animated moment of the night.

Review by Pete Feenstra
Photos by Stephen Fourie

Featured Artist: JOSH TAERK

Since early 2020 Josh has been entertaining us with exclusive monthly live sessions, streamed via Facebook.
In 2023 he signed a recording deal with Sony in Canada and released a new single on 15 September.

Josh Taerk Sunday Sessions 2024

Latest session: Sunday 14 April

Check out videos here: https://www.facebook.com/getreadytorockradio

David Randall presents a weekly show on Get Ready to ROCK! Radio, Sundays at 22:00 GMT, repeated on Mondays and Fridays), when he invites listeners to ‘Assume The Position’. The show signposts forthcoming gigs and tours and latest additions at getreadytorock.com. First broadcast on 7 April 2024.

UK Blues Broadcaster of the Year (2020 and 2021 Finalist) Pete Feenstra presents his weekly Rock & Blues Show on Tuesday at 19:00 GMT as part of a five hour blues rock marathon “Tuesday is Bluesday at GRTR!”. The show is repeated on Wednesdays at 22:00, Fridays at 20:00). This show was first broadcast 2 April 2024.

How to Listen Live?

Click the programming image at the top of the page (top right of page if using desktop)

Listen via Windows Media Player. Click or tap here and “open file”
Listen via other media player (eg. VLC) Click or tap here and “open file”

Get Ready to ROCK! Radio is also in iTunes under Internet Radio/Classic Rock
Listen in via the Tunein app and search for “Get Ready to ROCK!” and save as favourite.

More information and links at our radio website where you can listen again to shows via the presenter pages: getreadytorockradio.com

Power Plays w/c 15 April 2024

ENMY The Ledge (FiXT)
KAROBELA Get Hard (indie)
KATH & THE KICKS Neptune (indie)
THE BEE TELLERS River Poem (Black Sand Records)
LAUREN FREEBIRD Like A Bomb (indie)

Featured Albums w/c 15 April 2024

09:00-12:00 The Best of 2003-2023
12:00-13:00 The Best of 2003-2023
14:00-16:00 KATARINA PEJAK – Pearls On A String (Ruf Records)

To see our Tweets you need to be logged in to a Twitter account

Tweets by Get Ready to ROCK!