Album review: ANVIL – Pounding The Pavement

ANVIL - Pounding The Pavement

Steamhammer/SPV (Release date 19.01.18)

Few who have seen the brilliant ‘Story Of  Anvil’ film could fail to fall in love with this band. But is being the world’s most loveable metal band enough to make you want to carry on buying their albums? On the evidence of the band’s latest offering the answer has got to be yes.

Ahead of a UK tour in February ‘Pounding The Pavement’ is a very creditable offering. While it’s true there is no new equivalent of ‘Metal on Metal’ here there is plenty of typically Anvil-style good-time heavy metal, with tracks like ‘Smash Your Face’ and ‘Rock Your Shit’ delivering trademark crunching riffs and sing-along choruses.

Opening with ‘Bitch In A Box’ I did at first think come on guys it’s not 1981 any more but the album does also showcase some more mature lyrical themes.

The anthemic ‘Nanook Of The North’ explores the fate of Canada’s inuit population. As a Canadian band, we wanted to focus on more Canadian topics,” Kudlow explains; “I remembered a course at the College of Movie History, where I saw one of the first TV documentaries ever.  I did some research on the internet and came across that strange overtone singing the Inuit do. I was totally awed and knew immediately what I had to do: write a song with that typical tribal feel. That college documentary was made some time during the 1920s and is called ‘Nanook Of The North’, named after the protagonist of the documentary. So I had found my title and the subject of the song.”

Another noteworthy track is ‘Warming Up’ with its Ballroom Blitz-style drum shuffle.

It’s clear that vocalist and guitarist, Steve ‘Lips’ Kudlow, and drummer, Robb Reiner, still love what they are doing and that there’s more to them than simply being endearing but unlikely stars role in a tragi-comic blockbuster.  Along with current bass player, Chris Robertson, Kudlow and Reiner are still rocking and still making decent new music. This album is well worth a listen. ***1/2

Review by Darren Johnson





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